There are three main driving forces for the development of the work, one is to rely on the plot to promote the work, the second is to rely on the characters to lead to the plot, and the third is to rely on the magic weapon to determine the trend. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 The third case is only a minority, compared to the first two patterns, which are more common and more traditional.

These two ways of writing, the first mode has lower requirements for character portrayal, even if the character image is vague and the character is not distinct, it will not affect the development of the plot, while the latter one, on the contrary, the author does not need to consider the complete plot structure before writing, but must have a good grasp of the character building, especially the personality of the protagonist must be highlighted, and then, let the characters in the book themselves promote the development of the plot.

At first glance, the second mode has certain requirements for character building, which seems to be more difficult, but in fact, this one is a relatively simple model. You must know that if a work wants to be successful, although it doesn't need much creativity, after all, it can't be exactly the same as someone else's work, otherwise even if it's not plagiarism, it will make readers feel bored, so there should be some changes. And if it is a work driven by the plot, if you want to write differently, you must think about each plot and try to write new ideas, and the works that rely on the characters to promote, you only need to spend a little effort on the character setting, and then, it is completely up to the characters to decide the plot, when the character personality is prominent, the same plot cause, will develop different processes, different results, it seems, that is, it has new ideas, so, this kind of work, the trouble is only temporary, and it will save a lot of trouble in general.

So, how do you create a character with a strong image? I think it's an easy way for newcomers who don't have enough pen power to make their characters face. Although this is not a superior means, and it is easy to make the characters lack aura, at least, the character image after facial painting will be more distinct, the character can be more prominent, and it is easier to grasp in a specific plot.

To create a face-painted character, the main thing to pay attention to is simplification, such as setting this person to be arrogant, to highlight this, and all the way to the end, and don't let him have a complex character, what is arrogant with kindness, kindness sandwiched with tyranny, it is very important, although this will make the character more real and fuller, but it destroys the face image, but it is not easy to be remembered by readers.

In order to make up for the monotony of the face, there is a small trick that can be used, that is, artificially create some small flaws for the characters, or more special habits, such as especially love bananas, such as especially dislike shampoo, such as hating others touching his beard, such as liking to touch his nose when he has nothing to do, or, like to say a certain classic mantra, and so on. With these features, the character will look much fuller at first glance, and it will also make the tall character appear more approachable, and at the same time, those features will be easier for the reader to remember, especially when a feature becomes the character's signature.

The above techniques can not only be used on the protagonist, but also consider adding to the supporting role, and because he is only a supporting role, he can also have more flaws without thinking too much about the reader's perception. This technique can be used in most works, especially competitive works, because it has relatively high requirements for character portrayal, in addition to the protagonist, other teammates or main opponents are also very important, this kind of work, often has a large number of characters, and as soon as they appear, it is a group, if the characters lack distinguishable characteristics, it is difficult to be distinguished by readers, let alone remembered by them.

Another place where this technique may be used is in the portrayal of the heroine. In many works, the heroine is not the only one, and there will even be many, and many new authors lack both life experience and pen power, and it is difficult to portray each heroine vividly, and even, many times, we see the same vase heroine, except for the different names, there is no difference between the others.

In fact, if you want to improve it here, there is a clever way, which is similar to the above arrangement defects, and we also add various superficial characteristics to several heroines, for example, heroine A has very big breasts, heroine B is a little Luoli, heroine C is good at dancing, heroine D is particularly rich, and heroine E is particularly cold...... As long as these characteristics are reflected from time to time in later episodes, the characters will be easily distinguished by the reader, who will remember who is the girl who can sing and who is the girl who can dance, and who in turn will think that these heroines are not vases. In this way, the reader's impression of the work will naturally be much better.

In addition to the portrayal of the characters, when setting the characters, it is also clear whether they are passers-by A and Song Bing B who are used once, or important supporting roles throughout the whole text, and the intensity of their descriptions should be different. At the same time, after setting up the characters, they must also reasonably arrange the order and way of their appearance, especially the time of appearance should be controlled, if there are too many characters at one time, it is easy to cause chaos, not only the author himself is not easy to control, but also distract the reader's attention, which also causes them to be uncomfortable.

In addition, regarding the characters, the last point to note is that no matter how many characters are portrayed, no matter what kind of relationship these characters have, one thing must be clear, that is, the protagonist is the supreme being, any character exists for him and serves him, everything must be centered on the protagonist and focus on him, and even, there should not be a large part of the plot where the protagonist is not present. Emphasizing the existence of the protagonist and emphasizing his role is the royal road of YY.

1. Substitution

Personally, I think that writing a book is the same as drawing, first of all, you must have a general outline in your mind, and then gradually improve it. And the first stroke is the most important stroke in the whole painting. The same is true for writing novels, the first stroke is substitution, as for how to substitute, I'm afraid it's the most confusing place for you.

First of all, let's analyze some of the more popular books in recent years.

Zhu Xian, Star Change, Divine Tomb, Panlong, Yang God, Mortal Cultivation of Immortals, Immortal Rebellion, Douluo Continent, Sleepy Dragon Ascension......

I think everyone should have read one or two of these books, or even more.

From these books, we can find a common feature, that is, the technique of substitution.

I analyzed it, if you want to make a book substitute as quickly as possible, you must master two words - emotion.

There are many emotions, such as: anger, depression, sarcasm, disdain, coldness, hatred, sympathy, curiosity......

These are all emotions, and if the author can substitute emotions into the story, it is half the battle.

In these books, the protagonist is very weak at first, because the weak person is more able to gain everyone's sympathy, and the reader wants him to be stronger. Zhu Xian started very weak, everyone looked down on him, so did Xingchen and Panlong, the beginning of the Divine Tomb was curious, and the Yang God was depressed, starting with great hatred. The same is true of Dou Po, everyone is cold, and his fiancée leaves. Mortals and immortals are also too weak in talent and are looked down upon by others. And the beginning of the sleepy dragon is still like this, a humble identity, an unbearable past.

These are the emotions of the protagonist, the emotions of the reader...... Only by incorporating these emotions into it can readers read better.

Maybe you will ask, YY starts, cool text starts can also be! Yes, this is okay, but have you ever thought that the beginning of too YY, the beginning of too cool, if there is no emotion mixed in, can retain the reader's heart for a while, but it can't let the reader keep reading, even if it can be retained, it is a very rare book. Also, if the beginning is too strong, it will be difficult to end it later, and it will be boring to write, and if you don't know what to write, the reader will lose interest. The novice itself has a thin foundation, and it is best not to learn an alternative beginning.

Therefore, I suggest that you start with emotions, only by going deep into the hearts of the readers with the emotions of the novel, so that the readers can change with the changes of the protagonist, the protagonist is painful, the reader is uncomfortable, the protagonist is strong, and the reader is cool. Only in this way can we better substitute the story and achieve the ideal start.

Remember, the harder you press and write at the beginning, the more cool it will be when you are strong in the later stage!

Maybe many people think that slow heating is not good at the beginning, I think as long as you master the scale, step by step.

