Zong Zhenghong, as a five-grade official, is normal to serve as the imperial historian, but he looks very weak when he blurs a white bird, and it looks like he is about to fall apart at any time.

Qin Xiu was very puzzled in his heart, what happened to Zong Zhenghong? Could it be that he encountered any difficulties?

Otherwise, how could you send off a guest without even saying a word?

With a full stomach full of questions, Qin Xiu walked towards the door.

The current matter is not something that Qin Xiu can be an official, they are the big officials of the court, and they are all involved in the party struggle between the court and the central government, Qin Xiu also understands the reason, and he has no ability to interfere with them, so he has to go back and talk about it.

Since he failed to succeed in apprenticeship, Qin Xiu had no choice but to take finding a suitable house to heart.

Originally, I wanted to go to Taixue to report after meeting Zong Zhenghong, and it seems that I can find a house near Taixue first.

Master Somasahiro asked:

"That teenager is going to settle accounts with a pirate site?"

Menzi Road:

"Yes, sir, I guess you noticed something, so the owners of those pirated websites are unlucky, and at least they will be beaten by the young man, and he will beat him like a pig's head......."

Pentateuch

The Book of Songs

The Book of Songs is the first collection of poetry in China, with a total of 305 poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period for more than 500 years. The Book of Songs has three parts: wind, elegance and song. Among them, the wind includes 15 "national winds", with 160 poems; Ya is divided into "big Ya" and "small Ya", with 105 poems; The ode is divided into "Zhou Song", "Lu Song" and "Shang Song", and there are 40 poems.

Pentateuch

Pentateuch

The Book of Songs collects a total of 311 poems, of which 6 are sheng poems, with only titles and no contents, and 305 are extant. By the Warring States period. The ritual collapsed, a large number of musical scores were lost, and the only remaining lyrics were compiled into the Book of Songs. In the pre-Qin period, it was called "Poems", or it was called "Three Hundred Poems" as an integer. In the Western Han Dynasty, it was revered as a Confucian classic, originally called the "Book of Songs", and has been used to this day.

Compiled by the Book of Songs

Regarding the compilation of the Book of Songs, there are three theories in the Han Dynasty:

(1) Pedestrians collect poems. "Hanshu Art and Literature Chronicles" contains: "In ancient times, there were officials who collected poems, so the king looked at the customs, knew the gains and losses, and self-examined. "The 305 verses of the Book of Songs are basically the same as the rhyme system and the rhyme rules and the form of poetry, and it includes a long time and a wide area, and in the case of inconvenient transportation and different languages in ancient times, it is unimaginable to produce such a collection of poems if it is not collected and sorted out purposefully. Therefore, the theory of poetry collection is credible.

(2) Confucius deleted the poem and said. "Historical Records: The Family of Confucius" contains: "There are more than 3,000 poems of the ancients, and Confucius has taken the importance of it and taken it from etiquette and righteousness...... Three hundred and five articles, Confucius are all string songs. Kong Yingda in the Tang Dynasty, Zhu Xi in the Song Dynasty, Zhu Yizun in the Ming Dynasty, and Wei Yuan in the Qing Dynasty were all skeptical of this statement. The Book of Songs was written around the 6th century BC, before Confucius was born; In 544 B.C., Wu Gongzi Ji Za went to Lu to view music, and the order of the wind poems played by Lu Legong for him was basically the same as that of this "Book of Songs", indicating that there was already a "poem" at that time, and Confucius was only 8 years old at this time. Therefore, modern scholars generally believe that the deletion of poems is not credible. However, according to what Confucius said in the Analects: "I defend myself and return to Lu, and then I am happy, and Ya and Song have their own place," it can be seen that Confucius did have fun for the "Poems". It's just that in the late Spring and Autumn Period, new voices rose and ancient music was lost, and only the poems of "Three Hundred Poems" were handed down and became a collection of poems seen today.

(3) Offering poems. In the Zhou Dynasty, the ministers and scholars offered poems and poems to praise beauty or satirize, which were corrected by historical books. At that time, because the Son of Heaven ordered the princes and officials to write poems in order to "listen to the government" and "test the beauty and evil of their customs".

"Chinese Zhou Yu": "The Son of Heaven listens to the government, so that the ministers will give poems and songs,...... Teacher's proverbs, retribution, recitation. This is mainly to reflect the people's feelings, examine political gains and losses, and ultimately use it to maintain their own rule, which is also what is said in the "Hanshu Literature and Art Chronicle": "The king looks at the customs, knows the gains and losses, and examines himself."

and Zhu Xi also said in "Collected Poems": "Poetry" is "the tribute of the princes to the Son of Heaven". Moreover, there are similar records in the "Hanshu Food and Goods Chronicles", "The Book of Rites: The Imperial System", and "Jin Yu Liu".

The style of the Book of Songs is classified

The lyrics recorded in the "Book of Songs" are all lyrics that have been used in music. The style of the Book of Songs is divided according to the different nature of music, and is divided into three categories: wind, elegance, and song. (1) Wind. It is the local music of different regions, and most of it is folk songs. The poems of "Wind" are folk songs collected from 15 regions, including Zhounan, Zhaonan, Shao, Yong, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng. A total of 160 articles. Mostly folk songs. (2) Ya. That is, the music of the imperial court, which is the music of the regions directly under the jurisdiction of the Zhou Dynasty, most of which are the works of the nobles, that is, the so-called Zhengsheng Ya music. "Ya" poems are the music songs of court banquets or court meetings, and are divided into 31 pieces of "Daya" and 74 pieces of "Xiaoya" according to the different pieces of music, a total of 105 pieces. Except for a small number of folk songs in "Xiao Ya", most of them are works of aristocratic literati. (3) Ode. It is a musical song and epic poem of the temple sacrifice, and the content is mostly to praise the deeds of the ancestors. The poems of "Song" are divided into 31 "Song of Zhou", 4 pieces of "Song of Lu", and 5 pieces of "Song of Shang", a total of 40 pieces. All are the works of aristocratic literati. From the perspective of time, most of the "Song of Zhou" and "Daya" should be produced in the early Western Zhou Dynasty, a small part of "Daya" and most of "Xiaoya" should be produced in the late Western Zhou Dynasty to the eastward migration, and most of the "Guofeng" and "Lu Song" and "Shang Song" should be produced in the Spring and Autumn Period. From the point of view of ideological and artistic value, the three songs are not as good as the two elegances, and the two elegances are not as good as the fifteen national styles.

The ideological content of the Book of Songs

The Book of Songs comprehensively presents the social life of China during the Zhou Dynasty and truly reflects the historical outlook of China's slave society from prosperity to decline. Some of these poems, such as "Shengmin", "Gongliu", "Mian", "Huangyi", "Daming" in "Daya", etc., record the birth of Houji to King Wu, which is a historical narrative poem about the origin, development and establishment of the Zhou tribe.

Some poems, such as "Wei Feng Shuo Rat" and "Wei Feng Fa Tan", vividly reveal the greedy and parasitic nature of slave owners in a cynical tone, sing the people's cry of resistance and yearning for an ideal life, and show the awakening of slaves during the collapse of slavery. Some poems, such as "Xiao Ya, He Cao is Not Yellow", "Feng Feng, Dongshan", "Tang Feng, Bustard Feather", "Xiao Ya Caiwei", etc., write about the husband's homesickness and love for the land and the grievances of the war; From different angles, they reflect the unreasonable military service system and the endless suffering and disasters brought to the people by the unreasonable military service system and war conscription in the Western Zhou Dynasty.