Second: About routines: Nowadays, there are too few high-quality products on the fantasy street, because the aura of these great gods has caused everyone to flock to it, but it is also because of the location of these great gods that there are too few people who can stand out in the fantasy. Pen ~ fun ~ pavilion www.biquge.info

I am an anti-routine, and I have to say that the author has a responsibility and the editor has a responsibility for the development of fantasy online articles to the point where they are today. The author is really too lazy, there is no sense of innovation, the editor also because of the achievements make the author must write according to the routine, otherwise the review will not be passed, I think this is really a sadness, this has killed the author's innovation to a certain extent, the author has to re-revise the manuscript at the request of the editor, resulting in the same fantasy bad street, the story is a novel story, but the routine is the same routine.

Nowadays we always talk about routines, imitate routines, what are the specific routines, and what should we imitate?

In my opinion, it is not the element composition and plot composition of the articles of the great gods, what we need to imitate is their creative ideas and creative angles!

The article is about a movie, which must be shot from a peculiar angle to get a dazzling effect.

Therefore, the authors should stop blindly imitating these so-called routines, and learn more from the ideas of the gods when they were creating.

Third: about cheating. It's an indispensable part of the fantasy text.,The male protagonist must be inseparable from him if he wants to counterattack and slap his face.,But how to set up about the golden finger?

The gold finger must be unique.,The article can't appear the same gold finger as the male owner.,It can be like a similarity and never the same.,If someone else's gold finger is the same as the male owner.,How do you let the pig's feet play?

The irreplaceability of the gold finger, no matter what the treasure of the gold finger is, must be irreplaceable, because the male mainly depends on it, although it is not often relied on, it is a necessary weapon for the male protagonist's big face, that is, the hole cards often mentioned in the article!

The strength of the gold finger, the strength of the gold finger must run from the beginning to the end (if you are not so awesome, can you be worthy of these three words?). Goldfinger should be strong but there must also be a degree.,The author must not give Goldfinger GET too many skills.,As long as there are one or two key skills in each plot to save the male owner's life.,Otherwise, how do you let others play? Looking at your full-level boutique equipment number abuse creeps? You're cool, and the reader just abandons the book. There's another point.,The gold finger must be upgradeable.,That is, its skills will be unlocked with the strength of the male master.,Or evolve.,Pig's feet are a level.,The strength of the gold finger has also opened up a level.,This is a progressive relationship.。

Fourth: fragmentation, which is a point that few editors will mention (at least I rarely hear it), which is a bit similar to dismantling a book, and many editors will mention this to newcomers to the industry, undoubtedly to give them a comprehensive understanding of the bestseller routine.

I'm talking about fragmentation in a similar way, no one's logic is strong enough to handle a book of millions of words, and the reason they can do it is by using fragmentation.

A big story will be divided into countless small stories because of the needs of pig's foot ability, and this is fragmentation, and cutting the big story to a certain extent is not only conducive to the author's easy control, but also conducive to breaking out more exciting cool points.

Many people are always at a loss in the face of millions of words of work, feeling that their brains are a mess and they don't know where to analyze it.

In fact, when you break it up, you will find that it is actually constructed from several small stories, and a main line runs through them, like a sugar gourd. When you analyze these short stories, it will be less difficult and your ideas will be clearer.

I'm not a great god, and even if I am a great god, everyone's experience is different, and it may not be suitable for all. What I said today is that there are no absolutes, and I hope you can use it as a reference to help you in writing.

The first question is actually a statement, or a reminder. As an author, I want to write online articles, what should I write?

There are a lot of people who are analyzing trends, fantasy fire, writing fantasy! Urban fire, write about the city! Recently, the suspense is good, and the suspense is quasi-red.

As a newcomer, the trend doesn't really affect you that much.

For every type of article, there are a large number of random readers.

These people will pick and choose from the currently updated articles.

If you are a great god and have a large enough readership, it may be that the popularity of a type will affect your grades

But as a newcomer, the first thing you face is these random readers

The sheer total number of these readers, in the short term, is enough to support the good growth of an author's article

And, the key to capturing these readers is how well you write. And not what type you write

The first question is just a concept, and I hope you can think about what you are good at. Fantasy should be domineering, suspense should create an atmosphere, the president should describe feelings in depth, and history needs knowledge accumulation

What are you good at, what is the knowledge you have accumulated on your own, think about it for yourself, and then decide what to write

Suspense is selling well in traditional media right now

There are also many lists of online drama adaptations

So, let's talk about the second question, how to get started

Authors, whether online writers or for other types of authors. In fact, they all face the problem of getting started

Writing, you face two big problems. 1. Outline, 2. Introduction

The outline, that is, the plot setting, determines whether people can read it or not

The opening chapter determines whether people can be interested

It can be said that one is a signboard and the other is a product line

The second thought of the corrupt group next door helped the illusory emperor change the title and introduction of the book a few days ago

The original title of the book was My Beautiful Doll, but Ernian changed it to my delicate doll

There is only one word of difference~ Why is there a difference?

It's because it's easy to be searched

Isn't it good to use it? The routine is bad because the routine is easy to use

writes fantasy, Xianxia, everyone says, divorce flow, slap in the face...... etcetera

In fact, fundamentally speaking, this kind of plot is called a dynamic opening

Static openings start with setting, narration, and introduction

The advantage of a static start is that it is easy to set the mood, and the disadvantage is that it is ...... It's easy to get boring, and readers may not be interested in reading it

The advantage of a dynamic opening is that the conflict is obvious, the purpose is clear, and the reader's curiosity can be captured at the first time.

This is the case, but it should not be divided. This is not an inevitable feature of PC articles and wireless articles, but the group habit of writing PC articles and wireless text authors

As a newcomer, since you are not well-known. You need to use bait to retain unstable readers.

Therefore, it is helpful for you to get straight to the point at the beginning of the article.

It is suggested that under the premise of not having a stable readership accumulation, we should choose to imitate articles that focus on dynamic openings.

This is the opening part

Let's talk about the outline

In short, at the latest in the first three chapters, the conflict, the obstacles of the first stage, should come out

The great god has a fame bonus

People can maintain the first five or even the first ten chapters, and old readers can naturally spend more pen and ink on polishing

And even if it starts statically, you can't stack the settings

And it takes a lot of effort to make the setting interesting

Since the number of words in the online text is spelled, there is usually a huge world view of fried chicken~

The worldview is not given to the player by cramming

Village, town, county, country, state, human world, cultivation realm, true immortal realm

When it comes to ability improvement, you will encounter such an ever-increasing worldview content

The city and suspense are constantly adding new groups and characters, and new development conflicts with the protagonists

If you were to write a story of six villages......

In less than a dozen chapters, you have introduced all the cats and dogs in the six villages~

So, to keep adding new content, in fact, is to keep adding new places, or new forces

So-called, opening a copy is only a level and not necessarily a space

When you read the novel, do you see that to a certain extent, the previous plot will be forgotten?

People's memory is limited, and the stories they have read will gradually sift out some details over time, and finally only the memory of the context will be left

And even in the end, only the impression of some key events remains

Therefore, in fact, the same article is not afraid of repetition

And such a long article as the web article will definitely be repeated

So, as a newbie

Your article should be a sugar gourd

Don't think about the mesh structure, it is difficult to control and affects the speed, and the reader may not buy it

Think of your outline as a sugar gourd

Each segment is a hawthorn

You say, won't a routine be annoying?