The so-called step-by-step is to create one, or a bunch of supporting characters to press the protagonist, so that he is inconspicuous among those people, and the protagonist strives to strengthen his own strength, or cultivation, or opportunity, or forming a force. When the protagonist is secretly strong, he will take revenge on these people. The text written in this way looks refreshing to the reader. Later, when the protagonist is invincible in this group of people, some more people restrain him, suppress him, and then become stronger, and then suppress ...... Through constant suppression, continuous strength, it looks more flavorful.

The substitution is almost done, and the next link is ability.

2. Special abilities.

What is ability is the highlight of the novel, what the protagonist has, others can't have, uniqueness.

First, let's give an example.

Zhu Xian is a dementor stick, Xingchen is a meteor tear, the immortal body of the Divine Tomb, the coiling dragon and Dou Po are the ring souls, the past scriptures of the yang god, mortals are bottles, immortals are beads, and trapped dragons are abilities......

These are the protagonist's special abilities, to put it simply, if they don't have this, they're nothing.

So, after a book is written around emotions, what does the protagonist do? When you do something, it's time to write about it. Or an adventure, or a master's guidance, or a baby. Then, around the special ability to become stronger, go to the previous person to settle accounts, and so back to the previous topic, suppression, power, suppression, power......

Remember, when writing about special abilities, be sure to pay attention to uniqueness. This thing can only be had by the protagonist.,And it's very hidden.,Others don't know.,Even if you know, you have to kill people.。 In a word, special abilities can only belong to the protagonist, which is the capital of his comeback.

3. The heroine's feelings.

After the protagonist has the ability, the next thing to write about is the heroine.

As we all know, women are an indispensable part of the novel, even a very heavy part, and a book is an unsuccessful book if it does not have a memorable heroine. Therefore, the heroine has to put a lot of effort into it, and even substitutes him into the reader's emotions.

I won't say much about the heroine's appearance, everyone should understand it in their hearts.

Personally, I suggest that the first woman who appears, it is better not to be the heroine, she can be a victim, a person who falls in love with another man, and that man is much better than before the protagonist is strong. When the protagonist is strong, this creates a sense of disparity - you didn't choose me wrong. Or, met a better girl. Zhu Xian, Panlong, and Dou Po are all like this!

Let's talk about the female owner.,After the male and female owners meet,It's best to write the gap between the two.,Even the female owner to be written is very strong.,And this very strong female owner.,When the male owner shows special abilities.,Impressed.,Even interested in him.。 The two will have feelings in the substitution of the story, and after having feelings, they can't be together because of some external resistance.

Zhu Xian, Dou Po, that's it. In this way, in this way, the suppressed opponent is transformed into resistance, and it is mainly around the two people who can work together and continue to become stronger.

When the two people are really together, simply filter the happiness of the two people's time, and then come up with resistance, it is best to write the heroine to death. Of course, this is not a real death, and it is necessary to leave the reader in suspense and give her the possibility of resurrection. Zhu Xian, Xian Rebellious, mortal, Panlong, etc., all wrote the heroine to death once. After the heroine died, the male protagonist wrote around the death of the heroine, and even became a major main line, revolving around how the heroine was resurrected, how strong he was, and encountering a powerful enemy in the middle, step by step. Zhuxian is an imperfect ending, I hope that after everyone writes the heroine dead, he can be resurrected in the end.

Let me summarize below, the most important thing in emotional drama is the word entanglement, I want to be together but can't be together, and after being together, I will be separated due to some external factors...... As for how to meet, how to separate, how to die, don't ask me this, you can think about it.

Fourth, jump the map.

The so-called jumping map is to kill from this place to that place, and others say that Tomato's book is good, just because the jumping map is well written. I agree with this point, if you want to write a book well, you have to work the map. If there is no cohesion when the map jumps, a book is finished. As for how to connect will be the next topic.

Now let's talk about jumping maps, whether it's Xianxia, fantasy, or urban fiction. The first place where the protagonist develops is the first map, or a sect, or a city, or a county. When the protagonist becomes no longer strong in one place, you have to suppress his development.

It's better not to take the initiative to write that the protagonist goes out to see the world, see the scenery, or see beautiful women, it's too boring. Be sure to write about leaving this place for some reason, for someone, for something, for something. Of course, it is also possible to write that you were chased by someone else and had to leave.

When the protagonist leaves, he moves on to the next place, which is a new beginning. After coming to the new map, you must keep a low profile and do your own thing, and you can offend some people during the process. To write like this is also to pretend to be a pig and pretend to be forced. When the strength is almost strong, teach those who have provoked one by one, or kill them, if you write it like this, the plot looks more cool.

After being strong, it is natural to kill back, and the people who were originally disdained by others, after the bullied people come back again, they will naturally have to deal with the previous people vigorously. Or a look of surprise that impresses others. These places can be written with more Braille, and the reader will look very cool, with a huge sense of gap, and it will look interesting. Dou Po Point is doing a good job, every time it becomes stronger, it can render thousands of words, or even a few chapters, all of which are the surprised eyes, moods, and discussions of others......

If the situation is possible, you can also write about other planes, fairy realms, god realms, countries, planets, star fields......

As long as the connection is done well, you can write to other star fields......

5. Plot cohesion.

Connecting a book is a very important part of the book, just like painting, you draw everything perfectly, but you don't connect it well, so it will give people a sense of nondescriptry. Cohesion is important, even more so than just a few points. As long as you grasp the points just now, and then master the cohesion, the framework of a book, and the plot layout are equivalent to completely mastering.

First of all, we have to talk about substitution, when the reader's emotions are substituted, the first connection is that he wants to be strong.

Powerful is the mentality of the protagonist, through which adventures occur and special abilities occur.

Provocation is indispensable when the main has special abilities, which is the second connection.

Through provocation, the protagonist uses his special abilities to cultivate hard and become strong.

At the same time, you will meet some people, some things, and even meet the heroine, and when the heroine appears, the third connection is impressive.

By looking at each other and writing around the story between two people, the relationship between the two people is getting deeper and deeper, even to the point that they can't be separated.

At this time, external resistance appeared, and it was possible to write about family factors, sectarian factors, etc., and through this resistance was the fourth connection.

Through these resistances, the protagonist gradually becomes stronger, and finally completes the goal of being with the heroine.

Being together is not the end of the relationship.,It's a new beginning.,The heroine died because of the opponent's revenge.,The protagonist must find something to save her in order to save the heroine.,Ask around.,Start jumping on the map.。 Or write that the protagonist is hunted down and jumps the map in desperation. In short, when jumping the map, you must write the connection well, there is a close connection between the two maps, and you must not lose the connection. Otherwise, the accumulated emotions accumulated earlier will be in vain.

End:

Regarding the plot layout of the novel, I have also said about it, if there is anything you don't understand, you can ask me.

Twelve words have been summarized and shared with you here.

Write more, read more, think more.

Perseverance, understanding, luck.

Writing a book is a long-term battle, don't think about how to make money, think about how to write well!

Writing is not a day or two can be improved, but the plot layout is the fastest way to get started, as long as the plot is written smoothly, writing is not a problem. I remember a friend once told me that the most important thing in writing a novel is not the writing, but the plot is the key to a book. The more you write and the more you read, the more your writing will naturally improve. You can't be in a hurry to write a book, you can't be without confidence, believe in yourself, and you will definitely succeed. Set a goal for yourself, go step by step, and one day you will also stand on the stage of the great god.

