readx;

Yan Shenyu is a very interesting girl, after sending away the koalas, she just hummed and interrogated Yunluo, and heard that Yunluo and the koalas went to Yangzhou to play, and they were also clamoring to go out to play, Yunluo could only obey Yan Shenyu's thoughts. The pen "Fun" Pavilion www.biquge.info Xiangchu Junzi didn't want to go, so he stayed in Sihai City and took care of the red rat candy.

Quietly returned to Yangzhou, Yunluo brought Yan Shenyu to Yangzhou Museum, the unique shape of the building of the Shuangbo Museum, the appearance of the lotus leaf shape, so that it integrates into the adjacent lakeside geographical environment, fully embodies the harmony and unity of man and nature, the design concept of the integration of architecture and nature.

The natural and smooth, non-angular exterior lines of the building abstractly reflect the attributes of water, which is the refinement of Yangzhou's local characteristic cultural spirit, and embodies the design concept of harmony and unity between man and nature, and the integration of architecture and environment.

The predecessor of the Shuangbo Museum was the Yangzhou Museum. The history of Yangzhou Museum can be traced back to the establishment of Yangzhou "Cultural Relics Museum" and the "Northern Jiangsu Museum" in the same year. After more than 50 years of development, Yangzhou Museum has become an influential comprehensive museum with rich collections, complete functions and distinctive local characteristics.

The museum covers an area of more than 50,000 square meters, with a total construction area of more than 22,000 square meters, divided into two main buildings and annex buildings, with a construction area of 20,000 square meters for the main building and more than 10,000 square meters for the annex building in the North Reservoir District. The building height of the main hall is 22.4 meters, and the main building is a three-story frame structure, with some four-storey floors.

The main building is divided into three parts, the east is the Yangzhou Huaguo Engraving and Printing Museum, the west is the Yangzhou Museum, and the atrium shared space organically combines the two museums. The exhibition area of the double museum is 10,000 square meters. On the square outside the Shuangbo Museum, there are many stone carvings and sculptures of famous historical figures related to the history of Yangzhou.

Liu Bi (215-540 BC), in the early Han Dynasty, was named King of Wu, with Guangling as the capital, and governed three counties and fifty-three cities. The excavation of canals in the feudal country, "that is, the mountains to make money, and the sea to be boiled for salt", promoted the rapid development of the local economy, instigated the "Rebellion of the Seven Kingdoms", and was finally defeated and killed.

Fucha (?) ―473 BC) Monarch of Wu during the Spring and Autumn Period. At the end of spring and autumn, it laid a base for northward development. The "Hancheng" was built in the tail of Shugang, Yangzhou, and the ditch connecting the Yangtze River and the Huai River was dug to open the prelude to the city of Yangzhou.

Ruan Yuan (1764-1849) was born in Yangzhou. A leader in the literary world in the middle of the Qing Dynasty, a generation of famous ministers. He presided over the compilation and school of a large number of ancient books, and actively supported the publication of the academic achievements of the Yangzhou School. In his later years, he devoted himself to the restoration of cultural relics and monuments.

Ouyang Xiu (1007-1072) was known as Uncle Yong, a drunkard, and a monk in the evening. He was the leader of the ancient literary movement in the Northern Song Dynasty and one of the eight masters of the Tang and Song dynasties. He once served as the governor of Yangzhou, and during his tenure, he built "Pingshan Hall", repaired places of interest and historic sites, and carried out cultural movements, which had a far-reaching impact.

Dong Zhongshu (179-104 BC), the capital of the Western Han River, was a thinker, philosopher, and the most important promoter and disseminator of Confucian culture. He put forward the theory of "Zhengyi Mingdao", which was respected by Emperor Wu of the Han Dynasty and later rulers.

Jianzhen (688-763). Commonly known as Chunyu, a monk of the Tang Dynasty, in his later years, he was invited by the Japanese monks, crossed to the east to pass the law, and was blind in both eyes. Finally arrived in Nara. He has made great historical achievements in spreading Buddhism and the culture of the Tang Dynasty.