It doesn't matter, we can skewer hawthorn, orange, chili, beef, hawthorn, chili, beef, beef, orange and so on

You can actually achieve this interspersed structure by preparing more than three types of plots for your essay

For example, falling in love, treasure hunting, fighting, and being plotted

Then, we focus on each hawthorn of the sugar gourd, and the problem is simple

Elementary school composition teaching, the beginning and the end

Cause (there must be an obstacle, no one likes to look at things at their fingertips)

Development (you need to choose in the face of obstacles, you need to work hard, this part should give the reader goals and expectations) romance can also be

Twist (the advantage is reversed, telling the reader that the protagonist has the key to winning)

Convergence (the anger that accumulated earlier, I was able to explode at a stretch)

For example, for romance, the heroine doesn't love you, or someone robs you, this is an obstacle

That is, to throw questions

If you want the heroine to love you, you have to make a plan and work hard for the goal of this plan, which is to promise

The heroine's attitude towards you changes, or you have the ability to make her change (for example, Lao Tzu has achieved a small goal and saved 100 million) This is a turn

Take the money and slap her face, and the joy is popping~~~~ This is the combination

The outline is the continuous nesting of the beginning and the end

In the link of starting and turning, you can also set up and turn again

So that the story is varied

And to control this change, you just need to set stage goals

For example, in the game, if I finally want to get a level 10 gift pack, I have to do all the small tasks inside

The cause is split into four more.

You will find that a lot of fantasy texts, take a shot to change places

When changing places, there will naturally be a new environment and new forces will emerge

There is no need to deliberately foreshadowing beforehand

For newcomers, directness is the most important

For those who are entering the industry

Don't rush to the water just yet......

Water is actually a technical job

Because you have to make sure that the water does not pass the reader

Newcomers are still good at liver and brain

The first one is fine, let's talk about the third one

plot, with characters

From the era of paper media

Everyone began to argue

Focus on the plot or characters

What is the character's personality?

You say he's smart, he's smart?

A lot of novels have been written for a long time, but they are sprayed as stupid by readers

The characteristics of the characters need to be reflected by events

Therefore, if you think about it carefully, in addition to foreshadowing, all the conflict settings of the plot should reflect the characteristics of the characters

Let's start with that

There are countless events in a novel, but in fact, the purpose and direction of each event are different~

The same is true for the web article

Online articles are equivalent to countless magazine articles strung together

And then put the nonsense, describing dehydration

When we write, we are constantly reinforcing concepts

For example, if this person is gentle, you have to write all kinds of things to show his gentleness

For example, if this person is impulsive, you have to say it in various ways......

I rub! He rushed out again!

What happened to him? Beaten again!

The reader may not remember the context of the events, but they will continue to reinforce the concept......

This person is too impulsive and always causes trouble

Impressions are the reader's "evaluation" of a character's behavior

This evaluation is the character characteristics

His actions are the story

The same thing has a different position, a different way of dealing with it, and a different way of dealing with different characters

Therefore, when describing events, it is necessary to choose who will act

There are only two modes of acting

In contrast, two people are bullish, and I am even better

In contrast, if you're like this, I'm not

Establishing a character is a long process

I suggest that instead of establishing the protagonist

Supporting characters can be more extreme

Do it according to death, be arrogant according to death, and be bad according to death

The reader reads for the sake of it

Do you write for the reader? Or is it to tout the protagonist?

There are so many gods, and everyone doesn't like the protagonist

We now return to the event

No matter how you write it, the beginning must be a "cause"

Note that the pushing event is an external force

People get up every day with peace of mind, go early, go to work, pee, and sleep

Even millionaires are different

Extraordinary experience

How do you get out of your usual life? You need a reason

A reason you have to change

There is one characteristic of the advancement event

It's about the shortcomings

Writing Story Exam Tips

The theme makes people feel a kind of "sudden realization" or "so it is", and it is intriguing.

1. What is a theatrical story?

Dramatic stories are language arts that unfold with characters as the center, events as the link, and emotions as the basis. On the basis of interestingness, the story should be an extension of the ideological spirit and humanistic connotation. A good drama story should leave people with room for imagination and association, and have taste not only infinite interest, but also the aftermath of a bell. The most important thing in a drama story is to create contradictions and conflicts, that is, to set up a play. The setting of this conflict requires the test taker to dare to imagine, to have the ability to set up suspense and organize language. The biggest purpose of a drama story is to create a character, and the character must have a distinct personality and a point that people cannot forget. In addition, it is also required that the characters in the text should have a three-dimensional sense and grasp the differences of the characters. There are not too many characters in the dramatic story, and the emotional entanglements will be too complicated to manage.

All novels have to tell a story, and not all stories are novels, and the question arises: what is a story? What is a novel?

1. From the material: The story should have a core plot and wonderful details, which is called the story core. The story is like the baggage of cross talk, everything revolves around this core. Talking about cross talk starts with selling off, and when the burden is opened, people will laugh. Writing a story is also to lead the reader astray first, and when the story core reveals the truth, the story is over. There's a story called "Love in the belly."

2. In terms of expression: the story uses the method of narration, and the novel uses the method of description. Scenes, character portraits, action descriptions, and dialogues are the most commonly used in novels, and stories are rarely used.

3. From the perspective of the subject of expression, the novel is written by people, and everything is for the purpose of shaping the characters. Scenes, psychological activities, language, and action descriptions are all for the purpose of shaping the image of the characters, and they must conform to the identity and character of the characters, and the plot is also determined and developed by the characters' personalities. Sometimes the author himself doesn't know what the ending is, and can only follow the character of the protagonist in the book.

If writing a novel is compared to walking, there is only a general direction in advance, there are forks in the road, there are uphill and downhill, full of twists and turns, and where to go. Therefore, a good novel leaves you with the living people, not the things. Nowadays, young people write novels, regardless of the identity and character of the characters, what they say is the author's own words, the characters can't stand up, can't live, and don't have distinct character traits. Stories are written, and everything revolves around the core of the story. The purpose of the various techniques used in the essay is to lead the reader astray first, and finally to the core of the story. The core of the story is like the destination, the author is like a black-hearted taxi driver, taking the reader around the passenger, detouring around the bend, deceiving him, seducing him, and letting him see the scenery along the way, and finally when he arrives at the destination, the passenger suddenly realizes that he is fooled, and he has gone around so many circles with you, in fact, the road is so close, it is in front of him. But the passenger was still happy and he was willing to pay the money because he saw the scenery along the way. Therefore, what the story leaves to the reader, people instead dilute. A good story will not forget the story itself, not the protagonist of the story, decades later. Of course, the story itself can reflect the character traits of the characters, but this is only a by-product.

Second, the standard of a good story

If the story has been in a tepid state of swallowing water, the reader may feel that it is not addictive and dissatisfied, and at this time it needs a boiling point, a climax, and a total explosion of contradictions in the accumulation of layers of sound and color foreshadowing. Both sides of the conflict have enough punch to trigger a bit, even like a pair of goat horns. Two crickets fight, there is no room for reconciliation. The master Deltai believes that every scene must show a struggle. When it comes to stories, every story should have such a contradiction.