That's all for today's lesson, I hope it will be helpful to you

It's not easy for authors to write books, so I'll introduce the criteria for me to review signed works, which is your taboo for writing books! Remember.

1. The protagonist must be portrayed, don't spend too much text to write about the environment and background, the protagonist is the largest, the world has to revolve around the protagonist, you have to imagine the protagonist as the center of the universe, the protagonist can't rise normally when the sun is hung, no one can steal the show!

2. You can't write a double protagonist, TV series are different from novels, which novel have you ever seen that has a double protagonist and is popular? Don't insist on what to say...... Before you say that, think about the identity of the author...... At least until you don't have the fame he has, follow the usual path.

3. The point, don't write about the war of gods and demons. Fight your sister, fight, do you want to write the protagonist or write the big devil, why do you write so bull B? If you dare to appear in the first 30,000 words, then you don't have to continue typing, because you have already been shot by the editor. A million-word book, under the conventional setting, don't publish this thing before 700,000. Just imagine, a XX crosses the other world, and just forms a mercenary group and goes to the demon world to fight the devil, will you be very interested in seeing how everyone puts their skills?

4. Don't show up the cow B person. For example, the protagonist is a level 1 magician, and as a result, there are a bunch of level 10 saint wizards around him...... You let the protagonist mess up. What do you mean by anticipation? If you can't see it, it's called anticipation! Do you want to be an emperor? If you don't want to answer the question, close the page.,If you answer if you want to.,I'll get hundreds of emperors to put next to you now.,Let you, the protagonist, chat with the emperor every day.,And then ...... Are you interested yet?

5. Don't try to play with the mind and wade. It's best not to try something like Huang and Zheng, and after being discovered, order it to be revised, and if it's serious, you will be directly harmonized with it...... If you happen to be discovered by your dear internet supervisor, you will be invited to a local place for tea...... Don't explain that it doesn't matter if someone else writes like this...... You are you, others are others, and if you are ready to be harmonized then you can try.

6. Fantasy pays attention to the sense of upgrade, which is the essence of God! More than the essence! Even if it's the most old-fashioned first-order or second-order thing, as long as you write it carefully, you can write it well, highlighting the changes between each level, so that everyone knows that you are indeed upgraded, instead of saying empty words: Damn, I upgraded!

7. Don't use the weird system, the martial artist martial emperor martial god you know what it means as soon as you hear it, clutch, left heart, right cloud...... Do you know what this means? The system is not based on eccentricity, but on reality! Same reason as above.

8. Don't be too abusive, to borrow a sentence from an editor: There was a book that I applied for a contract with, and the beginning was roughly like this, the family was wiped out, my mother was by a strong woman, my sister was also by a strong woman, the women of the whole family were thoroughly greeted, their clothes were pulled out, and then the protagonist was forbearant and ready to take revenge...... But he didn't have a chance, because I killed him...... My dear, the protagonist is already very tired from work and study, they are easy and cool to read, can we make readers less stressed? Do you want to arouse the anger of your readers or do you want the editor to kill you? If you can arouse the former, it will be good for someone to read it, but I guess the only two readers also think that you have a problem writing this book...... Therefore, let's take a small amount of abuse, such as the decline of the family, being suppressed, and someone wants to swallow their own family, or their own family looks down on themselves and wants to drive themselves out...... No, there is also conflict? What do you have to do with 2?

9. The enemy can't be killed! If you can understand this sentence thoroughly, then you can become half a god. Bad guys, don't be killed by the protagonist "ah", so much is boring? For example, the protagonist goes to the academy, and then there is an XXX girl who likes him, and then he is very beautiful and talented, and he ends up giving the protagonist a pair of love rivals, and then dueling...... After defeating, the rival in love was not convinced, and let his family's XX shoot, the protagonist escaped, and the XX time later took revenge, and then the rival in love became extremely powerful because of taking XX, and ran away after being abused by the protagonist again, worshipping XX as a teacher, and then the rival master went to kill the protagonist, and the result was hung up, and the rival in love fought with the protagonist again...... The plot is thought of, and the villain is Xiaoqiang! For example, the Soul Hall in Dou Po was destroyed until the end, and this is the reason......

10: Don't offend the protagonist! Don't treat the protagonist as 2B, pick up XX cheats by yourself, or have XX Warcraft, hurry up and tell the people around you, I can't wait to tell the world immediately that I have XX cheats...... This kind of 2B protagonist will make the reader think that you are cheating on their IQ. It's okay to be arrogant, but the protagonist can't SB! The whole thing is that I am alone, the first-level magician fights with the tenth-level holy magician, and you don't know how to die...... Well, remember, the protagonist is also a human being, don't let him do SB things, pretend to be a pig and eat a tiger, hot-blooded passion, YY obscene can be ......

Good evening everyone, today is mainly about how to make your article attractive to the editor.

I don't know if you are writing a buyout or a split, but what I'm going to talk about today is applicable regardless of whether the buyout or the division is applicable.

Because the editor's workload is relatively large, in the mailbox and in the background, there are many manuscripts that need to be reviewed every day, and it is impossible to spend a lot of time reading every book, at this time, the title + introduction + opening is particularly important.

In layman's terms, the text is like a handsome guy/beautiful girl paper, whether the editor can see it depends on how you package it.

Let's start with the title and synopsis:

Normally, the importance of the title and introduction of the book has been heard in many versions, so I won't explain them in detail here.

In a word, the title of the book determines the editor's first impression of the book, and the introduction is equivalent to a person's resume when applying for a company or self-introduction during an interview.

The same goes for the profile.

Also, don't write the introduction as an outline, don't write the introduction as an outline, don't write the introduction as an outline, and say the important things three times!

Some authors are eager to take out all the things in the article at once, and stuff a long story, a good introduction should be simple and clear, and the desire to talk should arouse the curiosity of readers.

The next thing to talk about is the beginning, which I will focus on.

The so-called beginning of everything is difficult, and this sentence can also be applied in writing, it is not difficult to write an opening, but it is very difficult to write an attractive and evocative opening.

We often say that a good start is half the book. The position of the opening in the online article is very important, because when readers read a novel, they often decide whether the novel has their own appetite according to the opening.

Bye-bye

So today, we will focus on how to write the opening chapter, so that the editor can take a fancy to his own article, so that the reader can be willing to chase it

Let's not talk about how to write a good opening, but let's talk about the minefields that are easy to avoid at the beginning:

1. The opening is too bland, and there are a lot of messy trivia to write, which is unattractive and KO

I've reviewed too many manuscripts like this.,Generally it's the novice author who makes this kind of mistake.,Write what you want to write as you like.,There's no routine at all.,Generally this kind of article.,Look at the first chapter in front of you and hit the street.

2. The language is too literate or too white, too literate and young readers don't know what the author is talking about, and too young readers doubt the author's IQ, KO

Generally, such authors want to write something of their own, but it is self-defeating, and the important thing for the reader of the novel is to read the story, not the meaningless lyricism of the author

3. There are too many opening settings, too many characters, disorganized, KO

In this kind of article, the author has a lot of ideas, but he has not completely straightened it out.

When writing the beginning of the book, many authors are afraid that the reader will not know the cause and effect, so they must do a lot of background explanations or settings, which will make the beginning of the book smoky.

