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The group of people brought out by Du Sitong this time have technology, screenwriters, markets, and marketing...... Everyone has their own responsibilities.

Among them, someone is specifically responsible for negotiating with the theater company he likes and discussing the adaptation and filming.

Du Sitong himself has watched a lot of film and television works from various countries, and he has a general understanding of the styles of various countries. She personally likes the actors who come out of LWE, thinking that they have outstanding acting skills, strong expression, and deep line skills.

Now I am even more amazed when I watch a series of dramas. Although not all the actors' performances are flawless, the kind of free movement, every word, every line and stop is the expression of the play, but it is rare in film and television works.

Lin Shu also sighed in his heart - drama and film and television are really two different fields. It's no wonder that after Hu Huanting took drama class, her comedy performance was so much enhanced. Theater actors are really much stronger in their grasp of body language and rhythm, perhaps because of the different nature of the stage, the performance ability they need is completely different, resulting in these two differences today.

Then he thought that the emergence of stereoscopic films would definitely have a great impact on both forms of performance.

In Lin Shu's one-week life, stereoscopic film and television have not developed at all. Because it officially appeared relatively late, at that time virtual technology has basically developed synchronously, which leads to the fact that stereoscopic projection is completely unable to compete with it in terms of competitiveness, and there are very few practical technologies developed in the end.

However, after being reborn, Lin Shu changed this part of the technological development, because he lacked the financial resources to directly get involved in the field of biological brains, so he could only explore as many commercial routes as possible from the technical fields that could be involved at present, so as to accumulate funds.

Then stereoscopic projection technology unconsciously developed into its current state.

He looked like the butterfly with its wings flapped, but he knew it wasn't. Butterflies flapping their wings to cause hurricanes, which are beyond its control, full of luck and chance.

But for Lin Shu, the changes he has made and the changes he has caused are all controllable, at least he himself has a certain ability to control them. So it's not a butterfly effect, it's just a change that he made on his own initiative.

It's a satisfying thing to do that can impact the world and make it better. When people live in this world, they first pursue food and clothing, and then a sense of security and enjoyment. However, these two alone do not make people feel happy...... That's why we say: If people don't have dreams, what's the difference between them and salted fish?

That's why philosophers say that the ultimate goal of human existence lies in the realization of self-worth.

Lin Shu is currently very satisfied with the self-worth he has realized. Regardless of whether he is reborn or not, he can use his power to realize his own value. This is the most important reason why he is confident, satisfied, optimistic, and feels that he can do anything.

I think all the people who pursue their own achievements and future on or off the stage have similar ideas, right? Because the distinction between making a living and a career, survival and life, in fact, lies in such a word, called "ideal".

In his opinion, most of the people who can achieve the top in an industry do so because of their ideals, not just to make a living. They love a career and are willing to put in far more effort and time for this cause than it takes to make a living, so they can achieve something.

This is also the reason why Du Sitong's team has not progressed very smoothly in contact with several theater troupes.

Many theatre companies enjoy their work and prefer to shine on a stage where they can face the audience directly than on the big screen. Many of these actors are not averse to being on the big screen, and some are even very eager to do so, but few are happy to take a break from the show and take the time to shoot a full stage film.

The name of stereoscopic movies has recently gained some fame in many countries, but there are definitely not too many people who have actually seen it. Due to incomprehension, many people are easy to judge by their own imagination, and their imagination is almost based on their previous experience in print film and television, so it is inevitable that stage plays are not suitable for moving to the big screen.

For them, the big screen can't show the true essence of the stage play.

Du Sitong actually agrees with this.

A real stage play is actually like a concert or a live cross talk performance, and the actors and the audience have a certain interaction. There are even some theaters where each performance has a different improvisation, making it unique. The proximity of the actors to the audience, and the fact that they can perform without the microphone and just by the architecture of the theatre itself, is partly due to the small size of the theatre, but also because of the actors' deep line skills and focus on vocal skills.

However, she still believes that the scene has the advantage of the scene, and the stereoscopic film has the uniqueness of the stereoscopic film.

Just to convince the troupe, the staff of Star Shadow spent a lot of effort. Lin Shu also brought technical personnel and sales personnel this time, for this moment. The technician can actually show and explain the beauty of stereoscopic film to some of the theater companies, while the sales staff is there to be more effective persuasion of the company leader.