1. Contradictions and conflicts are concentrated

There are often some articles, the storyline is very lively, the big climax and the small climax break out non-stop, but in the end, the author doesn't know what he is talking about, so he pulls the story together, but everyone knows, this will make the work complicated, the meaning is ambiguous, and it is a taboo for the story.

Don't write a story too difficult and complicated, a story is a pair of main contradictions, clear, focused, and simple. runs through the plot from beginning to end, and all the laying out is also closely around this pair of contradictions, don't be sideways at will. "Changing Locks" is a contradiction between a father and a son. "Lonely Hero" is a contradiction between two love rivals and so on.

2. The relationship between the characters is concentrated

The genre of the story, which is limited by space, is generally not like the novel, which can vividly express and shape so many characters. Moreover, the mission of the story is to tell the plot, which is an art of plot, so the setting and portrayal of the characters should naturally cooperate with the arrangement of the plot, and think about how to make the plot clearer and smoother.

The story should be as concise and focused as possible in the design of the relationship between the characters, and focus the dramatic conflicts on a few, or even two characters. Even in the case of a novella, generally speaking, there are three or five main characters throughout, and these characters are contradictory and antagonistic, constantly creating misunderstandings and conflicts that drive the plot forward.

3. The plot progression is concentrated

In real life, the progress of contradictions and conflicts generally requires a fairly long gestation process, but dramatic conflicts must be more concentrated and faster than life conflicts.

4. The basic characteristics of a drama story 1. The plot of the content

Dramatic storytelling is a language art that is known for its plot. The vitality of a dramatic story lies in its circulation. A vivid and interesting drama story will make the marking teacher have endless memories and be deeply engraved in his mind. Take the circulation process of the novel as an example, a large number of descriptions and discussions will be diluted, and in the end all that remains is the plot, which is the reason why static descriptions and discussions are difficult to tell and remember.

2. Clarity of clues

The story of a drama requires clear clues, which is determined by the particularity of its "story". The purpose of the drama story is to make the examiner understand and continue to watch, that is, the clues of the story are required to be clear, single, concise and organized. If there are too many clues, or as in some novels, the clues are intertwined with each other, it will inevitably give the candidate a sense of disorganization and make the examiner unable to understand. Can't stand it. When the examiner is faced with so many articles on drama stories, he has no time to read or understand as if he was reading a novel.

3. The fun of the plot

It is not enough for a drama story to have a clear plot, it also has to have suspense. The so-called suspense is the audience's expectation and suspicion of the development and change of the plot of the play, the fate of the characters in the play, the psychological state of the stage reality, and the psychological requirement of looking forward to knowing what will happen later. If there is no suspense in the drama story, the plot will not be gripping, and such a work will not be favored by the examiner. This requires candidates to carefully grasp the interest of the plot when writing drama stories.

4. The novelty of the idea

If a drama has a strong storyline, clear clues, suspense, and smooth writing, but the examiner finally sees that she doesn't get what she (he) wants, there will be a feeling of being deceived, and such a work will also not be favored by the examiner. In view of this, candidates are required to have a novel idea when writing a drama story, which is "derived from life, but higher than life".

5. Colloquialism of language

Compared with the written language, spoken language has the characteristics of easy to understand, natural and simple, vivid images, catchy, easy to pass on and remember, so drama stories generally use colloquial language instead of crepe, obscure, and difficult written language.

5. The basic elements of the drama story 1. The subject matter

The subject matter, i.e. the part of the material we choose. Choose a subject that you are familiar with and that is easy to grasp and use. For example, family themes, campus themes, etc., do not rashly get involved in marriage themes, military themes, political themes, industrial and agricultural and commercial themes.

2. Background

Background, the occurrence of a story, must occur at a certain time, a certain place, a certain situation, candidates should pay attention to the determination of the time and place in the drama story, that is, the background of the event. Once the background is determined, a solid foundation is laid for the development and progress of the story.

3. Plot

The plot, i.e., the plot of the story, which is the main content of the story of the drama. The plot is mainly composed of characters, events, contradictions, conflicts, details, etc. The quality of a dramatic story depends to a large extent on whether the plot of the story is vivid, twisty, dramatic, attractive and appealing. A complete dramatic story should generally have a central event, and the contradictions, conflicts and details revolve around this central event. A good plot should be dramatic, that is, there should be suspense, conflict, discovery, misunderstanding and sudden coincidences in the story, there should be ups and downs and mutations, and it should be created and made to produce surprising and interesting effects. However, it is not appropriate to use science fantasy, absurdity, and ghostly plots, thus destroying the authenticity and logic of the story.

4. Suspense

Suspense is the basic element of a dramatic story. The suspense should be engaging and capture the curiosity of the examiner. Some candidates write stories, flat and straightforward, boring and dry, not attractive at all, although they spend a lot of effort, the sentences are also very beautiful, some also use metaphors, exaggerations and personifications, and even use poetry and songs, but because there is no suspense, it still can't attract the examiner's attention. Therefore, when writing a drama story, it takes a lot of effort to design the suspense.

5. Theme

The theme, i.e. the idea, or the ideological connotation and ideological concept of the drama story, can also be understood as the candidate's attitude towards the life represented. With a main idea, it is beneficial for the organization, composition and development of the material, until in which direction it goes and what it revolves around.

6. Characters

Characters are the characters in the drama story, the most important material of the drama story, the embodiment and promoter of the drama story, and the final destination of the drama story. It is necessary to pay attention to the conception of characters from two aspects, on the one hand, it is a static grasp of the characters, that is, the name, gender, age, occupation, hobbies, status, personality characteristics of the characters, as well as the family environment and social environment, education level, character experience, etc., to position the characters, so that the characters become real and credible, well-founded, and solidly determined characters; On the other hand, it is to consider the dynamic changes of the characters, that is, what they do and think in the development of the drama story. With the development and change of the plot, the characters will also change, and we should pay special attention to and grasp this change, so as to achieve a dramatic effect and make the characters become a living life with activities, changes, flesh and blood, character characteristics, thoughts and feelings, and an artistic image with enlightening significance.

7. Structure

Structure, that is, the grasp of the layout, combination, and rhythm of the story in the process of writing, and paying attention to structure has special significance for conceiving a drama story. Candidates should be good at laying the front and back cushions, skillfully setting up suspense, creating contrasts, and pushing the plot to a climax step by step. Generally speaking, when conceiving a story, it is necessary to have a sense of structure, and pay attention to the organic organization of the plot and characters in the story, and lay out the layout according to the requirements, so as to avoid being overwhelmed and unbalanced, resulting in structural failure.

8. Language

Language, which refers to the written form of character dialogue, is the simple spoken language, not the language of action. The dialogue of the characters should be as concise and vivid as possible, in line with the character of the character, and the dialogue should not be too much, and the meaning that the character wants to express can be revealed. Pay attention to the object and environment of the character's speech, the tone and attitude of the speech, and also use puns, metaphors, and subtext, and it is not appropriate to say the meaning too bluntly and thoroughly. When writing and telling a story, pay attention to the accuracy and refinement of the language.

