With the promotion of "Han River Monster" in theaters across the country, the release time of the movie is getting closer and closer, as a film from the project to the start of filming almost miscarriage to the addition of new investment to the current publicity, it can be said that this movie has aroused the greed of thousands of fans, and the number of trailers and promotional videos about "Han River Monster" on the Internet has reached 10 million, and it can be said that everyone has been looking forward to this movie for a long time. Pen "Fun" Pavilion www.biquge.info

As for why I look forward to it, because everyone has never seen a domestic disaster movie, especially this kind of special effects film, the protection of domestic films by the Korean quota system, like Hollywood movies, will have a much less impact on the Korean domestic film industry.

As early as 1965, the Korean Film Act formulated the rule that the import volume of foreign films should not exceed 1/3 of domestic films; In 1985, the law was amended to re-stipulate that cinemas must show domestic films on one-third of the screening days each year; In 1995, the South Korean government also stipulated that cinemas must show local movies for 146 days per year; This government's protective policy directly contributed to the take-off of Korean films. But just last year, the South Korean government has been trying to change the original 146 days to 73 days due to U.S. trade pressures, which has been met with strong opposition from South Korean filmmakers, and the government has repeatedly failed to implement the bill.

At that time, there were protests almost every day, and the practitioners of the film industry, the directors and actors in the film industry, one by one, went to the joint for their own golden jobs, and it cannot be said whether this protest was right or wrong, but as the protests progressed, this protest became more and more a farce, and even the masses began to feel that this protest of their film practitioners was more like saving their jobs, and then the South Korean government did not stop because of it, and passed the bill to reduce quotas.

As JHJ Entertainment, which was still in its infancy at the time, Jung Hyuk-jae did not pull a banner to protest, because in his opinion, all this is the trend of the times, and it is not just a rolling wheel of history that can be stopped by one person or a group of people. Not only did he not participate in the protest march, but even his artists asked not to participate, just like Lee Jun-ki, who was in the limelight before, and Jung Hyuk-jae even asked not to go, at that time, he was not a wise man or a fool.

In his previous life, Lee Jun-gi participated in the program "Internet Dialogue with the People" broadcast live on the five major web portals at that time, and discussed with South Korean President Roh Moo-hyun about the film quota system in the program, whether this behavior is a request of his company or his own personal behavior, which is not a good thing for him.

On January 22, Jung Hyuk-jae's house had a new guest, and when it was close to seven o'clock in the evening, the villa doorbell rang, and Zheng Minchu, who was watching TV on the sofa in the living room, jumped up and shouted "I'm going to open the door, I'm going!" ”

Behind him was Han Jiaren's concerned advice, "Min Chu, you run slowly." ”

Zheng Minchu ran to the door and glanced at the person in the surveillance, with slightly messy curly hair, coupled with a stubbled beard on his chin, he looked like a decadent middle-aged uncle, and beside him was a ****.

The door opened, Bong Joon-ho saw the girl who opened the door in front of him, and without waiting for him to speak, the **** on the side smiled and asked: "You are Jung Hyuk-jae's sister Jung Min-chu, right?" ”

"Well, my brother is waiting for you." Zheng Minchu smiled a little embarrassedly, and then said again.

For the well-known Korean director in front of her, Zheng Minchu shook her little hand and said that she didn't know it, after all, girls in her grade like those Idol and star artists on TV, who would pay attention to a little old man who is almost forty years old?

Regarding Zheng Minchu's attitude, Bong Joon-ho was not annoyed, he entered the door with a gift and changed into shoes, and after coming to the living room, he understood why it was not Jung Hyuk-jae who opened the door.

Glancing at Han Ga-jin eating fruit and watching TV on the sofa in the living room, Bong Joon-ho also knew in his heart, and it was no wonder that Jung Hyuk-jae was willing to cook.

Han Jiaren in the living room got up from the sofa after seeing the comer, and said, "Director Bong Joon-ho, welcome!" You're Director Bong's wife, aren't you? Welcome, welcome! ”

"Where, where, it's us who bother!" Saying that, Bong Junhao put down the gift in his hand and shook hands with Han Jiaren, and then said.

"That's it, that's it! It's us who bother. ”

After Zheng Hyuk-jae, who came out of the kitchen to serve food, saw the person coming, took off his apron and wiped his hands, then said with a smile, "Senior, sister-in-law, you are finally here!" ”

"Hey, it's different to become a family!" After seeing Jung Hyuk-jae, Bong Joon-ho's face showed a relaxed smile, although the two are not in the same class, and the age gap is also large, but because of the relationship between alumni of the same school, plus the fact that both of them are engaged in the film industry, they can talk about it together through movies, and they have become a pair of year-old friends in the circle, not to mention that because of Jung Hyuk-jae's strong support, the movie "Monster of the Han River" can get rid of the difficult birth, and the relationship between the two is deeper.

is different from the two big men who talked about the movie as soon as they met, Mrs. Feng on the side took Han Jiaren's hand familiarly, and as a passer-by, she talked about some matters that mothers and babies need to pay attention to and parenting experience, which seems to be very harmonious.

After a short time, the two families sat down at the dining table and chatted while eating.

There are not many times that Jung Hyuk-jae has held family banquets at home, and there are not many people who can participate in family banquets, Yoo Jae-seok is counted as one, and Bong Joon-ho in front of him is also counted as one.

"The movie is almost out, and I feel like I'm making movies when I was still in school, always thinking about what will happen to the box office? What did the audience say? When he said this, Bong Joon-ho's old face couldn't help but turn red.

In the final analysis, it is actually Bong Joon-ho's lack of confidence in the special effects of disaster films like "Monster of the Han River", he is really afraid of Hollywood movies, and he is really not sure whether the audience will buy domestic disaster films, after all, this is also the first time, especially the cost of this movie is still so high, if he really loses it, it will be a big loss, and it is estimated that he is embarrassed to face his younger brother again.

Unlike Bong Joon-ho's worries, Jung Hyuk-jae seems much more confident than him, "This movie may be beyond everyone's imagination!" ”