As for repeating the reader's boredom, the same impression can appear in different ways. Pen? Interesting? Pavilion wWw. ｂiquge。 For example, the character trait of "Brave Heart", someone is cut down, and I rush forward, this is bravery. Everyone is retreating, and this is also brave.

But the content of the conflict, and the way in which it is expressed, is diverse. As we said earlier, it is up to the goals and abilities to set the difficulties, and the personality and environment to make the difficulties (conflicts) change in a variety of ways.

These things can give you a line ~ a specific rhythm, depending on the pen and ink you spend on these key points.

The difficulty of resolving conflicts. The difference between the opponent and you, as well as the intensity. and how close the events are to each other.

Here are a few tips from myself, so don't take them all. Remember, don't be a guideline.

First, determine the supporting role of the conflict~

We know that every conflict has a small goal.

What are we going to do, where we can't do it, and what capabilities are we going to rely on to get it done. In fact, the problem we are facing is virtual~

We don't write, and no one knows what's going to happen next.

So we can set up supporting characters based on this conflict.

If you show your brother's bravery, you can find a coward to compare with your brother.

If you show that your brother's combat power is high, you can find someone with a particularly high combat power but not as good as your brother's high combat power.

Second, the first is to avoid homogenization, and the second is to avoid the lack of rulers.

For example, in the later stage of the battle, there are suddenly tens of thousands of tons of strength, and hundreds of heavy combat power at every turn. But this is too empty, so it needs a more definite sense. Hack ten? Hundred? Thousands? Can it flatten a house, a mountain, or an earth? Therefore, acting, you have to sing enough.

The growth of authors will be a process from imitation to integration to innovation, so when we enter the industry, we start with imitation, and also start from studying and learning other people's works.

But in fact, if you like books, it may not be suitable for the market, so if you want to be a business author, it is important to understand, it is a process of continuous learning for the author, even when you become a god, you need to do this work.

So the question is, where is the market for novels? The reader's choice represents the direction of the market, so for the author, the best place to study the market is the leaderboard, there are many rankings, so which data is the most valuable reference?

The novels that readers are willing to pay for are the most important things we need to study, so our research object is the best-selling lists of major websites, the proportion of books in each category on the best-selling list roughly represents the market share of various types of works, how to write each type of work is more popular with readers, and the books on various lists will tell the author how to write.

If you're writing at the starting point, then you need to study the best-selling list at the starting point, and if you're targeting the wireless market, then you need to study the wireless rankings, for example, if you're creating a new product, you need to ask our editors directly for their recommendation, the books you need to research.

The book demolition analysis market is not only done by new authors, but also when new editors enter the industry, I ask them to dismantle books, because for new authors and editors, if they want to improve their level, studying the books on the list is the best way to learn by themselves.

Fiction is a literary genre that focuses on the portrayal of characters and reflects social life through a complete storyline and specific environmental description, or a literary genre that reflects social life through the development of the plot and the rendering of the environment, so the book should be dismantled around the three elements of the novel: the character, the storyline, and the environmental background (natural environment and social environment), and the following are the specific steps.

Everyone has the habit of reading novels, in fact, the first step in dismantling a book is to read the book, but generally dismantling the book, will not read the whole book, so how much to read? Generally speaking, the beginning of the novel needs to attract readers as much as possible, for the ultra-long novels on the Internet, what we need to analyze is not the whole book, we only need to analyze the wonderful part of the beginning, generally speaking, the opening 200,000 to 600,000 words is enough.

This word count is generally free, and the part is the essence of the novel, which is the crested head of the crested pork belly and the unicorn tail, and after reading this part, you need to refine the opening outline.

For example, the protagonist of the first chapter was bullied, and then what happened, and then the protagonist of the second chapter got the golden finger and then how, the advantage of this part is that after reading the plot of the free part, we will go back and summarize the plot of each chapter in a few simple sentences, and write them into documents, and in the long run, there will be a large number of plots in your heart, which is also a way to increase experience, when you write a novel, you may no longer be distressed because there is no plot in your heart, if this step will not, Think about how your Chinese teacher asked you to abbreviate and abbreviate again.

Summarize the plot of each chapter is recommended within the white words,This one should have feelings when it is sought-after in the studio.,They will give a chapter outline.,It's actually very similar to that.,After the plot is refined,The following is an analysis of the work.,Generally speaking, there are four upgrade lines around the main plot of the work.。

This is similar to an online game, you can play online games in a category and refine the main story line upgrade line; refining the power of the story, the force escalation line; Extract the emotional escalation line of the story; Extract the money and wealth upgrade line of the story; Extract the status of the protagonist and the power upgrade line.

The main line upgrade line is actually a power level, such as the Dou Break the Sky Ground Fighter, Dou Huang and the like, people do not exist alone, existence requires emotional recognition, for example, Naruto in Naruto, he has done so much to be recognized, for the sake of bonding.

In urban novels, all kinds of emotions can actually be upgraded, the relationship from shallow to deep, and the degree of ambiguity between men and women deepens.

As the name suggests, the force upgrade line requires equipment, pills, etc., all of which are wealth, and the protagonist in urban novels makes money, and the money is upgraded from more to less and the status of the power, and the dick silk who was bullied and had no status at the beginning, gradually improved.

Simple association of the status upgrade in the real society, it is not difficult to understand that from no power, to the third or fifth little brother, to a group of people shouting long live, it is the improvement of status, and the strength around you, these lines in the case of you do not read the whole book, you can check the encyclopedia of these works, you can understand a lot of information.

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The character is the soul of the novel, especially the protagonist, the image of the protagonist largely determines the success or failure of the novel, the role of the opening is to highlight the protagonist, shape the protagonist, and let the reader recognize the protagonist, so as to produce a sense of involvement, and by the way, arouse the reader's curiosity, and read with it.

Generally, the encyclopedia of the fire book has refined the characters for reference, and the protagonist is generally recommended to be bold and careful, thick-skinned, or obscene, or strong or naïve, generally speaking, it is a character that readers like, or a character that the protagonist is latent and difficult to show in real life.

When creating characters, the protagonist's personality can be indifferent and arrogant, sleek, or obscene, but the protagonist needs to be confident and strong, have certain principles in doing things, and hope that he can continue to become stronger and protect the people he cares about, treat different people, and don't have different attitudes, good people are good, and evil people are ruthless!

In the handling of women and ambiguity, don't let the male protagonist be Yanagishita Hui, in front of beautiful women, men can't withstand the temptation, many times most men don't want to, but don't dare, so as the protagonist of the reader's incarnation, you must let the male protagonist dare to act, but you can't let the male protagonist succeed easily, once you succeed, you won't have a story to write in the future.

In terms of dealing with obscenity, obscene but full of a sense of justice and his own principles, try to be obscene in his heart, not obscene on the surface, so that everyone can see that the protagonist is obscene, so is there any confusion?

This is a general suggestion for the character's personality, when you open the book, you can see which line of character makes you happy, people have more or less an identity background in social life, and the same is true in novels, the identity of the protagonist is generally violent, mysterious and multiple identities.