They also attend most of the meetings of Star Shadow to have a clearer understanding of the possible advantages and benefits of the adaptation and filming, but they do not watch the drama with the troupe throughout the whole process, because once Du Sitong has his eye on which play, the relevant personnel have to try to contact and communicate with the troupe in preparation for possible cooperation in the future.

It's a tough process, with all sorts of obstacles in between, most notably race and language. Xenophobic people are always present at all times and in all places, and the appearance and accent of the group are often not easy to quickly break the hearts and minds of the locals, so that they can talk to them like friends.

Secondly, the rejection or disinterest in stereoscopic film and television, and the distrust of film shooting itself...... It is one of the factors that make it difficult for both sides to negotiate. Fortunately, Xingying also expected this, and with sufficient preparation and professional ability, Xingying finally reached a basic cooperation intention with some troupes.

Remuneration is a key point, but in the end, it is undoubtedly the popularity and technical prospects that convince the other party.

The first to enter the adaptation was a modern musical and dance drama called "The Miracle of Christmas Night". In cooperation with the troupe, Xingying worked with him to adapt the original script, reducing the duration of the song and dance, but enhancing the scale and performance of several songs and dances, and carefully rearranged the songs to make them more popular and in line with the public's preferences.

In addition, the rhythm of the performance has also been adjusted.

The rhythm of a stage play is completely different from that of a film or television series. Because the main body is supported by actors, they hardly have static shots of actors without action sheets and lines. The three-dimensional film itself has the process of laying out the exterior in the later stage, which can cut into various sets without filming on location, which is an innovation and a restriction for the performance of the troupe.

Because of the special effects set, the effect of the performance is obviously much richer, but the actors also need to start paying attention to the changes in the background and rhythmic blank space.

This film may be the fastest film shot by Xingying, the shooting of the whole movie only took a week, and Xingze didn't even invite the director, because the troupe brought it with it.

There were also some minor problems in the filming process, for example, shortly after the shooting, the director of the troupe realized that because of the change of distance and distance of the camera, the actors needed to take back their performances a little more, and their demeanor was more natural and delicate. It took some time to adjust the state, but because the male and female lead actors themselves have experience in performing on the big screen, it is relatively easy to adjust.

The general lines of the script have not changed much from the original play, but according to the needs of filming, some lines that are excessively used have been reduced, and some of the plots of the Gao Dynasty have been expanded. Because they are used to live performances, the actors are very comfortable with memorizing a lot of new lines in a short period of time, and the dramas they are very familiar with and have performed many times, but only some of the content has been modified, so there are no problems.

And after completing part of the post-production, the director and the actors themselves were also shocked by the effect of the film.

I saw the male protagonist walking around in a cage in the studio during the shooting, but at this time he appeared in a green forest like a dream. His gaze wandered among the trees, and he soon came to a waterfall.

Actor: _(:ะ—"โˆ )_I didn't see this waterfall at all when I was shooting, bastard! It's so beautiful, where is this?

He asked, "What is this place?" I've never seen it. โ€

Lin Shu replied: "A certain province of my country, if you come to our country, I can take you to watch it." โ€

Actor: _(:ะท"โˆ )_ blank checks. This kind of sound with 'if' is a blank check.

So he decided to hit the snake with the stick, suddenly reached out and held Lin Shu's hand, and said:

"Great! We'll finish this show in February, and I'll have a vacation by then. Please be sure to take me to see this beautiful waterfall. โ€

The girl next to Lin Shu immediately stretched out her hand, dragged the handsome foreign guy's hand away from Lin Shu's hand, held it warmly and said, "Very welcome." We'll take you to have a good time then, so let's say that. โ€

Lin Shu: "......"

It seems that someone is secretly trying to solve a personal problem during working hours? Forget it, leave her alone, just turn a blind eye.

Before completing all the post-production work, Lin Shu had a flash of inspiration, and gathered a group of technicians overnight, and began to add some new functions to the film - this function is integrated with interactive technology.

Do you remember the interaction that sometimes occurs in stage plays? Lin Shu suddenly realized that in a certain way, he could actually combine intelligent systems and stereoscopic images to create a certain interactive situation. For example, several different episodes are recorded in advance, and during the screening - for example, in a monologue - the actors are asked to ask themselves questions, and if there is feedback from the audience, different episodes are played according to the content of the feedback.

This is actually equivalent to the interactive part of live theater.