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Just like Chen Kaige's art films such as "Farewell My Concubine" and "Yellow Earth", which are extremely smooth, but once they move to a big production like "Wuji", they are obviously inadequate, and similarly, Taiwan's great director Zhu Yanping is also in this situation when he shoots "Thorn Tomb".

For example, in many scenes in "Wu Ji", the actors, backgrounds, and plots are mixed together, giving the audience a messy feeling, which is not that director Chen Kaige does not work hard, but that he is not capable enough to control the big theme of the movie.

In the minds of film critics, if Hollywood directors play a 5*5 movie Rubik's Cube, Li Xiaole has already played the difficulty of 3*3 in "Let the Bullets Fly", and this is already the top 4 level among Chinese directors.

And this time "Saidek Balai", Wei Lilian feels that this Li is crazy and has improved...... It seems that he can already play with the 4x4 movie Rubik's Cube.

Although it is only a level of improvement, the leap in it is incomparably huge...... This is like the level that Chen Kaige, Feng Xiaogang, Wang Jing, Zhu Yanping, these seniors have worked hard for half a lifetime and have not reached...... Li Crazy crossed over at the age of 23?

On the big screen, among the picturesque mountain streams, "Bang! A gunshot woke Lao Wei up from his sigh,

The Sedek attacked from high to bottom, bullets, bows and arrows rained down, and the screams of Japanese soldiers rose and fell on the plank road, in the same style as in "Let the Bullets Fly", the sound of the roaring sound hitting the human body and cutting through the flesh and blood was corresponded to the close-up of blood splattering in the sky.

And this time, there are more scenes of boulders rolling down the cliff and smashing the human body to pieces, Japan wails in despair, but the audience can't help but applaud again and again, smashing these dog-day Japanese!

The anger that had been surprised for more than ten minutes was finally vented, and the audience's emotions were high, and they all sat up straight and stared at the screen tightly, for fear of missing any shots of killing the Japanese.

Peng Mingzheng, who was beside Li Xiaole, couldn't help but shout softly when he heard the two college students in front of him, "It's good to smash!" The stone in his heart finally fell, and he knew that from this moment on, the audience in the theater had begun to stand in the shoes of the people in the movie, and not just look at them as the savage race in the story......

It's a pity that the victory was only short-lived, and the Saidek tribe was weak after all, and after the traitors appeared in the tribe, they couldn't avoid being slaughtered by the Japanese after all.

In the picture, the bloody battle continued, the Sedek people fell one by one in the gunfire, and the gentle and kind voice of Mona Ludao's father sounded again in the distant singing,

"You who live on this earth...... The gods weave a finite life for us...... But we are real men, and real men die on the battlefield...... They walked towards the House of the Ancestral Spirits...... There is a fat hunting ground in the ancestral spirit house, and only true men are qualified to guard that hunting ground...... When they walk towards the ancestral Lingzhi's house, they will pass a beautiful rainbow bridge......"

The Japanese entered Mahepo from the rear, killed all the men with hunting knives, even a child with hunting knives, and captured all the women and children of Saidek, the old men.

Mona Rudao's father was killed in battle, and all this warrior could do was surrender......

When the melodious singing sounded again, the cinema was as quiet as a sleeping forest. No one spoke, and many people couldn't help but cry as Mona Ludo, covered in blood, carrying his father's corpse in the rain. Mona Ludao's screams, the heart-rending screams, the impact on the hearts of the audience, combined with the melodious soul song of Shangsaidek, the scene is full of sadness, and the aborigines of the cinema have already burst into tears.

Mo Wei wiped a handful next to You Daqing, holding his hand while crying, while playing the young Mona Ludao You Daqing next to him, this time because of crying, his eyes were squeezed into a line, and he touched his tears and snot on his clothes while squeezing his eyes.

The tribal elders looked at the ceiling of the theater with tearful eyes, as if muttering something to themselves......

"Ubus, our ancestors never lost their hunting grounds...... I'm not reconciled...... I am not reconciled to ......" young Mona Ludao, crouching in the cold wind, accepting the surrender of the Japanese, muttered to himself that he was not reconciled......

When our homeland falls, should we grovel to their strength or remain angry and resist at any time...... This question echoes in everyone's mind, and now every answer is the same! Revolt!

As soon as the camera turned, 20 years of vicissitudes of life had passed, Li Xiaole sat up slightly, his mood finally became a little nervous, he knew that from now on, this movie can be regarded as the real beginning, "Saidek Balai" does not describe the war itself, but the transformation of the nation in the war.

There was a new change in the Fog Society, and the Sedek people no longer lived a hunting life, but carried the wood used by the Japanese to build the railroad in the heavy rain......

Two Japanese policemen watched the fog society from the high mountain and talked leisurely.