Especially in the city, security guards, bodyguards, killers, mercenaries, special forces, doctors, etc. are all violent, and then look back, whether the identity of the protagonist is not just as simple as it seems, but there will also be a hidden identity behind it, many times it looks like a dick on the surface, but in fact it may be beyond the existence of the rich and handsome. Generally speaking, the mysterious identity of the protagonist can be constantly hinted at in the story, gradually revealed, and finally made others feel unbelievable, but also plausible.

In the fantasy fairy supernatural, the identity of the male protagonist is not like peeling an onion layer after layer, at the beginning it is likely to be just a dick, and it is often the kind that is oppressed.

Goldfinger

In the novel, in order to make it easier for the protagonist to counterattack, pretending to step on people, etc., the author generally opens a plug-in for the protagonist, and we become a cheat for this plug-in, although everyone pays attention to the protagonist's cheat, but in fact, the protagonist's opponents and friends can also have a cheat, but it is often not as strong as the protagonist.

What is Goldfinger? Note that it must be different in different types, the same character often has only one golden finger, take a look at their main one, the one that can run throughout, and analyze it according to the following points.

1. Analyze the uniqueness of the protagonist Goldfinger and how unique it is.

2 How does the protagonist hide this golden finger, and how to do everything possible to prevent this golden finger from leaking.

Is 3 single, and what can it bring to the protagonist? Survival? Strength improvement? Integrate into the current society?

4 How is Goldfinger developed later, whether this author has made a good announcement, and even Goldfinger itself has a development level and background story that is constantly revealed, can the protagonist be used to the end?

5. Whether this gold finger is scarce and whether it can overpower other gold fingers.

Character relationships

In the relationship between the characters, there are often many characters, what kind of relationship network does these characters constitut, who is hostile to whom, who is in a relationship with whom the couple, brotherly relationship, who cares about, who has hated, what are the holidays, what are the things that have a significant impact, if you can, you can draw a character relationship map according to this.

Environmental context

The environmental background is also the background framework of the worldview, even the modern city and romance have his actual world structure and background, many authors themselves may not be aware of it, of course, the focus of different types of novel backgrounds is different, especially the world background structure of fantasy and fairy tale will be relatively large.

There are six main points, the layout of the world and the reasons for its formation; world map and power distribution; major ethnicities; power system; monetary system; Timeline.

Advantages and disadvantages of the work

Finally, we must analyze the advantages and disadvantages of the work, because there are only fire books and hot books in the world, and there is no perfect book, and the reason why a one-step work can live is not because they are perfect, but because he is particularly attractive to readers in a certain aspect, and the author should use his strengths and avoid his weaknesses.

Let's talk about the merits first, the biggest reason for the success of a work lies in the merits of the author, so when analyzing the work, we must find out the author's points and find out what aspects he attracts readers.

The advantages are what needs to be learned, to know that the author writes like this, in order to know what the author is doing this, what kind of effect has been achieved, and whether the same effect can be achieved if it is done in a different way.

On this point, the analyst should not be arbitrary, find out the merits, and look at the reader's book review to confirm whether it is correct.

Let's talk about the shortcomings, about this, we found that many new authors are imitating all the things of the great god when they imitate the works of the great god, and even some of the things that the great god is not good at not dealing with, such as food suppliers, many authors imitate the process and system of opening a store, in fact, what the food supplier really attracts readers is the effect of pretending to slap the face through the food rendering.

What really attracts readers is that after coming out of the egg fried rice, many imitators imitate the system and the process of opening a store, and then show off the details of various cooking skills and cooking, which is a typical example of seeing the appearance and imitating the shortcomings.

At this point, you have basically finished analyzing a piece of work, and the rest of the work is to analyze the things and form a perfect analysis idea, but it may not be like this on paper, of course, the analyst can analyze it according to this idea, but there is a format attached here.

1. Genre of the subject

2 gold fingers

3 hierarchical system

4. Character setting

5 storyline

6. Propaganda nodes

7 Standouts

Learning this, students who can't write an outline should also know how to design an outline, design a story, and finally, tell everyone that you should focus on analyzing these things according to your own situation, as for many of them, please refer to the encyclopedia!

Question 1: Does too much imitation become plagiarism?

Answer: Imitation is actually a learning process, in fact, the plots you have written have been written by others, but imitation and plagiarism are completely two different concepts.

Question 2: Is it okay to have no emotions in the whole book?

Answer: It is impossible to leave feelings behind.