It doesn't have to be this way.

In fact, don't underestimate the reader's IQ, and these background explanations can be slowly explained to the reader later in the text, and there is no need to list them in a long article at the beginning.

4. Entering the main line too slowly or the main line is not clear, KO

This kind of essay is often because the author does not distinguish between priorities and priorities, or does not grasp the rhythm well.

It is best to start with an ongoing story or scene, and start with an ongoing story, which often allows readers to enter the plot more smoothly when reading, without feeling boring or unclear.

5. There are no contradictions and conflicts at the beginning, or these contradictions and conflicts cannot be closely integrated with the main story line, KO

In the whole work, contradictions and conflicts are a starting point, and when writing about this contradiction and conflict, the author should presuppose a series of contradictions that will arise from this contradiction in the future, so as to unfold the main line of the story.

This contradiction and conflict is suggested to be a certain decisive stage that affects the story line and the hostess's life, or it can be a small climax that causes a series of contradictions in the future, or it can be a contradiction that needs to be faced and resolved in the current situation of the hostess's life.

6. The opening shows the cause and effect too thoroughly, and does not set up any contradictions and suspense to be resolved, which cannot effectively attract readers to continue reading and KO

Essays like this are generally very blunt, and any opening must give the reader a sense of expectation, and writing a story for the sake of writing a story like this is too blunt for the reader to have a sense of substitution and expectation.

Therefore, a good opening should achieve two things:

1. Sense of substitution

The sense of substitution puts the reader into the protagonist, and without a sense of substitution, the reader will feel that the plot is insignificant

2. A sense of anticipation

The sense of anticipation is the reader's psychological expectation of the development of the plot, the changes of the protagonist, and the counterattack. Without a sense of anticipation, the reader has no motivation to continue.

7. There is nothing new. Write stories that others have written thoroughly, say bad things that others say, KO

This is related to the author's experience, many of the opening routines are the same, and in this case, some authors are easy to get close to misunderstandings.

Writing clichés, you just wrote a few words, and the reader has already guessed what you are going to write later, such an article is very boring.

How can I keep my article from looking clichéd?

Then read more books, read thousands of books, and you will know how to avoid this minefield.

Toad:

[The plot of a good novel comes from life higher than life, for example, the gambling source in the sky is the gambling stone in reality, the ghost fighting in the female ghost adult, the dog fighting, bullfighting, cricket fighting, underground boxing matches, etc. These lives, which have been processed and integrated by the author, have become familiar to the readers, but they are unexpected. It's easy to create a sense of substitution and the unexpected effect of reason????

It comes down to experience]

That's right, whether it's life, or reading online articles, read more and think more, there will be a different novel.

8. The character image is blurred and not three-dimensional, the male and female protagonists are not likable, KO

I've always felt that whether an essay can be impressive or not depends on whether the characters are alive or not, and if the characters are not distinct and emotionally strong, then what is the difference between this book and the dead?

The text of the female frequency, it is best to start with the perspective of the heroine, which will make the reader feel more immersed, and it is more convenient to show the character of the heroine.

The character setting of the heroine should try to arouse the reader's emotional resonance.

It is not recommended to use a pure bad woman to be the heroine, even if the heroine does something bad at the beginning, it must be implied that this kind of bad is a last resort, not the nature of the heroine.

As for the male protagonist, the appearance of the male protagonist should be cleverly set, and the image of the male protagonist should be appropriately rendered. It is best to let the male protagonist establish a unique image in the reader's mind at the beginning and arouse the reader's interest. That is, the so-called protagonist aura, you can't let your protagonist be obscure, you have to take the lead.

In particular, it is pointed out that the male protagonist is similar to the existence of hormones in the female frequency text, no matter what type of male protagonist your male protagonist is, so that they can attract female protagonists and female readers.

People say that Korean dramas are aphrodisiacs for women, and so are romance novels. (ahem...... accidentally drove)

So it's best to give the male protagonist sexy characteristics, and this sexiness doesn't refer to the plot of Huang.

The male protagonist who can arouse the fantasies of female readers is the successful male protagonist, otherwise it is just a decoration (knock on the blackboard, remember the key points)

I've read a lot of novels where the story background and plot are average.,But the male protagonist is the most popular.,Readers chasing after the male protagonist abound.。

The minefield mentioned above, it is better not to step on it, and it will explode if you are not careful.

Regarding the opening, in general, it is a good opening that is novel, has selling points, contradictions, orderly development of the plot, distinct characters, and foreshadowing to attract readers to continue reading.

Moreover, the beginning of the online article, we can narrowly understand it as the first three chapters of a work, within the first three chapters, the author must write a sufficiently attractive, conflicting, and able to arouse the reader's appetite!

Many people know this, but they don't know how to write it well, and I hope tonight's lecture can be helpful to everyone.

In the writing of online novels, no matter how many words you plan to write, first of all, the first three chapters must be written well, only in this way can you retain the reader's attention, and to a certain extent, the beginning determines the success or failure of an article!

At the end of the final chapter, it is necessary to show the future contradictions, lay the groundwork, lead to a new story, and set up a burden that can attract the reader to read.

In the end, it is not that the book is completely successful after writing the opening chapter. Many of the books are very interesting at first, but the further you go, the more disappointing they become.

Therefore, even if a book has a good beginning, it must not be careless, and the more this is the case, the more you must think about it when you send chapters.

A book on the shelves is nothing more than for readers to subscribe to paid chapters, and everything mentioned above is in the service of this.

The book can only attract readers more and more, so that they will be fascinated by the stories in the chapters, and finally subscribe to the chapters to be considered successful.

Come on, everyone, work hard to become a god!

Good evening everyone, today is mainly about how to make your article so that the editor likes, I don't know whether you are writing a buyout or a share, but what I want to talk about today is applicable regardless of whether it is a buyout or a split.

Because the editor's workload is relatively large, in the mailbox and in the background, there are many manuscripts that need to be reviewed every day, and it is impossible to spend a lot of time reading every book, at this time, the title + introduction + opening is particularly important.

In layman's terms, the text is like a handsome guy/beautiful girl paper, whether the editor can see it or not, it depends on how you package it, let's talk about the title and introduction of the book first.

Normally, the importance of the title and introduction of the book has been heard a lot of versions, here I will not explain them in detail, in a word, the title of the book determines the editor's first impression of the book, the introduction is equivalent to a person's resume when applying for a company or self-introduction during the interview, only when the resume and self-introduction, if the other party's interest is aroused, then the application is like twice the result with half the effort.

The same goes for the introduction, in addition, don't write the introduction as an outline, don't write the introduction as an outline, don't write the introduction as an outline, and say important things three times!

Some authors are eager to take out all the things in the article at once, and stuff a long story, a good introduction should be simple and clear, and the desire to talk should arouse the curiosity of readers.

The next thing to talk about is the beginning, this I will focus on it, the so-called everything is difficult at the beginning, you can also apply this sentence when writing an essay, it is not difficult to write a beginning, but it is very difficult to write an attractive and evocative beginning.

We often say that a good start, the book is half the success, the opening in the online article is very important, because when readers read a novel, they often decide whether the novel is their appetite according to the beginning, once they feel that the pace of the opening is slow and the content is boring, it is easy to abandon the pit and say goodbye directly in the upper right corner.

