The next thing to deal with is the alarm device connected to the police station on the monitoring station, which is the most important thing tonight.

Jin Muchen came to the monitoring table, first looked at the alarm button, was buckled in the glass cover, the glass cover is very strong, it seems that he is afraid that if the monitoring personnel mistakenly trigger this alarm device, it will bring trouble to the police, so the protection is very tight.

Jin Muchen didn't move the cover, but climbed directly under the table, and sure enough, he saw the device's safe box below.

He had also learned that the power supply of a security system like this was independent of the entire system, in order to prevent the alarm system from failing if the entire site to be protected was powered off.

Therefore, such alarm devices are generally supplied by an independent power supply system.

The power required for this alarm system is not very large, so it can be supplied with power as long as the electrical wires used daily are used, but near the alarm system, a separate fuse box is usually installed to avoid situations such as blowing the fuse.

All he had to do now was open the fuse box, unplug the fuse inside, and disable the alarm system.

In this way, the police station will not be alerted to the trigger, and he just happened to find several keys from the waists of the two tech nerds just now.

After a few light attempts, he opened the fuse box, then unplugged the fuse, and then completely burned the wire, Jin Muchen came out from under the table and let out a long breath.

Now you can finally rest easy, but before that, you still have to give it a try.

He looked at his watch, it was close to midnight, and he had to hurry. Because he's got a couple of places to visit tonight.

Heading straight outside to the main building's exhibition hall, he went straight to Room 2, where there were several Japanese national treasures, if memory serves.

The first thing he had to deal with was the Juluodian saddle, which was a wooden saddle covered in lacquer. It is a family heirloom of the Daimyo Atsushi family in the Kamakura period in the 13th and 14th centuries.

The saddle is painted with black lacquer, but there are a lot of chrysanthemums painted with gold lacquer on top of this black lacquer, and the condition is very well preserved, and it looks very beautiful.

It is a representative work of Japanese lacquer painting at that time, and it is still spent on the saddle, so it is even more unusual.

You must know that in those days, being able to ride a horse in Japan was definitely not an ordinary task, and this aspirant. It is also one of the most famous daimyo of the Kamakura period.

In 1952, this treasure was collected by the Tokyo National Museum in Japan and was rated as one of Japan's top national treasures, with very high archaeological and artistic value.

According to the evaluation of archaeological experts at the Tokyo National Museum, this saddle can be said to be very characteristic of the times, and it can very well reflect the superb skills and artistic aesthetic characteristics of the Japanese saddle makers of that era. So the collection value is very high.

But now, hehe. Jin Muchen looked at the saddle locked behind the glass cover and sneered twice, and then raised his hand to make a hammer.

This hammer has accompanied him to fight in several museums, because it is easy to use, so he has never thrown it away, and Jin Muchen is quite experienced in smashing such a glass cover.

Hand up and hammer down. Then the bulletproof glass cover made a bang and turned directly into debris all over the ground.

Jin Muchen looked at the saddle inside, looked at the hammer in his hand, and smiled in his heart, after a hundred years. The story of this hammer, if it were to be spread, would surely turn it into a well-known antique worth no less than this saddle.

After all, the hammer that was able to personally smash the Boston Museum of Fine Arts, the British Museum and the Tokyo National Museum and the treasure shield is the only one in the world, so this hammer will definitely become a legend like its owner.

After a few seconds, Jin Muchen pulled out a machete from his arms, this machete is also a special knife made of high-carbon steel, he picked up the machete, his hand rose and fell, and the titanium alloy metal wire that helped the saddle was broken in response.

Looking at the neatly broken wire, Jin Muchen felt happy in his heart, it seems that no matter how hard the metal is, as long as you are full of strength, you will definitely be able to destroy it.

Stretched out his hand and pulled the saddle into his hand, and threw it into the purple jade space without much appreciation.

Then he didn't continue, but rushed back to the surveillance room downstairs, he wanted to see if the alarm signal would be received in the security room.

After all, he also got a lot of information out of the security guard's mouth before, who knows if the museum will arrange double insurance for the baby.

It would be bad if they had a double insurance system.

However, he was relieved to see the situation in the security room, there were no other alarm signals sent from it, and no alarm signals were transmitted from here.

