1. Opening remarks:

Recently, the game channel has come out with a lot of high-quality products.,Even more hanging works.,For example, mechanical hunters.,When I created a new work yesterday, I found out.,The type of label you.,There's one more LOL alone.,Now there's really a lot of LOL.,Me too.,League of Legends' cataclysmic era.,If you're interested in writing League of Legends.,Now is a better time.。 Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

Recently, the League of Legends spectator system, the Eye of God, the national commentary, the League Throne, etc., are all very ideal subscriptions, and they are all short-term high-quality products. So it's a ride, and everyone is welcome to the gaming channel.

Some friends want to write about Overwatch, which has become popular recently, but Overwatch now has less than one-third of the market share of League of Legends, and most of them are not very good.

The game category is now a small category, so small, the basic score is about the same, and the recommendation will not be broken before it is put on the shelves......

After it is put on the shelves, it is basically a big push a month, which is relatively stable.

League of Legends' Cataclysmic Era can be regarded as an average achievement.

League of Legends now has three directions, one writes about competition, one writes about another world, and one writes about traveling into the game, and the best results now should be the creation of "League of Legends: Seven Hundred Years Later", another world. The game class is also like this, it is better to get results through another world.

Can I write about the mobile game category? Some recent mobile games are also quite popular.

Yes, as long as the audience is very wide, after all, it is like writing a game specifically, it is to find a sense of identity among the users of this game, as long as there are many people who play it, you can definitely write it.

A friend, two than hair, write Pokemon, fantasy, 100,000 words, 6,000 collections, simply invincible.

When my book was 100,000 words, it didn't change its status, and it was only 1,000 ......

2. Ask questions:

When writing a game, how do you control the game and life, and how to connect the game with reality without being obtrusive?

I've been thinking about this when I wrote this book, because what I've always wanted to take is the cool text route, so about the connection between the game and reality, it's cool, playing games is to be cool in reality, pretending to be slapped in the face, taking off and exploding, the audience will expect you to write things in reality, and until now, readers have asked me not to write games, just write reality......

My personal opinion is that as long as you can be very cool in reality, the classmates who looked down on you in the past suddenly think you are so awesome, anyway, you want to be cool, what I write is a cool article.

There is an experience that needs to be talked about, which I have summarized myself and may be useful in the game channel. The basic game is either a teenager or a young man.,My target group is a teenager who doesn't like to find fault very much.,So the blood of writing is a little bit more.,I found that this kind of writing will reward a little more.,At least in the game classification, it's like this.,Newcomers and new works.,410,000 words when 13 alliance leaders,Basically, it's all about looking at the blood and giving a reward.,It's to add something very burning into it......

To take the simplest example, the Tianjin explosion, the firefighter, the most handsome retrograde, is very burning. Similar plots, I don't know if it's right to explain it this way, at that time, the whole country was burning, that is, someone was doing something that no one else dared to do, being a hero, and children liked this kind of thing.

Of course, this also limits my upper limit, that is, the current high-quality products, or the highest point of 3500, is about the same, because many people will feel fake when they see this kind of plot......

Is the hierarchy of games better to be data-based or blurred, and does it need to remind readers of their attributes frequently or do they need to be brushed aside?

The data of the game must not be very long.,I've been told by readers to fill the number of words.,If the merchant still cheats the number of words like this in the future, look at piracy.。

So my method is not to blur, but when the plot is mentioned, only talk about that key data, and not blur, otherwise the audience will not have an intuitive understanding of the protagonist's strength, and he will be very aggrieved.

For example, when I watch the great gods write, such as Douluo of the three less, there are a lot of game data, such as stun for 2 seconds......

2 seconds is weird in reality, but it works. Personally, I think that the usefulness of the data is to let everyone know how awesome the protagonist is, if it weren't for this, don't list it, and occasionally mix the full attendance, say something else...... The main thing is to give the reader an intuitive impression.

As for whether the current game routines are still good equipment, they are all protagonists, but they are hidden, and there is a pretending at the end, or is it a pretending to be swaggered at the beginning? Is it a connotative pretense or a straightforward pretense? Or as long as you can write coolly, you can pretend to be as much as you want, if you don't let everyone know, will there be that kind of joy that makes everyone feel that I have good things, and others don't know, for the changes in readers, I may like that kind of connotation when I read novels, and now readers are not biased towards straightforwardness?

Well, I have encountered this kind of problem the most, because there is such a disagreement in my novel, whether it is the main station or the chasing book, countless comments are asking, why not let the protagonist announce his identity, I made a mistake, but I got the answer in the eternal thought of the great god at the root of the ear, some time ago it was recommended by the reader to read it, and his protagonist is also concealing, Bai Xiaochun was concealing his identity in the early stage, right, but it is not abrupt, because he writes very clearly, if he announces his identity, someone will kill him, so it must not be announced, Readers think you're a bad guy if you reveal your identity.

He wrote it all reasonably, I didn't, so people are gods......

He hid his identity to be more cool, and at the same time talked about it, if you announce your identity, you have to kneel, as long as there is a reasonable reason, whether you announce it or not, it's all the same, it's all cool, see how cool it is.

(In fact, there is another point, after the announcement, many forces can not be pretended) If it is not announced, you can pretend to be forced in a fancy way, and if it is announced, the way to pretend to be forced will be narrowed......

I heard that LOL is very popular now, so is it more difficult to play some original games now? And in fact, can the game classification be said to be a data-based otherworldly continent, which is a kind of fantasy, so can I think that any classification can be written as a game, as long as it is added to the data, distinguishing between reality and games, it is actually a game novel.

It's not difficult to write a native game.,As long as it's because LOL has a very high degree of recognition now.,Game classification can actually be a lot of things.,There's no need to even distinguish between reality and games.,Travel to another world.

Where do you get to upgrade your system first? Isn't it just out of the game?

Now no matter which category is a bunch of systems, it is also a task to do, and there are rewards, what is the difference with the game...... Many popular games simply don't write about reality, and some are also fires, and some only write games. You can write infinitely, put on the skin of a game, and the main thing is cool......

Then we write other categories,In fact, we can also write game categories.,As long as you add a virtual helmet.,The virtual world after entering is still the world we set.,You can also get a lot of recommendations? But is the audience for the game still a little less?

I've been watching a greasy guest lately, everyone has seen it, right?

Mecha, battleship, what classification is it, do you remember? He is an oriental fantasy ...... I always thought he was science fiction, the category doesn't matter, cool is eternal.

It's always been cool for the big mention.,In fact, the main point of Shuangwen is to know.,Slap your face and pretend to be a beauty.,So Xiaobaiwen's subscription is relatively bleak.,Does it need a reasonable plot and a stronger conflict to get better results?,Just for the sake of Shuangwen, it should be a mirror flower, right?

