When Li Feiyang and several people were traveling on the road, "Romance of the Gods" has caused a sensation in society after "Journey to the West". Pen, fun, pavilion www. biquge。 info

As a young writer, he is not even a young writer, but Li Feiyang has published his works one after another like a fountain, which has to be shocking and unbelievable.

If Li Feiyang wrote fairy tales and drew comics before, it was still acceptable, but by the time Li Feiyang wrote short stories and published pure literary works, it had already made the literati of the Han Kingdom feel a great threat, and even made them look up to Li Feiyang a little.

Until now, when Li Feiyang wrote "Journey to the West" in the ancient vernacular writing format, even ordinary readers who do not belong to the cultural circle can tell the depth of Li Feiyang's literary and historical skills as a young writer.

After the birth of "Journey to the West", although some writers who suffer from pink eye will also attack the theme ideas expressed in the book Journey to the West, but in today's era when words are basically not punished, this kind of offensive remarks with big hats have been disgusted by most writers, so these remarks attacking Li Feiyang did not play a role, but were ridiculed by people in the circle.

The cultural value of the book "Journey to the West" and the author's own writing skills can be felt as long as he is a cultural person.

It is the sadness of all writers in this period that this kind of crushing work appeared in this era, but it is also their honor to be able to witness the birth of such a strange book.

Because many of the storylines in the book Journey to the West have relevant legends in the Han folk, Li Feiyang wrote this book, although readers were shocked, but they could accept it. They believe that this is Li Feiyang's combination of folk tales and legends, with "Tang monks learning scriptures from the west" as the main line, and recompiling these stories to form a vast picture of "learning scriptures from the west".

When they felt that the book Journey to the West was already the most magical and vast mythological story that they had only seen in their lives, the appearance of "Romance of the Gods" let them know what the real scene is, what is the real magic power, what is the magic weapon!

The novel "Romance of the Gods" can be said to be the culmination of Chinese mythology.

There has never been such a grand scene in a mythological story, taking the rise and fall of a dynasty as an opportunity, taking the killing of the twelve golden immortals as an introduction, using heaven and earth as a chess game, and using all living beings as chess pieces, there is no longer an intersection point between immortals and mortals, but mortals can also attack and kill each other on the battlefield with immortals.

When the Taoist Sanqing and the two saints of the West gathered in the Zhuxian Array, the scene was even more remarkable, and when the Ten Thousand Immortals Array was finally broken, the scene was wonderful and hot, and I couldn't help but feel a sigh and sympathy for the fate of the Lingbao Daoist. Then they saw the plot that shocked them: because the Lingbao Daoist Tongtian Sect Master was so faceless, even the four disciples were only one left, and in anger and shame, he actually wanted to re-establish the earth, fire, and wind and change the world!

This kind of tone, this kind of spirit, is not found in all the myths and stories in the history of the Great Han Kingdom. All readers were surprised and shocked, and at the same time, there was a feeling of blood boiling from the bottom of their hearts.

After Hongjun Daozu appeared, Li Feiyang told readers the setting of his immortal abilities and system in this book through Hongjun Daozu's statements.

In the book of Fengshen in the previous life, there was no detailed explanation of what the Great Tribulation of Heaven and Earth was, what was the Mixed Yuan Supreme Luo Golden Immortal, and what was the indestructible body of ten thousand tribulations. Just through Hongjun Taoist said a few words and then brushed it off, which is very unpleasant.

But in this life, Li Feiyang set that heaven and earth have a lifespan, and after every few hundred million years, the universe and heaven will be extinguished and die, and all the immortals who cannot cultivate the Mixed Yuan Dao will be pulled out of their foundations, and the gods will decay and end their lives.

When all things are gone, there will be a saint to preach and save sentient beings, and the saint is the Mixed Yuan Daluo Golden Immortal. The saint has an indelible body, which will not be destroyed after thousands of eons, and has the ability to open up the world.

This setting is a good way to explain the dialogue of the characters in the gods, so as not to confuse the reader, and let them know why Hongjun Ancestor is angry with Sanqing's hatred. Because in the eyes of these immortals, even the end of a universe is just a process in life, and the rise and fall of a dynasty is an extremely small thing for them.