There is a process of imitation and integration of innovation for newcomers to gradually progress and advance, the market mentioned in the first lesson is actually a process for the author to imitate and learn, so that he has more plots and details in his heart, and increases the reader's experience. After dismantling, the market understands, and I know it, so I open the book, and the most important thing in opening the book is the beginning, so I arranged the opening chapter, and in the opening chapter, the fundamental factors that attract readers are mixed, so I ask the author friend to eat the first two thoroughly. This section is an extension of these two foundations, the books you dismantle, the plots you dismantle, will boil down to the routine plot, many times you will find that it is very familiar and similar to the things you encounter in life, very reasonable. But although reasonable things can resonate with you, they will feel boring after a long time, and you can predict the follow-up plot after watching too much. Before starting the discussion of plot expansion, let's take a look at the routines, which are basically those things that have been dismantled by you, waste wood flow, genius flow, mortal flow, soldier king flow, many of them are the same, or different forms, so is there something common under their performance? In my opinion, the routine is a writing process and method that is recognized by readers, and it is recognized by market readers! So it's definitely not a problem that you write according to the routine, the routine is just the process, and the core of the novel is not this process, what is it? It's a story, I summarized four sentences in these complicated routines, these four sentences are the four sentences on the group icon, simple and straightforward, suspenseful, repressive resonance burst cool, fighting monsters and upgrading to play ambiguous, pretending to step on people and eat tigers. I call this the ultimate routine, but this can be ever-changing when it comes to the specific plot, as long as this effect can be achieved in the end, in fact, many of these concepts were mentioned at the beginning of the last lesson, this time I will explain it briefly, and I will not elaborate and discuss it in detail. 1. The setting of simplicity should be simple and concise, in the early stage of the development of online articles, when the author spontaneously organizes writing, he often mixes together what he has seen. The result of this is that it is very difficult to control and integrate by yourself, and readers often look confused, this is to do addition, most of them are thankless, and when it comes to Dou Po, he has done subtraction on the past classics, simplifying and simplifying the power system, and then extending and expanding, digging a little deeper, which is far easier to control and attract than to integrate all the points together. Straightforward language is straightforward and accurate, with a little humor is better, easy to understand, straightforward and accurate is actually the best writing of the novel, it does not need to be gorgeous, accurate can arouse the reader's correct imagination, what you write, to the reader understands, the reader will accept. Suspense, foreshadowing and foreshadowing throughout the main line of the whole text, big pits, big suspense, foreshadowing suspense of the story stages, small suspense of the nodes between chapters and chapters, used together, is simple to say, but complex to write. You can go to my Weibo and flip through a statement about the suspense digging pit, and the hearse has done this to the extreme. 2. I explained this in detail in the last lesson, that is, suppressing resonance is cool, and repression is the easiest and easiest way to bring resonance. Normally, when we look at Dou Po, the author often thinks that repression is just being bullied, it is waste wood, and other routines, but in fact, the root of depression comes from the protagonist's inner unwillingness, based on this, I will expand the depression plot in our life that can be refined into the novel, the most popular waste wood flow, but can the way to produce depression can only be set as waste wood? The fundamental core of waste firewood is actually the shaping of the sense of depression at the beginning, rather than being suppressed for the sake of waste firewood? Can ordinary people be repressed? Can a rich man be suppressed? What about the prince? Can it be suppressed? Is repression only possible when you are bullied by others? Ever thought about it? This is the problem, let's self-reflect, see how many episodes there are, and then reflect on it, these plots can be further extended and expanded, so that the development of the reality in the sense of the unexpected, the first to think out, and then we think later, the unreasonable and unexpected comes from misleading, coincidental and further, misleading to give a simple example, when you were a child when you did something wrong, you would be afraid of punishment, you would not dare to go home, and then there were all kinds of fears in your own hearts, When you write it, you write about the worry in the heart of the protagonist, but when you hesitate in front of the door, your parents may have already cooked and are worried about you. Coincidences are grafted together some things that are broken at different times or cannot happen most of the time in life, thus promoting a series of coincidences, which are very common in Hong Kong films in the 90s, you have to extend and expand on their basis, about the unexpected, this kind of plot you can go to see the peach mad doctor, and it does a good job in this regard. Keep talking about depression! Does moral kidnapping make you feel depressed? When you see bad guys arrogantly bullying people, do you feel depressed? Do you dare to stand out? This is reasonable, is this kind of plot very common in urban books, is it all rendered and extended on this basis, and are there any other ways of suppression? For example, if you fail the exam, if you did a good job, others don't understand, for example, ............ As I said at the beginning, repression comes from the unwillingness of the heart, and only when you are unwilling will there be a sense of expectation and depression, if you are obedient, there will be no depression. Many authors see repression, but is the only way to resonate with it? Not interactive? Or is it enough to suppress it? Man does not exist alone, man is a social animal and has various relationships, including some relatives, brothers, friends, etc. Naruto in the Hokage begins to do so many things, in fact, it is to expect the approval of others, and the resonance is ultimately through the author's pen to make the reader immersive and empathetic, and the shaping of emotions and the desire to be recognized by others are equally needed. With this kind of suppressed expectation, the follow-up will explode, and there will be a sense of coolness, in fact, these are emotional resonances, which I said in the last lesson, so I will not elaborate on it here. 3. Fight monsters and upgrade to eat tigers, what does monster refer to here? In fact, it refers to enemies, opponents, obstacles, no matter what the background of the novel, in fact, in the end, it is still things between people, ambiguity, conflict, contradictions, etc. At the beginning of the novel, you will probably build a main line, but this main line outline is split, and it looks like the current online game upgrade, or some people say that this is the online game mode of the novel. Wealth, including money, pills, martial arts, equipment, etc., force, this is actually a very important part of fantasy novels, it is a part of fantasy novels that are easy to shine, and it is also a kaleidoscopic part, emotional line, emotion, status and power line, outer disciples, inner disciples, etc., ambiguous, is one of the emotional lines, especially prominent in the city. I'll just say simply, time priority, if you are interested, you can search for this kind of information after class, talk about ambiguity, urban class, has always been a place where newcomers are easier to get ahead. The urban class has a direct pickle girl, this kind of is often harmonized, but there is also a harmonious way of writing, to put it simply, the route is simple to convert, the past Wei Xiaobao's pickle girl route Huanchang Xiaoyuer, Yang Guo, Duan Yu's pickle girl route, the same attractive, the previous sentence summarizes the fight against monsters and upgrades to play ambiguous. 4. Pretending to step on people and eat tigers, I actually said this kind of plot when I suppressed the plot expansion above, the bad guy pretended to force the protagonist to slap his face, this kind of application is particularly used in the city, including the holy ruins and food suppliers in Chendong, all of them are the culmination of this kind of collection, this is well written, no matter what kind of subject matter will not be written badly. Pretending to be forced to step on talents is the core of the plot in urban novels now, and the combination of pretending to be a pig and eating a tiger will not make the whole story monotonous. Many people know the routine, but most of them are written according to the routine to death on the beach, in addition to not mastering the essence, there is also a lack of innovation, and the control of the details is not in place, which is unexpected. Let's expand the plot again, the hero saves the beauty as an example to expand, imitate, borrow, integrate and innovate, on the basis of other people's popularity, the plot details are innovated to a certain extent, and the original things are accepted by readers, so the innovation is not too large, within 20%. We call it micro-innovation, for example, if you like a movie, you will look for the same kind of people to watch, and readers have similar habits, which is why following the trend can surpass the previous work. It's not wrong to follow the trend, but on the basis of following the trend, you have to make micro-innovations, control the details, and do the unexpected well. In fact, the same plot can be expanded without limits, and the ever-changing details are very reasonable and unexpected here. Let's talk about the expansion of heroes saving beauty, and you remember that the so-called plots that are used badly are basically plots that are widely accepted by readers. It's easy to write new ideas in these plots. All of this is summed up in practice makes perfect, write more and persevere!

Hello students, in the last class we talked about the limelight pork belly unicorn tail, in this class we will talk about how to build a story and outline in the way of expanding sentences.

Before that, I would like to talk about the definition of extended sentence, as the name suggests, extended sentence, which is to add branches and leaves on the basis of the main stem, so that the meaning of the sentence or text is more specific and vivid, full and full.

Of course, the general literary sentence expansion is not suitable for our online writing, just learn the method.

Let's take an example of writing an online article: Ye Chen looked at the Great Elder indifferently, let's improve it, how can I feel it better.

Group friends give examples, omitted.

Through the above sentence expansion, I believe you have an understanding of how to expand sentences.

Next, let's construct the story in the form of sentence expansion.

First of all, you have to have a story.,Well,I think every author should have a story in their heads before they start writing.,To give a vulgar example.,I'm going to write about the revival of the ancient demons.,The protagonist grew from a dick to the emperor.,And then help humans repel the demons.。

Well, you've got a simple outline, what? It's called an outline, yes, and the phrase that always reminds you what story you're going to write is your initial outline model.

Okay, let's start writing the story, a beginning, a main character, a background. Set up a country, a city, a family, and the protagonist is here to expand the plot, but our protagonist is a scum in the early stage, and it takes a process to make him an emperor, and he needs to fight monsters and upgrade.

Well, set up a small boss to bully the protagonist, so that the protagonist has the determination to become stronger, and of course, becoming stronger is also to have the strength to suppress the demons later.

Well, we have a plot, the small boss bullies the protagonist, and the protagonist wants to counterattack as a waste scum, and it is agreed that a few years later or in the middle of the family year, he will reverse and slap his face and pretend to be forced.

The protagonist also has a goal, and when writing online articles, you must give the protagonist a goal to strive for, otherwise the content will be empty and unable to find a sense of direction, and the reader will be confused.

The protagonist has to become stronger to fight the boss.

How to get stronger?

Let's discuss it.

Discussion omitted.