6. How to write a drama story 1. Topic

If the type of drama story writing examination is continuation or phrase connection, then the setting of the topic is very important, pay attention to the story, and have a kind of attraction and attack. For example, in "The Sun Rises in the West", the examiner urgently needs to know the following at first glance at the question, and some mediocre titles often make the examiner dismissive.

2. Beginning

People often say that "everything is difficult at the beginning" and "a good beginning, things are equal to half the success", these words are not only reflected in the world, but also reveal the regularity of drama story creation from a certain angle. For the beginning of the work, candidates should pay attention to conciseness and conciseness. At the beginning of the novel, you can write lyrical scenes, depicting people, sprinkled with thousands of words, and the more detailed, exquisite and detailed the writing, the more favored by readers, but not the dramatic story, if the first three sentences can't attract the examiner, then what reason is there for the examiner to continue reading. When writing the beginning of a drama story, candidates should avoid: 1. Endless introduction of the environment; 2. Describe plain and familiar things.

3. Middle

After setting the beginning of the dramatic story, try to be as logical as possible in the middle, and connect the story and events with as many twists and turns as possible. First of all, it is necessary to set a theme, choose a narrative method (such as flashback, progression, foreshadowing, juxtaposition, etc.), and let it develop freely step by step according to the direction conceived by the candidate, and gradually develop to the climax.

4. Ending

The end of a drama story is the "eye" of the sublimation theme, which determines the success or failure of a drama story. As the saying goes, "weaving baskets and baskets, the emphasis is on closing". When closing, it is generally necessary to use a natural stroke of genius to shake out an ending that no one can imagine. The ending of the drama story should be concise, novel and unique, so that the suspense is finally clearly solved, and the name and depth should be deepened

7. Attention to the problem of drama story writing

First: write more, watch more, read more, write more good stories, novels, watch more feature films, stage plays, read more short stories, short novels, drama story collections, film literary scripts, and watch more movies, dramas, TV series, etc. To weave a good story, you must first have some good story materials in your own knowledge storage, as a reference and reference when writing a drama story, but in real life, things experienced in person may lack drama, and hearsay things may not constitute a complete drama story, so these are just reference materials for conceiving a drama story.

There are three main sources of knowledge and materials for theatrical stories: first, personal direct and actual life experience; the second is indirect hearsay; The third is to learn from literary works, dramas, film and television works.

Second, grasp the elements and the relationship between them

At first glance, when you hear "drama story", you will often understand it as making up one thing, which seems very simple, but it is really difficult for candidates to weave it by themselves, I don't know where to start, "how to make it up", "how to make it up", this is mainly because of the lack of understanding of the constituent elements of the drama story, so we focus on explaining the eight elements of the drama story above, that is, the theme, background (including time and place), plot, suspense, theme, character, structure, and language composition, candidates should grasp the relationship between the above elements, Either element is missing will affect the integrity of the drama's story.

Third: In the choice of subject matter of drama stories, pay attention to a "new" word and a "strange" word, write new things, do not write generally familiar materials, and things that are different are often easy to succeed.

Fourth, there is a thread that can be used to the end, which means that the drama story has a specific reason to tie the three or five characters in the story together from beginning to end.

On this issue, candidates should pay attention to three points: first, do not make the characters and plots that have appeared in the front have no connection with the characters and plots that appear later; Second, it is best not to have multiple clues at the same time; Third, it is best to make this clue a chain structure that echoes back and forth.

Fifth: The events of the drama story should be typical and prominent, and it is important to avoid having no priority, miscellaneous branches, and noisy guests.

Sixth: The main characters of the drama story (the protagonist of the story) should be typical and distinctive. A short drama story is enough to write one or two people well, and there are many characters, and there is no distinction between primary and secondary, which reduces the gold content of the work.

Seventh: The plot of the drama story should be twists and turns, with ups and downs.

The plot of a short story should also turn three corners, and it should not be flat and straightforward, full of big truths or descriptions of scenery, psychology, and language. The story is not a novel, it is concise, there is something to say, and it is necessary to pay attention to the purpose.

Eighth: Dramatic stories require different language from other literary styles.

The story should be in the language of narration, which is closer to the colloquial language. Drama stories should pay attention to the characteristics of "telling", but avoid too much dialogue. As long as you know and master the tone of "telling" to write a drama story, then it means that the story you write is at least a "drama story".

1. Create a sense of substitution

Through the oppression and humiliation of the enemy, a sense of oppression is created, and information such as family care and expectation is added to arouse the reader's sense of resonance. The use of text and language to provoke, with the help of some empathetic plot fragments, allows readers to substitute the identity of the protagonist, so as to experience the plot from the perspective of the protagonist, so as to get a strong sense of depression. Then, through atmospheric rendering, psychological description, etc., the protagonist substituted by the reader is pressed to the bottom (moderately, otherwise the reader will lose interest completely).

2. Level setting

Through the supporting characters or the protagonist's inner monologue, a slightly vague hierarchy is shown, and various details of the protagonist's current level are thrown out, so as to facilitate the reader to determine the protagonist's self-positioning in the entire world system. This is an important element throughout the whole text, in most fantasy works, the protagonist starts from the lowest level, step by step, readers can read the process, clearly feel the results of all the protagonist's efforts, a clear footsteps into the growth history.

2. Goldfinger

A unique special ability, appearing when the sense of depression reaches the extreme, creating various accidents to make this 'golden finger' appear reasonably, and showing the particularity and importance of this golden finger in a very short space, and playing the role of the golden finger as soon as possible, so that the protagonist can quickly get out of the predicament, enhance his strength, and quickly rise in the positioning of the original hierarchy. The protagonist's strength comes from the particularity of the skill, even the special ability independent of the entire power system, and relies on this special ability to kill more powerful opponents. The room for upgrading is often the optimized variation of the skill itself, as well as the combination of several skills. Because the skill itself has a good visual sense, it is easy for the reader to understand.

4. Reverse stepping

Give it a powerful strength that is enough to resist, surpass, and even crush the enemy, and then set the villain to bully the protagonist in the previous way without knowing it, and in the reader's expectation, the protagonist will release a long-accumulated anger and anger, so as to obtain satisfaction.

5. Collection

Equipment, magic weapons, skills, and even beauties and pets are all common settings in fantasy novels, and in the reader's senses, the existence of these things is waiting for the protagonist to obtain, to collect, and to satisfy the reader's collecting habits.

This cool way to attract readers is to strengthen the existence of the obtainable object, if it is equipment, you must keep telling the reader how good this equipment is, how much it can be, you must get this thing to continue the plot, and it is extremely difficult to obtain this thing.

Through these aspects, the sense of existence of this thing is strengthened in the reader's mind, so that the reader has a sense of demand for this thing, so when the protagonist gets this thing, he completes the creation of a cool plot.

The creative method of this cool point is to strengthen the sense of presence and make the reader feel that this thing must be obtained.

keeps telling the reader that the protagonist has obtained a clue to the treasure house of so-and-so, and the protagonist has obtained another clue to the treasure house of so-and-so, and there are many good things in this treasure trove, and there is one of the things that the protagonist must have. If there is no protagonist who must have it, then there must be a lot of people in this treasure trove to compete for, especially the protagonist's competitors, once they get it, they will completely suppress the protagonist.