Shi Kefa, the word constitution, and the word neighbor. Famous generals and national heroes of the late Ming Dynasty. In his early years, he was admitted to the Jinshi and entered the official career. Later, he put down rebellions in various places. After the capture of the capital city. Shi Kefa supported King Mingfu (Emperor Hongguang) and continued to fight against the Qing army. The Qing army besieged Yangzhou City on a large scale, and the city of Shi Kefa was broken and died.

The Shuangbo Building is a three-story frame structure, divided into two major areas: east and west. The east area is the Yangzhou Huaguo Engraving and Printing Museum, the west area is the new Yangzhou Museum, and the central shared hall organically connects the two museums, so that the whole building is integrated.

When you enter the gate of the Shuangbo Museum, you will be greeted by the symbol of the Shuangbo Museum, the statue of Fuxi Nuwa, which immediately brings your thoughts to the ancient times where our ancestors lived. Yunluo and Yan Shenyu turned left into the preface hall, and inside was a large temporary exhibition hall that could undertake all kinds of exhibits, where you could see temporary exhibitions with different characteristics.

Out of the exhibition hall along the hall up the stairs, you will come to the special exhibition hall of the Yangzhou Museum, where there is a display of the museum's "treasure of the town hall" - Yuan? The "National Treasure Hall" of the blue glazed white dragon plum vase, and the "Yangzhou Sculpture Art Exhibition Hall" that displays Yangzhou's unique carving art.

In order to commemorate the 320th anniversary of Zheng Banqiao's birth, the Municipal Museum selected 34 pieces (sets) of Zheng Banqiao's calligraphy and painting masterpieces from the collection, and held the "Peerless Romance - Zheng Banqiao Calligraphy and Painting Exhibition from the Yangzhou Museum" in the Ming and Qing Dynasty Calligraphy and Painting Hall on the second floor of the museum. It is reported that this is the first time that the Yangzhou Museum will exhibit all the masterpieces of Zheng Banqiao's calligraphy and painting in the museum.

"Peerless Romance - Exhibition of Zheng Banqiao's Calligraphy and Painting in Yangzhou Museum" covers Zheng Banqiao's works in different periods, with distinct themes and diverse forms, including blue, bamboo, stone and other vertical scrolls, as well as many albums and handscrolls such as cursive and line calligraphy in Banqiao, which are very well preserved.

Among the exhibits, some of Zheng Banqiao's calligraphy and painting masterpieces are on display for the first time, including a six-foot "Orchid Bamboo Stone Map", which is the largest work of Zheng Banqiao in the museum's collection.

Among the exhibits are two works by Zheng Banqiao inscribed poems for the contemporary painter Luo Yuxi. Luo Yuxi is the father of Luo Ping, the youngest painter of the "Eight Strange Artists of Yangzhou", and these two works have been handed down to provide information for the study of the interaction between the Eight Strange painters of Yangzhou.

Zheng Banqiao, Han nationality, native of Xinghua, Jiangsu, ancestral home of Suzhou. Famous painter and calligrapher of the Qing Dynasty; Formerly known as Zheng Xie, the word Kerou, the number Li'an, also known as Banqiao, known as Mr. Banqiao, also known as Zheng Banqiao.

Zheng Banqiao is an outstanding artistic celebrity in the history of China, the main representative of the "Eight Monsters of Yangzhou", and a calligrapher, painter and writer who is famous for his three unique "poems, calligraphy and paintings". His life can be divided into five stages: "reading, teaching", selling paintings in Yangzhou, "lifting people in the middle and entering the scholars", and traveling to eunuchs, becoming a clerk and selling paintings in Yangzhou again.

Zheng Banqiao was born on November 22, 1693 and died on January 22, 1765, at the age of 73; He should be regarded as Kangxi Xiucai, Yongzheng ten years, and Jinshi in the first year of Qianlong (1736). The official and county decrees, there is a political voice "to ask for relief for the people with hunger, and the officials are angry, so they beg to return home." ”

Before and after becoming an official, he lived in Yangzhou and made a living from calligraphy and painting. Gong poems, words, good calligraphy, paintings. Poetry disdains idioms. Painting is good at flowers, wood and stone, especially long orchid bamboo. The wonder of the orchid leaves is swayed with scorched ink, erected in the middle of the cursive script, long skimming, more not chaotic, less not sparse, get rid of the habits, show strength.

