One after another, "kawaii" was drilled into the ears of Takeshita grass mustard. Following the direction of the voice, he turned his head to look at him, and noticed that three fashionably dressed young girls were gathered in the middle of Kitagawa Miyuki. They took out their mobile phones one after another, and regarded Sakai Chie as little Lori's mother, so they hoped that the other party would allow the three of them to take pictures and group photos of Miyuki. Sakai Chie, who made her own assertions, didn't see any malice on their part, so she didn't say no.

The three young girls, one by one, were standing behind Miyuki Kitagawa with scissor hands, thumbs up, and the eternal one, two, and three gestures...... Miyuki Kitagawa didn't cry, didn't make trouble, and didn't feel unhappy at all, she was very relaxed, and she especially enjoyed the feeling of holding the moon with the stars.

I smiled and posed casually to cooperate with their photos. When she was done, one of the three young girls gave her a brand-new Doraemon half a meter high. Miyuki Kitagawa, who got this unexpected gift, was happy to hold it with both hands. For this reason, Takeshita Kusaka expressed his gratitude to the giver for receiving the gift from the child.

"Takeshita-kun, from the perspective of a friend, I still suggest that you sign a three- or five-year contract with the Literary Spring and Autumn Publishing House. As soon as you come, the publisher will invest a lot of money to package you in all aspects, so that your novel can be known to more people, so as to lay a solid foundation for future publications. Second, you can also increase your income in the most direct way. Although I haven't seen him much, I feel that he is a real person, not oily and funny, dissatisfied with running the train, and still maintains a gentle and humble attitude, Sakai Chie, who doesn't have much affection, but doesn't hate him. This time, she is a person who balances both public and private affairs, indicating a long-term plan for Takeshita's writing career.

Picking up the porcelain cup in his right hand, he took a sip of the tea under the bamboo mustard, and he was not moved by it in the slightest, and said without saltiness: "I am used to being an idle cloud and wild crane." The last thing I like is to be tied down by something. As for writing, I write when I want to, and I don't write when I don't. When it comes to money, it's enough to spend. If it weren't for the fact that I wanted to make Miyuki's life better, I wouldn't be in a hurry to publish the novella "Childhood Sweetheart" and a number of short stories. ”

"Since you have to think about Miyuki's future, then you should join our big family. Miyuki is still young now, but in two or three years, she will be going to elementary school. Two or three years, but it will pass in a flash. For the sake of her future, you won't send her to a public school! Attending the best private schools can cost a lot of money. Rather than being stretched thin, it's better to start preparing now. Sakai Chie, who knows reason and moves with affection, seized this opportunity to persuade him.

"Let's talk about it!" In her heart, it is undeniable that she is talking to the point of Takeshita Grass Mustard, but she has her own other considerations.

Chie Sakai, who is most optimistic about his future development potential, sees that he has talked about this part, and it is not good to continue to do his ideological work below. In her opinion, Takeshita Kusaoji has the same bad problem as some self-conscious writers, that is, his work cannot be measured by money, and whether a book is sold or not does not represent the quality of a work at all. If it sells well according to the book, it means that it is a good work, which is really ridiculous.

In fact, the reason why Takeshita Kusa rejected her again is because she is still a copyist, and in addition to not being able to tell people, the work she does is just silently writing out the works of the great writers who have disappeared in modern and modern Japan, not from the original in her own mind.

Once I signed a contract with the Literary Spring and Autumn Publishing House, I am afraid that I will not be able to write any kind of novels that I arrange to write, but I will have to obey their command and interference to write novels that meet the needs of readers and the market. If you can't pay it over, if you breach the contract first, I'm afraid that not only will you not be able to make more money and put it in your pocket, but you will also have to lose a bankrupt property, and even take advantage of your good reputation.

Takeshita Kusaoke, who has long weighed the pros and cons in his heart, believes that the other party will not give him too good conditions, after all, he is not a great writer in the Japanese literary world. The most practical thing is that while they make themselves popular, they will also issue very harsh terms and conditions to bind him.

No matter what kind of banner the Literary Spring and Autumn Publishing House is waving, it is impossible for it not to consider the needs of readers and the market at all, after all, it also has to survive and make profits. Moreover, the pursuit of profit by merchants is placed in the first place, and the artistry of literature will be placed in a secondary position.

The writers in the world who have the ability to think independently and only write what they want to write and say what they want to say are often impoverished all their lives by persisting in and pursuing the realization of their personal ideals. Even Balzac, the king of novels, had to write pulp fiction in order to live. Not to mention that he had personally gone to his own sister and needed her to help him find someone to raise his money.

Takeshita is a re-thought of Dostoevsky, who represents the depth of Russian literature, when he died, not only in poverty and illness, but also in a friend's house. For this reason, he knows very well that the road of literature is not something that anyone can take and dare to take.

"I'm sorry, I hope you don't think I'm troublesome and gossipy. If you want to, just say it, if you don't want to, forget it, when I didn't ask. What is the relationship between you and Kitagawa mother and daughter? So far, it is not clear what happened between them, and I don't know if it was out of curiosity or out of concern for him, so she asked seemingly casually.

"Family relationships." I don't feel that the relationship between me and Kitagawa mother and daughter is just a simple tenant and landlord's Takeshita mustard, and I don't hide anything that I can't see, but the gentleman is frank and straightforward.

Sakai Chie, who stopped there, once again moved the chopsticks on her right hand and continued to eat sushi, and Kitagawa Miyuki, who didn't care at all what the two of them were talking about, didn't need to figure out what she said and what it meant. Little Lori's whole attention was focused on the food in front of her.