Well,We've discussed it before.,From the game alone.,We don't recommend writing about beauties.,The plot is a must.,Between the plot and the double.,How to balance it.,I've discussed it with others before.,We think we have to set a goal first.,It's to pave the way for the reader to look at it and want the protagonist to hurry up and complete that goal.,And then it's cool all the way.,When it's done,It's a big climax.。

Drama novels, the first to recommend the cat, I personally like it, his plot is very solid, there is really a plot in it, ups and downs.

When I wrote it, I also hoped that I could write like that, first set up a more interesting plot, and then think about how cool it was when I started writing.

I don't have a detailed outline.,I prefer to write when I write.,A flash of inspiration about the cool point.,The cool point is a temporary idea.,The plot has been thought out a long time ago.,That's it......

Can you continue to write like a lost leaf now? Is that kind of game still popular? Have they all become competition-type, rather than the virtual holographic kind?

It's not all competition, mine is not competition, the style of the god-level mechanical hunter is the same as that of the lost leaf, even if it is a traditional online game bar, the god-level mechanical hunter is almost 5,000 equal, the terrible black tiger giant, more than 800,000 is the upper limit, you are not afraid......

Boating and filling in words,It's also a traditional online game.,Two big pushes.,It should be more than 5,000 now.,It's not clear.,Competitive class,Let me tell you.,Competitive games are the hottest.,League of Legends theme,There is no one......

If you are competing, you don't have to think too much about other themes, and the subscription ratio of 1:4 has appeared.

1. Opening remarks:

Wireless is what we often call moving and reading, and now it is called Migu reading. Generally, the wireless text is mainly cool, and the non-wireless urban text involves a lot, which is often said to be a small white text. Of course, now that Xiaobaiwen is everywhere, it is not easy to kill from the 18,000 army, so you have to have your own style.

However, I think that if you want to write a good book, character building is very important, everyone's personality is different, the character creation is lifelike, and a book basically has its own style.

2. Ask questions:

How many words can be wireless? Is there a requirement for wireless wood?

Depending on which website you are on, some websites can also be on three or four hundred thousand. My experience is generally 800,000 words to start reporting up, 1.2 million words to go up, the content, not pornography, politics, not violence, and at the same time to promote positive energy.

How can you make a good character? Sometimes write out the opponent... It's always criticized by readers.

Everyone's personality is different, the characters in the book are naturally different, when we can't read the book, everyone is the same face, the good people are the same kind of good people, and the bad people are all so bad. Bad people are not born bad, bad people also have a good side, good people also have evil places, how to use your own pen power to write out the positive and negative characters in your own pen? It depends on individual skill.

If you don't think it's easy to write, you can read more books of those great gods and supplement the big and small climaxes. The sea has its ebb and flow, and so does reading a book, and the experience of the characters in the book is necessarily not uneven, there are ups and downs. Control the pace of the plot, for example, a small climax of 30,000 words, and a large climax of 60,000 words.

Don't write three or four hundred thousand as if you are in a running account, then it will be dull and boring, and readers will naturally abandon the book.

Where does style start? Writing style? Plot arrangement? Are there any shortcuts to style?

Everyone's style is different, you have to write your own style, don't draw a tiger and not become an anti-dog. There are too many specific arrangements for the plot, and I can't say it, the character and emotional expression of the characters must be in place. For example, when writing urban essays, it will naturally involve the love and love between men and women...... If you want to know how to write about the emotions between men and women, I recommend reading the tank book "Super Big Tank Kobe", because I just read his book and couldn't stand the stimulation, so I wrote the novel.

How can you write the climax well? Every time I write to the climax, I feel that I can't write anything wonderful, and it's no different from the previous article.

This is a matter of personal skill, read more and write more.

First of all, there is the problem of writing foreshadowing: the author must first think clearly about how to write in his head, and he can't write and write, and if he feels that he is about to climax, he will write the climax directly. This is the same as fighting a war, the soldiers and horses go first before the grain and grass are moved, at least the bullets and ammunition must be prepared first, otherwise how to control the enemy?

For example, before the climax, for example, write about punishing a bad guy, then you have to have the means, right? You can't just rush up and beat people up! Turning back, the brigade is coming, and only the bad guys know how you died. It's like cutting down a tree, first chopping the small branches, and then picking up an axe and cutting it hard.

How to lay out the story, do you need to write an outline, does Biansai have an outline? Do you need an outline if you have an outline?

You have to have an outline, and if you don't have an outline, you can't write quickly, because you don't have a main line. The outline is a very important thing for a book, with an outline, when you write, look back at the outline, even if you write crookedly, at least you can break it back; If you don't have an outline, if it's crooked, it's crooked for a lifetime, and it's easy to write down. Of course, there are exceptions. As for the detailed outline, it depends on the individual, anyway, I don't write it.

How big is the scale of urban literature? What can I write about? For example, politics.

In politics, you can write about corrupt officials! You can write about the city management or the police. Anyway, everything we can see in film and television dramas can be written. But in the end, a good official must come out and sweep the situation away. Positive energy must come to an end.

Now that the anti-pornography is so powerful, what are the highlights of the male frequency city?

Male frequency cities are also classified. is not as good as reality, many people who write about the king of soldiers are actually writing about social affairs under the guise of military affairs. For example, in the reality category, many people write about the king of soldiers, and when they write this kind of article, there are three highlights:

First, write about this society or another society in which you live, and let readers find their own place through novels;

Second, the emotional entanglement of the hero and heroine is that people have emotions, and the emotions between men and women are very subtle, and if they are well written, they can make many readers pay for them, but remember that the number of words is not enough to make up the routine. If you're not careful, you'll have to be tricked by the government;

Third, it's the plot, the plot part, everyone's thoughts are different, it's hard to say, the most important thing is to ask readers to resonate in some places you write.

How to lay out a plot to have a sense of picture?

The level of the picture is the most direct feeling of a reader reading a book, a well-written book, when the reader reads, the reader will make up the scene in the book in his mind, once he enters the scene, it is easy to substitute into it, and when he reads, he is like being there. Especially when writing about supernatural beings, it's a big killer, and I once watched ghosts blowing out lamps and didn't dare to go to the toilet at night.

As for how to write a sense of picture, this is a real test of a person's pen power, first of all, the rendering of the environment. When you write about the scene at that time, first of all, you have to describe the surrounding environment, and you can't have too many sentences describing the environment, otherwise readers will think that you are making up the number of words, verbose, generally within one or two hundred words is the best, sometimes a dozen words and dozens of words can also be described clearly. Once the environment is clearly depicted, the reader must have a general scene in mind at this time, and then write the sentences, actions, and follow-up things of the characters at that time, isn't it very calm.

The atmosphere is slowly coming out. There's no kind of environment that doesn't write.,It's the cramped feeling of scolding and fighting.,Halfway through the fight.,Suddenly remembered,'Well,'Why is this happening?'