Of course, it is necessary to make a storm in the city, everyone knows it, and everyone is watching, and they use countless hole cards to fight against the boss, and finally win. Outside the field to eat melons and the masses to uncover each other's hole cards with the enemy to fight against each other In order to practice this lofty goal, we need to improve the equipment level and skills of the protagonist, where do these things come from, of course, go out to practice, pretend to step on people, get it.

How to write? This is very important, I know the routine, but I just can't write it.

Here I want to mention once again the line of force, power, and wealth that our editor-in-chief is talking about

These three lifeblood lines that determine the life and death of online novels!

The force line,It's the protagonist's level, equipment and skills.,This line is relatively easy to write.,Because you should have an approximate level when you write.,Even if it's a city, there's a vague level differentiation!

There may be students who don't know what a vague hierarchy is?

For example, in the novels of the King of Soldiers, gangsters, veterans, special forces, special forces instructors, and the world killer rankings, otherwise where does the protagonist Niu Bi compare from.

Putting aside this topic, let's move on to the line of force.

This line of force,You don't go too far.,The protagonist can challenge the enemy beyond the level.,But don't fucking tear yourself up more than a big level.,To show that the protagonist can kill beyond the level.,But there are many dangers.,So that this line basically won't collapse.。

Next, let's talk about power!

The power line grows with the growth of the power line, and after the protagonist's strength grows, it is inevitable that his status will increase.

Many readers like it very much, after the protagonist is upgraded, others are faintly guessing the level of the protagonist next to him, and the plot is amazed and fearful.

This plot is very old-fashioned, but when it is written, it is easy to bring out the power line, and it can make the protagonist pretend to be forced anytime and anywhere, and it can also make the reader feel good

So the power line, this one requires everyone to use some ingenuity, and it plays a great role

There is another one is the wealth line, this line I think should be the most important thing for you to pay attention to, because this thing is for the first strength line to serve, because the improvement of strength is inseparable from the assistance of foreign objects, and a lot of money is needed for heaven and earth treasures.

If the wealth line collapses, the coherent strength line will also collapse. Writing this line is very simple and remember one sentence: let the protagonist pay when he uses money, and have no money when he doesn't.

Someone wants to say that you hold a piece of grass, you say it is like a fart, money comes when you use money, and no money when you don't use money, how can you write this?

For example, Xiao Yan's way of making money is alchemy, but everyone sees that he is okay and alchemy, is it crazy to make money? No!

Don't you notice? When the protagonists want to make money, they often need money to buy something that is important for their strength.

Xiao Yan made money from alchemy, and the auction auction auctioned a very expensive thing, and after the auction, he became a poor egg, (money comes when you use money, and there is no money when you don't use money), followed by someone who intercepted Xiao Yan halfway to grab the baby, pretending to be forced to slap his face, one-stop service!

Strength, power, wealth, and the help of these three lines, our protagonist becomes stronger, and the next is a mini-climax, to defeat the mini-boss in full view of the whole city.

This is your important plot, a node of your outline, and after you finish it, you find that this map has no resources to fight monsters and upgrade, and then change the map.

But someone said that our story is that the protagonist grew from a dick to an emperor, and then helped humans repel the demons who had recovered from ancient times, and this little boss didn't seem to have anything to do with the story we were going to write.

Classmates, let me remind you.,Behind the main enemy of each protagonist,There's a hidden black hand.,I've already said that the classmates who don't understand it at this point suggest going to the martial arts again.,See how the potatoes are handled.。

About how to develop the plot by changing the map, according to the above, set up contradictions, set goals for the protagonist, see what the protagonist needs, and start a war plot, that's it, you first summarize what you want to write in one sentence, and then look at this sentence to supplement.

After going through this again, basically your story is already there, and then your outline framework is also there, as for how well you write, it all depends on your personal skills, as long as you keep writing and learning, you can become a god after all!

The money from the city is, for the sake of picking up girls.

Fantasy money is, in order to become stronger.

The group asked: How to write a fight?

There is actually very little space for real fights. A good fight, the host has to take up a lot of the scene outside the arena. The host is those who eat melons and professional spectators. If the people who eat melons can't understand it, professional visitors should keep up in time.

In addition, list all the skills and hole cards of the protagonist, and play against the enemy, but every time the enemy moves first, our path is one foot higher.

1. Impression: that is, the reader's evaluation of the events told in the story and the feelings of the characters

2. Rhythm: The intensity and density of the reader's impression during the story events

3. Event: The basic unit of the story, the key points include the cause, conflict, and effect

4. Conflict: The problem to be solved by the character in the event. This includes external stresses or obstacles, role decisions, and a scale that is a measure of difficulty

5. Then, what I started to talk about today is: how to guide readers to think

First of all, when we design the story, we need to be clear that the development of things is connected according to a certain logical relationship.

When we write a story, we actually already know the cause and effect of the story. But the reader doesn't know~

Therefore, if you want to use the story to guide the reader, you need to understand whether the information revealed in each link is complete (relatively complete)

For example, if you are hungry, you have to look for food, and hunger is a motivation and a message in itself~

Friends in this room, let's imagine what you would do if you were hungry.

There can be countless solutions to a motive, for example, I am in a place where there is no market, or the restaurants are closed in the middle of the night~ Buying groceries and going to the restaurant naturally becomes impossible~ I want to find a friend to eat, and I need to have a friend first~ And I am very stupid, and it is unlikely that I will deceive others...... Then I guess I have to rob it......

It is conceivable that in the story, a motive, and the corresponding environmental conditions, will trigger the reader's prediction of the character's future behavior

This kind of behavior is actually ~~ throughout the story

When we boil it down, we find such a cycle.

1. What did he (the protagonist) encounter?

2. What will he do next in the face of this problem?

3. What happened after he did this?

4. What choice did he make in the face of the new situation?

5、…… Keep the cycle

If we look at the story as a series of traps, then the encounters of the characters are the bait that induces the reader to think~

I also know that this part is quite boring...... It's too abstract after all......

Let's give an example: chestnuts ~ I'm a man ~ This scene is a bar ~ In the bar, there is a long-legged girl. What do you think I should do next?

Is it possible that I wrote about the *** of the bar for a long time, and wrote about the beauty of the girl for a long time, and then the protagonist ran to the toilet to pee?

First of all, everyone should be clear that the author's description must be targeted~

If I write about a girl, then I should involve her in the event.

If the development after the fact has nothing to do with it, it is not called an accident, it is called a cheap surprise~ It will lead to the disappointment of readers.

A common example is that in horror novels, it is said that a man is holding an ax~

Under the flickering lights~ through a narrow corridor~ this back is properly waiting for him to cut people...... As a result, as soon as the protagonist opened the door~ hugged the man with the axe~ it was the protagonist's Uncle John~ Uncle, your sister!

In the popular parlance, you let me see this when I take off my pants?!

First of all, we need to make it clear that the information you reveal in the story is better to concentrate and be clear ~ The more concentrated and clear the direction of these information, the easier it is for readers to have a specific imagination ~ This kind of imagination is expectation.

And this information should also be involved in the interaction in the next event, because the reader's memory is limited and time-sensitive.

Irrelevant information can distract the reader and even create irrelevant expectations.