This effect made Jin Muchen very satisfied, and immediately he turned around and walked out of the security room, and went straight to the No. 2 exhibition hall upstairs, where there were still several Japanese national treasures waiting for him.

Without the interference of the alarm, Jin Muchen became more and more happy, and he worked harder and harder.

A glass cover turned into pieces all over the ground in the sound of a bang, Jin Muchen reached out and pulled out the treasure inside, and then the knife fell and cut off the golden thread that helped the baby.

The name of the baby in hand this time is called Silver-Wrapped Sakura Wenhekou, which sounds very elegant, but in fact it is a short knife.

Not to mention the blade of this knife, it is a typical Japanese knife, made by traditional Japanese knife processing technology, and compared with the famous Japanese knife Juwen Yizi Zong collected by Jin Muchen before, there is still a big difference.

That Juwen Yizi Sect is actually mainly an ornamental knife, not a practical tool, and the silver bag Sakura Wenhekou in front of him is very different, it is a practical knife.

The blade is thicker, especially the back of the knife, which is much thicker than that of the Juwen Yizizong, and the blade seems to be very blunt, but it is more practical, so the knife will not be easily curled.

The handle made of ivory, the silver-clad scabbard, and at the upper end of the black scabbard, there are cherry blossoms painted with gilt seals, which makes this knife look very extraordinary.

And this knife is cold, it has been in this museum for so long, but you can still feel the cold of this knife in your hand, which shows that this knife is a murder weapon that has seen blood, and maybe there is a great history.

But Jin Muchen didn't have the heart to pay attention to those now, but simply learned about the situation of this knife through the text introduction on the booth.

It turned out to be the work of the famous Japanese swordsmith Goto Kazutaru in the Edo period in the 19th century, so it's no wonder.

In the history of Japanese sword making, Goto Kazusui is a very famous person, who was once a swordsmith for the emperor's court, and specially refined several famous swords for the imperial family, and is a very influential figure in the modern history of Japanese swords.

It's no wonder that this Japanese sword is considered a Japanese National Treasure!

But now these Japanese national treasures are all Lao Tzu!

Didn't you Japanese scavenge in China back then? Not to mention the treasure, even the soil can squeeze out oil, and the ground you walk through can scrape away three inches of soil for you.

You did it so ruthlessly back then, so don't blame Lao Tzu for being unkind to you today.

If you take Lao Tzu, you will bring it back to Lao Tzu, and if you eat Lao Tzu, you will spit it out for Lao Tzu!

What you did back then, don't blame Lao Tzu for what he did today, if you know what you did back then, we Chinese will definitely give it back to you.

Jin Muchen smiled and walked to the next display case, this second exhibition room is one of the most important exhibition rooms in the museum, because the collection here is one of Japan's national treasures.

From all kinds of lacquerware, to swords that the Japanese are proud of, as well as calligraphy, paintings, and ceramics, it can be said that all of them are the essence of Japanese antiques.

Put all these good things together, the Japanese mainly want to show those who enter this museum for the first time, the glory they have created in the Japanese, and this arrangement is now very convenient for Jin Muchen.

Now there is no need to run around, you must know that this museum has an area of six or seven thousand square meters, if they want to scatter the Japanese national treasures.

If you have to go to multiple exhibition halls, it will be too time-consuming and will affect efficiency.

But such a centralized display, it is really convenient for yourself.

Jin Muchen smiled and came to the front of a glass display case, this glass display case was hung on the wall, and in this glass display case was a painting.

This painting is actually the famous flower music picture screen, it looks like a painting, but in fact, it is indeed a paper painting on a screen, but later in order to facilitate storage, this paper painting was removed from the screen, so now it looks like a painting.

The picture depicts a noble boy on the left, sitting on the verandah of the hall, watching several beautiful women dancing under the cherry tree on the right.

To be honest, painting is what it looks like, and the style of painting should belong to the painting skills of Chinese ancient figure paintings, Jin Muchen, who is accustomed to seeing famous ancient Chinese paintings, is not unusual to see this painting.

The only difference from the ancient Chinese figure paintings in his collection is that the people in this painting are all Japanese. (To be continued.) )