Want to ask a question about characterization? I don't know how to write a clear character.,It's too clear and feels too fake.,It's hard to grasp the degree.。 My villains have stories and a pitiful side, I don't know if it's good or not, I really can't write about the great evil

I think it's very good to write like this, as I said earlier, bad people are not born bad, they must be affected by the environment and the people and things around them. (Black and white: You've seen robbers rob banks just to treat their mother.) If you have accumulated enough life experience, you can also find inspiration in reality. Black and white is right, writing about society and writing about people is actually writing about the hidden goods in your stomach, and when you see more people and things, you can naturally write more.

The more distinct the characters, the better, the personality is prominent, and the way of dealing with people is also different, you have to grasp a degree: this matter falls on this character, how will he deal with it, you can't use your author's character to deal with it, you have to deal with it according to the character of this character, otherwise the plot will have a sense of abruptness.

Regarding character substitution, some people say that you should write yourself as the main character, but the character of the protagonist I need is too different from mine. So should you think of yourself as the protagonist, or should you substitute the character of the protagonist into yourself?

It's so easy to write about schizophrenia, and I don't want to be split, so I wrote about the main character with a similar personality to myself. But once it's written, you're a god.

1. Opening remarks:

As a part-time writer, I may have a different experience from a small group of writers, so I won't go into them all here, but I will talk about how to become a writer and how to be a relatively good writer.

Let me share a little experience with you, first of all, not everyone is a potato tomato, after all, the supreme god is accidental; Secondly, aim for great gods, but being a mid-level writer is the first step to success, which is universal and learning, regardless of age. Reading a book is the first step to becoming a writer, and only by reading it can you know how to start a book, how to structure, and how to plump up a skeleton instead of keeping a running account. Finally, in order to become an online writer, you must distinguish which type of essay you are suitable for.

About the genre: Is there a market for Wenqing? Yes, whether it is a large or small website, there are many young people, and the results are very good, but the young people of online literature do not write prose appreciation, but write narrative essays, and see stories in elegance. What about outside of Wenqing? The market of Xiaobaiwen has been verified again and again, the rhythm of online articles should be fast, and the writing should be simple, rough and direct, without beating around the bush, and reaching the goal, so as not to castrate the climax.

Speaking of local streams: some children's shoes don't know what native streams are. In fact, the so-called farming culture is not only farming in rural areas, but also integrating into life in areas outside the city, which can be farming and farming, or rural transformation and development of rural black technology.

Why is farming so popular? First of all, think about the reason, what are the factors in it? The reason why farming is popular is nothing more than several reasons:

First, farming is customary, vulgar and real, there are not so many tall urban elements, but it is this custom, vulgar and tasteful. This kind of vulgarity can write a sense of intimacy and substitution that is not found in urban literature.

Second, the gap is large, as we all know, the kind of local customs are far from luxury, this is the best, the roughest and most direct pretending environment, the power of wealth must run through the farming text, without wealth, the farming text is a failure, but there are many ways to show wealth, you can summarize one word to describe the farming text: currency printing press. To have money, of course, the process should be written as hard as possible, full of twists and turns, but very interesting, not falling from the sky.

Compared with the farming text of the main station, the farming text of the female frequency can actually be used for two references

First, the main line of the city is torn apart to transform the past, and it is good to write about the daily life; Second, be an all-round superman. For example, to construct a heroine, to be a domineering president in the city in the ancient saying, why can't you go to the farming text to always be a strong woman? Orphans and widows are bullied, why can't the heroine be self-reliant, and coax and occupy the whole village and the whole city in the farming text? The same can be.

About Goldfinger: There are many golden fingers of farming arts and sciences, which can be rebirth, can be ability, can be system, can be, but must be noted: can not be exaggerated, to match your style of writing, write well, suddenly come to a systematic text, it is estimated that it is a bit mysterious.

Regarding the shaping of the protagonist's character: Most of the protagonists of Taneda Wen pursue one principle - stupid does not mean two-to-two. If you are wise and foolish, you must be simple and true, (black and white: see through and don't say it.) To silently pretend to be the protagonist of the farming text is really very earthy and vulgar, but that is before the packaging, after the packaging, it must be shiny and radiant.

All in all, Taneda Wen will eventually return to the big stage, so the protagonist can't become a real turtle, because everyone likes to watch a beggar become an emperor, and they don't like to watch the emperor become a beggar. How to shape, there are two methods: from the head to the tail, or all the way to the end, depending on which one you are good at.

2. Ask questions:

Farming is nothing more than making a fortune, the intrigue of the neighbors, I want to ask the great god, how can I write new ideas?

Novelty is generally new in the expression, the same plot is expressed in a different way, looking for different emphasis, for example: everyone writes about fish farming and made a fortune, so why do you write to make a fortune? You can make a fortune in one stroke, and focus on what happens after you make a fortune? Are there any other cool spots? There are still.

I feel that the farming essay can't be written for long. How to break? If you write it for a long time, everyone will be weak when you look at it, is there a way to avoid it?

This question has also bothered me for many years, and now I have found out: the farming text can't open a copy, but the farming text can be used daily. To write a good farming essay, we should study how to write a short story in the daily parents.

Speaking of which, I can introduce that my first urban farming book, about 1.1 million words, 3,000 collections on the shelves, more than 100 first orders, and more than 400 completed books. It's because it's not written for long, and the protagonist is already invincible in the world. And then tear it down and start over, the same protagonist, the same storyline, the same background, I wrote 1.9 million words and finished the book a little bit, in fact, I haven't finished it yet, the first order is 1500+, and the finished book is about 3000. If I were asked to write it again, it would still be the same story and the same plot, and I would think it would be up to 4,000 or even more. This shows one thing, the same plot depends on how you grasp it.

As a newcomer, don't always think about it all at once, there is no reference meaning, after all, there are millions of Internet writers, there are only a few who are popular at once, the key is to take one step at a time, there are many factors in this, research, hard work, diligence, indispensable, the process is not long, the transformation of my two books, less than 2 years, the city has just ended, and I have been preparing for half a year to write the second book, the preparation here is not to write all the time, but to summarize the shortcomings and weaknesses of the previous book, how to improve, And then learn from other good works how to highlight the same plot, and then after figuring it out, I will do the same outline again, and the results are completely different.

How to improve hand speed?

Ideation, hard work + code words every day. I'm not a great god, but I stick to the code every day, even when I'm not handing out books. If you are not diligent, you are God conceived that you will also hit the streets.

Finally, I would like to say that as a university teacher, I actually have enough conditions to enjoy life, but I would like to say that code words make me happier. Like code words is the only condition for good code words. Whether it's because of a hobby or because of making money, just like it.

Everyone at the starting point is welcome to pay attention to the transformation work "Hunting the World" of the military at the starting point of Baihu Bay!

Opening remarks:

This time, I will mainly talk about how to make a character stand up, and how to choose an entry point by designing a golden finger to effectively improve the score of the novel. Also the outline of the design and then how to make a bland story expand the twists and turns.