Since irrelevant imagination will not explode or produce a response, and it will waste the reader's brain power~~ so we should avoid it as much as possible

Foreshadowing is another mode, I'll talk about it later~

First of all, state that ~ these contents are limited to the event ~ ~ limited to the event, limited to the event, limited to the event ~ important things repeated three times.

OK, the above is more fragmented. Let's sort it out

1. An event is composed of multiple actions (decisions) of the character~

2. Events always move forward in the order of situations, decisions, new situations, new decisions, and constantly carrying out new actions according to new situations until the final completion of the event goal

3. I seem to have said the goal of the event, right! Your description should gradually point to the goal of the event, i.e. what the character will ultimately do.

4. In order to make the reader only pay the strongest attention to the current events when reading, try not to talk about anything else.

5. Considering the limited "brain hole ability" of readers, we should not have too much irrelevant information in an event, and try to avoid the "foreshadowing" that requires long-term memory

Good foreshadowing, in fact, will be mentioned, foreshadowing is a concept that transcends events, he is usually a big goal under the ~

For example, in event 1, A is looking for a certain book, this book is very important, I don't need to find this book in event 1, the book becomes a foreshadowing, and then, I may have two or three events to write about something else, in event 4, I heard that the book was discovered by someone, and we traced it all the way, and as a result, this person ran away in front of us, then we can't find this person for the time being, then this foreshadowing is strengthened.

A few more events followed~ I finally found this book and began to practice the spells in it, or martial arts or something, foreshadowing to reveal ~

First of all, everyone should be clear that the result of the event is not necessarily a good result, and the character may have a goal to work hard to complete~ However, it is very likely that it will not be completed, and it will also produce an impression

However, we say that if it is not based on the event~, just mention, this is equivalent to setting, and there will always be some setting in the middle of the event and the event

The foreshadowing is to promote the development of the story, and that is also the setting, as if you ask for directions in the story, and someone tells you what the area looks like~ That's just a description of the setting

I'll sort it out~ The foreshadowing was supposed to talk about it~

We said before when we talked about impressions ~ readers have a limited memory ~ some details will be forgotten when reading.

When the reader reads the story, he or she actually follows the milestones of the events

For example, he asked people to withdraw from the marriage, he practiced martial arts, he looked for the fool who quit the marriage and was humiliated, his martial arts broke through, and he found the fool who humiliated him to take revenge~

Then, in this way, each node is an event ~ the result of the event, which is the reader's memory point.

You can't let an event remain unresolved for a long time, and if it is done well, you have to give the reader a quasi-letter~

In our example at the beginning, there was a young lady in the bar, and I went to talk to her, and in the end it succeeded or failed? Success is one possibility, but ignoring me is another~

OK, back to the question just now~

What is the setting, what is the foreshadowing~

The setting is a series of information ~ mountains and rivers, national forces, religious beliefs, and sources of spells.

Not to mention the second female, even if it is the female number one, if it is only through the way of narration, whether it is next to it, or the way of dialogue, this can only be regarded as a setting.

As information, without an internal driving force, or under the premise of an external driving force, there will be no interaction with the characters~ no interaction, and it will not make the reader have the possibility of speculating on the next move.

The progress of the story is, what the protagonist encounters, how the protagonist acts, what happens after the action, and how the protagonist acts.

Therefore, readers will not go to what the YY protagonist will do next just because you just pull something up.

How do you get engaged? Asked weakly

If there is an impact, even if it is an interaction~ your influence is not necessarily on the spot.

For example, I went to hook up with my long-legged sister, my character is one, I originally wanted to rape water or something like that~ It's a drug pull~ At this time, a police uncle came over to drink~ Do you think I dare? Isn't it time to think about it?

Although the police uncle was not directly involved in my hookup process, it did influence my choice

Here again, ha~ Although it is claimed to be a writing class~ but we are actually talking about how to analyze the article~

We will find that when reading, only the current event, the goal of the current event, and the relevant information can trigger the reader's imagination and inference~

When I hooked up with girls in a bar, no one cared if there was magic in this world, and no one cared if my whole family was killed in the past~

What do we care about, whether the girl is good-looking, what conveniences do I have, how do I choose, and what attitude does he have

The story is like a relay race~ one paragraph is finished and another is followed by another~ You can't tell it into a tree-shaped structure, divided into ten forks, the reader won't know how to chase that, you can't tell it into a tree-shaped structure, divided into ten forks, the reader won't know how to chase that

The main thing is to lead the reader and go in one direction, like bait

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The branch goes like this......

When you write a story, each paragraph is an event~

In a series of main events, you can insert a branch line~

But this subplot is best correlated with the previous event in some causal way

Let's say it happens to be in one place

Happens to be related to the same person

To put it simply, you can't crook the building

The crested head refers to the gorgeous beginning ~ pork belly, which refers to the rich content of things, the pork belly, which refers to the rich content of things, and the leopard tail or unicorn tail refers to the end of a series of conflicts that break out and end simply and powerful~

Continue the lecture.

The purpose of an event may or may not be clear~,

For example, when I see beautiful women and chase beautiful women, this purpose is not clear~, because I can have other choices~

What if I'm a who likes men~right~

Another example is to take revenge on someone, practice a certain martial art, find a certain medicinal herb, and buy a gift for a girlfriend ~ these are clear ~

For events where the goal is not clear, we should give priority to describing the content of the increased motivation ~ This is because the motivation is directional and can make the originally vague goal clear~

For example, if I want to write a pickle girl, should I emphasize my motivation at the beginning to make my purpose clear to the reader?

To put it simply, the girl is good-looking and has a hot personality, and I have nowhere to vent for several days~~ These are all motivational emphasis, so that readers can follow this motive and think about it.

Events with a clear goal emphasize the obstacles, i.e., the problem and difficulty of accomplishing the thing.

This is because of the purpose of the event, and the reader's main concern is what kind of problem is solved.

From a distance, to take revenge on someone, we have to fight for an advantage in strength (combat power, financial resources, or power, or even conspiracy), and these two basic orientations determine the direction of our focus when describing events.

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In the past, when everyone first started writing online articles, they discussed how to write a story?

At that time, everyone thought that the most important thing in the story was several emotional factors, family affection, friendship, love, achievement, and hatred

You can think about it, I hope there are more girls to love, is it love? I want to be adored by a group of brothers, is that an achievement? I hope that the people who bully me are unlucky, does it count as hatred?

What are these feelings? These feelings are the "rewards" that readers draw in the process of reading, first of all, we have to figure out a little bit first~.

As we said before, what's cool? The cool point is the outbreak of conflict and the achievement of goals.

And what is the emotional factor? It is a catalyst for coolness.

Why is this specifically mentioned here. Please make it clear that the cool point is a stage (although there are countless ways to manifest it, such as pretending to be forced to slap your face)

You can imagine that I pretended to be forced, someone wanted to bully me, and I bullied back, must it be cool?

The other party is strong, and it can be called a conflict to be cool~ If the other party is a weak chicken~ How can it be cool?

Since readers have to read until the conflict breaks out to feel cool~ So before that, what to use to support readers' reading?

