Chapter 806 of Volume 1 There is a kind of desperation called giving up

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Just when everyone thought that this film was a little 'nondescript', suddenly, the big screen began to show the suffocating cruelty and despair......

Tian Wenjun, a child who was abducted and tried his best to find his child in despair, was deceived again and again, those phone calls, those online information, the ugliest of all human beings, dirty, and gloomy breath came to his face. ￥f，

The audience in the cinema gradually felt a suffocation and depression in their chests, and the whole person seemed to be shrouded in a huge shadow, which was even more depressing, because they knew that these things that appeared in the film did not exist in reality? No, it is precisely because of these things that there are also zài in reality, maybe it is happening at this moment, which makes people feel even more suffocating!

"I beg you...... Who are you......

When Tian Wenjun, played by Zhao Shan on the big screen, went to another city to look for children but was chased and killed by scammers all the way......

Seeing Tian Wenjun wielding a knife, almost frantically pleading, the sound of discussion and laughter that had been heard from time to time in the theater had long since disappeared, replaced by silent silence and suffocating heaviness!

The moment Tian Wenjun fell into the water, it was as if the whole world was still, and the scene was so cruel that people didn't know what words to express, and the pain and despair spread to everyone's hearts like a virus.

At this moment, everyone seemed to have entered this stinging story, and it hurt like a knife......

The audience began to follow Lu Xiaojuan, and at the mutual aid meeting, she cried hoarsely and repented: "I'm sorry, I lost the child", her heart was like a knife stabbing on it, and they began to be like parents who lost their children, clenching their fists tightly and spewing fire in their eyes when facing traffickers, eager to go up and eat their flesh and drink their blood!

After seeing the parents chasing a small truck with burlap bags and opening it with great anticipation, only to find that it was wild animals, they were as lost as the parents in the film!

In this situation, at this moment, even young people without children, even young audiences who did not understand the importance of children to parents before, they are beginning to gradually understand that children are not a number, and they cannot be replaced by another one...... It's a part of each parent's body, a continuation of them, and for many people, that's what their life is all about.

From the stories in the film, everyone touched the pain and despair of losing their children and becoming parents.

Feel the vast, boundless void that comes with being lost...... and despair.

No matter how much you struggle, resist, try...... They can only be reduced again and again.

At this point, almost all of the films give people a dark color, as if all the qiē and qiē are so desperate.

Fortunately, the world is not only dark, not all human nature is ugly, in the film, Tian Wenjun finally got help, an ordinary hawker gave him the most critical clue, but refused a return of 200,000.

In an ordinary farmhouse in the countryside, the child feeding the geese, the silhouette of the woman choosing vegetables in the dark kitchen, a qiē seems to be normal, the moment they saw the child, all the audience took a deep breath, like a person who has been struggling underwater for a long time, and finally breathed a sigh of relief, the child has been found!

Tian Wenjun, played by Zhao Shan, picked up the child and ran wildly, being chased and beaten by the whole village, shouting and scolding.

The audience clenched their fists, their lips trembled, and they didn't know who shouted: "Run!" I heard suddenly, and the audience suddenly sounded "Run!" When they shouted, they were unaware, and their red eyes were still staring nervously at the big screen!

It was a kind of venting that had been suppressed for a long time, and it was also a cry from the heart, so far, the film has successfully conquered many people!

……

A good film is able to make people substitute for it, and make people change the plot for the change of the film's plot, and obviously "Darling" has done this!

Tian Wenjun and Lu Xiaojuan finally found their child, which seemed to indicate that Yiqiē was developing in a good direction.

In the film, there are "winners" who insist, such as Tian Wenjun and Lu Xiaojuan, because of persistence, because they did not give up, they finally found their children, and even Zhao Hongqin, because of persistence, so, in the end, she became pregnant! There are also people who persist without results, such as the person who can "lose his mind" and shoot the child's appearance in the crowd.

And the most worrying thing is that it is the "loser" who insists. The role of Han Dezhong in the Heavenly King Zhou Qingyun is a good interpretation of this despair. Han Dezhong's persistence is the longest in the film, 6 years. His change is the most obvious, it is the family search group he initiated, which should be the most determined person. When he organized a family search group to go out to find relatives, he sang Cui Hu's poem: "Last year, in this door today, the peach blossoms on the faces of the people were red; I don't know where to go? The peach blossoms are still smiling in the spring breeze. ”

When Tian Wenjun finally found the child after a lot of hardships, Han Dezhong pretended to be asleep in the car, and then sent a text message to Tian Wenjun, hinting at the change he couldn't hold onto. At the end of Peng Peng's birthday, Han Dezhong announced his new decision to drink a glass of bitter wine. The previous shot is a big man crying out at a birthday party during the day, and the next shot is a big man crying in the alleyway late at night. The repression, release, and passage of time implied in this are a deep bitter wine. The hope, perseverance, disappointment, and despair along the way are heartbreaking.

Han Dezhong used his story to tell people that there is a kind of despair called giving up!

After the screening of "Dear" ended, the audience was silent for a long time, and only after a long time did a roaring applause sound.

If you pay a little attention, you will find that many people have red eyes.

In this film, Tang Feng does not all follow the plot of his previous life, such as Zhao Hongqin, such as the lawyer, in the "Dear" in his previous life, in the movie, lawyer Gao asked Zhao Hongqin if he really didn't know. Zhao Hongqin asked rhetorically: "My man asked me not to come to Tianhai for the rest of my life." Do you think I know this or I don't know. ”

And the lawyer actually smiled and said, "If that's the case, you can say you don't know." ”

At that time, Tang Feng felt very awkward when he saw this, and felt that this should not be the lawyer's words. The awkward part is that the movie uses the "extrajudicial appearance" bridge commonly used in political and legal dramas to show the "brilliance of human nature" hidden under the lawyer's unserious appearance, but in Tang Feng's personal opinion, what is this to others? What does it mean for parents who still haven't found their children?

Is Zhao Hongqin really as uninformed as she claimed? This point was not explained enough convincingly in the films of the previous life. Tian Peng was already able to speak when he was trafficked, and he remembered his parents, if he really cried all the way as others said, then it was hard to believe that Zhao Hongqin, who got along with him day and night, would not know anything about his origins. Of course, we can provide various explanations for her silence: a woman who thinks she cannot have children, who is eager for her children, and who is forced by her husband's obscenity, a weak person who is forced to coerce, seems reasonable. However, this does not mean that her clear conscience as an innocent victim is equally legitimate. Motherhood is never an excuse to deprive others of parent-child love. (To be continued.) )