The book is also unique, subordinate and mixed, and calls itself "six and a half books". Occasionally, it is also practiced by painting. Seal pen force Pu Gu forced text, Ho. For people uninhibited, to Jin Shi to choose the county order, poetry and wine, and the county, because of the hunger for the people to ask for relief, resentful officials, return, live in Yangzhou, the reputation is great. Indulge in landscapes, and make drunken trips with people and wild people.

When he wrote Conglan thin stone in the lounge and monk wall, he wrote the inscription at hand, and the audience was amazed. He is the author of "The Complete Works of Banqiao", which is engraved in handwriting. The paintings he made were sold, and he was praised for a while. It is one of the "Eight Strange Creatures of Yangzhou", and its poems, calligraphy and paintings are known as the "Three Uniques", and he is good at painting orchid bamboo. Zheng Xie painted the most bamboo in his life, followed by orchid and stone, but also painted pine and chrysanthemum, and was a more representative literati painter in the Qing Dynasty.

Zheng Banqiao was born in a scholarly family, a talent in the last years of Kangxi, a person in the middle of the tenth year of Yongzheng, a jinshi in the first year of Qianlong, and a county seat for 12 years since he was 50 years old. The idea of "gaining ambition and benefiting the people" made him take measures such as "opening a warehouse for loans" and "donating money instead of losing" to the common people who had been suffering from famine for many years, which aroused the dissatisfaction of corrupt officials, evil tyrants and inferior gentry, and he was demoted.

After that, he made a living by selling paintings. Zheng Banqiao's life has experienced ups and downs, tasted ups and downs, and seen through the heat and coldness of the world, and he dared to blend all of this into his works.

Tasting and analyzing the inscription poems on the orchid bamboo pictures painted by Zheng Banqiao in different periods, we can associate Zheng Banqiao's life experience with the image of the limited canvas, and associate with various phenomena in the Qing Dynasty society, so that a single picture is like a literary work, film and television, narrating many, many ......

He was appointed to the county, and once made a painting "Painting Bamboo in the Department of Bamboo Cheng Nian Bo Bao Dazhong Cheng Kuo", the inscription in the painting is a poem: "Yazhai lies down and listens to Xiao Xiaozhu, suspected to be the voice of the people's suffering, some small Caozhou county officials, a branch and a leaf are always concerned." ”

The bamboo in this painting is no longer the "reproduction" of natural bamboo, this poem is no longer a poem title that is sent without feeling, through painting and poetry, people are reminded of Banqiao's character, he is a county magistrate, from the sound of bamboo in Yazhai Xiaoxiao, to the people's distress, indicating that he has the people in his heart, and the emotional chain is tied to the people.

At this time, the bamboo leaves in the painting have been expanded, Zheng Banqiao opened a warehouse for loans, and the scenes of relief for the victims appeared in people's minds one by one, and the "frozen moment" became an infinite continuation of the story in the audience's minds, just like a highly infectious novel or film, which is gripping and thought-provoking. A few bamboo leaves and a few concise poems make people feel the profound thoughts and strong affection contained in the works.

There are a few more paintings of Zheng Banqiao who left the county after being demoted, three donkeys and a cart of books, two sleeves and a breeze, before and after the departure of the painting, one of the paintings of bamboo pictures inscribed clouds: "The black yarn is not thrown for the official, the bag Xiao Xiao two sleeves are cold, write a thin bamboo, the bamboo fishing rod on the autumn wind river", borrowed bamboo to express his calm state of mind of abandoning the official for the people, indifferent to fame and fortune, and enjoying life.

The second "Bamboo and Stone Map" inscribed poem says: "Insist that the green mountains are not relaxed, the roots are in the broken rocks, and the thousands of blows are still strong, and the wind blows from east to west, north and south." ”

Zheng Banqiao borrowed bamboo to express his free and open-minded mind, expressing the character of bravely facing reality and never succumbing to setbacks, and the bamboo was personified, at this time, "poetry is an invisible painting, and painting is a tangible poem". (To be continued.) )

...

...