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A one-sided brutal massacre began, the militia's heroic charge, with the burst of gunfire but fell one by one like mahjong tiles, the artillery fire smashed the wooden city gate like thunder, and the Japanese soldiers poured in from the city gate from all directions...... Killing, looting, and wantonly pervading the city...... It is also in the theater, and everyone's heart is permeated.

A college student in the front row clenched his fists tightly and couldn't help but scold: "A group of dogs' ......" As the plot develops, everyone's emotions are constantly suppressed, and the anger in their hearts begins to accumulate......

Wang Qun, who was in the front row, squinted his eyes disapprovingly, for a professional director like him, although the previous plot was emotionally rendered well, the plot was very old-fashioned, Japan killed the Taiwanese, and then the Taiwanese aborigines fought back, this Li Xiaole turned out to be nothing more than that......

Wang Qun was in a relaxed mood, and asked Liu Jialiang next to him with a slightly ridiculous smile: "Liu Lao, I think the following is the confrontation between Japan and the aborigines, if you are here to design, how will you design?" "In war movies, the most direct visual impact on the audience is the process of war, which is extremely important.

"If it's me...... According to the habit, there should be some very imposing ways to draw the bow, the fighting action should be designed to be gorgeous, highlighting the bravery of the tribe, and let the aborigines throw out their scimitars to shoot the enemy, of course, some traps will be designed, such as animal traps, spiny bamboo, etc...... Of course, there are also some brotherhoods that should be highlighted, such as a person who is injured, and the clansmen have to fight to rescue him. ”

Liu Jialiang almost didn't think much about it, and said a lot of the usual routines designed by action groups, isn't it all this set of primitive tribes to modern soldiers in Hollywood?

But the next plot was greatly unexpected to him, after the Japanese suppressed the people in the city of Taiwan, they began to attack the mountains, and the first contact battle between the two sides was completely different from what they imagined, the battle was very short, the Saidek tribe did not use any tricks, just lured the Japanese to their ambush place, and shot them with shotguns.

And in the battle, there is no flashy kung fu-style fighting, it is just the brute force of punching the nose, and the hunting knife will kill a Japanese person as soon as it is slashed.

This simple and rude way made Liu Jialiang, who had been indifferent before, shine in his eyes and stared at the screen with great appreciation.

This movie is completely different from the thinking of traditional films, and it completely presents the real and cruel fighting style, Liu Jialiang does not know Li Xiaole, but he can talk to him from the film style.

Li Xiaole stared at him condescendingly, and then told him:

"Hunters want to kill, it's not as difficult as you think, they have to have guns without guns, and they take the trouble to make a trap, just to attack a few enemies, why bother, the Sedek people fight guerrilla warfare, they don't spend time designing traps, their traps are very simple, there is only one kind, that is, to lure the enemy to the ambush site, and kill them all at once.

weishenme: Do you think they'll throw them with hunting knives? Is it just to be handsome, the hunting knife is the only personal weapon, as soon as it is thrown out, it will become to fight with the enemy empty-handed, bravery is not the same as stupidity, they are hunters not idiots......

Sacrificing yourself to save people? This kind of plot only appears in Hollywood movies, would a hunter sacrifice himself in a hail of bullets to save a man who was shot and dying? If you want to save only those who are within your ability, even ordinary people, let alone this group of people who are out of the way? ”

Liu Jialiang looked at the camera, clearly felt Li Xiaole's intentions, couldn't help but take a deep breath of admiration, and sighed to Wang Qun: "This director, not an ordinary person, shoots in this real way, it is very kind, the aura of this film is different from other films, with a real murderous ......"

Wang Qun was stunned when he heard this, but he forced out a smile and said: "He is the kind of arrogant and ignorant young man who dares to be reckless about anything. ”

The plot is going on on the screen, after the Japanese lost the first war, in order to annihilate the aborigines, they banned all transactions between the Han and the aborigines, and then gathered heavy troops to attack the mountainous areas.

Hundreds of Japanese soldiers on the big screen, in a bird's-eye panorama, marching in a foggy valley, the road against the cliff at their feet is only one meter wide, and on one side is a mountain stream......

The general audience simply opened their mouths and sighed that the scenery was so beautiful, and the previous few film critics who were concentrating on recording the details couldn't help but open their mouths slightly at this moment, and invariably whispered: "Wow......"

