readx;

Similarly, there are also inscriptions such as "Ink Bamboo Map": "The two sideburns star returned from the Huan Sea, and the spring breeze lies high in the bamboo west pavilion, and now Yangzhou bamboo is planted, and the south of the Yangtze River is still green." Pen, Fun, Pavilion www.biquge.info" another bamboo picture inscription: "I was trapped by micro-officials, and I went to the Junyuan to grow my spirit, and the fragrance was a piece of Xiao Xiao bamboo, and the class inside was finally dusty." ”

These ink and bamboo pictures are all used to express his emotions after being demoted, becoming more and more free and easy, "picking chrysanthemums under the east fence, and leisurely seeing Nanshan". So far, we can see that most of the bamboo and inscription poems painted by Zheng Banqiao are borrowed from bamboo, supporting things and words, expressing the feelings of "Yazhai lying down and listening to Xiao Xiaozhu, suspected to be the voice of the people's suffering".

It shows the strength of "standing in the turbulent rock, Ren Er's east, west, north and south winds", expressing the integrity and spirit of "writing a thin bamboo, and throwing the black yarn away not for the official".

This is what distinguishes Zheng Banqiao's works from traditional flower and bird paintings, and from his predecessors. Most of the traditional orchid bamboo is expressed as an appreciative and entertaining theme, and the picture mainly pursues the truth and beauty of natural images, the high and low level of painting skills, and the skillful and elegant use of brush and ink.

In Zheng Banqiao's pen, in addition to achieving these skills and techniques, the inscription poem also gives the subject a new ideological content and profound artistic conception, so that the flower and bird painting can also produce ideology and lyricism, giving people a deep feeling, and making people have endless aftertaste and thoughts after reading it......

Zheng Banqiao's bamboo painting is unique, and so is the stone painting. No matter how ruthless the natural world is, the stones in his pen are also alive, such as the stones in "Pillar Stone Drawing", which is also a common theme in the paintings of his predecessors, but it is rarely expressed as the main image. Zheng Banqiao, on the other hand, paints an isolated peak rock in the center of the painting, but it has the spirit of reaching straight into the sky, and there is no background on all sides.

Draw four seven-character poems: "Who is lonely with the deserted fast, a pillar stone on the sky." It is Tao Yuanliang who is straight, how can Wudou bend my waist. The poem breaks the title of the painting, and suddenly combines the stone and the character together, which can be described as "the painting is insufficient and the title is sufficient, and the painting is silent and the poetry is sound." Poetry and painting are used for each other, opening up countless methods for future generations. ”

Itabashi lends a strong stone. Praise Tao Yuanming. Itabashi praised him for his upright and noble character, and at the same time seemed to confide in his own similarities and bearing. The stones in the painting represent the human figures, and they contain the quality of uprightness and grandeur, which makes people feel that painting stones here is more meaningful than painting people, and can reveal profound meanings.

Zheng Banqiao also has many paintings with orchids as the theme, and also shows some new content, using the title to play with poems, implying views on various things. Such as: some borrow orchid characteristics. Overflowing with the mind of being a man who is not arrogant in victory, not discouraged in defeat, and holding a normal mentality, the inscription poem clouds: "Orchids are related to bamboo, always in the green mountains and green waters, the frost and snow are not withered and the spring is not glamorous, and the laughing people are red and purple as stubborn." ”

Orchids make people reminiscent, and they should be as quiet, long-lasting, fragrant as orchids, and not impetuous. Not to be glamorous. The size of the picture is close at hand, and the expansion is infinitely large. The artistic conception is profound. Another example: some borrow clusters of orchids, sandwiched with some thorny natural phenomena, and the gentleman can tolerate the generosity of the villain.

"Thorn Bush Orchid Stone Map" inscribed poem cloud: "Thorns are not allowed to become orchids, and the outer heavenly demons look at it coldly, and see that the fish and dragons are mixed, and they know that Buddhism is vast." Another "Thorn Bush Orchid Stone Map" has the inscription: "All are gentlemen." And then what will happen after that? The cover gentleman can accommodate the villain, and the villain cannot become a gentleman, so the orchid in the thorns is more lush. ”

Banqiao is ingenious, and the orchids are interspersed with a few thorns. The coexistence of orchids and thorns in the painting expresses the magnanimity of encountering villains, living in harmony and "becoming a hero after training", and the reader also benefits a lot.

The more you read, the more you feel that simple plants have a profound artistic conception and are endlessly fun. Looking at the orchid bamboo stone painted by Zheng Banqiao's pen, and the inscription poem, it is not difficult for us to see that the reason why he likes to paint orchid bamboo stone, as he said: "The orchid that is not thanked at four o'clock, the evergreen bamboo of a hundred sections, the stone that is invincible through the ages, and the person who remains unchanged for thousands of years", and "for the four beauties".

"There are orchids, bamboos, stones, knots, incense and bones." In his eyes, Lanzhu Stone can represent people's unyielding, upright, selfless, tenacious, bright-hearted, noble character and other qualities.

Zheng Banqiao's most famous is "Ink and Bamboo Picture Inscription Poem": Yazhai lies down and listens to Xiao Xiaozhu, which is suspected to be the voice of the people's suffering. Some small Caozhou counties and cities, one branch and one leaf are always related. This poem describes the disaster he suffered during his tenure and starved countless people. Zheng Banqiao ran around for the victims all day long, tired during the day, and had a lot of thoughts at night, and couldn't sleep at night.

Listening to the cold rain knocking on the window, the wind blowing the bamboo, and the sound of Xiao Xiao, he immediately thought of the people's complaints about hunger and cold, so he got up and painted on paper, achieved this article, and sent it to his superiors to make them understand the people's suffering.