You can imagine the jokes on the Internet. The octogenarian man, guarding the melon shed, was coveted by the men of the village, and someone touched his hut on this day~

Coveted by a man in the village (pointing to a target)

Someone touched his hut (conflict arises)

Octogenarian (contrary to common sense, curious)

As you can see, we have three levels~

1. Goal: (internal driving force, external driving force)

2. Conflict: (Challenging of Conflict)

3. Entertainment: It has always been emphasized and unexpected

Goals, needless to say, emphasize motivation when descripting, which in itself can intrigue the reader. Because readers are also human beings and will relate to the same motivations. The so-called sense of substitution

Leaf asks:

"Princess, when I write in the middle, I always feel that there are a lot of events to write, and then I become an east and a west, and then I am confused, what should I do? Also, when I write, I feel like the protagonist is being dragged away by the plot, and I'm confused."

Answer: Sort out the framework first, the content that doesn't matter, cut it, sort out the core conflict, and only write the content related to the core conflict.

Conflict, the challenge is like a puzzle, and it is a basic human instinct to speculate on the course of events. Curiosity.

Entertaining, the novel does not show the trivialities of ordinary life, but something extraordinary and abnormal. Whether it's sensationalism or shocking, it's this impact.

Using these stimuli as bait, we can pull the reader's imagination into the chain of thought we involved in the beginning, so that the reader's thinking develops according to the ideas we anticipate.

The chain of thought is as follows~

A: Initiating, explicit, or implicit motivation

↓: Take the first step

B: Depending on the action, there is a reaction

↓: According to the reaction, continue to act

C: Based on the action, produce a reaction

↓: According to the reaction, continue to act

D: Depending on the action, there is a reaction

At nodes A, B, C, and D, the reader thinks about how the character will act next~ and predicts the outcome while acting~

But...... Will the outcome turn out the way they want it to?

In the beginning, don't pursue perfect control, you can follow the pattern of the causal cycle, and after you can make sense, you can consider adding those factors, which can strengthen the reader's expectations.

If you also grasp the reader's sense of expectation, you can start to try to break the expectation

For example, as a result of our actions, due to external forces or miscalculations, we go in another direction and create new conflicts, which means that we only talk about one conflict at a time

By the way, let's pull it ~ The difference between a novel and a movie.

Movies, animations, and TV are pictured~ No matter how exhaustive the pen is, the text is not as intuitive as the picture~ Movies, animation, and TV can integrate actions, expressions, and language in one shot~ and the novel is separated. This determines that the pace of movies, animation, and TV is faster~

The pace of the novel is slower, so you have to abandon the story ~ what the text is good at is abstract things.

Pain, warmth, imagination~

These words can be done in minutes~ Movies, animations, and TV are going to die

As mentioned before, there is a way~

But it is not recommended to use it often, ~ the causal chain I mentioned above, can you understand it? Reverse development~ will make the story a lot more interesting

For example: I saw my sister, went to hook up, I invited my sister to drink, and the girl accepted it happily~ Then we started talking, I knew she had just broken up with her boyfriend, and I tried to delay her as much as possible~ Trying to get her drunk, but the girl said it was too late, get up and leave~ OK, here, do you think the development is over?

The girl left, and insisted that I don't want to send it~ I returned to the bar depressed, ready to drink stuffy wine, and found that a line of numbers was written on the wine coaster~ Her phone number also said CALLME, OK, about the girl is the purpose~

Sometimes it's not a turning point, for example, you can't get it according to the development, and you suddenly give a reward, sometimes the development is particularly good, and suddenly insert a new trouble, sometimes it's already a lot of trouble, and another trouble comes, and sometimes it's already good, and another reward comes again

Or I'm chatting with my sister~ It's a very good chat~ I'm going to get drunk and take it away, she said, let me send her home~, to her house, I found out that she is bisexual~ Her so-called boyfriend is a girl~ And that girl is waiting to get back together with her...... So they all ate ~ smooth development...... As well as additional bonuses......

That's when your creditor suddenly came looking for you...... Or your EX came to you~ Come directly and splash you with water, deterioration, serious deterioration

In fact, other types can also ~ Cao Cao Huarong said, that is, ...... Miserable, even worse, super miserable......

The long-term guest was shocked and asked:

The protagonist can't be miserable, and the supporting characters can be miserable

Answer:

Why can't it, the horn is not miserable, how did the slap in the face come about?

The main thing is that you can't be miserable for too long, hope is not extinguished, and give readers a hole card in advance~

The desperate situation in the middle is to let the reader know that you have the strength to turn the tables, or the opportunity, although everyone knows that the protagonist will not hang, so you have to hint at the rough hole cards.

Outliner attached

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For example, the pit at hand...... It's probably just over 30,000 words, and there are already so many settings to memorize. For example, the outline looks like this......

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Take it to write about the event

Since entering the industry in 02, looking at the rise and fall of various platforms, especially the rookie writers, there are many halfway monks. The foundation of fiction writing is limited to the three elements of fiction.

In the past, when YY lectured, I mentioned the basics countless times, and I listened to a lot, and there were few serious learners.

These foundations are the most basic things to improve your writing, and I hope that I will encourage them here.

1 Fundamentals of Fiction Writing, Words and Words

Words and phrases are the most basic symbols that make up language, and they are also the basis for the development of civilization. As a writer of novels, words and phrases are the most basic applications. The right choice of words can make an article even more colorful.

2. Choice of sentence structure

There are many kinds of sentence structures, and the structure can be divided into subject-verb-object-definite complements

Reasonable sentences can increase the sense of substitution in the article, especially the psychological description and demeanor description

There are interrogative sentences, question sentences and rhetorical questions, judgment sentences, passive sentences, omitted sentences, exclamation sentences, imperative sentences, declarative sentences, inverted sentences, etc

3 punctuation

The correct use of punctuation will make sentences read more smoothly and the meaning of the language clearer

4 paragraph chapters are the components of an article, usually a book is divided into several chapters (one chapter is equivalent to an article), and one chapter is divided into several sections (one section is a natural paragraph or several natural paragraphs)

A paragraph is the most basic unit of an article. In terms of content, it has a relatively complete meaning; In articles, paragraphs have a wrapping mark. A paragraph is a sentence or group of sentences that is used in an essay to reflect the author's development of ideas or the level of the whole text. Some paragraphs have only one sentence, which is called a single paragraph, which is generally a special paragraph such as the beginning paragraph, the end paragraph, the transition paragraph, and the emphasis paragraph of the article. Most paragraphs contain more than one sentence or sentence group, which is called multiple sentences. There are usually two spaces before the beginning of a Chinese paragraph.

5 chapters

Chapters are part of an article, usually a book is divided into chapters (one chapter is equivalent to an article) and a chapter is divided into sections (one section is a natural paragraph or several natural paragraphs)

Chapters are part of an article, usually a book is divided into chapters (one chapter is equivalent to an article) and a chapter is divided into sections (one section is a natural paragraph or several natural paragraphs)

Chapters are part of an article, usually a book is divided into chapters (one chapter is equivalent to an article) and a chapter is divided into sections (one section is a natural paragraph or several natural paragraphs)

With these foundations in place, it will be easier to write an article. How many authors have paid attention to these foundations. The road to godhood is long. But it's hard to run without learning the most basic walks. Is this truth the most clear in my heart, don't spray me if you don't understand, it's boring. Finally, I wish all writers as soon as possible to write chapters are part of the article, usually a book is divided into several chapters (one chapter is equivalent to an article), and one chapter is divided into several sections (one section is a natural paragraph or several natural paragraphs)

Hello everyone, I am the big wolf dog in charge of the male frequency of Chuangbei, and today I will tell you about the basic routine of online writing, crested pork belly unicorn tail, this thing must have been heard by many people, but considering that there are many new authors here, so let's talk about it again.