"Educational centers, medical centers, grocery stores, post offices, hotels, dormitories...... The entire Fan tribe in the Wushe region has been civilized by us...... It's not easy, huh? It's hard to imagine that this was once the darkest heart of the island. ”

"They were carrying wood and coming here from the lumber yard in the mountains...... Isn't it just a whole day? ”

"It's okay...... These are strong and strong...... I'm happy to give them a few dollars to buy alcohol~haha~"

At this time, many young people who had not experienced the Japanese occupation era were full of confusion, because these Japanese not only did not have the vicious and murderous look of the Japanese soldiers, but were like ordinary middle-aged uncles, amiable and ordinary, they seemed to find no reason to be angry, but they still felt that something was wrong...... I just can't say it.

But these two Japanese who claimed to bring civilization, Weishenme wanted to call Saidek Shengfan, and Weishenme thought that they should be enslaved like animals?

As the plot develops, the full picture of the Kirisha slowly unfolds in front of people twenty years later, and everything changes and becomes like a Japanese countryside.

Could it be that these high-tech Japanese brought civilization? But since they brought civilization, the children of Weishenme Saidek were forced to learn Japanese, and the men could not hunt but could only help the Japanese as coolies, and the women only wore them as domestic servants......

Yes, the warriors of Sedek chop wood in the forest, numb and enslaved, and it seems that they have become more leisurely than the previous days of hunting? But they don't look as happy as they used to be?

The expression on their faces was more depressed and confused......

Only in the rain, a Saidek man suddenly raised his knife and sang loudly to the sky: "Listen~!" Saidek people~! All the Saidek talents seemed to have woken up from their numbness and sang in unison: "Our warriors~~ like young people with pine buds, they are real warriors~ Decisive death is like falling leaves~~ Decisive death is like dry pine branches and leaves~"

In the heavy rain, in the forest, they raised their soaked bodies, sang loudly, danced, laughed, but they were so happy......

Freedom, he lost the freedom of his soul...... They could not laugh as much as they wanted, dance as much as they wanted on their own land, and they were deprived of their faith, freedom, numbness and mixed days by the self-proclaimed civilized Japanese until the day when their souls perished......

But even so, what can be done? The Japanese are too strong, and to resist means to seek death...... It is better to survive than to be brutally killed......

And the young people of Surek have begun to change, they have begun to change themselves, they are desperate to learn about Japan, they are desperate to become a real Japanese, and they have a real Japanese name...... Ichiro, Jiro.

Mona Ludo is also old, he has gray hair, and he has become silent, but his eyes have not changed, and he is still full of irrepressible killing intent...... It's like the furious murderous intent that Mahpo had when it was captured.

"I grew up and was scared when I saw the boss of Mona...... I always feel that the hand he hides in the cloak is ready to hunt at any time, not to underestimate him, he is impossible to be tamed! ”

"He was caught between the expectations of his people and the threat from Japan...... Is his life miserable? ”

"Aren't we the same?"

Ichiro and Jiro, who were wearing kimonos, sighed and discussed: "I don't want to be a barbarian, but no matter how hard I try to dress up, I can't change this face that is not recognized by civilization." ”

"I've endured it for twenty years, so let's put up with it for another twenty years! When our children grow up, they may be able to completely change our barbaric image. ”

"Can you bear it? Mahpo is about to be driven to extinction......"

What about weishenme? Compared to the Japanese, they are far more civilized than our tribes, and since they come with the fire of civilization, Weishenme wants to slaughter us, discriminate against us, and oppress us? We are better than the average Japanese, but we are still looked down upon by them?

Weishenme Ichiro's grades are far superior to the local Japanese police, but he still gets the minimum wage, and even when his wife is about to give birth, the two Japanese policemen are still taunting him and saying: "Two people can't give birth to Japanese people at all"?

Looking at the confusion on the faces of the audience, Li Xiaole knew that they were thinking, and the following paragraph is the real turning point in this film, and it is also a passage that evokes the sleeping soul, Ichiro finds Mona Ludao by the stream......

"Mona Boss~"

"What are you doing~?"

"Boss Mo, you and I have something to do with the mainland of Japan, I know you've been to Japan!" Ichiro asked Mona Ludao.

Mona Ludo glanced back at him, bowed his head and said, "Japan...... Japan had an army, artillery and machine guns...... Airplanes and big ships, the Japanese are denser than the leaves of the forest, and there are more stones than the muddy water stream......" said Mona Rudo and looked back at Ichiro disdainfully: "I know you are asking this, you don't really want to know what is going on there, you just want to remind me how good Japan is." ”

Ichiro was silent, but the audience felt that this middle-aged Mo Na was a little paranoid and sympathized with Ichiro...... Just like Chen Kaige's art films such as "Farewell My Concubine" and "Yellow Earth", which are extremely smooth, but once they move to a big production like "Wuji", they are obviously inadequate, and similarly, Taiwan's great director Zhu Yanping is also in this situation when he shoots "Thorn Tomb".