Let's ask, in this way of writing, as a reader, do you really want readers to get this treasure trove and trample competitors under their feet?

6. Desire

In fantasy novels, the protagonist usually embarks on the path of pursuing power because of a special event. The initial desires and goals constitute the main plot line of the whole novel, and rescue, detachment, and revenge are the three most commonly used main line driving forces in fantasy novels.

Parents or lovers are the goal of salvation and resurrection, so as to push the protagonist to keep moving forward, and reach a certain level to achieve this goal.

The word parent, when given to the character, does not need too much foreshadowing, and the reader can naturally accept and understand the source of motivation of the protagonist. And in the development of the plot, it can be used as an important power source for the protagonist not to give up or abandon.

Detachment, intrigues, shackles of fate, changes in heaven and earth, and ants of all beings...... All kinds of forms of presentation are for the sake of performance: the protagonist has low strength and can't help himself, and only with unremitting efforts and struggle can he climb to the top, control his own destiny, and gain complete freedom.

Revenge, the most depressing type of main story, the protagonist's joys, sorrows, and joys, and all emotional fluctuations, are actually under the oppression of a 'hatred'. The tone is too heavy, but the overall rhythm is tight, forcing the reader to read the full text quickly, and only when the protagonist completes his mission of revenge and vents the repressed breath of the whole text will he get great satisfaction.

2. Military

Using real-world or real-historical data as the environmental background, adding 'reasonable' accidents, as well as detailed and close to real wargames, the story plot is rendered as 'real' events, giving readers a strong sense of substitution and identity.

Detailed time, place, characters, and even adaptation from real events, expand the original events, focus the perspective on a certain character, and use the character's perspective as the starting point, usually starting from recruit training or team reorganization, slowly carving each character image from the life of the army, and adding brotherhood to the training and training, so that readers can quickly accept the character image.

Create a small-scale conflict (in the context of the modern world, which is vaguely attached to a country's counter-terrorism or drama. The historical genre extracts a certain historical event and interprets it), highlighting and establishing the unique abilities and leadership of the protagonist in the event, uniting various supporting characters around the protagonist.

The story of this genre of fiction is mainly through a huge and wide-ranging war, such as World War II or modern war, or fantasy near-future war.

As the protagonist progresses in the plot, his status gradually improves, and the area that can be observed from the perspective he substitutes is also expanding, from local to global, from tactics to strategy, under the influence of other factors that strip away the real world, the key element of military is highlighted and sublimated, and all perspectives are concentrated on this content.

metropolis

1. Dick silk in adversity, suppressed ---> Get the golden finger and the hope of a counterattack. Key points to note: the design of Goldfinger, and the depressing environment and plot at the beginning.

2. Accumulation of resources, start pretending to be forced to slap your face and play ambiguous -> The protagonist's surrounding environment is upgraded, and your social status is upgraded -> Continue to accumulate more, higher-level resources -> More advanced pretend to be forced to slap your face and play ambiguous. Keep circulating. Key points to note: The control of the plot should be too natural. The rhythm should be light and distinct, and the characters should be wonderful and vivid.

Pretending to be forced to slap in the face

The content of urban novels does not lie in the growth of the protagonist, but relies on the real social background, allowing readers to substitute for it, wantonly publicity, squandering money, enjoying luxury, and slapping people in the face.

With a more down-to-earth story in reality, the irrepressible depression in reality is added to the plot, and then the protagonist fights back fiercely, trampling injustice and resentment under his feet.

For example, if you have worked hard to write a paper, the leader will come and sign it, and it will be in front of you. There is a class flower in a certain class.,And then the class leader wants to please the class flower.,Appear to be awesome.,Just want to find trouble with the protagonist.,And so on.。

Imagine you're driving a Rolls-Royce Phantom, holding tens of thousands of cigars in your mouth, surrounded by a group of more senior leaders, holding a stack of dollar bills in your hand, and slapping your boss in the face who used to bully you. How refreshing is that?

This type of protagonist is usually not good-looking, but he has unique skills. Especially after the protagonist is despised, the reader will feel very happy to suppress and then promote.

For example, the people around him think that the protagonist is shit, but the protagonist's seemingly bland performance by chance, the insiders are very surprised, knowing that he is really a master, but he doesn't break it, this is dark cool. At the same time, the protagonist has to pretend, for some reason he can't expose his true strength, so that the tricks think that the protagonist is really a pig, but in fact, he is pretending to be a pig and eating a tiger.

Another example is the girl that your colleague pursues desperately, in fact, because she is infatuated with you, but others don't know, but there is a high-level who knows. Those who know should be classified, and heroes should know heroes. The dragon set is used as a cannon mouthpiece. Only the master knows that you are not shit, only ordinary people think you are shit and look down on you, this is the secret coolness of pretending.

Ambiguous

The protagonist of urban literature plays a large role as a perspective lens for the reader, and what the reader longs to see is more often a variety of beautiful women. Relatively speaking, the ambiguity of science fiction is relatively diluted.

And the most important task of the protagonist in the storyline is to have various ambiguous interactions with these beauties.

Ambiguity is not the same as eroticism, in urban novels, more attention is paid to the kind of flirting that is about to leave, which is impossible to find, and each chapter shows that the protagonist is about to have intimate contact with the heroine, and gives up halfway at the critical moment, so that readers have a stronger and stronger sense of expectation.

Of course, the protagonist's attention will not be just on one person, each with very different personalities and thousands of beautiful women will appear in the story in turn, so that the readers who substitute for it will have a sense of happiness for everyone.

Counterattack

Most of the works in the urban genre depict small people climbing up from the bottom, and the background depiction close to the real society deepens the reader's sense of reading substitution and strengthens the concept of grassroots counterattack, which is similar to the urban genre works. is a history of struggle for the weak, and most of them choose grassroots people, or even the lowest level who are oppressed and humiliated.

Then, through atmospheric rendering, psychological description, etc., the protagonist of the reader's substitution is pressed to the bottom (moderately, otherwise the reader will lose interest completely) to join the 'golden finger', so that the protagonist can quickly get out of the predicament, and progress the plot at a very fast pace, giving it the strength to resist, surpass, and even crush the enemy, and release the long-accumulated resentment and anger, so as to obtain satisfaction.

Of course, there is also a kind of invincible cool text in urban novels, which generally means that readers look like dicks at the beginning, but when they encounter enemies, they will become very awesome, which is actually an alternative counterattack.

grade

In urban novels, the upgrade of the level is not very obvious, but it also exists, and the system is a very important element, and the detailed and intuitive level division can allow the reader to clearly locate the growth progress of the protagonist. With the help of other characters in the text, the protagonist breaks through a level and achieves unparalleled pride in a way that breaks through common sense. Of course, these levels are not only the level of strength, but also the level of status and wealth in urban cool texts.

history

1: History is basically time travel, modern people travel to ancient times, use the historical trend they understand, and modern technology to change the direction of history, or change their own state of reality.

Scene before crossing -> crossing -> post-reality state -> changing reality.

Note that before crossing, it is best to explain the special character of the protagonist, or set up a pit to bury the line for the back. The time point of the crossing should be good, preferably the historical period that the public is familiar with, and the historical period of Chinese history is relatively dark, and readers expect to be able to change it. There are wonderful historical figures, historical events known to the general public, and so on.

nationalism

Readers more or less have some national plots, and they all hope that their motherland will be strong, whether in history or in modern society, when the country is weak, they all hope that they can become heroes and make their nation stronger, so there are many historical novels that have crossed over. Let your nation stand tall in the forest of the world and dominate the world.