Crested head, which is the beginning of the novel, if you are going to write a million words, the first 300,000 words or so are crested heads, crested heads are very important for a novel, because this part is the key to luring the reader into the paid chapters.

Crested is also a proof for editors to consider whether your work has a promising future, whether you should give a lot of recommendations and support, and of course, the most important thing is to lure readers into the pit.

There must be authors who want to ask, how should it be written so important?

Let me briefly talk about how to write a crest, the most taboo at the beginning is that the plot drags on, especially the crested head of the 300,000 crests, the first 30,000, is really very important.

If in these 30,000 words, there is no repressive resonance and no expected plot development, then your opening is basically wasted, so how to write a repressive resonance and expected plot development?

You can take a look at the perfect era I demolished, in these 30,000 words, the author has almost every chapter with suspense and expectation points, whether it is to help parents reduce pressure, or to change the previous bleak life, this is a very good depressing resonance.

And the cool point layout is also very in place, can write an ordinary haircut, full score pretend, I think there are many things, can be substituted into the routine.

Everyone will understand this for themselves, and I won't say more.

After the crested head is the pork belly, the original meaning of the pork belly is to say that it is written as full and material as the pork belly, but the online article has developed to the present, many old authors understand that the pork belly is used to support the number of words, and many people regard this behavior as very shameful, but in my opinion, the pork belly after the crested head is not an act of irrigation and laziness, but the normal trend of excellent works, because the whole text is the essence, that is, there is no essence, even if you go to bed, it is impossible to climax all the time, and the chapters are essential gently!

Or as mentioned above, you have to write a million words, pork belly is about 300,000 words in the middle, left or right depends on the needs of your plot, but irrigation is risky, please be cautious in the selection.

You pour a lot of useless plots, readers abandon the pit and scold you, you don't pour water and feel that you have more than enough heart and not enough power, so how should you write it?

Supporting the number of words,It's nothing more than letting the protagonist take the side quest.,But some authors don't control it well.,Just write the branch line very boring.,This we can see the branch line as a new crested pork belly unicorn tail to write.,Set a suspense or goal as the beginning of the crested one.,Fill it with water in the middle.,Wait until the reader is impatient to complete the goal or suspense.,Then connect to the next crested pork belly unicorn tail.。

When the first unicorn tail is connected to the next crested head, this is where great attention is needed.

For example, the emergence of a strong ruins, this is a suspense crested in the early stage, and it begins to be depressed, and the person of a certain force has a conflict with the protagonist, and begins to arrange expectations, and the protagonist wants to get something strong from it, and then enters the ruins, all kinds of organ treasures, and pulls the skin and dry frame, these are all that can be irrigated, and it is important that this part should have a cool point to attract readers to continue, this is pork belly, and then get the baby suspense to unravel, at this time the unicorn tail.

But after this whole set is written, we will find that the subscription is falling down, why, because the suspense is solved, the protagonist also got the best thing, the reader is happy, the cool is over, the subscription is paid, no one stopped me from leaving!

The reason for this is that your next crested head didn't keep up with our last unicorn tail in time to keep our readers, you said that there was something cooler later, but the readers didn't see it.

So when the unicorn tail of a crested pork belly ends, that is, when the previous unicorn tail has not ended, another crested tail comes to connect.

The easiest way to write is to leave a conflict to happen before the protagonist enters the dungeon.,What is a conflict to be called?,The most typical thing is how many months after the fight is broken.,There happens to be a rival who also wants to participate.,The two pressed down on the grudge.,Agree to meet on the martial arts.。

The protagonist enters the copy after that.,Come out at the same time as the time of the martial arts is approaching.,The dead dragon under the rival's hand comes to provoke.,This is to attract readers to continue watching.,I want to be more cool when it's over!

Actually, entering the dungeon and fighting with the rival doesn't advance much on the main plot at all, which is a typical irrigation, but readers are happy to buy it, because your crested pigtail unicorn tail is used properly.

Proper irrigation is to make the bland highlight the climax, the text is not flat, and the ups and downs can be exciting!

As above, the last 300,000 words or so of a million-word novel are used to give you the end of the story, and all the foreshadowing and big pits must be slowly explained in the last 300,000 words.

There is actually nothing to talk about in unicorn tail, because when you write to the end, readers also have this feeling that they are near the end, and the previous foreshadowing holes must be filled in, otherwise readers will scold you for being unfinished.

The later upgrade is too fast, killing the enemy in seconds, only filling in the big pit and not filling the small pit, these problems will make the reader feel very messy, the more you reach the end, the more you have to write calmly.

Finally, let's talk about the fact that the concept of pork belly unicorn tail is also applicable to the rhythm of updating chapters, generally our daily updates are stable at two chapters per day, but on Saturday and Sunday, we can break out and send three chapters, or send four chapters, so that readers will feel very surprised and look forward to the next chapter update!

Wait until Monday, the mood of the person who is going to work is generally low, you can also apply for a break in the name of the outbreak, one change a day, the reader will not be too disgusted, Wednesday and Thursday, the reader has endured three days of work, and needs to be soothed in the empty and lonely night, so the Wednesday and Thursday Friday update should be slow, and the Saturday and Sunday will break out, so that the ups and downs of the update will also capture the reader's heart.

It's like when I was a child, I couldn't wait to go back to watching anime, and I was updated to level 3 on Saturday and Sunday, and I was happy and looking forward to the next weekend.

Outline, it is recommended not to start with the outline

Let's start with the conflicting paragraphs

The Golden Three Chapters are an iron rule

Whether it's an online article or a physical article

What is embodied is the conflict, and the set ~

Get this done first, and then go to the big one

An outline, in the abstract, is a collection of conflicts

A lot of people think that my story is very good! Super awesome~

However, you can't write it, and no matter how awesome the outline is, it's not Chopin

A major conflict is a collection of sub-goals

In fact, from another point of view, it is called strong impression release

For example, if you nag someone every day, I want to be a martial arts master

Finally ran to make money

The reader will kill you

So, what is the big conflict

The goal of all previous skirmishes has been more or less a major conflict

Nagging 10,000 times to engage in girls, then, engaging in girls is a big conflict

The difference is only that a good writer will nag from different sides

Design ...... for different scenarios, different conflicts, different factors, and different strategies nag

For example, the legend of mortal cultivation of immortals~

Auction – Get stronger

Cultivation – Becoming stronger

Treasure Hunt – Get stronger

Therefore, the final big conflict is bound to become stronger

There is direction, the goal is clear, and the reader can not be confused

I watched it for a long time, today you sleep with a girl, tomorrow you rob a bank, and the day after tomorrow you go to study high-tech...... Brother, what the hell are you going to do?