Let me first briefly talk about how to make the characters stand up: I believe that many authors have encountered a problem now, that is, they feel that writing a character is dry and emotionless.

For example, a fight scene: Zhang San stabbed Li Si in the chest who was sleeping! This is a simple descriptive sentence, such a sentence, it is basically impossible to impress the reader, now I have some ways to make this sentence vivid:

Zhang Sanyi thought of Li Si's insult to himself that day, and couldn't help but be angry, and stabbed Li Si in the chest who was sleeping!

Add a mental activity of his, and the figure stands up a little.

Next, how to make this character more plump? For example, I add this:

Zhang San saw Li Si's bright clothes and vegetarian clothes, and remembered the time when the two of them were poor in the past, and couldn't help but feel a little emotional, the more he thought about it, the more annoyed he felt in his heart

Zhang San saw that Li Si was brightly dressed and vegetarian, and remembered the time when the two of them were poor in the past, he couldn't help but feel a little emotional, the more he thought about it, the more annoyed he was in his heart, so he suddenly pulled up a cold knife and stabbed at Li Si who was sleeping!

Through further description of Zhang San's mental activities, this character is more plump than the previous two sentences.

Taking this example as an example, I actually want to use this difference in different situations to tell everyone: in fact, it is very simple to want the characters to be emotional, that is, to do things according to thinking, and to describe a thing according to thinking.

For example, if you encounter something unfair in real life, and then you pick up a machete, and hold a machete, your feelings must be very complicated, and there are many thoughts flashing through it. In fact, when writing a character, it is the same. For example, if you write about the poor and sour Zhang San, you bring in his feelings and describe it with his thinking logic, and this character can stand up in an instant. Many authors are very dry in describing the characters, just because they don't bring it in, of course, even if you can't bring it in, you can bring the plot to life in a little way, such as adding motivation to the character: why would he do it? Or the struggle to add emotion to the character: the dagger he stabbed out trembled slightly in the air, and it was stabbed off. Just as complicated as his mood at the moment.

This brings the characters to life.

Of course, there are other ways to do this, such as adding a character's identity.

Li Qing, eighteen years old this year, likes comic games like many high school students, especially playing League of Legends.

This sentence alone can give the reader an associative impression.

I have carefully studied many blockbuster books, both in description and plot arrangement, these books have a strong thinking logic, even to describe a person's appearance, it is also according to logic: first feet, then legs, then waist, then chest, neck, and finally face, hair...... The reader's perspective will be able to keep up.

Questions:

How do you keep readers interested?

A lot of authors believe they've been stuck here, and I used to think so. In fact, you can think back to when you were a child, did you like to listen to stories when you heard them? As long as the story is told, I want to hear it. In fact, I've researched a lot of things, and suddenly I have a question: why do readers read it? Suspense? Xiaobaiwen has very little suspense, basically upgrades to fight monsters, but there are also a lot of people who can watch it. The answer is, stories.

If you want to attract readers to read it, you have to write countless stories and connect these stories, so that readers will keep reading, and the story must be the plot. I've studied a lot of Xiaobai fantasy texts, and the pace is very fast: after playing Li Si today, Wang Wu will jump out immediately tomorrow, and another contradiction will be pulled out, in fact, this is a story that is strung together! So if you want to solve the problem of getting readers to keep reading, it's very simple, very simple, and that is - keep writing stories.

What do readers read novels for? In fact, the essence is to read the story! Just keep writing stories. Of course, it's not enough to have a story all the time, you also need to have a story that you like to hear. The story you love to read can keep the reader enough.

I can't grasp the rhythm of the story and it's always procrastinating, what should I do? How many words should I write at the climax of the story?

This problem is actually very easy to solve, and when I usually write an essay, I think: I wrote a fight in the last paragraph, which is a climax, and then I will write a warm chapter to make a transition. If you still feel like you're dragging your feet, then remove the useless ones and cut out the transitions.

As for the word limit for the climactic plot, there is actually no word limit, write as much as you want.

There is no outline for writing, and it is always easy to jump out of the plot while writing, what should I do in this situation?

What I'm going to talk about next is the outline:

In fact, many children's shoes write an outline, which is not an outline at all, has your outline controlled the number of words in each chapter? Considered, this is the climax, should the outline of the next chapter be a warm chapter? I also considered, is this outline a blockbuster?

Many people write an outline, just write a story, a main line, in fact, such an outline is too rough. A really good outline not only has ups and downs, but also has a lot of suspense and crises everywhere. Many authors say that they have spent many years and years carefully preparing a book, and then looking at the outline, the number of words written is indeed a lot, but the processing is too rough, and they don't know how to write it at all.

Here I'm going to give you an outline, and you'll see how I think about building an outline.

Let's have a love story this time.

For example, A is the first swordsman in the world, B is the first beauty in the world, the two like each other, love each other, and then they are going to get married the next day. On the day of marriage, the swordsman was about to marry the first beauty, but was coldly rejected by the first beauty, and was attacked with bad words, and then the swordsman was angry and left. Perspective change, it turned out that it was not the first beauty who was angry with the swordsman, but the twin sister of the first beauty, the two looked exactly the same, and then this twin sister was in love with a certain male god, but in the end she didn't get it, so she felt that all men in the world were negative men, so when she saw her sister having such a happy ending, she was jealous for a while, and then tied up the first beauty, and then went to see the first swordsman in the world, and the sad and angry world's first swordsman didn't know about it! Then he was angry, ready to marry the second beauty in the world, and then married successfully, on the day of the wedding, the twin sister of the world's first beauty came to make trouble, and the twin sister defeated the world's first swordsman in three moves and two styles, and when he was surprised, he found that he was only the twin brother of the world's first swordsman! The real number one swordsman in the world has learned the truth and came to save the world's number one beauty! In the end, the two were successfully together.

In fact, the reason why I give this example is to tell you how to play with the plot and how to change the plot through all kinds of reasonable and unexpected things.

For example, if you want to write that A and B are together, you have to design the plot so that they don't be together, so I designed A to meet B's twin sister, which is the plot, I mean, as the author, you have to be brave enough to destroy the plot, and then go to round the plot, twists and turns, meandering, so that it looks good!

In addition, in addition to this kind of twists and turns of the bloody plot, you can actually use one word: information asymmetry.

For example, I use information asymmetry to make an outline:

A is the first swordsman in the world, B is the first beauty in the world, the two fall in love, the two book to meet one day, and then marry and have children. It was supposed to be a happy plot, but suddenly they found out that the agreed time was wrong, and then the swordsman learned that he was the prince of a certain country the night before he was about to meet the beauty, and his status was very noble, and he could not be exposed to others, especially to the beauty. Thinking backwards, the swordsman decided that he would follow the first beauty in disguise, but due to the limited conditions, he could not reveal his identity. Then the world's first beauty is thinking about the world's first swordsman and the disguised swordsman to break into the world together.