So today we will focus on how to write the beginning, so that the editor can take a fancy to his own article, so that readers can be willing to chase down, let's not talk about how to write a good beginning, but first talk about what minefields are easy to avoid at the beginning.

1. The beginning is too bland, and there are a lot of messy trivial things to write, which is unattractive.

I've reviewed too many manuscripts like this.,Generally it's the novice author who makes this kind of mistake.,Write what you want to write as you like.,There's no routine at all.,Generally this kind of article.,Look at the first chapter in front of you and hit the street.。

2. The language is too literate or too white, too young readers don't know what the author is talking about, and too young readers doubt the author's IQ.

Generally, such authors want to write something of their own, but it is self-defeating, and the important thing for the reader of the novel is to read the story, not the meaningless lyricism of the author.

3. There are too many settings at the beginning, too many characters, and disorganized.

In this kind of article, the author has a lot of ideas, but he has not completely straightened it out.

When writing the beginning of the book, many authors are afraid that the reader will not know the cause and effect, and must do a lot of background explanations or settings, so as to make the opening chapter smoky, but there is no need for this.

In fact, don't underestimate the reader's IQ, and these background explanations can be slowly explained to the reader later in the text, and there is no need to list them in a long article at the beginning.

4. Entering the main line is too slow or the main line is not clear.

This kind of essay is often because the author does not distinguish between priorities and priorities, or does not grasp the rhythm well.

It is best to start with an ongoing story or scene, and start with an ongoing story, which often allows readers to enter the plot more smoothly when reading, without feeling bored.

5. There are no contradictions and conflicts at the beginning, or none of these contradictions and conflicts can be closely integrated with the main story line.

In the whole work, contradictions and conflicts are a starting point, and when writing this contradiction and conflict, the author should presuppose a series of contradictions that will arise from this contradiction in the future, so as to unfold the main line of the story, and this contradiction and conflict is suggested to affect the story line and a certain decisive stage of the heroine's life.

It can also be a small climax that causes a series of contradictions in the future, or it can show the contradictions that the hostess's life situation needs to face and solve now.

6. The opening shows the cause and effect too thoroughly, and does not set up any contradictions and suspense to be resolved, which cannot effectively attract readers to continue reading.

Essays like this are generally very blunt, and any opening must give the reader a sense of expectation, and writing a story for the sake of writing a story like this is too blunt for the reader to have a sense of substitution and expectation.

Therefore, a good opening should achieve two points: a sense of substitution and a sense of expectation.

The sense of substitution puts the reader into the protagonist, without a sense of substitution, the reader will feel that the plot is insignificant, and the sense of expectation is the reader's psychological expectation of the development of the plot, the changes of the protagonist and the counterattack. Without a sense of anticipation, the reader has no motivation to continue.

7. There is no novelty, write stories that others have written thoroughly, and say bad things that others say.

This is related to the author's experience, many of the opening routines are the same, and in this case, some authors are easy to get close to misunderstandings.

Write an old-fashioned routine, you just wrote a few words, and the reader has already guessed what you want to write later, such an article is very boring, how can you make your article not look old-fashioned? Then read more books, read thousands of books, and you will know how to avoid this minefield.

The plot of a good novel comes from life higher than life, for example, the gambling source in the sky is the gambling stone in reality, the fighting ghost in the female ghost adult, the dog fighting, bullfighting, cricket fighting, underground boxing matches, etc. in reality! These lives, which have been processed and integrated by the author, have become familiar to the readers, but they are unexpected. The sense of substitution and the unexpected effect in the sense of reason are easy to shape!

Whether it's life, or reading online articles, read more and think more, and you will have a different novel.

8. The characters are vague and not three-dimensional, and the male and female protagonists are not pleasing.

I've always felt that whether an essay can be impressive or not depends on whether the characters are alive or not, and if the characters are not distinct and emotionally strong, then what is the difference between this book and the dead?

It is best to use the perspective of the female protagonist to start the article will make the reader have a sense of substitution, and it is more convenient to show the character of the female protagonist, and it is better to use the perspective of the female protagonist to start the article will make the reader have a sense of substitution, and it is more convenient to show the character of the female protagonist.

In particular, it is pointed out that the male protagonist is similar to the existence of hormones in the female frequency text, and the male protagonist who can trigger the fantasy of female readers is the successful male protagonist, otherwise it is just a decoration (knock on the blackboard, remember the key points), I have read many novels with average story backgrounds and plots, but the male protagonist is the most popular, and readers who chase after the male protagonist abound.

The minefield mentioned above, it is better not to step on it, and it will explode if you are not careful.

About the beginning, in general, it is a good opening novelty, selling points, contradictions, orderly development of the plot, clear characters, foreshadowing to attract readers to continue reading, and the beginning of the online article, we can narrowly understand it as the first three chapters of a work, within the first three chapters, the author must write a sufficiently attractive, certain conflict, can mobilize the reader's appetite of the opening!

At the end of the final chapter, it is necessary to show the future contradictions, lay the groundwork, lead to a new story, and set up a burden that can attract the reader to read.

In the end, it is not that the book is completely successful after writing the opening chapter, a book on the shelves is nothing more than to let readers subscribe to paid chapters, the book can only attract readers more and more, so that they are fascinated by the stories in the chapters, and finally subscribe to the chapters to be considered successful.

Questions:

What are the types of profiles?

The introduction is divided into many kinds, including narrative, dialogue, and lyricism, and simply put, the climax of the story is presented in front of the reader in a few words, so that the reader can see the brightness, abuse, and blood in the story at a glance, so as to achieve the purpose of attracting readers

Which is better to write about male and female opponents at the beginning or tear up with the junior?

It's all good, it's best to tear up with the mistress.

Isn't it good to have a short introduction?

The introduction is generally about 300 words, if you can't fit it, up to 500.

How to enhance substitution?

The sense of substitution can be enhanced through the heroine's status, identity, and encounters

If the heroine is written with a glass heart that is particularly fragile, will it be hated by readers?

Yes!

How many people in a novel is too much?

It's best to have three main characters in a chapter, plus about 5 supporting characters, not too many.

How does the plot look tight?

Don't be too verbose about the environment, psychological description, interlocking, step by step.

