In the middle of the night, when Yuu Kamiya is asleep, his consciousness sinks into the consciousness space, and his mind moves slightly, and the scene of the consciousness space suddenly changes to the office where he works during the day, and then the computer screen in front of him lights up and starts playing the original version of "Fate/Zero" in the previous world. Pen % fun % Pavilion www.biquge.info

"The King's Feast, Xuyuan Xuan's starting point for conceiving this plot is very good, after all, District 11 likes to watch this kind of plot where character concepts conflict. However, the performance of the original animation of "Fate/Zero" was not satisfactory, resulting in a mixed reputation for this part of the plot. Yu Kamiya looks at the eleventh episode of the original Fate/Zero [Holy Grail Q&A] playing on the screen, and is also looking for inspiration to reimagine the story.

【Banquet of the Three Kings】

Proposed by the conquering king Iskandar, the knight king Artoria Pendragon and the hero king Gilgamesh were invited to participate in a banquet to discuss each other's royal ways.

The royal road shown by the conquering king Iskandar is [overlord], just like his classic line: "The so-called king~ stronger than anyone else!" More heroic than anyone else! More irritable than anyone else! It contains clarity and turbidity, and is more real than anyone else. It is precisely because of this that the subjects will envy the king and be impressed by the king, and each subject will think, "I want to be a king too," and the flame of longing will be kindled in their hearts. ”

The royal way shown by the hero King Gilgamesh is [Tyrant], believing that everything in the world belongs to him alone, and the whole world should naturally revolve around him, even the so-called Holy Grail was originally his thing, and the reason for participating in this Holy Grail War is to kill those thieves who rashly attack his treasures.

Finally, the royal road shown by the knight king Artoria is the [faint king] recognized by the unconquered king and the hero king, Saber participated in the Holy Grail War to go back to the past and revise his own history of the collapse of Britain, and the conquered king Iskandar thought that he was a blind idealist who negated his past.

[The Feast of the Three Kings] may be one of the most classic plots in "Fate/Zero", but the lack of animation performance has "ruined" this plot, the problem is not in the superficial things of the picture, but the foundation that supports the plot itself is too weak to really convince the audience, and it does not make the audience feel the charm of the characters. On the contrary, the foundation is weak and the fanfare is engaged in the conflict of character concepts, and the plot of [The Banquet of the Three Kings] may be able to calm some audiences who are new to animation, but mature audiences who already have their own aesthetics will judge this plot as "too middle two".

Originally, the term secondary 2 disease was only popular in District 11, and it generally referred to various rebellious manifestations in the second year of junior high school, and learning the lines and actions of animated characters or movie characters is just one of the meanings. What makes the term "middle two disease" spread in China is thanks to the animation "Middle Two Disease Also Wants to Love", which comes from the famous KyoAni animation production company in District 11 and the relaxed and funny plot makes this animation one of the most popular animations in China at that time.

The basis for judging whether the plot of [The Feast of the Three Kings] is "middle two" lies in whether this plot can be recognized by the audience and whether the concept of the characters can resonate with the audience. The Banquet of the Three Kings apparently not, even if Iskandar, the conquering king who was the most strongly represented at the banquet, looked more like an empty and reckless man, and the reasons for criticizing Saber were ridiculous. This is also commonly known as the difference in three views, and a viewer who comments on the animation "Middle Two Disease" or "Childish" is essentially the same feeling, and as an audience, he can't understand this work.

On the other hand, Saber, who was ridiculed by the conquered king Iskandar and the hero king Gilgamesh, is more likely to be recognized by the audience, after all, everyone hopes that they can go back to the past and change the mistakes they made, and now that the Holy Grail War has given Saber this possibility, what reason does she have to be ridiculed by others as immature? It is more domineering to go back to the past and overturn one's mistakes than to admit one's mistakes.

As a result, Saber behaved like an ordinary girl in [The Banquet of the Three Kings], and when questioned, she was not as good as a stubborn child, and of course she did not have the slightest insistence of the king and her pride as King Arthur.

None of the original [Banquet of the Three Kings] can be recognized by the audience, what about Yu Kamiya's remastered version of [Banquet of the Three Kings]?

Compared with the original Kamiya Yu, it has a great advantage, even if it is copied from the original, it is supported by seven character biography novels, and the concept that the character adheres to is not empty words but a summary of his own life experience, based on the completion of the character's personality in the biography, it can also make the audience reluctantly accept the unqualified mouth cannon. Yu Kamiya doesn't want his animation to have such an immature plot, and about [The Banquet of the Three Kings], either delete this part of the plot directly, or make a large-scale revision based on the idea of this plot.

"Not to mention the plot of the mouth cannon, there is also a problem that the spearman of "Fate/Zero" made by himself is not two brushes is Chaoyun, and he was posthumously called [Shunping Marquis] by Liu Chan after his death, and he is a king in the definition of China. Britain in the time of King Uther was still a vassal of a great power, and since King Arthur could be called king, it was natural for Zhao Yun to be called king. ”

"The evaluation of Zhao Yun in history is very perfect, the force value is comparable to the martial saint Guan Yu, benevolence and wisdom are widely praised, since it is Liu Bei as the monarch, the royal road that he adheres to should also be [King Ren], Liu Bei established himself as the king when he was also under the banner of Han orthodoxy and saving the world from fire and water. It's just that this feeling will be too monotonous, and Zhao Yun should have a deeper insight into the period of war and chaos in the Three Kingdoms. ”

"What is the best understanding of the so-called royal road in reality?"

"Zhao Yun added the concept of [Becoming a King and Defeating a Kou] on the basis of pursuing [Nioh], the winner is the king, and the loser is the Kou. Hehe, in this way, Zhao Yun's royal road slapped the other three kings in the face. Directly triggered the conflict with the various heroic spirits, the poor assassin as the appetizer of the [King's Army], with Zhao Yun not showing weakness in the face of a million troops as the end of the king's feast, crisscrossing the millions of enemy troops, no one is one of their enemies. As long as this part of the plot is exciting, it can be regarded as a plot flashpoint. ”

Kamiya Yu thought about it for a while, he has always regretted that the EX-level treasure of conquering King Iskandar [King's Army] did not perform well, and in the original work, he just crushed the assassin to death, delayed the caster's deep sea monster, and then was blasted into slag by the golden deviant sword EA [Breaking Star], and his expression was weak.

Zhao Yun's plot single-handedly arranges the plot of a million-strong army to increase the performance of Zhao Yun and [Wang's Army], and the [Wang's Army] can't defeat the deep-sea monsters made by Caster, which can also be explained by Zhao Yun's weakened combat power. (To be continued.) )