Here, you can think about it: why is this story fascinating? Why do readers feel this emotion? In fact, it is because the reader will unconsciously associate when reading, and this association will allow the reader to keep a certain amount of time to catch up, for example, when seeing the information that A and B are going to get married, the reader will make up the plot that they are about to be together, but at this time, the plot is suddenly destroyed, the original reader's association is broken, and his brain will be curious.

Finally, I would like to talk about the sense of substitution:

The sense of substitution, everyday language can increase the sense of substitution. You can pay more attention to the fact that the actors in many sketches of the Spring Festival Gala do not speak Mandarin and speak their hometown, why is this? Yes, that's the sense of substitution. Applied to the rural text, it is: "What are you doing? ”

This is a way to increase the sense of immersion through language. If you go through the description, it's actually very easy to handle. As I said earlier, readers will automatically associate with text when they read it, but in fact, it is enough to take advantage of this. For example, when you describe the character, you say that he has just been admitted to college this year, and he has graduated from two books, and he can't find a job. This sense of substitution is also instantaneous. Readers will automatically make up the image of the second book graduate who can't find a job.

If it's fantasy, it's really not good to increase the sense of substitution in this aspect, but for example, if you describe your character Wenbi Shixian Li Bai, Wubi martial god Lu Bu, this sense of involvement will also be stronger, in short, let the reader think of things in ordinary life. Another example is the scholar in white, you write a serial killing fan, and once killed the Mobei Shuangxiong with one move, this person XXX realm, can lift an earth with one hand! The sense of substitution is instantaneous.

But if you write like this: This person XXX realm has the power of fifty bulls! This leaves no room for readers to associate with, and the sense of substitution will be poor.

In addition, it is important to say that when writing fantasy and mentioning the realm, you must specifically describe the power of this realm, so as to enhance the sense of substitution!

How do you write a good protagonist with a cold personality?

The cold protagonist is best written, for example: before the supporting character taunts the protagonist, the protagonist has already assassinated him with a sword; The supporting character has not yet fallen in love with the protagonist, and the protagonist has already killed him with a sword; As soon as the female supporting actress was about to confess, she was stabbed to death by the protagonist with a sword...... Although the above examples are not logical, the reader will find it very interesting, so it is best to write about the cold character, no matter how the supporting characters speak, the protagonist is just one word: "Oh." "So the image is immediately there.

If the domineering scene of the protagonist's counterattack is described? How to write a picture of a landscape?

This is also very simple.,The protagonist didn't do anything.,All the people around him died.。 Or the supporting character has just said half a sentence and has been killed by the protagonist with a sword.

As for the sense of picture, I have also studied, here is the anthropomorphism of mountains, water, or something, for example: only the earthquake of Mount Tai screamed, and the ocean in the distance was even more miserable.

He flew out with a move,

The sea seemed to come alive, and there was a burst of sea calls.

The fewer words you use, the better, such as:

Mountain!

Castle!

Stand like a sword!

1. Opening remarks:

This time, it should be about how to write a novel attractively. In layman's terms, it's how to write. This includes how to write the language vividly and freely, how to write paragraphs naturally, and how to write the description just right.

Number one: language

Language should be the most difficult for all authors to control. Generally speaking, the problems that will occur in language are mainly long-winded narratives and too many miscellaneous things. Or pale, I can't even read what I write. Or maybe there is too much language dialogue, and sixty or seventy percent of the content of a chapter is dialogue.

Generally speaking, conversations that don't move the story forward can be discarded.

If you just write a dialogue to achieve a funny effect, then this paragraph can basically be deleted. Don't think that a novel needs to show your humor through words and actions, and the only thing that can convey humor to readers is the characters.

For example, the next step is to describe a fight between A and B, at this time, if I want to ease the atmosphere through dialogue, and compose a large dialogue as a warm-up before the war, you may feel that this foreshadowing is in place. But you will make several fatal mistakes - the pre-war tension that you have created will be completely lost by your pretend humor, the tension in the reader's heart will be destroyed by the addition of snakes, and when you go to watch the next fight, you will lose the sense of substitution.

When writing a novel, you must understand, what is the reader's next focus on this thing I have written? If you haven't thought this through, don't rush to write down. Sometimes you think that writing is particularly smooth, but it seems that the writing is smooth and smooth, and there is no pause, but after writing 20,000 words, have you ever wondered what the effect of your 20,000 words is? Writing is never about speed, except for a few demons, speed and quality are inversely proportional.

I see that many friends can get one star, that is, they sign a contract, which shows that their writing skills are not bad. Have you ever thought that while you are striving for speed and full attendance, if you can write a good work, will you gain more? A piece of advice to everyone: the work at hand, if you want to pursue full attendance, then pursue, for the sake of life is understandable, but you can open a novel, not publish, not upload, a day of fine crafting, a chapter, even half a chapter. 10,000 words a day, or even 20,000 words, you are working hard today, and you are still working in full attendance ten years later. You're missing a process to fully craft the technique.

The second point: cohesive text

Next, let's talk about how to carve your own language technology - the cohesion of the text.

We're going to write about language, and we're going to have to know what language is all about. First, to deliver the message, there is a big secret that must be told with the help of this character, we need words. Second, the narrative background, if A and I are going to fight, at this time I need to use the form of a verbal dialogue to tell everyone what we are fighting for, and we need language. Third, create humor. When the content of this chapter is bland and boring, and there is no climax, it is not good-looking, it needs some humorous dialogues or descriptions to set off the atmosphere and mobilize the reader's emotions, but the most important function is the cohesion of the text. But if you have too much dialogue and too much variety, then you will also lose the slack of the novel.

1. To deliver a message, you need to do one thing. Be concise and to the point, use the shortest conversation, and explain the message you want to convey most clearly.

For example: "Little A is dead." B said. This kind of "I'll go, you don't know, last night's .............................., little A died" B said... 100 words are omitted from the ellipsis.

Compare it yourself and grasp the main stem: the message I want to tell is a very simple four words, "Little A is dead", this is the message I want to convey, and it is also the message that readers need to capture.

What the author has to do is to express what you want to express to the reader in the clearest way, if you write a lot of long-winded, who wants to read it? Will readers pay to subscribe to watch? (Black & White: If some of the side plots can't move the plot forward, or if it's not related to the plot, it's better not to write it.) ）

Quite simply, I can make things clear with "this is the way it has been", and never describe it with "it's already like this".

2. Narrative background

The narrative background is the most important part to explain in words, remember that the background is developed in the form of dialogue, and it must be more effective than if you use the form of narration.

Experience it, for example, if you want to introduce a certain profession... Novels are common.

A and B are facing each other on the street, and C is watching from the sidelines, when D comes over.