Historical restoration

Through the reference of the corresponding classics, to restore and conjecture an incomplete history, to satisfy the reader's curiosity and exploration of this period and this history, so as to attract a large number of fanatical fans of this history.

Character interpretation

It is often based on a real person who has existed in history, and through the experience and portrayal of the character, a more complete and vivid image is created, or the reader's previous perception is completely overturned.

Conspiracy strategy

Every reader hopes that he is Zhuge Liang, but in fact, he or she is more or less ignorant of the strategy of power and strategy, and the historical traverser can use the known historical trend to promote the development of history in the direction that the reader expects. This is a unique and important cool point of historical writing, remember to meet the reader's expectation or exceed, otherwise it will be a failure.

Weapons, utensils

The main thing is superiority, the superiority that the time-traveler brings to the super-era weapons, scientific knowledge.

Cultural heritage

Ancient times are a part of China, ancient culture is a part of Chinese culture, and historical novels, as the inheritance of culture, have left a lot of excellent Chinese culture, so that many excellent cultures have not disappeared in the long river of time. Because if the author can show the reader's unknown and ancient related knowledge, it is also a big attraction. It can greatly increase the sense of substitution.

gather

There is also a unique way to write historical texts, which is to collect the celebrities and famous generals of the time and incorporate them into their own power system, and collect the major beauties at that time and incorporate them into their own harem.

science fiction

1: At the beginning, there should be a sci-fi feeling that is different from the ordinary world. The telling of the story should reflect the protagonist's personal goals and motivation - "break through and become stronger" - "face new difficulties" - "break through and become stronger". Keep circulating.

A sense of substitution

Whether it is mecha wars, starships, or future technology, they are all based on certain scientific hypotheses, plus the support of various theories and theories that are difficult to distinguish between truth and falsehood in the text, giving readers an illusory sense of reality, so as to produce the illusion that they can be like this in reality, and successfully substitute for the characters in the work. What we should pay attention to is the sense of substitution, a feeling that is different from the real world, but can make the reader feel very well immersed in it.

fantasy

To get close to reality, to get the reader's sense of empathy for the real world. deviates from reality, leaving readers with room to make up for their brains, and freely playing with the connection between reality and the illusory world shown in the novel. It can allow readers to give full play to their imagination and get all kinds of shocks and refreshments in their automatic brain supplements.

target

Most of the science fiction depicts the little people climbing up from the bottom, and the background depiction close to the real society deepens the reader's sense of reading substitution, and presses the protagonist of the reader to the bottom through atmosphere rendering and psychological description. Add 'Goldfinger' to get the protagonist out of trouble quickly, and progress through the story at a blazing fast pace, giving them the strength to resist, surpass, and even crush their enemies.

It is necessary to constantly design the short-term and long-term goals of the protagonist, pull the plot, and drive the interaction of various related characters.

gather

Elements present in fantasy novels, such as equipment, magic weapons, skills, and even beauties and pets, are often prevalent in pseudo-science fiction works. The existence of these things is waiting for the protagonist to obtain, to collect, and to satisfy the reader's collecting habits.

This cool way to attract readers is to strengthen the existence of the obtainable object, if it is equipment, you must keep telling the reader how good this equipment is, how much it can be, you must get this thing to continue the plot, and it is extremely difficult to obtain this thing.

Through these aspects, the author strengthens the sense of existence of this thing in the reader's mind, so that the reader has a sense of demand for this thing, so when the protagonist gets this thing, he completes the creation of a cool plot.

The creative method of this cool point is to strengthen the sense of presence and make the reader feel that this thing must be obtained.

keeps telling the reader that the protagonist has obtained a clue to the treasure house of so-and-so, and the protagonist has obtained another clue to the treasure house of so-and-so, and there are many good things in this treasure trove, and there is one of the things that the protagonist must have. If there is no protagonist who must have it, then there must be a lot of people in this treasure trove to compete for, especially the protagonist's competitors, once they get it, they will completely suppress the protagonist.

Let's ask, in this way of writing, as a reader, do you really want readers to get this treasure trove and trample competitors under their feet?

grade

Science fiction is similar to fantasy novels, and the power hierarchy system is a very important element, and the detailed and intuitive hierarchy can allow readers to clearly locate the growth progress of the protagonist. With the help of other characters in the text, the protagonist breaks through a level and achieves unparalleled pride in a way that breaks through common sense. Of course, these ranks are not only the level of strength, but also the level of status and wealth in many cases.

1. Background: It is better to set the reason for the emergence of an 'infinite world', the truth of the story, and conspiracy theories. (The background does not need to be reflected at the beginning, and it will be slowly revealed later)

Example: Alien civilizations discovered the existence of the Earth and decided that human civilization was too low-level to dominate a habitable planet, in an attempt to wipe out humanity. However, according to the previous experience of destroying attempted civilizations, when each civilization is facing an existential crisis, the entire race will grow rapidly in a short period of time, and even some extremely powerful individuals will emerge, growing enough to threaten alien civilizations. In order to successfully destroy human civilization, alien civilization = began to carry out research on human beings, test the limits of human growth, and capture some human beings to enter the 'infinite world' for trial.

2. Characters: It is recommended to have a main team of 3-5 people, and there should be 2 or more female characters in the team, with different personalities and attitudes towards the male protagonist, which is convenient for comparison. The relationship between the characters and the contradictions and conflicts should be prominent. The overall atmosphere of the team is positive. If there is a better character configuration, it can also be changed freely.

3. Scenes: It is recommended but not limited to urban and historical scenes, and try not to add plot backgrounds such as fairy tales and mythology. In order to enhance the reader's sense of substitution, you can extract some plot scenes from 'foreign' games and movies to adapt, do not clearly indicate the name, and do not use the original plot name. The scene pattern is as small as possible, not too grandiose, about ten plot scenes. Each scene is divided into a small pre-scene and a final battle scene as much as possible.

For example: "Titanic", "Jurassic Park", "Jaws" and the like, extracting scenes does not necessarily need to use the original plot.

4. Plot: Most of the plots reflect the crisis of life and death, interspersed with bland and funny plots. It can depict some characters showing the inferiority of human beings, and the protagonist or main supporting characters showing positive energy spirits such as kindness and fearlessness, which can be set off by the villain's various evil behaviors and the sacrifice of the protagonist.

Example: A supporting character has a conflict with the protagonist and keeps intensifying, but he does not hesitate to sacrifice himself to save the protagonist or others in the fight against the villain. After learning of the conspiracy of the infinite world, the villain who behaves badly dedicates himself to destroying the conspiracy of the alien civilization in order to save mankind.

Two plot lines: one is the clue in the infinite flow, and the other is the line in the city to find the reason to break the game.

5. Fiction and reality: the infinite world and the real world are interspersed with descriptions.

For example, the dispute between the teams in the real world can be used to analyze and guess the secrets of the infinite world by using the resources of the human world, triggering the competition between various forces and teams.

