After the college entrance examination ended, Li Feiyang returned to Lijia Village from Tangcheng, but the wine Taoist who had been clamoring for Li Feiyang to write a book had already drifted away. Pen? Interesting? Pavilion wWw. ｂiquge。 ｉｎfo

Since Li Feiyang has already started writing a book, and every chapter is written so well, why does he want to urge him all the time?

When Li Feiyang wrote "The Romance of the Gods", the wine Taoist did not want Li Feiyang to write the Buddhism as useless, according to his original words, "I am an old friend with the crazy monk Puyuan, and you have practiced the secret method of Buddhism, so you have to give the old monk a little face!" ”

This idea is in line with the content requirements of the book "Romance of the Gods", but it saves Li Feiyang a lot of effort.

For the book "Romance of the Gods", Li Feiyang's revision is very large, compared with the original work in the previous life, in addition to the fact that the general framework has not changed, the content has been expanded a lot.

The original "Romance of the Gods" has a great shortcoming, that is, the narration of the whole book is very poor, although it can also be said to be a vernacular mode, but it is much more difficult to read than "Journey to the West". The way this book is written still can't get rid of the characteristics of the official language, which makes people very uncomfortable to read, and it is much worse than the writing of "Journey to the West".

In view of this, Li Feiyang has made a major adjustment to the overall narrative style of "Romance of the Gods", making this book more vernacular and easier to understand than the original book. Although it still retains the ancient vernacular style, it is very close to the modern vernacular.

There are many characters in the original "Romance of the Gods" that have not been explained in detail, except for the character Nezha, who occupies a little more space, and the rest of the characters are a little less three-dimensional.

In Li Feiyang's revised "Fengshen List", Li Feiyang not only described the storyline of Nezha's Dragon Palace, killing the prince, beating the dragon king, cutting the flesh and returning the mother, and removing the bones and returning the father, but also described the origin of Yang Jian, another important character in the book, in a large way.

In the book "Journey to the West", Sun Monkey once joked that Yang Jian was "the Jade Emperor's sister Sifan was married and matched with Yang Sheng", this sentence caused a lot of confusion to the people of this world, and they don't know where this allusion came from. Some readers asked Li Feiyang, what is the sentence of Sun Monkey in the book? Li Feiyang replied at that time: "I will explain it to you in the next book!" ”

And the "next book" in his mouth is the upcoming "Romance of the Gods".

In the original Fengshen, there is no explanation for the description of Yang Jian's origin, probably because the legends and stories about Yang Jian at that time are known to the world, and there is no need to explain more, but in this world, people have never heard any stories about Yang Jian.

Because of this, Li Feiyang deliberately described in detail in the book Yang Jian's splitting the mountain to save his mother and carrying the mountain day by day, which made Yang Jian, like Nezha, have a lot of tragedy.

Then there is the explanation of the role of the Jade Emperor.

The Jade Emperor in Journey to the West, and the Emperor of Heaven in the God List, in terms of majesty and power alone, the two images are simply not one person. The Jade Emperor in Journey to the West is shaped according to Zhang Bairen in folklore, but in the God List in the Heavenly Emperor, he is countless times more majestic than Zhang Bairen!

Based on this reason, Li Feiyang divided the Jade Emperor and the Heavenly Emperor into two people, and changed the reason for the title of god to Emperor Taitian after passing the throne to Zhang Bairen, and in order to make him have available people, he ordered the three sects to select people to fill the imperial palace positions.

At this time, Emperor Taiyi was shaped into an absolute existence by Li Feiyang, and his majesty was so great that even Sanqing had to give him three points of face. Coincidentally, at this time, it was just in time for the twelve golden immortals to be killed and robbed, so there was a matter of the three sects signing the god list.

In fact, in the book Fengshen, there are three people whose status is extremely lofty by Li Feiyang, that is, the three emperors of Fuxi, Shennong, and Yellow Emperor, whose status is not weaker than that of the Three Qing Daozu. There is also the image of Nuwa Niangniang, in the original Nuwa Niangniang is a little unkind, let the goblins in Xuanyuan's tomb go to the chao song, and finally the people completed the task, but she was thrown to the immortals as an outcast, as if she was a little afraid of Sanqing looking for trouble.