One approach is: "Coming on, Cui An, the young master of xxxx company, he is XXXXXXXX"

There is another one: "C raised his eyebrows and turned his head to look at D, 'Yo, isn't this Young Master Cui of the xxxx group?' Why doesn't Young Master Cui go to xxxxx, interested in coming here to have a look?? ’”

Compare it yourself, the same D is the young master of the xxxx group, what kind of effect do different manifestations have? So remember, it's best to introduce someone's background and so on, in words. At the same time, there is also the most important point, don't, there is too much exposition, express what you want to express clearly, which is the charm of language. A little powder can make a woman look more captivating, but again, if the makeup is too heavy, the woman will look disgusting. You are all makeup artists of language, don't let your language, heavy makeup, remember our principles, simple and direct.

3. Create humor, which is only used when you are helpless. Only when you meet me when I write, there is no climax up and down, left and right, and the whole chapter is 2,000 words flat and boring, at this time you need to think about how to use language to increase the readability of the chapter.

I have to repeat that I have always insisted that the humor of a novel is driven by the characters, not by the language and plot. The humor you create with your words is the lowest level of humor, once in a while, it has the finishing touch, and it can be used to deal with emergencies and face troubles without climax. But if you use it too much, you will find it annoying, and it will not help the promotion of the plot at all.

Humor needs to be naturally revealed through the characters' personalities when they promote the development of the storyline. This kind of humor is integrated with the whole article, the connection is very smooth, and the humor promotes the development of the story at the same time, which is the highest level of humor in the novel.

Finally, the most important role of language is to promote the development of the story and the plot, and it can be said that half or even most of the plot of a novel needs to be driven by dialogue. So don't underestimate the charm of language, language must form its own style, don't the first chapter, A, do you know that my love for you is hidden deep in my heart, the second chapter is that I go, A likes you, do you know? The reason why newcomers encounter this problem is that the conversation is too pale. You're writing too much dialogue, huh?

"There's nothing I can do about it." Do you feel pale in this sentence? "Things have come to this point, I have tried my best, and now it is like this, I can't help it." In a word, the problem that can be solved in ten words, why is it written palely? It's because you force yourself to say something that can be explained in ten words, but you don't have the ability, so you turn pale and then hit the street.

To sum up, the first language should be concise, not to say what is not needed. Second, be clear about what I need to convey through words. Third, we should not rely on language, but use it wisely.

The third point: description

The third question that comes next, after the dialogue quotation marks, what do we need to appear - description.

A says, "One"

B says "two"

C says "three"

This is a diary, this is not called a novel.

The dialogue of the novel needs to have tension. In general, we can describe the speaker's movements, the speaker's expressions, and even the surrounding environment to make the conversation look more natural:

After A finished speaking, he pursed his lips disdainfully, and his eyes were full of provocation; Seeing A's eyes, B couldn't help but feel angry, and forcibly suppressed the anger in his heart and said.

Remember that one of the principles of description is that there are two things I want to tell my readers, one is the circumstances under which the character said the sentence, and the other is how the character or the people around him will react after saying the sentence.

Description and language have the same problem, that is, I don't need to have useless descriptions, if my descriptions can't express the state of the speaking characters, can't convey the atmosphere after the characters finish speaking, and can't promote the development of the subsequent plot, then I want to ask, what is this description for? Writing must have a purpose, just like you go to 10,000 words a day for full attendance, your language, your description, you must ask, what is my purpose in writing like this? Why? Why am I writing this? Why am I describing it like that? Why am I having this character?

Sometimes, if you ask one more why, many of the problems in your work can be easily solved. To question yourself, am I right to write that? Is it possible to write it another way? Is it okay if this person doesn't show up?

You don't write novels for your own fun, you write them for readers, you write them yourself without thinking about whether it is reasonable or not, how can you withstand the test of thousands of readers? When you are crying that there are too few orders and I am hitting the street again, have you ever looked back at your own work, what is the problem? You are a writer, a fan of the authorities, the reader is a bystander, the bystander is clear, you yourself are too lazy to look for a problem, the reader finds the problem and thinks you don't want to look at you, do you think this is your problem, or is it the reader's problem?

Writing, there is no shortcut at all, and there is no so-called talent, diligence can make up for clumsiness is a good training, a point of hard work and a point of talent. I am not here to share with you any exclusive writing secrets, but to share with you the path we have missed before, and I hope you will not follow the mistakes we have taken. This road is destined to be arduous, there are no shortcuts to take, how much effort you have, how much you have achieved.

Finally, let's talk about the filling of the plot and the listing of the outline:

can't write a plot, that's what we call Kavin. Kavin's most critical solution is to build a world view, I don't know if the world view construction method I talked about before is useful to you, here I want to add, how to flesh out your plot through the world view you build. Let's start with the outline:

Actually, my outline is a table, for a simple example, I will start with a table, the outline of the novel.

For example, 1, A provokes, kills A, 2, B pretends to force, kills B, 3, C provokes, cuts C.

What level of framework needs to correspond to what level of framework, such as me, divided into three volumes, Volume A, Volume B, Volume C, my outline only needs to explain the main things I do in this volume, remember that it is the main thing to do, and it is the big thing that I am talking about throughout this volume.

The first volume of A-volume, knowing A, and A, you come and go, I became awesome A was killed by me.

Similarly, the content of this volume is still to bring out the main content, the details are not what I want to care about now, I am now at the level of the volume, don't think about the chapter, and then refine it, such as the fourth part, I became stronger and came back A was showing off his might, A thought he was provoking me, and I was anxious for my friends to abuse and kill A.

Going down layer by layer, the conditioning is very clear, and every time period, I will know what I want to write, what I am writing around, and I will not go off topic. You have to be clear about what you write below, otherwise you will go off topic and look at the computer in a daze...

It's not so much an outline as it is a backbone. You have set up the main trunk, how to develop next, all of which are clear in your mind, and then write at this time, do you think it is difficult? When you set up the main trunk, remember what I said earlier, up to what level, what should be done. For the plot part, you have your main stem clear, the plot is really not difficult, you go to see your main stem, you know what you want to write, according to what we said before, describe the environment, design the dialogue, add some innocuous vignettes, isn't the novel complete? Then refer to how to write a good chapter as we talked about before. Isn't a fine novel coming out? You've done all of this, it's hard if you want to make money or not, and then you'll think, I'm just going to hit the street, is it so hard?

1. Opening remarks:

First of all, a digression that has nothing to do with writing but will be ignored by most authors is very important for becoming a god, and that is mentality

Many people have such a situation: turn on the computer, code 500 words and don't want to write; updated more than 100,000 words, and gave up if I couldn't sign the contract; After writing for two months, I didn't want to write when I saw that the grades were not good; As soon as I saw that the readers in the book review area did not respond well, I immediately retreated. All of this is due to the fact that the author's mentality was not correct before writing a new book.

The first thing to do when writing an essay is to figure out, why am I writing an essay?