Hello everyone, I am a matchmaker, today I mainly talk about the setting of the outline, the setting of the outline is not only applicable to the female frequency, but also to the male frequency First of all, we have to understand the composition of the outline: 1, characters, 2, background, 3, world, 4, plot, then we will talk about the characters first, because an outline, must first set up the characters, sort out the relationship between the characters, and the character settings, and then we can design the plot according to the positioning of these characters1, then we must first sort out the relationship between the characters, how to set the character settings, how to determine the character positioning, This is important. For example,Let's write a high-level president article.,Then we position the male protagonist as a dick, so it's very incongruous, right, I received a president essay before.,The author's writing is particularly good.,The writing is also very smooth.,The male protagonist is a president, but the positioning is particularly inappropriate.,How to look at how awkward her article is:The male protagonist drives a Maybach.,Wearing Amani.,But-When the female protagonist was waiting for the female owner downstairs, he rolled up his trouser leg and drank a bottle of drink in his hand.,It's very funny to look at the male owner's identity background. , but some of the depictions of behavior are particularly strange. I saw that in her outline, not only will she have these actions, but she will often go to the roadside stalls to mingle with Aunt Aber...... Yes, it has to be logical! Be in line with the positioning you have given the character! For the president's article, I told some of my authors before, anyway, what you wrote is not what you bought, and you can give as much high configuration as you want for men! There are a few private jets that are flying in the sky, and you can give them a treat! At every turn, the Swiss bank black card family Swiss bank will not come to you Hummer H5 or something, Audi Pike Peak or something, you can match it, such a male protagonist is more hanging. Can meet the 80-year-old to 8-year-old girls and aunts, for marrying a rich and handsome man and then on the pinnacle of life daydream, all the behavior and action configuration must also be consistent with the characters for the character setting in the outline, we can't be like wearing a beautiful dress and then with a pair of liberation shoes, this is a lot of authors will make a lot of authors like the male and female protagonist configuration of the marriage and love text, we also want to give a well-positioned warm marriage text that is more popular now, The male protagonist is mainly the workplace elite, so the character positioning we give to this workplace elite can't be too exaggerated, because the marriage and love essay pays attention to the down-to-earth, the style of writing is simple, and the ancient saying is the same, the male protagonist is generally positioned as the prince, or the emperor and the like, so the configuration given should also be corresponding, and the same is true for the female protagonist, you have to know, we write for those children who daydream all day long, they are living in dreams, or want to use the books written by their relatives to substitute dreams, Every day I think about what kind of rich man and rich second-generation prince Shenma come to rescue them, or in real life is not very satisfactory always dreaming of how to cross the upside-down beings how unrealistic, then we will do what they like to weave a big bubble dream for them, of course, the imagination is also not passable, routine mistakes can not be made, and all kinds of braggadocio have to be ganged up, to give you a reasonable explanation for all the settings. Then there is the supporting role setting.,The protagonist is set in a strong setting.,Of course,It's best to arrange a strong opponent.,Chess opponents are the best reflection of the male protagonist's temperament and character traits.。 If the male protagonist you set is a man who can subvert the mainland, but the opponent is just a third-rate hooligan, then what do you think is the point of view of such an article? So we set up the opponent, and it is better to play against the opponent. The opponent at each stage must be different, because you have to level up, the protagonist is improved, and the opponent must be stronger, otherwise you configure such a strong protagonist, and as a result, you go to fight with a weak chicken, so the text is very funny. Chess opponents are the most refreshing, even if they are love rivals, because in addition to revenge, the general female frequency text is a regular wealthy article, but no matter what the subject matter, the female frequency text will involve the love enemy, so how to set the opponent, it is very critical to generally have a relatively large framework, and it is best to set the main supporting role can not be less, all kinds of excellent and various, handsome guys and beauties are a bunch of a bunch of them. Of course, how to insert characters in the story must be careful, not chaotic, but not chaotic, and the characters are slowly inserted one by one. And with clear positive and negative characters, with the story background of the male and female protagonists, then we can start to set various plots from these original backgrounds, and then introduce the relationship between these characters, the background of the story, and expand the story, then the story will be more interesting, and it will not be impossible to start. Many people can't figure this out, so we see a lot of stalks that are very good articles, not written well, the logic is not clear, so it's a waste2, next, to the background, the so-called background, not only the background of the characters, but also the background of the world, we want to set up a world, what families they want to fight for, what women want to rob, what family property, what grievances and hatreds, these are all to be positioned, after positioning, we can slowly enrich the characters and stories, the main line, the branch, And to design the plot in the future, so these are what we need to think about before we open the article3, and then we talk about the main line of the article, the novel will have a clue to run through the whole text, and the general outline will have two clues, one for the bright line, and one for the dark line. But no matter what the line, the text must have a certain theme and the ideas it wants to express, and this main line is the skeleton, a solid skeleton, so that the text will not be weak. Some texts only have bright lines, but many large frames of texts will be set up bright lines, and the main line of dark lines must also be matched with character positioning, as well as the background to carry out an example, the work of the great god "Phoenix in the World: The Princess is Thirteen Years Old", this is a divine book, it is a classic among the female frequency and strong women who have been popular for so many years, and this book is written in a lifetime. The bright line in this article is about the experience of the heroine and the prince (I forgot the name of the protagonist) who fell in love with each other after crossing over, but encountered all kinds of hardships and finally got together. Originally, the heroine was strong before she crossed over, but the body she crossed over was weak, and the heroine subverted the cowardly image of Miss Murong in the past and became a strong figure in the mainland. The dark line is interspersed with the secrets of Miss Murong's biological mother, as well as the various obstacles imposed by the heroine because of her background, but with an unwavering heart, she has become stronger, and finally has the strength to resist the big forces. These two lines exist with each other, and it can be said that they coexist and complement each other. Without any of them, the whole story will be less coherent. Speaking of which, everyone can think about it, the red texts we have seen, summarize how the main lines of these red texts are going, these are very worthy of our learning, in fact, the flow of this basic story, that is, the great development of the plot, after it is set, it will generally not be cardinal. Including the now very popular "The President is on top of me", "Hades's Wife", "Ghost Fetus October", etc., etc., many novels, their main lines are designed very brilliantly, so when we design the main line, we also have to make full use of our characters, character relationships, character backgrounds, world backgrounds, and so on Many other elements to consider, or the main line you want to write, which led to the characters you set, character relationships, character backgrounds, world backgrounds, and so on, which are complementary to each other. Let's talk about the conversion of the map, because when we write an article, it will often involve the conversion of the map, so when we write the outline, we have to consider how to turn the map, when to transfer, what is the map conversion? In fact, whether it is male frequency or female frequency, if the story is to develop, the environment will change. Whether it's a palace fight or a crossing, it will involve the transformation of the map, such as "Step by Step", the heroine is transferred from home to the palace, which is also converted once. Why did he turn the map? Every time I turn the map, it's to upgrade the battle, every time I turn the map, there is a purpose, I see a lot of authors, it's to turn the map, and the map will look particularly boring, or like "The Legend of Zhen Huan", from home to the palace, and from the palace to let the people out of the palace into a nunhouse, and then find a way to return to the palace and switch from home to the palace, that's because she has to choose a concubine, and then fight like a fighter in the palace and fight like a fighter fighter, and as a result, she was framed by a traitor and driven out of the palace. It's all to advance the plot.,And then drove out of the palace and went to a nun.,Here's a real relationship for the heroine.,It's also arranged.,So every time you change the map.,It's a purpose.,And then I met King Guojun in the nunnery.,Arrange a true relationship for the heroine.,I thought King Guojun was killed tragically.,The heroine tried every means to return to the palace and fight again in order to avenge him.,Until the heroine reaches the top, every time the map is converted,It's all about advancing the development of the story.。 Remember,Whether it's male frequency or female frequency,The protagonist must be to reach the top,Whether it's an ancient saying or a modern saying,The female owner to the top is also a must,Of course, many people will ask,Then if it's a current word, how to let the female owner reach the top, we let the female owner reach the top,It doesn't have to be the king, the queen is the concubine, and the female owner finally wins the male lead.,Happiness.,This is also a technique for the female owner to climb to the top.,An arrangement.,In fact, the meaning of the female owner's climb to the top can also be understood as the female owner won.,She's awesome.,She's hanging the sky., What's the matter, marrying Gao Fushuai and going to the peak of life, or she got a good result, this is also a manifestation of the heroine's ascent to the top, and like "Phoenix in the World: The Princess is Thirteen Years Old", the heroine moved from home to the prince's mansion, and then entered the palace, out of the palace, in order to save the prince fell off the cliff, and then returned to the palace, and then the prince was seriously injured and left her in order to defend the prince's shadow guard and on the battlefield, the prince returned to the palace again, and then the heroine went to the grassland when they couldn't be together due to identity problems, After the power is strong, go to the isolated island to fight the big boss, and every time you change the map, it is for the development of the plot, and it is for the next climax. So, many times, while thinking about the main line, we have to think about how to make the heroine end up awesome, of course, we also see that many protagonists die in the end, but!! Even if the protagonist dies in the end, he dies after reaching the top, or he dies during the summit, just like the departure of the male protagonist of "Langya Bang", he also got it, or he got his wish, and then he left, for example, let's talk about the setting of the forces, for example, the president, so how do you want to arrange his forces, what multinational group do you give to the male protagonist, these are also the settings of the male protagonist's power, and how to arrange it, crossing the strong woman, How to arrange these forces can give the characters a kind of play, these are to be taken into account, how many countries are arranged (the country arrangement can not be too much, too much is chaotic) It is generally recommended not to exceed three, because, all the elements we give the setting, it is best to use everything so that the story can be complete, and of course, you can also have a lot of countries, all of which are brushed off or just related, if it is the main writing, it may be more chaotic, it will be easy to mess up how many forces we arrange in the text, or how many families there are in this dynasty, These are best illustrated. It's best to explain the dispute between them.,Why is this happening.,What grievances are there, then we will also take it into account when designing the plot to flesh out our story In addition,If it's about writing a mystery to upgrade.,It's best to make an upgrade description.,For example, set what tasks the heroine has done.,What level can you upgrade to and what rewards you can get.,Of course,It's not that online games only need these.,Writing is also needed.。 Next, I'll talk about the design of the plot, we talked about so much above, so did we find that as long as the above elements are designed, the plot is quite easy to design? We only need to set the relationship between the characters, the character setting, the light and dark lines, the transformation of the map, and then design various plots, after straightening out the above relationships, we will find that when designing the plot, it will appear more inspired, as long as we make full use of these relationships, there will be more room to play and more things to write. Just like a female frequency novel by Heiyan "I Wanted to Marry You with Makeup" and "I Wanted to Marry You with Makeup", the relationship between the people in this novel is very tense, the heroine's husband and the heroine's sister have a leg, the male protagonist is the uncle of the heroine's husband, the heroine's sister and the heroine's brother-in-law really love each other, the male protagonist is the heroine's best friend's crush, and the heroine's sister is the biological daughter of the heroine's aunt, a particularly strong character relationship network, and then with a particularly strong character background network, and each has its own forces, positive and negative chess opponents, so this book,It's really good-looking.,Everyone can see that the author has designed every element.,Only under the pen can you see that the author really did the outline with his heart.,If you don't do the outline with your heart, then it's impossible to write such a complex article.,Because the outline is done.,Even if it's a complicated article.,It's handy to write.,When I was reading the book network,I once wrote a president outline.,The female owner is the child thrown away by the male owner's stepmother.,The female owner is the sister of the male owner's ex-girlfriend.,The male owner's various hatreds fall on the female owner., Then the current girlfriend of the male protagonist is the sister of the female protagonist.,The current of the ex-girlfriend is the brother of the male protagonist.,The biological father of the female protagonist is the man that the male protagonist's stepmother hates the most.,And the female protagonist's stepmother is the one who indirectly killed the male protagonist's own mother.。 I have an outline that I am also more satisfied with.,The female owner is the girlfriend of the male owner's half-brother.,And the male owner is on the female owner to take revenge on the second male.,And the second male (half-brother) is the one who killed his biological father.,The male one hates the male second.,And the male second loves the female protagonist deeply.,But married the female owner's good sister.,And the good sister hooked up with the male one.,The female owner's adoptive father liked the female owner.,And for the female owner to die in the end.,And the second male mother's first love is the female owner's adoptive father.,The third male is the cousin of the male one.,But it's a good buddy for the second male., I like the heroine, because I will first think about how to cut in, how to go from shallow to deep, when to uncover what suspense mystery, how to advance the plot, what characters, what accidents, what plot is particularly emotional, so if we think about every positioning before the pit, the text becomes very easy to write, especially for today's readers, who like those things to look at, but don't like to spend their brains, then we have to design a good plot, how to go from shallow to deep, well, the outline is basically here