For this, Li Feiyang has great resentment; As the creator of all things in heaven and earth, Nuwa Niangniang, who has the power of creation, is an absolute god whose status is much higher than that of Hongjun Xiaoniuniu, how can Nuwa Niangniang be so unresponsible?

In order to make the image of Nuwa Niangniang more positive, Li Feiyang set the Nuwa Niangniang in the book as the doppelganger of the real Nuwa Niangniang, and the real Nuwa Niangniang has long been far away from the Nine Heavens and ignores earthly disputes. In this way, there is a little close to a reasonable explanation for the weakness of Nuwa's clone.

In the book Fengshen, there is another person whose image conflicts with the image in Journey to the West, that is, Taiyi Zhenren.

Although Taiyi Zhenren in Fengshen is powerful, and his strength among the twelve golden immortals is also in the top few, but compared to Taiyi Tianzun in Journey to the West, he is still not enough.

In Taoism, the status of Taiyi Tianzun is extremely respected, and it can be seen from the Journey to the West that Taiyi Tianzun is powerful, and even in the book "Journey to the West", which worships Buddha and devalues Taoism, Taiyi Tianzun writes that Taiyi Tianzun has vast magical powers and boundless power; One of his mounts, nine lions, "does not twist the soldiers, and the body does not wear armor", can burst the of the Sun Monkey who is in a full blood state, which shows the power of Taiyi Tianzun himself.

And Taiyi Zhenren in Fengshen is a bit of a soft egg, except for teaching Nezha such an apprentice, and killing Shi Ji Niangniang by the way, I didn't see him show much skill. There is no comparison with the Ten Directions Taiyi Tianzun, who occupies the Donghua Changle Realm in Taoism, occupies the Miaoyan Palace in the East, and has the same status as the Sanqing!

Therefore, Li Feiyang divided Taiyi Zhenren and Taiyi Tianzun into two different images.

After unifying the images of the gods and the characters in the Journey to the West, and making a reasonable explanation, Li Feiyang mailed "The Romance of the Gods" to Mr. Huang Shichang in Kyoto.

By the time Huang Shichang received Li Feiyang's manuscript, it was already a few days later, and at this time, Li Feiyang had already left his hometown with a few sworn brothers.

Because it is a holiday, according to Li Feiyang's consistent habit, he will go out for a trip every winter and summer vacation.

In the past, when the tiger was at home, it was because his family was worried about the danger of Li Feiyang going out alone, so he accompanied Li Feiyang to go out. Now that the tiger is far overseas, Li Feiyang originally wanted to go out alone this summer, but after thinking about it, he gave up this idea and called Mark and Xie Fu together, and Zhao Chunjiang, who was far away in Kyoto, was also called by him. Together with his two apprentices, Sun Lukun and Bruce Lee, a group of nine people began to travel to the Han Dynasty under the leadership of Li Feiyang.

At Li Feiyang's request, they brought a few changes of clothes, each carrying a backpack, and did not ride a bicycle, let alone a car, but only walked forward.

In Li Feiyang's previous life, there was a scholar with a not very good moral character who wrote a book called "Cultural Journey". Although the quality of this person is a little not very good, his writing skills are still good, at least Li Feiyang is still a little touched after reading the historical prose he wrote.

On this trip, he plans to imitate the dean surnamed Yu, and he will also write a book on cultural travel, and the subject matter is naturally historical prose.

After the cultural accumulation of two lives, coupled with the research and adaptation of famous literary passages in his previous life, Li Feiyang believes that his current writing is not worse than this person, but it is much better than this person.

The reason why he did not write a book during his travels in the past few years is because Li Feiyang feels that his writing is not stable enough, and although the things he writes are not inferior to others, he is not sure to surpass them. Now he feels that if he writes again, he should surpass them!

During the time they traveled, "Romance of the Gods" began to be published.