Many people enter the clouds and fogs, and they are naturally mixed in the clouds, and this kind of people, collectively referred to as them, have unclear goals. Some people may think that this is useless, but if you want to become a god, mindset is the most critical step. Not only must you have the ambition to become a god, but you must also have the patience beyond ordinary people and endure loneliness. How many great gods in the online literature industry have become famous with one book? If you are still hitting the street, if you are still worried about signing a contract, then take care of it friends, the circle of the great god is not something you should consider, what you have to think about is, how can I improve myself, and then integrate into the circle of the great god. Well, to become a great god, there are some things that must be grasped.

The first lecture is what I need to prepare before writing.

Guys, let's ask yourself a question, how much time did I spend preparing before I wrote this novel, before I put pen to paper, before I uploaded it, and what did I prepare? Take me as an example. Before I wrote Kunlun, it took me 52 days to prepare, and in these 52 days, I thought of more than 1,800 names, more than 600 kinds of magic weapons, countless kinds of spiritual herbs, and all the things I might use, I built a Word document, adding up, about 250,000 words.

Compare your own preparation before writing the essay, and I think you should be able to understand where the problem is. The writing industry is the industry that does not look at talent the most, behind the monthly income of millions, it is by no means a sentence that can be explained by nature, many authors, there is a problem, that is, Kavin. The plot can't be written, the main story line is broken, all kinds of problems, and then I start scratching my head and don't want to write. In fact, this is a very simple problem, that is, the grain and grass are not complete, and the army has moved, and as a result, the grain and grass are exhausted, and the army's morale is in chaos. After all, the three armies did not move, and the grain and grass went first. Today we will spend a few hours solving this problem, and hopefully there will be no more such problems in the future.

We've done a metaphor before, map theory, and I'm going to talk about how to draw this map. I will explain it with the actual situation, and you can go back and digest it later. When we write an outline, we must remember not to write from small to large, but to write from large to small. I'm going to build a world view now, the first thing I want to establish is the level, I want to establish the cultivation realm, the fairy realm, the god realm, the military I first conquer a city, a province, a country, and I will earn five million, one hundred million, five billion first...... First of all, I should weigh it in my heart, where should my level of worldview be? Just like the black and white brother said, if you want to fill water, you must first confirm how much water I can hold in this container? Taking this of mine as an example, I now confirm the cultivation realm, the immortal realm, and the primordial immortal realm, and this is the first step I want to do, to establish the level of my worldview.

Okay, my level has been established, and the next step is to fill it with dry goods, so do I fill it from the beginning or from the tail? If I fill in from the bottom of the cultivation realm, the cultivation realm is finished, and when I fill in the immortal realm, I find that I have a lot of things to add in the cultivation realm, and I go back to lay the line and add things, and finally finish it, and when I get the primitive immortal realm, this problem arises again, and the waste of time is not wasted? If I start directly from the primordial fairy world, I wrote about the fairy world, I don't need to go to the primordial fairy world to add things at all, the things that the primordial fairy world wants to add to the fairy world, I have already listed it when I build the primordial fairy world, and now I can put it in when I build the fairy world.

Build your worldview from the top, the rules are clear, and the problem of missing things is avoided.

Once the order is determined, you can fill it with dry goods. Let's remember a principle, in the process of building a worldview, everything is built from the top down. When I build the Primordial Immortal Realm dry goods again, it is still from the top down, what force is the top force? Next, layer by layer, subdivide down. The world built in this way must be well organized. As the author of a novel, he is the creator of a world, and if you are in a fog about the construction of this world, it is impossible for you not to write in the later stage.

Another of the most important issues in constructing a worldview is that it is better to be redundant than insufficient. Why? Or to avoid the appearance of the Carvin situation. Although my worldview has been constructed, I am a human after all, and no one knows if there will be any moths in the process of writing. For example, if I am in the cultivation realm, I have set up ten sects, but when I fight, I find that the ten sects are not exciting, or they cannot meet the conditions for me to trigger the follow-up plot, then it will be embarrassing.

Even if your follow-up is wonderful, the cards in your hand are very good, the structure is not perfect, and everything is in vain. So remember, if you have plenty of cards in your hand, then everything is safe to fear. You don't have any hole cards in your hand, and you're stretched thin. Why not waste a little time and take a few extra steps when building a worldview?

In the same way, there is such a situation, when writing the true text, there will be a pill, and for everyone, there will be such a situation, that is, if you think of the name of the pill, you can write it. But before I go to write, I will not only design the name of the pill, but also list the ingredients of the pill, which herbs. Because no one knows what to do next, what if they need to use these herbs? Halfway through writing stop to look it up and think? Yes, you can, but you have to know that if you stop and go back to writing, your thoughts will not be able to fully connect with what you wrote before. To put it more seriously, just because of this pause, it is likely that a chapter will be scrapped. Therefore, it is better to grow ten acres of land on weekdays, and not to be hungry and have nothing to eat.

To write a novel, let's put aside the writing first, what we fight is the heritage. If you have a similar level of writing. How to outperform your opponents? My writing is smoother than yours, my play is more natural than yours, and my plot is richer than yours...... It's all about how you can beat others. However, if your preliminary preparation is not sufficient, and I have written half of the dry goods to be restocked, how can the writing be smooth? When I stop writing and write, how can I play naturally? I only have so many dry goods in stock, how can the plot be richer than yours?? Therefore, I spent so much time talking nonsense just to highlight a question, how important is the preliminary preparation. Your novel is your child, and I want to shout my slogan to you: Don't let your child lose at the starting line!

So, don't ask me in the future, why can't I write anymore, why am I Kavin? It's like you can't make money by opening a store, I opened your warehouse and saw that it was empty. So it's actually a very simple question. For example: I'm in Hangzhou now and I'm going to Beijing according to my plot development, but I found out that it's not right for Kavin, how can I go to Beijing after Hangzhou ends? At this time, a kidnapper kidnapped and went to Beijing? I want to go to Beijing on a whim? A buddy of mine in Beijing invited me to Beijing? Isn't this kind of question prepared before it is written? These are common sense questions, and if we had built them up roughly before we wrote them, would they still be problematic?

The most feared thing about the novel is that it is not smooth. The twist must be well designed, not too old-fashioned, at this time some people think, the same plot, how can I use it to be said to be old-fashioned, and the gods are also using it, why is no one complaining? That's because,You're just forcibly applying.,In order for this to happen.,And the big god is the routine that comes out naturally at this time.。 The routine is contained in the text, and the development is natural, so no one thinks it is a routine. Be sure to remember that as long as you use a good routine, you will never get old.

Everything mentioned above is ready later. That's when you can start writing. Two months of preparation, I have thought about everything, I have expected everything, what will happen in the future, I probably have a bottom in my heart, at this time, I can rest assured. Here, a question arises, one that almost all authors have asked me: why am I hitting the streets?