6. Upgrades: Realistic and sci-fi type equipment skills, try not to appear mythical and fairy type abilities. The improvement of strength is mainly based on equipment replacement, and the level of equipment and skills is marked, which can refer to the equipment skill system in some online games.

7. Economy: Use the reward points in the traditional infinite stream novel, the name can be changed by yourself, or you can create a better economic system. It is enough to highlight the high-end and low-end sources of 'money' uses.

For example: Survival Points (Redeem most items and items, obtained from most scenario tasks) Battle Points (exchange for rare items and props, obtained from difficult scenario missions and battle missions)

8. Key points: The plot is multi-line and parallel, with the protagonist's perspective as the main shot, while taking into account other perspectives, the trial tasks can be arranged to act separately. The conspiracy of the alien civilization to test the limits of humanity was not known at the beginning, and it was gradually revealed in the plot, and the characters' exploration and speculation of the entire 'infinite world' should be reflected in 1-2 mission scenes, and part of the focus of returning to the real world was to analyze the secrets of the infinite world.

For example, at the end of each quest scene, throw a suspense/clue to guide the secrets of the infinite world, multiple mini-suspense can be set at the same time, but it must be solved within 2-3 quest scenes and lead to a larger suspense.

Text style: American drama style, fast-paced

Many authors don't know whether their books are good or not, and they ask for reviews everywhere. Hearing the good happiness, hearing the bad loss, and even affecting the state, this is a lack of confidence in yourself. How can we get rid of these influences on the mentality of the work? Book reviews, so to speak, almost all authors will encounter them, and I am no exception, even the first long book review I received, now I will break out in a cold sweat when I read it, but fortunately, I am heartless, the book review is relatively heavy, but it is also very targeted to point out my shortcomings, so this book review has become the driving force for my progress. It was also because of this book review that I fell in love with the industry of reviewing and editing. And it is also because of this book review that I continue to pursue progress and constantly improve my creative level. So, for book reviews, if you say you're bad, even if you're really good, you have to find a way to find out why it's bad. Of course, that kind of abuse, ridicule, just ignore it, and if you have that time to deal with such boring people, it is better to write a few more words. Therefore, whether it is a reader's book review or a reviewer's review, for the author, it should be a way to find out our own problems and promote us to improve our creative level. If you say that after a few months of writing, hundreds of thousands of words and millions of words, and the book review area is quiet, then it is time to reflect: Am I writing badly, why is no one commenting, not even scolding? In general, the attitude towards book reviews is as follows: 1. Pay attention to the mistakes pointed out by the book review, and be able to correct them and find ways to correct them. 2. Pay attention to the opinions of readers, and if their opinions are better than the author's own ideas, you may wish to adopt and apply them. 3. Book reviews are just floating clouds, floating clouds floating above your head, maybe they can shade you from the sun, but it can't affect you, don't take book reviews too seriously. I have to hold a: if it's really useful to me, I'll adopt it, if I don't need it or it's useless, even if it makes sense, I won't adopt it, if it's scolding me, I'll laugh it off, it's a big deal to delete the post, and I have the energy to refute it. Such a mindset approach to book reviews and reviews. The author is the god of the work, and the world in the work should be created and dominated by the author. The reader is just a bystander, you can point fingers, you can laugh, you can abuse, you can praise; But in the end, the dominance of this world is still the author's. It's like the emperor, the minister can suggest that the emperor can be scolded, but the emperor has the final veto. For the author to have this kind of detached mentality, he also needs capital. What is capital? It's that you have a solid foundation, you have enough strength, strong self-confidence. The basics of online novels,I won't say much.,I don't understand, you can read my QQ space log.。 Strength is composed of experience and experience, anyway, everyone is old, and there is more to see it. The most important thing is to have confidence in your work, strong self-confidence. Why? Because I have found that there are two extremes of authorship. One is that there are mistakes that cannot be changed, especially basic mistakes. One is to correct a mistake immediately, and to change whatever others say. The former may think that they have self-confidence, but this is blind self-confidence, to put it mildly, it is to sit in the well and watch the sky and not listen to people. The latter is completely unself-confident, weak and biased. So how to deal with these two extreme mistakes brought to the author because of other people's reviews and book reviews? For the first type, my suggestion is to just correct the basic mistakes, as well as the mistakes in the first 30,000 words, and the other mistakes, as you like. The basic mistakes are easy to understand, if it is a book, there are twenty or thirty typos in a thousand words, can you read this kind of book? As for the mistake of the first 30,000 words, it is because having a good beginning can allow you to do more with less. And the reason why I don't ask for revisions is because the author's strength may not really be able to produce good things, so there is no need to revise them. For the second type, my suggestion is to change the foundation and 30,000 words, even if the most awesome god tells you to change it, you can't change it. Because most of the authors and eunuchs are actually dying in constant revision, resulting in the loss of aura in the article and the weakness of the follow-up. Next, let's talk about the author's own reviews and book reviews. As an author who writes novels, I think it's ridiculous not to read novels. Without a lot of reading, how do you know if what you write has been written by someone else, or even better than you; Or is what you're writing a big loophole at all? Therefore, when writing novels, even if you are very busy and have no time, you have to read other people's novels, and if you can, try to write book reviews and reviews. Because only by writing a review can you really face and dissect a work. If you read a book and can't even write a review, then it's a fart? There's no need to look at it at all. As for some of the things I have written about commentaries, I have talked about them before, and I guess everyone has forgotten about the "Commentary" lesson on July 21. What I hope is that everyone can write reviews to other authors, from the basics, from the plot, from the characters, from the layout, etc., so as to increase their own writing skills. Well, to sum up: for comments, it is a useful use, don't care about useless, don't care about scolding me, don't listen to biased beliefs and try to change, occasionally look at other people's books, and write your own reviews. Xiao Chusheng: What was your original intention when you started writing about the family fight?

A woman: When it comes to the original intention of writing the article, it is very simple, that is, I read books very quickly, and a "Deer and Ding Ji" is only enough for me to read for one day, and I don't just read it. And I was too anxious to read novels on the Internet, and the texts of the gods were a little slow, and in a hurry, I wrote my own essays, and I knew that writing essays and reading essays were really the same world.

Xiao Chusheng: Okay, then, do family fights and house fights belong to farming texts, and what exactly is farming texts?

A woman: farming texts, that is, short essays in household routines, most of the common farming texts of women are based on ancient times, some of which are crossed, and some of which are not crossed. For example, "Ordinary Qing Days" and "Five Good Families of the Ming Dynasty" are all time-traveling texts.

Now there are a lot of modern urban farming texts on the main site: the protagonist gets a treasure by chance, which contains a different dimension, or a field, or a mountain spring. It is effective for all cash crops and all kinds of animal husbandry, which can make the taste of vegetables and fruits better, and the meat of chickens, ducks and fish is fresh and tender. The main economic source of the protagonist is to sell such fruits and start a farmhouse, and at the same time lead the villagers to prosperity. The tone of this kind of text is warm and comfortable, basically free of conspiracy and all other dirty things, suitable for men, women and children to watch. At the same time, this kind of article also introduces some old rural things and customs that young people do not know nowadays.

Representative works: "Carry Two Mu of Land", "Carry a Spring", "Happy Farm". Farming, as you know, is very hard.