Whether the story is important or the characters are important has always been the focus of debate. Some people say that readers are reading stories, and if the story is not cool and intense, the reader will not be able to lift his spirits. Some people say that the character is the most important, and if the character has no character and no characteristics, it will be difficult for the reader to have a sense of substitution.

This controversy has been going on since before the days of its meow online text. In fact, these two things are one. The character characteristics are expressed by the story, and the story conflict depends on the character creation. The foreshadowing is over, let's get to the point.

First of all, I would like to ask you a question, what is the main content of the story?

Behaviors and interactions are what the story is about.

But not all actions can be called stories. Usually we write about one thing, and we don't write about brushing our teeth, eating breakfast, or drinking tea. The mastery we describe is often when conflict arises when confronted with a problem, solved a problem, or punished, or rewarded.

The subject we want to describe is the "extraordinary" things in life. As I said earlier, the character characteristics should be reflected in the story, and the story conflict should be shaped by the characters.

Let's start with the characters.

Although the articles we write now are not in the first person, basically no one writes "group portrait" articles anymore. Everyone's perspective is usually bound to one person, and this person is the protagonist.

We don't have to read the whole book to usually get an impression of the main character.

This product is too cheap, this product is too ruthless, this product is a bit stupid or something.

But even Zhuge Liang will have an extremely wise and demonic evaluation.

Why, we think of resourcefulness as being carried out by analysis, by thinking, by experience.

And Zhuge Liang's various clever calculations, a pair of virtues that should have been like this, make people feel incredible and incomprehensible. There is a sense of difference that "this is not a person, it's a goblin".

Why is that? It is because the description (story, plot) does not match the characterization.

(Meow?) Does anyone have a question? )

Uncle Nanshan: How to deal with the character's words and deeds and the character's personality that are inconsistent.

Wei Wencheng: There is no need to consider local violations, usually readers will not care too much about small details. The overall direction should be clearly grasped. Occasionally, there's a small bounce, and that's fine. But the main character should be throughout.

Uncle Nanshan: For example, being ruthless has always been ruthless to the end, and occasionally a small rebound is regarded as a process of mental growth.

You may have to ask, do we talk about this, and what does it have to do with writing? How is it being used?

Let's start with the characters.

Characters have characteristics in three dimensions. One goal, two abilities, three personalities.

1. Goal: What is Lao Tzu going to do in this strange book? Why did Lao Tzu do this? What would happen if I didn't do that?

This is also something that needs to be made clear to the reader, not by name, but also by general clarity. This is also something that needs to be made clear to the reader, not by name, but also by general clarity.