He also wrote to ask for relief, opened the official warehouse, and relieved the people. The disaster was serious and the situation was urgent, so he didn't have time to wait for the approval of his superiors, so he resolutely decided to open a warehouse and release grain, and at the same time mobilized officials to cook porridge for disaster relief, so he offended his superiors and was dismissed.

All of the above are Zheng Banqiao's creative paintings that are closely related to various phenomena in real life through orchids, bamboos, and stones, and are also the contributions made by "literati painting", "detached from reality and escaping from reality", and leading to "caring for reality and paying attention to reality".

The inscription poem makes the relatively simple flower and bird painting have rich social content, produces profound ideology and lyricism, shortens the distance with the reader, as if carrying out heart-to-heart communication and face-to-face dialogue, so that the "frozen moment" continues and strengthens the artistic appeal.

In addition to being ideological and lyrical in content, the inscription poems are also more artistic and interesting in form. The inscription poems can fully reflect the artistic interest of "calligraphy and painting have the same origin" and "use the same brush", while the inscriptions of traditional painters are mostly inscribed in the blank space of the painting, which plays a balancing role with the picture.

However, the inscription of "Yangzhou Eight Monsters" has been out of the traditional Chinese painting and the inscription of "literati painting" and poetry, especially Zheng Banqiao's combination of calligraphy and painting, and has become a special technique for expressing the image together, and the relationship between them is inseparable.

For example, in the "Blue Stone Map", Zheng Banqiao ingeniously integrates the poems in the form of calligraphy, the real grass and the seal, large and small, staggering and crooked, just like the "stone paving street" on the stone wall, replacing the method required for painting stones, producing the beauty of rhythm and rhythm, and just the right place to express the three-dimensional sense and texture beauty of the stone, which is more interesting than simply using the method to express the three-dimensional sense.

This has become an indispensable method of expression, which not only profoundly reveals the characteristics of orchids, implies the artistic conception of noble character, but also replaces the artistic beauty of calligraphy art. When viewing paintings, people can not only enjoy the artistic conception of painting and poetry, but also enjoy the formal beauty of calligraphy art, and immerse themselves in poetry and painting.

In addition, on many of the paintings of Lanzhushi, the form of his inscription poems is varied, unconventional, eclectic, and natural, so as to achieve good books and decent lines, and the paintings will also be colorful. The so-called proper line is to conceive according to the reality of the picture, and pay attention to the formal beauty of the composition, so he will inscribe poems or long titles on the side.

Or short questions on the top and bottom, or longitudinal, or horizontal, or oblique, or through between the orchid bamboo, between the vine leaves, intermittent questions, looking at its form, uneven, sparse and dense. It is a book and a title, a painting is a poem, a poem is a painting, and appreciating the poems inscribed in each painting is not only a wonderful calligraphy reproduction, but also a comprehensive art that contrasts calligraphy and painting.

The title of the book and the picture are organically blended together, forming a unified poetic and picturesque feeling, giving people a comprehensive and perfect artistic enjoyment. Therefore, everyone in the world praises them as the best creators of poetry, calligraphy, painting and printing.

To sum up, Zheng Banqiao's works break through the barriers of traditional flower and bird painting, and his works are not the "reproduction" of natural scenes, nor the reproduction of the art of predecessors, nor are they far away from life, but have a unique personality and innovative spirit. Therefore, since the advent of its works, it has been well received by people at home and abroad.

It is not difficult to find that people's aesthetic standards like works with personality, intention, innovation and appeal, which gives us enlightenment: only when works have personality and innovation can they have unlimited vitality.

Yunluo took Yan Shenyu to go to see the terracotta figurines, the plump beauty - Tang Dynasty ladies life exhibition "to the early Tang Dynasty to the Tang Dynasty ladies figurines as the main body, combined with bronze mirrors, hairpins and other related cultural relics to display, with details to present the maids' living bits and pieces, reproduce the Tang Dynasty ladies ornaments gorgeous and exquisite.

The Tang Dynasty was the heyday of China's feudal society, with a prosperous economy, developed culture, and frequent foreign exchanges. Under such a social background, the lives of ladies in the Tang Dynasty showed an unprecedented open situation.

In particular, the aristocratic women living in the capital Chang'an were not only enthusiastic about politics and self-pursuit, but also dressed up their beauty with gorgeous clothes, beautiful makeup, and exquisite ornaments, and set foot in all aspects of social life in the Tang Dynasty, leaving a strong mark in history.

"The Beauty of Plumpness - The Life Exhibition of Ladies in the Tang Dynasty" is a collection of high-quality products and colorful colors. The painted female figurines of the arched hands, the female figurines of the painted objects, the female figurines of the painted hoods, the three-color female figurines and so on are in a variety of postures and bright colors, which are the outstanding representatives of the statue art of the Tang Dynasty.

Flying gold ctenophores, spherical hollow string treasure gold earrings, inlaid onyx gilt silver hairpin, silver arm pendant, spherical hollow string treasure gold earrings and other luxurious, noble and dazzling. The museum has 28 pieces (sets) of precious cultural relics such as horseback figurines, blue Ruyi shoes, and Tang Dynasty hair buns, which fully reflect the extensive influence of the Central Plains culture on the culture of the Western Regions, and deserve special attention.

Among them, the blue Ruyi shoes, the flying pattern gold crow and other precious cultural relics are very eye-catching. The exhibition is divided into three parts: an open social atmosphere, exquisite social life, and colorful entertainment activities. (To be continued.) )

...

...