I saw the towering mountains, in the cliffs, the dense aborigines quietly crouched in the mountain forest on the top of the mountain, their spears, bows and arrows were quietly pointed at the valley, the short knives pinned to their backs inevitably reflected the sunlight and covered with leaves, and opposite, the tribe led by Mona Ludao's father, who had tattoos on his face, was also quietly waiting for the arrival of the prey.

Under the tense soundtrack, the audience was nervous and looking forward to it, but the film critics in the front row were completely amazed by this cotton, Wang Qun was also extremely shocked, and directly opened his mouth to ask Wei Lilian beside him.

"Mr. Wei, was it a panoramic shot just now, was it aerial photography? How do I think the distance span up and down is too big. ”

"It's not...... How can there be aerial photography to take a close-up view of the deep mountains...... There is only one possibility that he pushes the camera like this, and part of the background in it is a CG picture. Wei Lilian frowned and thought for a moment.

"It's really fake, why can't I see it at all, which one is CG?" Liu Jialiang next to him asked suspiciously.

Wei Lilian, who has been in the film CG industry for 24 years, touched his chin, but was silent in the face of this problem, as a professional CG artist, he usually only needs to look at the picture to analyze where CG is used, but just a quick glance just now, he really found which one is virtual...... The special effects are so realistic.

"This really doesn't look like a national film...... It's better than a lot of Hollywood movies...... This young director in the mainland really has some skills......" Wei Lilian sighed with great admiration.

CG industry professionals are different from ordinary audiences, Wei Lilian has been in this industry for more than 20 years, and he is clear about the gap between Chinese films and Hollywood films. One is underfunded, and the second, most critical, is that there is no jishu.

If a movie wants to do CG, the tone benchmark of the image must be set in the early stage, which scene can be CG, which angle can be used, and how to pull the lens, the director must know in his heart, otherwise after shooting, he will throw it to the special effects company and say: "What effect you want, you must make it for me." "That's absolutely impossible.

This is also Weishenme's blockbuster films in the mainland, although there are many big scenes, but in addition to the director Zhang Yimou, the audience is very fake at first glance, and there is a huge gap with Hollywood movies.

This is not only because the CG post-production budget is small, but more importantly, the director's preliminary work is not ready at all, such as Hong Kong's director Wang Jing's attempt in "Future Police", the CG division's jishu is not bad, and director Wang Jing himself doesn't understand this jishu at all, which creates extremely poor visual effects.

The big scene that pulled the camera just now, ordinary viewers passed it at a glance, but they will leave a huge impression in their hearts, feeling that the shijie presented in this movie is real.

Because this seemingly simple long shot contains a perfect fusion of two sides, scenery, space and time, which is the most commonly used technique in Hollywood movies, just like the surreal theme of "The Lord of the Rings" and "Harry Potter", Weishenme will make the audience feel that he is real?

is because he has made this kind of large-scene CG that pulls the camera throughout, while in domestic films, it is usually only fixed as a solid-state picture, or a small scene, and there are rarely large-scale scenes of turning the camera.

And how did this shot come about? Li Xiaole used a whole week of location scouting, and after selecting 9 candidates for the scenes that he constantly felt suitable in the mountainous area, he shot samples from 6 different angles for each scene, and then went back to adjust the angle one by one in the computer to compare the amount of CG production and whether the color transition was smooth.

In the end, he selected the most suitable one among the 36 samples, and the long shot on the screen is actually 3 real shots, plus CG splicing, but it can't be seen visually at all, and the audience completely thinks it's real, which is the hard work of the preliminary preparation.

This is completely the director's own skills, and he must know the sense of space of the scene, the transition of colors, and the model structure of the natural scenery of the building.

There used to be a very ridiculous argument in domestic films: "Hollywood movies are made of money, nothing is a big deal, if you give domestic film directors enough money, they can also make blockbusters." ”

It's absolute fucking bullshit!

When the director was shooting, to put it bluntly, it was like playing with a Rubik's cube for children, and the resources in his hands were like all kinds of color surfaces, and if he put the most suitable color surface where it should be placed, the movie would be considered a success.

Domestic film directors are like they have been playing a 2*2 movie Rubik's cube, and when they saw Spielberg and James Cameron playing a 5*5 size movie Rubik's cube, they felt that they were actually almost the same, and they all did the same thing, they were all the same principle, and they couldn't all play the color surface together, and the principle was the same......