The farming text is:

1, refers to the "golden finger" of crossing the text and the overhead text, whether it is writing about ordinary life, politics, military, or history, it is necessary to be able to justify itself, be logical, and have few hard injuries.

2, refers to the attitude of the author of the passage and overhead text, the content and details of the article are in line with historical facts, whether it is clothing, items, climate, weapons, historical figures, historical events, etc., either in line with historical facts, there is a source, or change history can be justified.

In short, farming writing is very tiring, and the writer needs to have life experience and corresponding knowledge.

Recommended: "Records of the Han Empire", "New Song Dynasty", "Ming Dynasty", "Good Men of the Tang Dynasty", "Five Good Families of the Ming Dynasty", "Ordinary Qing Days", "Anti-Japanese Resistance in Different Time and Space"

The house fight and the house fight belong to the farming text, and the scene designed by the house fight is larger, and the house fight is limited to a large yard, and even if it involves things outside the big yard, it is not the point, and it is not an important context.

Family fighting and house fighting depend on what you focus on, if you focus on fighting for family property, how the protagonist is weak, how to grow, how to defeat the evil relatives who deceived him, how to take power and live a happy life, this should be a family fight - the protagonist can live outside the mansion, or live in the mansion.

Xiao Chusheng: What kind of understanding do you have about farming?

A woman: For this question, my personal understanding is that farming is to write about the shortcomings of the family, the people and things around you. To be real, to be able to move people in the plain, to make people laugh, to make people cry, as long as she is moved, it's okay.

Xiao Chusheng: So, in another world, does the protagonist grow up slowly, and then become a hero, is it the same as farming?

A woman: I personally think so, the tone of the farming text is the life of an ordinary person, if the life of an ordinary person is only to eat and drink, of course no one will want to watch it, how an ordinary person's life can be lived depends on the author.

This is a novel, not reality, the so-called truth, but don't open a golden finger, imagine a real world, if we live there, what will happen, what will we do if we want to achieve our goals, why can't we farm in the other world, isn't it farming if you become a hero? Farming also requires the protagonist to level up.

Xiao Chusheng: So, in the farming text, is "fighting" the main line?

A woman: Fighting in the farming text is not the theme, the theme of fighting is family fighting, house fighting, and palace fighting. If you write that the farming text is the above three, you can fight, otherwise it won't be fighting, just look at the main station's "Two Mu Land".

Xiao Chusheng: What is the theme of family fighting and house fighting? Which of these are the main themes right now

A woman: There are many kinds of fighting. It can be for family property, for feelings, for fame, for profit, for everything you can for, as long as you think of it.

As for what kind of content is the mainstream, Khan, I said I don't know, you won't shoot me, right? Personally, I don't understand what mainstream writing is, and I personally think that as long as you write a type of text to the peak, it will be popular, and if it is popular, is it considered a mainstream article? Even if it's not the mainstream, anyway, the article is popular, the money is made, and I write the article for the simple purpose of money.

Xiao Chusheng: Let's move on to the next question, what is the degree of the fighting character in the family fight?

A Woman: The Degree of Fighting? This depends on the plot arrangement of your article, the farming text itself is the short of the parents, you want to make the reader like to read it, you must be linked one by one, these rings can be buckets, or others, if you fight one ring after another, then the reader will be nervous and tired. Personally, I think it would be better to write a smooth process after a certain climax.

Xiao Chusheng: The same family, do you have to fight?

A woman: Fighting? Personally, I don't think that's good, right? Of course, it also depends on the specific situation. There are no rules and formulas for writing essays, so whether you need to be anxious, or the old saying, depends on your entire plot line. It's too hard, it's too much, and you have to consider whether the book friends can accept it.

Xiao Chusheng: How to write the atmosphere of the house fight?

A woman: Atmospheric house? I want to say that it's just a house fight? The atmosphere and stinginess of the text depend on the author's setting, right? Dream of Red Mansions is not stingy, right? It's a house fight.

Xiao Chusheng: According to the woman, you mean to see how good the author is, right?

A woman: Farming is not just about family fights and house fights, I write about farming with this kind of fight, but what if I write about farming in the other world? Besides, even if it is a house fight, such as Dream of Red Mansions, it is not stingy, this is related to the author's experience, the same story, written by different people, is definitely not moved by the same group of people, the same story, written by different people, moved by the same group of people.

Xiao Chusheng: So, when a woman writes an essay, which group of people do she want to touch?

A woman: I didn't think about a group of people to touch, I just wanted to write about a person I couldn't become, and I was a hot person in my life.

Xiao Chusheng: At the beginning of our writing, we usually set up a readership, at least I will do this, so I would like to know what kind of emotion women want to bring to themselves or others when they write about Yun Shu?

A woman: When I wrote the article "Clouds", I just wanted to write it, I just wanted to write about a calm woman, and that's it.

Xiao Chusheng: Your original intention is to roughly determine who your audience is.

A woman: I was working in the office, and when I was writing, I was just in time for a colleague's marriage change, and when I was talking to my colleagues, I was not as glamorous as it seemed on the outside, tearing open the surface, everyone was bloody, and I couldn't see people.

Xiao Chusheng: Your original intention is to roughly determine who your audience is, and if you can succeed, it shows that the crowd at this level is one of the mainstream readers of female frequency. Most of the readers of the female frequency are white-collar workers, but the pain they experience in life is no less than that of married people.

A woman: I didn't succeed, and even if I succeeded, it could only be said that it was due to luck, not inevitable. White-collar workers are not young or not, but that their injuries are faint and cannot be said to others, but they are much more hurt than ordinary people. These people, how to say it, have a lot of experience, are strong on the surface, and very sensitive and soft on the inside.

Xiao Chusheng: Is it trivial that all trivial things are classified in the farming text, and whether the more trivial the farming text, the better. I feel that many people's farming texts have fallen into triviality.

A woman: Farming is not a trivial matter, it is an ordinary thing around us, a kind of life that is close to the real one. The farming text is not trivial, on the contrary, the farming text must not be trivial, who likes to read the trivial text? Any article is trivial, and no one likes to read it. There is always a detailed focus.

To illustrate here, everyone has different preferences, just like some people like to eat something and some people don't, and the same is true for reading texts. Some articles are very popular and popular, but sometimes we can't read them, and we can only say that this article is not our favorite cup of tea, and that's it.

And for readers who don't like this kind of article, farming is a trivial article, but in the eyes of people who like farming text, farming is not trivial. Of course, if Taneda falls into a cycle that is too trivial, I personally think that the results may not be good......

Xiao Chusheng: Sister woman, how do you deal with the farming of ordinary life, there will be trivial things that may appear, such as the description of the rules in ancient family life, and the model of the house. In my opinion, these are trivialities.

A woman: My essay has a huge flaw, I don't have a description of the characters and the environment, and I know it if I read my essays, because I'm not good at it. Therefore, I didn't explain the layout of the house, but when the protagonist or which person was comfortable in which scene in the plot, I directly explained the name of the place.

Xiao Chusheng: However, you are very good at stretching the extension of the plot. At least you do a little bit, focusing on the plot, this is the main point of the online article.

A woman: There are always people who make me procrastination, but I swear I really didn't, I just wrote like that. When I write essays, I follow the development of the plot.