The foundation of writing remains the same, but the elements and perspectives are different

The male frequency emphasizes things~

How is this thing

Female frequency emphasizes impressions

What an impression is expressed with things

It's just a different location

It's a little personal insight in the past 20 years

(low-key show-off)

Infinite streaming, in fact, is the same as opening a map

shrug

A new world, a new setting, just like opening a new map~

In fact, infinite flow,It's the inevitable development of the same people.

Doujin is paragraph-in-nature, and infinite streaming satisfies this need well

Even if you write the essay yourself, the reader will guess the plot

Your description just gives a clear direction

But it can't change the reader's fantasy~ (fantasy is impression)

Once an impression is made, it does not disappear, and a breakthrough must be found

That's what fandom is for

And the infinite stream is taking advantage of this and batching it on the upgraded skin

This one is basic and suitable for newcomers

If you improve, you will have several directions

The first is feelings~

You have to use a certain type of emotion as the main element

The conflicts of design are all guided by these feelings

This type is the path of dual cultivation for men and women

Second, it is a fixed routine

Write growth events as a basic cycle

Break the cycle with a different obstacle each time

This one is biased towards the male frequency

The advantage is that the goal is clear and the controllability is high~

The flaw is that there is a dependence on the set requirements

The third point is the contrast of the characters

This one is biased towards the female frequency

Every time, find out a character with a strong personality and a strong bias in characteristics~

and the protagonist, all aspects of the contrast

It's easy to play when you interact like this

But the disadvantage is that it is easy to scatter~ (but the girl doesn't care about scattering anyway)

Basically, these three directions

When you want to write, you have to choose one of the circular patterns as your growth direction.

Writing a story like this, after a few rounds, it grows

Macro things can be adjusted temporarily

The same item is not the same from different angles

What I'm giving is some direction for self-growth

It's easy to avoid some newbie mistakes

I wanted to write everything, but I didn't practice anything

This is to work hard to see more and practice more

Accumulation no one saves

I can teach you a little trick

But it's only for me, and for authors like me

It's not good for everyone

Is the cologne smooth? Is Jin Yong fluent? Is the Red House smooth?

The writing is different~ but it's all smooth

So translate this sentence...... Words can reach the meaning, not rambling

And then the story design, the romance story is good, the martial arts story is also good, and the detective's story is also good~

The genre you choose is very much limited to the plot you can use

What you need is to give your readers an experience like no other

Capturing the most extreme part of a story is the key to designing a good story

So the translation of this sentence is, the goal is clear, the conflict is obvious

As for the third one you didn't say, I can't help you analyze it

Writing itself is a kind of writing temperament and habit

Fluency, in fact, means, writing, to achieve fluency

It's all smooth

But the writing temperament is completely different

Psychology is not grasped

Psychology is made up by you

Mental descriptions are logical chains

You have to throw the logic out one by one and lead him to conclusions

You have to think about what the reader thinks when they see this

Don't think you're that person

Because the perception of the character has limitations

But the readers and authors did not

I'm talking about this systematically

From a creative point of view, the author can assume what the character looks like. This is a basic model~

When creating and transmitting, often what the author thinks cannot be effectively conveyed to the reader

In the eyes of the so-called thousand people, there are a thousand Lin Daiyu, and everyone must first understand that the roles in the eyes of the author and the reader are different.

It's not that the author said that this person is bold and heroic, and the reader can feel that he is cool and heroic, at best, this is a guiding direction

The author expresses the character through the story, I think it is bold to be fearless in the face of danger, I think it is bold to spend money, the author first transforms his own ideas into events to reflect the characteristics of the character.

Just like a living person, most of them are double-standard dogs.

What you think the character can do, what makes sense. Probably not in the eyes of the reader. (For example, I don't think he's a spendthrift, I think he's just showing off, showing off the dog~)

The character's perception is limited because his perception can only be expressed in terms of events. There are a lot of decisions in life that can be triggered in normal times, and if you can't write about every action of a character, then he must be limited

The author, and the reader, see the big picture, both knowing what the character thinks and interacting with how the people associated with the character think

The perceptions (impressions, foreshadowing, information) acquired by the author and the reader are transcendent of the individual

Therefore, the writer needs to imagine whether the information currently available to the reader can form a logical chain

And the role doesn't have to, the role can be in this regard, and most of it is blank~

When it comes to online articles, we have to talk about fantasy, in recent years, because of Tang San, potatoes and tomatoes and other gods, this kind of analogy has been pushed to an unprecedented height, which has also led to a considerable number of authors devoting themselves to the creation of fantasy online texts.

Speaking of fantasy, of course, it is also synonymous with Shuangwen, and Shuangwen is, in the final analysis, to make readers look cool and enthusiastic.

I'm a small flutter who has just joined the army of online articles.,Let's talk about it today.,Talk about fantasy.,The following is just my point of view.,Don't spray if you don't like it.。

I won't talk about the creative methods and important components of fantasy.,Presumably many authors are much clearer than my little flutter.,Since I'm talking about fantasy.,I'll take out a few important points about fantasy.。

First: Waste firewood flow, talking about waste firewood flow has to mention the dou of towing beans, this is also my favorite book, I have to say that it has developed the waste firewood genre to an unprecedented peak height, so that many authors later rushed to imitate, and even said that potatoes created a genre is not an exaggeration.

The main points of the creation of the waste firewood flow: the waste firewood flow can be popularly regarded as the desire to promote and suppress, and if you want to highlight the extraordinary pig's feet, you must first suppress it, but this suppression also has a certain limit, for example, the opponent of the same level has a magic weapon or elixir that is more powerful than the pig's foot, or the opponent who is one level higher than the pig's foot uses its strength to crush.

But no matter which storyline you are in, remember not to set up the opponent of the pig's foot too strong, if you have to add such a character, you must also design a reasonable plot so that the strong enemy cannot directly do it to the pig's foot.

If you can't control this limit well, it is easy to have the following two situations: (1) The opponent is too weak to achieve the desired effect of waste firewood, that is, the reader looks unhappy and does not have the refreshing feeling of slapping the face. (2) The opponent is too strong, resulting in too many readers can not accept the pig's feet being bullied excessively, if the pig's feet are lucky to counterattack, it will appear that the article is very fake, and readers are easy to produce: so strong opponents can instantly counterattack? It's fake, isn't it?!

Therefore, if you control this limit well, it is the essence of the beginning of fantasy.

Secondly, in terms of fantasy characters, the characters of the male protagonist and the female protagonist must be positive and sunny, and they must transmit a core positive energy, which is understandable, and you must be very clear; The main point I want to talk about is the negative character: many people will think that it is good to write the bad points of the negative character, and the worse it is, the better it can reflect the good of the pig's feet.

In fact, it is not, of course, the negative characters are bad, but it depends on how you define this bad, don't set up a bad person in the pure sense, you must write that the villain has his own beliefs and has his own pursuits, but on the road to pursuing beliefs, there was a conflict with the pig's feet and the contradiction broke out, which is the most reasonable.

For example: a villain falls in love with the male protagonist's wife, or falls in love with some kind of cheats or elixir of pig's feet and breaks out a conflict with the male protagonist; Everyone has a love for beauty, so although it seems cliché, it is also reasonable, at least it will not feel too false and abrupt to the reader.