But they don't want to think about it, in fact, the difficulty of this is a thousand times different...... A one-sided brutal massacre began, the militia's heroic charge, with the burst of gunfire but fell one by one like mahjong tiles, the artillery fire smashed the wooden city gate like thunder, and the Japanese soldiers poured in from the city gate from all directions...... Killing, looting, and wantonly pervading the city...... It is also in the theater, and everyone's heart is permeated.

A college student in the front row clenched his fists tightly and couldn't help but scold: "A group of dogs' ......" As the plot develops, everyone's emotions are constantly suppressed, and the anger in their hearts begins to accumulate......

Wang Qun, who was in the front row, squinted his eyes disapprovingly, for a professional director like him, although the previous plot was emotionally rendered well, the plot was very old-fashioned, Japan killed the Taiwanese, and then the Taiwanese aborigines fought back, this Li Xiaole turned out to be nothing more than that......

Wang Qun was in a relaxed mood, and asked Liu Jialiang next to him with a slightly ridiculous smile: "Liu Lao, I think the following is the confrontation between Japan and the aborigines, if you are here to design, how will you design?" "In war movies, the most direct visual impact on the audience is the process of war, which is extremely important.

"If it's me...... According to the habit, there should be some very imposing ways to draw the bow, the fighting action should be designed to be gorgeous, highlighting the bravery of the tribe, and let the aborigines throw out their scimitars to shoot the enemy, of course, some traps will be designed, such as animal traps, spiny bamboo, etc...... Of course, there are also some brotherhoods that should be highlighted, such as a person who is injured, and the clansmen have to fight to rescue him. ”

Liu Jialiang almost didn't think much about it, and said a lot of the usual routines designed by action groups, isn't it all this set of primitive tribes to modern soldiers in Hollywood?

But the next plot was greatly unexpected to him, after the Japanese suppressed the people in the city of Taiwan, they began to attack the mountains, and the first contact battle between the two sides was completely different from what they imagined, the battle was very short, the Saidek tribe did not use any tricks, just lured the Japanese to their ambush place, and shot them with shotguns.

And in the battle, there is no flashy kung fu-style fighting, it is just the brute force of punching the nose, and the hunting knife will kill a Japanese person as soon as it is slashed.

This simple and rude way made Liu Jialiang, who had been indifferent before, shine in his eyes and stared at the screen with great appreciation.

This movie is completely different from the thinking of traditional films, and it completely presents the real and cruel fighting style, Liu Jialiang does not know Li Xiaole, but he can talk to him from the film style.

Li Xiaole stared at him condescendingly, and then told him:

"Hunters want to kill, it's not as difficult as you think, they have to have guns without guns, and they take the trouble to make a trap, just to attack a few enemies, why bother, the Sedek people fight guerrilla warfare, they don't spend time designing traps, their traps are very simple, there is only one kind, that is, to lure the enemy to the ambush site, and kill them all at once.

weishenme: Do you think they'll throw them with hunting knives? Is it just to be handsome, the hunting knife is the only personal weapon, as soon as it is thrown out, it will become to fight with the enemy empty-handed, bravery is not the same as stupidity, they are hunters not idiots......

Sacrificing yourself to save people? This kind of plot only appears in Hollywood movies, would a hunter sacrifice himself in a hail of bullets to save a man who was shot and dying? If you want to save only those who are within your ability, even ordinary people, let alone this group of people who are out of the way? ”

Liu Jialiang looked at the camera, clearly felt Li Xiaole's intentions, couldn't help but take a deep breath of admiration, and sighed to Wang Qun: "This director, not an ordinary person, shoots in this real way, it is very kind, the aura of this film is different from other films, with a real murderous ......"

Wang Qun was stunned when he heard this, but he forced out a smile and said: "He is the kind of arrogant and ignorant young man who dares to be reckless about anything. ”

The plot is going on on the screen, after the Japanese lost the first war, in order to annihilate the aborigines, they banned all transactions between the Han and the aborigines, and then gathered heavy troops to attack the mountainous areas.

Hundreds of Japanese soldiers on the big screen, in a bird's-eye panorama, marching in a foggy valley, the road against the cliff at their feet is only one meter wide, and on one side is a mountain stream......

The general audience simply opened their mouths and sighed that the scenery was so beautiful, and the previous few film critics who were concentrating on recording the details couldn't help but open their mouths slightly at this moment, and invariably whispered: "Wow......"