I'm here to tell you why: the most important thing in a book is the first ten, the first twenty, or even the first fifty. I read your book, and it was okay to read the introduction, and I collected it and read it, and when I got to the fifth chapter, I couldn't stand it, I probably forgot to take the pass, but I will never open it again. Later, you signed a contract, and the click may have improved, but at this time, you found out: why is it so subscribed? Don't be in a hurry to scold the editor, you should go back and see what the first ten chapters or even the first fifty chapters you wrote look like. If you read it yourself, I think you can understand the reader's mood, no one will read your novel and start from the middle, except for a small part of the alternative, of course. If I read the previous content, no, I really won't read it, so how can I subscribe to you? But I read the first fifty chapters, and I think it's very good and I even want to read it, so that as long as the writing behind the face is not bad, there will definitely be continuous subscriptions.

Therefore, the first fifty chapters will be updated slowly, and they must be rolled out steadily. If you think that the first fifty chapters have just entered the novel, there is no content, so perfunctory, go straight to the topic, and get ready to do a big job, then you will find that there is no reader attention at all.

So ah, don't complain. Go back, look at your own things, and look for what the problem is.

But how do you write fifty chapters well? Everyone knows that the climax of a novel may be after these fifty chapters, and the first fifty chapters are bland and over-chapters, how to write them well? At this time, one of my advice to everyone is to pay attention to the rhythm. My novel is currently being revised, why it was revised, let me tell you the reason: I wrote 16 chapters before entering Xiuzhen. These sixteen chapters all have their own stories, but the 16th chapter only began to cultivate the truth, which is really too procrastinating and too watery. If it is abbreviated to four chapters, even if I have a small story, the content of sixteen chapters, each chapter has a shining point, right? As long as you have a shining point in this chapter, your chapter is complete. I want to say that if you don't have content to arouse the reader's interest in reading, then you write down-to-earth and resonate with the reader.

At the beginning of writing, I believe you may be more concerned about a question, how to innovate the plot? For example: the earth is facing a catastrophe, I led everyone to fight hard, at this time the group leader told me, the East Emperor, black and white, Qingluo, the moon god, and the wolf are the fairy spirit roots of the five elements, I like Qingluo Qingluo likes me I know Qingluo first, black and white like Qingluo, but to defeat the enemy, you must sacrifice yourself with the five elements fairy spirit root, help me awaken the chaotic Dao body, at this time, Qingluo and I said goodbye, sacrificed myself, black and white said to me, this life is not that he is inferior to me, but I first met Qingluo, this life to fulfill me, if there is an afterlife, Compare the high and low again, but it takes time for me to wake up, at this time, the group leader took all the group friends to blow up to buy me time, I finally won, but only loneliness remains.

Let's digest this paragraph, this paragraph, the plot, the first blood is moved, and the group leader leads people to blow himself up; The second is affectionate, and Qingluo's paragraph, but in addition to me, it can even be said that everyone prefers the role of black and white. Because this era is not the time to love the savior. Create a black and white character like a gentleman, who comes and goes calmly. It can capture the reader's heart even more, the novel is indeed a one-line novel, but if your novel is just a character who goes to the end, it must be a failure. Just kidding, from time to time, you can die a successful supporting character to do the climax, just like black and white. At this time, the climax is coming, if it is you ...... I'm going to continue that paragraph. I'm betting that the eight achievements are the protagonist's path to resurrect this group of people, right? But if I had to write it. This book, after leaving a protagonist intent to resurrect the big guy, the book ends. Next book, The Reincarnation of Black and White...... Open the second part. If I have successfully portrayed the character in black and white, then my second novel, white and black, will have a good response as soon as it appears......

Let me tell you a little bit, in the process of writing a novel, after I finished cultivating the true realm, I went to the fairy realm, and the reader will have aesthetic fatigue, once I have to ascend to the divine realm, then, except for true love fans, I won't read it. When you write a novel, you must remember when to accept it, when to put it, and there must be a degree of relaxation, and don't be blind. I'll give you an example, take the city as an example: I'm fighting with black and white from chapters 1 to 200, and after chapter 200, I'm fighting against the Eastern Emperor, so when should the Eastern Emperor come out? I'll arrange for the Eastern Emperor to appear at the time of chapter 100. In 100 to 200 chapters, the East Emperor is shaped, 200 chapters, black and white are gone, and the confrontation with the East Emperor will not feel too sudden. I don't suddenly lose the urge to look at it. This is how an annual urban drama comes out.

So writing a novel, as long as you are willing to spend time, it's really not difficult. There are no shortcuts to success. You envy the income of the great god because you don't see the effort behind the great god.

How to do it, in fact, it is very clear, first, be prepared, second, relax to a degree, third, make a good start, and fourth, be diligent. As for how to write good content, let's talk about it when I have a chance in the future.

2. Q&A:

I prepared the materials, but I didn't dare to write too much, if I couldn't sign the contract, wouldn't it be in vain? How to do it in moderation? Or is it the first to sign inside?

If, the purpose of writing a novel is to sign a contract. I think so. You can't succeed on your own. The purpose of writing a novel is to create a good work, as long as you write a good work, you will find yourself when you sign a contract, the editor is not a pig, and the good work will not be ignored in front of you. If you can't write it yourself, then what's the use of you going to an editor? Therefore, writing good things is the last word. Everything else is nothing.

What to pay attention to when writing history to fiction

Historical fiction depends entirely on how much is prepared, and most of the people who read historical fiction are history lovers, and once you deviate too much from the epic, you are easily criticized. Writing historical fiction can be said to be the most knowledgeable, and if you don't have a thorough understanding of that era, then I advise you not to write it.

The best solution is overhead. There are no more than two kinds of overhead, one is to travel through the past, but it changed the direction of history at the beginning, for example, I traveled to the Sui and Tang dynasties in the first chapter, and killed Li Shimin in the second chapter. There is also the kind of overhead, creating an era by itself. A fictional dynasty, this, tests the imagination. But for the most part, it should be written through the crossing. Regarding time-traveling, you must pay attention to a few points, understand the history you want to write, and be sure to control the timeline, character line, geographical line, and event line. For example, when I traveled to the Three Kingdoms in 186 years and met the young Zhuge Liang, these problems should not have happened.

How to grasp the plot moderately, sometimes, I can't go up the word count, and there is no climax, what should I do?

For fantasy, give a suggestion, it is best to control it to about 2,000 words. Why? Because the climax point of fantasy novels is not easy to control, controlling the number of words, you can probably keep one chapter at a time, and you can make this climax play all the effects, and there is another point, not only fantasy, all novels are the same, the paragraph cannot exceed three lines, three lines must be segmented, and even most of them are one line, and two lines are a paragraph. These are the details, pay attention.

If I write science fiction and want to make people feel like a picture in their minds, what should I pay attention to?

Tang Zhu suddenly asked.