Volume 1 Chapter 807 Every child is unique

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The film "Dear", even if it is a Tang style film, is not without a big director who has made a film on the theme of abduction in the past, but at best, the audience of this film is still too narrow. ●⌒，

After all, realistic films, many times, are labeled as literary films, so at the beginning, even if there is a relationship with Tang Feng, in terms of theaters, there are still not many screens for this film, even if the treatment of this film is much better than that of ordinary literary films, but it still cannot be compared with other films in the past by Tang Feng.

Tang Feng's previous movies, since "Immortality", can be seen on the daily box office list almost every time, but this time, under the attack of several commercial blockbusters, "Dear" can finally not be seen in the top three of the box office list.

No one can make everyone like money, and Tang Feng is naturally no exception, so seeing that the box office of "Dear" was not as popular as the previous Tang Feng's films, many people began to can't help but sing "Dear"!

Of course, these people are still in the minority, but more media have chosen to remain silent for the time being, because they have noticed that although the box office of "Darling" on the first day did not reach the top three or even the top five on the box office list, just look at the number of screens allocated to "Darling" on the first day.

And everyone knows that the film "Dear" is not a commercial blockbuster, so if you compare this film with Tang Feng's previous movies, fans are not so stupid, so these media will naturally not do such stupid things.

And in terms of the box office of a single museum, in fact, "Dear" is no worse than those commercial blockbusters, but no one will think that this film will be a hit, because it is still too early.

First of all, although "Dear" is not a commercial blockbuster, the star appeal of the superstars and actresses in it cannot be underestimated, in the era of fan economy, many times, the quality of a film, fanatical fans do not care too much.

Moreover, Tang Feng's own appeal is also one of the best, plus some die-hard fans of literary films, and the number of screens of "Dear" is small, so there is nothing to see at the box office in one or two days, because this first batch of audiences is likely to be the die-hard fans of Tang Feng and the stars.

However, although it is not yet possible to judge whether the film "Dear" can once again create a box office miracle at the box office, the word of mouth is already predictable.

In the Internet era, the influence of film critics on the box office is no longer as strong as before, and the public's perception is the most intuitive embodiment.

Netizen Ben San's little ghost: "At the beginning, I went to the name of public welfare films, I have never been interested in literary films, I watched "Dear" last night, at the beginning, I was honest, Zhao Shan's appearance thundered my buddy, a bear child like Tian Peng, I believe that many people will feel the same way when they just watched it, I hate such a bear child, I even imagined maliciously, this child is lost, it is too bear, too annoying. However, after reading it, I gave myself a slap in the face, no matter how bear the child is, but every child is the meat of the heart for parents. ”

Netizen Yu Sanqian: "I just watched the movie last night, damn it, I watched it with my girlfriend, and it was the first time I cried so badly in front of my girlfriend, I was ashamed!" ”

Netizens lost potatoes 666: "For so many years, I rarely cried so badly when I watched a movie, the country should really revise the law, and the traffickers should be shot one by one!" ”

Netizen Long Ying volleyed: "Human traffickers, I'll make you paralyzed, and when I see traffickers abducting children in the future, I see one pinched to death, a group of dogs who have lost their conscience, and they also hit the children, and you should have shot you to the wall in the first place!" ”

Netizens are almost applauded, and in terms of word-of-mouth, "Dear" can be said to explode other commercial blockbusters.

As for the film critics, although there are also a few negative evaluations, most of them still give quite high evaluations.

A cup of tea from a famous online film critic: "At first, I thought that "Dear" was just an abduction movie, and when I watched the first half, I still thought so, but when I watched the whole film, I found that this film is not just about abduction. ”

"In this movie, no one is happy, seemingly strong, but actually vulnerable; seems to be cornered, and must wipe away tears to welcome life. People of every class, there are tycoons, white-collar workers, small city workers, farmers, the elderly, children, everyone has their own troubles, and under each seemingly strong chest, there is a fragile heart; On top of every powerful step, there is a fatal weakness. ”

"I believe that the trailer of "Darling" probably made a lot of viewers cry, but after watching the movie, they will find that it is not just a bitter tear jerker. Some sadness does not necessarily make people cry, but that heaviness will pierce the heart; There is some hope, which does not necessarily make people laugh, but there will always be a ray of sunshine that inadvertently falls on the brow. "Darling" is one such movie.

Just like Zhao Shan said on Feixin: "This movie has a hand that reaches deep into your chest and will touch your heart." ”

"Dear" is certainly not a universal story, but everyone can see the group portrait of society through this movie, see their inner anxiety and indifference to family affection, and the depth and grief of loss are actually something that everyone can feel and understand from life. However, not only is this not a universal story, it is not simply about the loss and search of children, but also reflects the loss and search of something in the hearts of people in society. People come and go, we are confused, we lose, where is our "home"?

In the movie, Tian Wenjun said "Why should I accept my fate", it is this energy that makes him desperately search, never give up, only by "eating hope as food", he can still "not accept fate" when he loses almost everything, and still "does not accept fate" and hopes to regain a little bit of dignity. The night he found Peng Peng, he cried bitterly in the stairwell of the police station, it was the first time he cried in 3 years, it was like holding a long sullen breath, and finally broke out, his face was twitching, his voice was hoarse, and he didn't spit out a word, but we can fully feel how tired he has lived in the past few years. Zhao Shan's performance is too explosive, in silence, give us a heavy hammer in the heart, although we have not experienced such pain, but watching him hug his head and cry, we seem to suddenly understand that what he is desperately looking for is not only Peng Peng, only by bringing Peng Peng back, his home is there, and he can "go home".

During this period, Tian Wenjun looked at the empty Internet café and didn't know who to hate. Do you hate yourself for failing in your business, or do you hate your wife for not fulfilling her responsibilities and abandoning her family and children? Do you hate yourself for being greedy for letting a few underage thugs into an Internet café, or do you hate the traffickers who take away their children? He didn't have an answer, because at this moment he no longer had hatred in his heart, or rather, from this moment on, finding Tian Peng became his only goal!

Lu Xiaojuan lost not only Peng Peng. In order to climb up, she divorced Tian Wenjun and formed a middle-class family. But after losing Peng Peng, she finally found that in fact, identity and money could not fight such a pain, she always wanted to get rid of the identity of a subordinate, but turned around and found that she had lost herself. In fact, this is very similar to many people around us, but we are in such a hurry that we can't stop to look at our original selves and then look at our current selves. lost Peng Peng, and she became the same as Tian Wenjun again; Looking for Peng Peng is actually a process of self-reconstruction, returning to the state she was in when she set off. In the face of instinctual pain, the external cannot help anything, and only by re-establishing the inner can we fight and even transcend this pain. Although there is no final conclusion in the movie, we can obviously feel that Lu Xiaojuan "went home". (To be continued.) )