I saw the towering mountains, in the cliffs, the dense aborigines quietly crouched in the mountain forest on the top of the mountain, their spears, bows and arrows were quietly pointed at the valley, the short knives pinned to their backs inevitably reflected the sunlight and covered with leaves, and opposite, the tribe led by Mona Ludao's father, who had tattoos on his face, was also quietly waiting for the arrival of the prey.

Under the tense soundtrack, the audience was nervous and looking forward to it, but the film critics in the front row were completely amazed by this cotton, Wang Qun was also extremely shocked, and directly opened his mouth to ask Wei Lilian beside him.

"Mr. Wei, was it a panoramic shot just now, was it aerial photography? How do I think the distance span up and down is too big. ”

"It's not...... How can there be aerial photography to take a close-up view of the deep mountains...... There is only one possibility that he pushes the camera like this, and part of the background in it is a CG picture. Wei Lilian frowned and thought for a moment.

"It's really fake, why can't I see it at all, which one is CG?" Liu Jialiang next to him asked suspiciously.

Wei Lilian, who has been in the film CG industry for 24 years, touched his chin, but was silent in the face of this problem, as a professional CG artist, he usually only needs to look at the picture to analyze where CG is used, but just a quick glance just now, he really found which one is virtual...... The special effects are so realistic.

"This really doesn't look like a national film...... It's better than a lot of Hollywood movies...... This young director in the mainland really has some skills......" Wei Lilian sighed with great admiration.

CG industry professionals are different from ordinary audiences, Wei Lilian has been in this industry for more than 20 years, and he is clear about the gap between Chinese films and Hollywood films. One is underfunded, and the second, most critical, is that there is no jishu.

If a movie wants to do CG, the tone benchmark of the image must be set in the early stage, which scene can be CG, which angle can be used, and how to pull the lens, the director must know in his heart, otherwise after shooting, he will throw it to the special effects company and say: "What effect you want, you must make it for me." "That's absolutely impossible.

This is also Weishenme's blockbuster films in the mainland, although there are many big scenes, but in addition to the director Zhang Yimou, the audience is very fake at first glance, and there is a huge gap with Hollywood movies.

This is not only because the CG post-production budget is small, but more importantly, the director's preliminary work is not ready at all, such as Hong Kong's director Wang Jing's attempt in "Future Police", the CG division's jishu is not bad, and director Wang Jing himself doesn't understand this jishu at all, which creates extremely poor visual effects.

The big scene that pulled the camera just now, ordinary viewers passed it at a glance, but they will leave a huge impression in their hearts, feeling that the shijie presented in this movie is real.

Because this seemingly simple long shot contains a perfect fusion of two sides, scenery, space and time, which is the most commonly used technique in Hollywood movies, just like the surreal theme of "The Lord of the Rings" and "Harry Potter", Weishenme will make the audience feel that he is real?

is because he has made this kind of large-scene CG that pulls the camera throughout, while in domestic films, it is usually only fixed as a solid-state picture, or a small scene, and there are rarely large-scale scenes of turning the camera.

And how did this shot come about? Li Xiaole used a whole week of location scouting, and after selecting 9 candidates for the scenes that he constantly felt suitable in the mountainous area, he shot samples from 6 different angles for each scene, and then went back to adjust the angle one by one in the computer to compare the amount of CG production and whether the color transition was smooth.

In the end, he selected the most suitable one among the 36 samples, and the long shot on the screen is actually 3 real shots, plus CG splicing, but it can't be seen visually at all, and the audience completely thinks it's real, which is the hard work of the preliminary preparation.

This is completely the director's own skills, and he must know the sense of space of the scene, the transition of colors, and the model structure of the natural scenery of the building.

There used to be a very ridiculous argument in domestic films: "Hollywood movies are made of money, nothing is a big deal, if you give domestic film directors enough money, they can also make blockbusters." ”

It's absolute fucking bullshit!

When the director was shooting, to put it bluntly, it was like playing with a Rubik's cube for children, and the resources in his hands were like all kinds of color surfaces, and if he put the most suitable color surface where it should be placed, the movie would be considered a success.

Domestic film directors are like they have been playing a 2*2 movie Rubik's cube, and when they saw Spielberg and James Cameron playing a 5*5 size movie Rubik's cube, they felt that they were actually almost the same, and they all did the same thing, they were all the same principle, and they couldn't all play the color surface together, and the principle was the same......

But they don't want to think about it, in fact, the difficulty of this is a thousand times different......