Uncle Nanshan: The goal is the core reason and motivation for the main goal.

Second, ability, what can Lao Tzu do? What can't Lao Tzu do? Lao Tzu's ability in a certain aspect is much better than that gang (NPCs and enemies that appear at various stages).

Well, pretending to say, even if I can't do something about it, I have to have someone better than them in something.

For example, QQ says: We have a lot of users! We have many users! We have a lot of users!!

You're better than me, but I have more users.

Your service is finer than mine, but I have more users.

360 you are rogues than me, but I have more users.

3. Personality ...... Personality is the difference of each character, but it is actually the basic embodiment of values.

People tend to expect positive traits. Hard, so the sling also has spring. Be brave, so you can stand up in the face of the strong...... Pigs and so on.

Let's talk about goals, abilities, and personalities.

Let's start with the goal.

The goal is consistent throughout the text.

I want to be stronger, I want to rule over more people, I want to overcome those who are better than me.

Well, also, I'm going to that girl.

From scratch, from weak to strong, from lonely to many, are the basic needs of people, and the goal is obviously to compound these directions.

So someone said, isn't it the same for everyone to write it?

No, the point is, why is this a goal? And how can we achieve this goal?

The state of beginning, and the goal, are connected to the basic line of development of things. In the process of moving towards the goal, we have to set up all kinds of difficulties, and these difficulties are conflicts.

Han Li, a mortal cultivator of the Immortal Tradition, was always circulating between new exercises, new magic weapons, new elixirs, and new levels. His basic purpose is to elevate the realm.

Yuxi Shanren: Ask the teacher a question, how to deal with the current legal and moral constraints when there are many heroines in official documents.

Wei Wencheng: Moral restraint of Guan Mao. It's nothing more than whether you like it or not, the Internet police won't let you. The best handled is Yang Guo. If you feel that something is wrong, give the protagonist a next step. If you really can't push it, then it's ambiguous. Do people just look up to me, and are they guilty of admiring me? My brother only loves my brother's wife, but you said that tens of millions of fans love me, and I can't help it.

Uncle Nanshan: There is a saying that "once you meet Yang, you will miss it for life".

The second part, competence.

As we said earlier, there is a dilemma between goals and aspirations~

How should we get through it? How do I set it up? This brings us to the abilities of the characters.

Sometimes, you want to target his strengths. When targeting strengths, you can highlight the protagonist's awesomeness.

Other times, you can target his weaknesses, overcome them, and appear to be wise...

I have eight deadly sins: If a teacher writes that the protagonist wants to become stronger, what reason does he usually use?

Wei Wencheng:

There are two kinds, one is active, and human desires drive people to choose certain things. But since it can't be obtained, it can only be stronger. For example, I have a crush on some girls, but someone robs me, and this person is very good, then I have to be strong. What kind of divorce stream is this category. What men fear, what they do not want.

Continuing with the topic of competency.

At this point, we're going to throw out the first concept.

When you set up a conflict when people are connected to the story, please note that the conflict should ideally reflect the abilities of the characters.

There are two ways to manifest ability, contrasting nature, you are stronger, I am stronger, you are a thousand people in seconds, I am in seconds you are in seconds.

The other is contrasting in nature. You relied on force to break it, and you lost yourself. Brother relied on knowledge to break it, and the result was very easy. I'm just a comparison, and there are many ways to show ability. Readers can't always look at a routine, so you need to change the various elements to show. Today's lover betrays, tomorrow's friend betrays, the day after tomorrow is overshadowed, and the enemy boss brings someone to slap his face.

The third part, character.

Let's see, the context of a story (because the goal can be changed at each stage) has been set here, and it can be seen where the protagonist is cheating and where he is not cheating can also be seen.

But in this case, the character is still dead. Or rather, it's still easy to fall into the routine, so what should I do? At this point, it's time to talk about personality.

At this time, tear off the constellation first.

Fire Sign: Small impulses, characterized by doing first and then talking.

Earth Sign: It's called composure, and then do it after thinking clearly.

Air sign: It's called convulsions, think about this today, think about that tomorrow...... One idea for a while.

Water Sign: Easily affected by mood, unhappy today, crying, happy tomorrow and jumping with you.

The same is true for apps in stories.

If your protagonist is impulsive, he can do something first, then see how it develops, and then go to the next wave.

This kind of person usually gets into trouble on his own, wave after wave.

If your protagonist is calm, you'll need to set up some foreshadowing before it happens. Then let him analyze these phenomena in light of them... The story peels back the layers until the end, when the protagonist gathers enough information and bursts out at once (there is usually a pre-analysis or post-analysis session to sort out the reader's thoughts).

If your protagonist has an idea at the moment, it's easy to look particularly funny...... Special comic ...... There's a lot of variety, so there's more ...... you need to explain.

When you set up conflict, you need a wealth of external factors to stimulate the character's choice change.

If your protagonist is particularly susceptible to mood influences...... He had to focus on the people around him.

In general, personality is produced through comparison......

Character is produced through contrast. It's hard to make an impression just by writing about this person's irritability. You've got to find a cool guy. Just write about this color, everyone is like this, there has to be a colorless one around.

Yuxi Mountain People: For example, when you meet a beautiful woman, the god of thunder is to rush down and do it, and then talk about it. The great god of Daoyou is to study where this beauty is first, and then do it. Uncle Nanshan was appreciative, saw his feet from head to foot, and then let out an exclamation: "Beautiful! ”。 This is the difference in personality that leads to differences in behavior, and the difference in the sense of contrast.

Wei Wencheng: Yes.

Character is produced through contrast.

Feelings are created through shared experiences.

The second concept.

Based on the characteristics of the conflict, assign the conflict density, intensity, surrounding people, and changes in the surrounding environment to form a rich event link. In this way, the story can change according to the character traits, so let's talk about some tips.

First of all, the person (the main character) is the thread that runs through the story. For the hair, because it is dead! No! Finish!

Therefore, when we refer to character traits, we are referring to the characteristics of the protagonist.

These characteristics are formed by "impressions". It's not that I wrote that this person is majestic and heroic, this person is really strong If in the face of a strong challenge, this person shrinks and kneels~ Then the impression becomes gold and jade, and he is defeated~

On the contrary, because of the contrast, it will produce a more cowardly appearance than the general cowardice.

Therefore, the way things are handled should be consistent with the characteristics of the character in order to produce an impression, and the impression needs to be repeated and deepened...

Wei Wencheng: This part is clear?

Uncle Nanshan: Repeated accumulation, editors generally say "strengthening", such as strengthening the face, strengthening the action, strengthening the character, can this be an example?

Wei Wencheng: He saved people, he helped people, and he saw that people in suffering were very uncomfortable, and they all pointed to a kindness. Back and forth, repeating this kind of character to him.

In "Mortal Immortal Cultivator", Han Li is always the same, I don't have to worry about leaving this matter to you, and then show your divine power (don't do it, you be careful)

This spirit of being cautious runs through the whole process.

I'm rubbing, this thing is too strong, I have to slip.

If you can't slip away, go all out!

Han Li's consistent countermeasures...

This not only allows the reader to quickly understand the direction, but also deepens the impression of the character.

Only with these things can people be brought to life.