But because of such a small, the Sanqing brothers turned against each other, killed and injured countless immortals, and were taught by the West to get a lot of benefits, how could the ancestor not be angry? This is the act of feeding the Sanqing Poison Pill.

A god comes down, and the unscrupulous mediocrity of the king of Zhou, the enchanting and vicious of Daji, the brave loyalty of Bigan, the loyalty of Wen Taishi, the heroic spirit, and the shamelessness of Taiyi Zhenren, the fierceness of Nezha, the cheekiness of the two sages of the West and the shamelessness of the people who burn the lamp, and the primitive protection of the short, the depth of Lao Tzu, the bloody nature of the sky, the communication methods of Shen Gongbao, the temporary invincibility of Zhao Gongming, the clever means of the Lu Zhuan Daoist, etc., are all displayed in front of the reader.

In particular, the book spent a lot of pen and ink on the lantern Taoist, giving the reader a deep impression, the sentence "This treasure is related to me" is comparable to Shen Gongbao's "Taoist friends stay", which makes people cry and laugh, and despise the shameless image of the lantern Taoist from the heart.

In the book, Kuliu Sun, Cihang Daoren, Burning Lamp Daoren, Fuxian Zhenren, and Manjushri Zhenren are all set as the apprentices of the original Tianzun, which is corresponding to the three major Buddhist scholars of Buddhism, Juliu Sun Ancient Buddha and Burning Lamp Ancient Buddha, although it is not explicitly said that these are all Taoist traitors who have abandoned the Tao and entered the Buddha, but it has been clearly shown in the book. Moreover, the "three thousand red dust guests" in the Ten Thousand Immortal Array who were finally taken away by the Taoist with a Qiankun bag are also Daomen sect interceptors.

And these 3,000 Hongchen guests correspond to the "3,000 bhikkhus" in the "3,000 bhikkhus, 800 arhats" in Buddhism later.

In this way, the characters who constitute the main framework of Buddhism in the future are basically the children of Taoism.

The most important thing is that even the two masters of the Western Sect are also the image of Taoists. The so-called Taoist and quasi-Taoist people, these two Western saints are also the images of the disciples of Taoism, and these two are the two Buddhist masters who will turn Shamen into Buddhism in the future.

Therefore, after reading a Fengshen, readers will find that the current Buddhism used to belong to a branch of the Daomen, but later abandoned the Tao and became a Buddha and established a new religion.

After I couldn't wait to finish reading "The Romance of the Gods", readers who had calmed down suddenly reacted: This Nima is a mythological novel that worships Taoism and suppresses Buddha!

Li Feiyang has just written a "Journey to the West" that worships Buddhism and suppresses Taoism, and everyone hasn't digested this book yet, but I didn't expect Li Feiyang to launch another "Romance of the Gods" that worships Taoism and suppresses Buddhism!

The two books, one more wonderful than the other, the other better than the other, the most important thing is that the central ideas expressed in these two books are still relative.

It's the first time they've seen a writer write a new work to refute the ideas of their previous work.

In the novelty of readers, in the circle of writers shocked by the speed and quality of Li Feiyang's book, this "Romance of the Gods" has been spread all over the world.

Although there are not many literate people in this era, there is radio in this era, and there is a storytelling hookup in the radio, and there is a male duck voice Wang Zhifang in the storytelling hookup, and Wang Zhifang specializes in telling mythological stories and martial arts novels written by Li Feiyang.

As a result, after the publication of "The Romance of the Gods", the storytelling version of "The Romance of the Gods" also began to be broadcast to the audience. Nowadays, the people who listen to the commentaries like the three commentaries the most, one is "The Romance of the Sui and Tang Dynasties" in the morning, one is "Journey to the West" in the afternoon, and the other is "The Romance of the Gods" at night. These three books are all told by Wang Zhifang, and these three books are all written by Li Feiyang.

"Romance of the Sui and Tang Dynasties" is not enough, although it is very exciting, but it is still an independent storytelling story, and there is no follow-up storyline yet.

But today's "Journey to the West" and "Romance of the Gods" are two novels with a close relationship, after listening to Journey to the West and Fengshen, people will naturally correspond to each other in the two books, and rank the characters in the two books according to their own understanding, and the final result is naturally that Taoism comes first, and Buddhism comes last.