For example, in many scenes in "Wu Ji", the actors, backgrounds, and plots are mixed together, giving the audience a messy feeling, which is not that director Chen Kaige does not work hard, but that he is not capable enough to control the big theme of the movie.

In the minds of film critics, if Hollywood directors play a 5*5 movie Rubik's Cube, Li Xiaole has already played the difficulty of 3*3 in "Let the Bullets Fly", and this is already the top 4 level among Chinese directors.

And this time "Saidek Balai", Wei Lilian feels that this Li is crazy and has improved...... It seems that he can already play with the 4x4 movie Rubik's Cube.

Although it is only a level of improvement, the leap in it is incomparably huge...... This is like the level that Chen Kaige, Feng Xiaogang, Wang Jing, Zhu Yanping, these seniors have worked hard for half a lifetime and have not reached...... Li Crazy crossed over at the age of 23?

On the big screen, among the picturesque mountain streams, "Bang! A gunshot woke Lao Wei up from his sigh,

The Sedek attacked from high to bottom, bullets, bows and arrows rained down, and the screams of Japanese soldiers rose and fell on the plank road, in the same style as in "Let the Bullets Fly", the sound of the roaring sound hitting the human body and cutting through the flesh and blood was corresponded to the close-up of blood splattering in the sky.

And this time, there are more scenes of boulders rolling down the cliff and smashing the human body to pieces, Japan wails in despair, but the audience can't help but applaud again and again, smashing these dog-day Japanese!

The anger that had been surprised for more than ten minutes was finally vented, and the audience's emotions were high, and they all sat up straight and stared at the screen tightly, for fear of missing any shots of killing the Japanese.

Peng Mingzheng, who was beside Li Xiaole, couldn't help but shout softly when he heard the two college students in front of him, "It's good to smash!" The stone in his heart finally fell, and he knew that from this moment on, the audience in the theater had begun to stand in the shoes of the people in the movie, and not just look at them as the savage race in the story......

It's a pity that the victory was only short-lived, and the Saidek tribe was weak after all, and after the traitors appeared in the tribe, they couldn't avoid being slaughtered by the Japanese after all.

In the picture, the bloody battle continued, the Sedek people fell one by one in the gunfire, and the gentle and kind voice of Mona Ludao's father sounded again in the distant singing,

"You who live on this earth...... The gods weave a finite life for us...... But we are real men, and real men die on the battlefield...... They walked towards the House of the Ancestral Spirits...... There is a fat hunting ground in the ancestral spirit house, and only true men are qualified to guard that hunting ground...... When they walk towards the ancestral Lingzhi's house, they will pass a beautiful rainbow bridge......"

The Japanese entered Mahepo from the rear, killed all the men with hunting knives, even a child with hunting knives, and captured all the women and children of Saidek, the old men.

Mona Rudao's father was killed in battle, and all this warrior could do was surrender......

When the melodious singing sounded again, the cinema was as quiet as a sleeping forest. No one spoke, and many people couldn't help but cry as Mona Ludo, covered in blood, carrying his father's corpse in the rain. Mona Ludao's screams, the heart-rending screams, the impact on the hearts of the audience, combined with the melodious soul song of Shangsaidek, the scene is full of sadness, and the aborigines of the cinema have already burst into tears.

Mo Wei wiped a handful next to You Daqing, holding his hand while crying, while playing the young Mona Ludao You Daqing next to him, this time because of crying, his eyes were squeezed into a line, and he touched his tears and snot on his clothes while squeezing his eyes.

The tribal elders looked at the ceiling of the theater with tearful eyes, as if muttering something to themselves......

"Ubus, our ancestors never lost their hunting grounds...... I'm not reconciled...... I am not reconciled to ......" young Mona Ludao, crouching in the cold wind, accepting the surrender of the Japanese, muttered to himself that he was not reconciled......

When our homeland falls, should we grovel to their strength or remain angry and resist at any time...... This question echoes in everyone's mind, and now every answer is the same! Revolt!

As soon as the camera turned, 20 years of vicissitudes of life had passed, Li Xiaole sat up slightly, his mood finally became a little nervous, he knew that from now on, this movie can be regarded as the real beginning, "Saidek Balai" does not describe the war itself, but the transformation of the nation in the war.

There was a new change in the Fog Society, and the Sedek people no longer lived a hunting life, but carried the wood used by the Japanese to build the railroad in the heavy rain......

Two Japanese policemen watched the fog society from the high mountain and talked leisurely.

"Educational centers, medical centers, grocery stores, post offices, hotels, dormitories...... The entire Fan tribe in the Wushe region has been civilized by us...... It's not easy, huh? It's hard to imagine that this was once the darkest heart of the island. ”

"They were carrying wood and coming here from the lumber yard in the mountains...... Isn't it just a whole day? ”

"It's okay...... These are strong and strong...... I'm happy to give them a few dollars to buy alcohol~haha~"

At this time, many young people who had not experienced the Japanese occupation era were full of confusion, because these Japanese not only did not have the vicious and murderous look of the Japanese soldiers, but were like ordinary middle-aged uncles, amiable and ordinary, they seemed to find no reason to be angry, but they still felt that something was wrong...... I just can't say it.

But these two Japanese who claimed to bring civilization, Weishenme wanted to call Saidek Shengfan, and Weishenme thought that they should be enslaved like animals?

As the plot develops, the full picture of the Kirisha slowly unfolds in front of people twenty years later, and everything changes and becomes like a Japanese countryside.

Could it be that these high-tech Japanese brought civilization? But since they brought civilization, the children of Weishenme Saidek were forced to learn Japanese, and the men could not hunt but could only help the Japanese as coolies, and the women only wore them as domestic servants......

Yes, the warriors of Sedek chop wood in the forest, numb and enslaved, and it seems that they have become more leisurely than the previous days of hunting? But they don't look as happy as they used to be?

The expression on their faces was more depressed and confused......

Only in the rain, a Saidek man suddenly raised his knife and sang loudly to the sky: "Listen~!" Saidek people~! All the Saidek talents seemed to have woken up from their numbness and sang in unison: "Our warriors~~ like young people with pine buds, they are real warriors~ Decisive death is like falling leaves~~ Decisive death is like dry pine branches and leaves~"

In the heavy rain, in the forest, they raised their soaked bodies, sang loudly, danced, laughed, but they were so happy......

Freedom, he lost the freedom of his soul...... They could not laugh as much as they wanted, dance as much as they wanted on their own land, and they were deprived of their faith, freedom, numbness and mixed days by the self-proclaimed civilized Japanese until the day when their souls perished......

But even so, what can be done? The Japanese are too strong, and to resist means to seek death...... It is better to survive than to be brutally killed......

And the young people of Surek have begun to change, they have begun to change themselves, they are desperate to learn about Japan, they are desperate to become a real Japanese, and they have a real Japanese name...... Ichiro, Jiro.

Mona Ludo is also old, he has gray hair, and he has become silent, but his eyes have not changed, and he is still full of irrepressible killing intent...... It's like the furious murderous intent that Mahpo had when it was captured.

"I grew up and was scared when I saw the boss of Mona...... I always feel that the hand he hides in the cloak is ready to hunt at any time, not to underestimate him, he is impossible to be tamed! ”

"He was caught between the expectations of his people and the threat from Japan...... Is his life miserable? ”

"Aren't we the same?"

Ichiro and Jiro, who were wearing kimonos, sighed and discussed: "I don't want to be a barbarian, but no matter how hard I try to dress up, I can't change this face that is not recognized by civilization." ”

"I've endured it for twenty years, so let's put up with it for another twenty years! When our children grow up, they may be able to completely change our barbaric image. ”

"Can you bear it? Mahpo is about to be driven to extinction......"

What about weishenme? Compared to the Japanese, they are far more civilized than our tribes, and since they come with the fire of civilization, Weishenme wants to slaughter us, discriminate against us, and oppress us? We are better than the average Japanese, but we are still looked down upon by them?

Weishenme Ichiro's grades are far superior to the local Japanese police, but he still gets the minimum wage, and even when his wife is about to give birth, the two Japanese policemen are still taunting him and saying: "Two people can't give birth to Japanese people at all"?

Looking at the confusion on the faces of the audience, Li Xiaole knew that they were thinking, and the following paragraph is the real turning point in this film, and it is also a passage that evokes the sleeping soul, Ichiro finds Mona Ludao by the stream......

"Mona Boss~"

"What are you doing~?"

"Boss Mo, you and I have something to do with the mainland of Japan, I know you've been to Japan!" Ichiro asked Mona Ludao.

Mona Ludo glanced back at him, bowed his head and said, "Japan...... Japan had an army, artillery and machine guns...... Airplanes and big ships, the Japanese are denser than the leaves of the forest, and there are more stones than the muddy water stream......" said Mona Rudo and looked back at Ichiro disdainfully: "I know you are asking this, you don't really want to know what is going on there, you just want to remind me how good Japan is." ”

Ichiro was silent, but the audience felt that this middle-aged Mo Na was a little paranoid and sympathized with Ichiro......