This screen painting is the work of the famous Japanese painter Kano Naganobu in the 17th century.

And this Kano Naganobu pen happens to be a famous and original figure in the history of Japanese ink painting, and his painting style and skills have deeply imaged several generations of Japanese painters.

Therefore, it can be said that the ink treasures that he handed down have had a very far-reaching influence on the Japanese painting world.

As early as the twenties and thirties of the last century, when it was just acquired by the museum, it had been identified as a national treasure by the museum's appraisers.

Now, after so many years, as Kano's autograph paintings have been handed down to this day, the value of this complete screen painting has become even more precious, and in recent years, this picture of the flower has been rated as the treasure of the Tokyo National Museum, and is one of Japan's national treasures.

But now the national treasure of Japan's national treasure has fallen into the hands of Jin Muchen, he looked at this painting, in fact, that's it.

In the past, I saw a lot of paintings by ancient Chinese masters, but when I looked at this painting, Jin Muchen didn't feel too much.

Especially when I think of it, this painting was actually painted by the ancestors of those disgusting Japanese devils, so even if the archaeological value and artistic value of this painting are high, Jin Muchen doesn't have much heart to appreciate it.

However, although he did not appreciate the painting very much, it did not prevent him from owning it.

How did the Japanese burn, kill, loot and loot on the land of China back then, and how many national treasures we had? They all robbed it?

Now let's talk about the Chinese national treasures on display at the Tokyo National Museum. And how many of them got it through serious channels?

Descendants of this gang of bandits. actually took out the spoils of their thieves and ancestors to display them in a grand manner, what is really special is that his uncle can bear it, but his aunt can't bear it!

Now that I have entered the Tokyo National Museum, if I don't do a good job of harming these Japanese, I will be really sorry for my name as a Chinese.

So even if you can't look at these Japanese national treasures and antiques, you have to put them away. Take away, you Japanese didn't do it with us back then, you can't get it, and you don't leave it to us Chinese.

So many treasures, just because you can't move away, and then you will burn it, or you will smash it, anyway, you can't leave it to us Chinese.

Well, don't blame Lao Tzu today, and play your three-light policy in your nest. Don't think about what your ancestors left behind.

Let's give you a good taste. The mood of us Chinese when we suffered like that.

After continuing to walk down, he came to the front of the next glass cabinet, and through this glass cover, Jin Muchen could see the pure yellow light shining on the painting behind the glass cover.

And this yellow light dream is simple and atmospheric, and it is different from that kind of royal luxury, more simple and soft than that royal atmosphere.

Just because of the feeling that this light gave Jin Muchen, Jin Muchen knew that he must have met a treasure related to Buddhism again.

And the origin of this thing should be quite remarkable, just by the light that flashes at this treasure, it can be concluded that this must be another national treasure among national treasures.

However, the second exhibition hall of this main building is originally a national treasure exhibition hall, and the exhibits are all of Japan's top national treasures, so it is not surprising that such a light can appear.

He came to the glass cover, looked inside, and then he sighed, it turned out to be this painting, no wonder!

It turns out that this painting depicts an old man dressed in the Central Plains, and the name of this painting is even more amazing, called "The Statue of the Heavenly God of the Tang Dynasty", which is also the famous Fujiwara Buddha painting.

This Fujiwara is also a very famous painter in Japanese history, and Kano, he is an artist who can influence several eras, but his paintings are very distinctive, because he likes to paint Buddha statues very much, or paintings with allusions related to Buddhism, so his works are generally called Fujiwara Buddha paintings.

His paintings have had a profound impact on the spread of Buddhism in Japan.

And this "Statue of the Heavenly God of the Tang Dynasty" is one of his masterpieces, and the reason why this painting will be so influential is entirely because this painting not only successfully went out of Japan, but even sold back to China, where their culture was introduced, so the Japanese people are very proud.

Later, there were countless copies of this painting in Japan, but none of them were as influential as Fujiwara's original paintings.

And this statue of the god of the Tang Dynasty, the god in it, was indeed once sold back to China, becoming a small god in Chinese mythology and stories.

Until now, it is the exam that those college entrance examination students and parents often worship must pass the gods!

Speaking of the prototype of the old man dressed in the Central Plains in this portrait, it is also very famous in the history of Japan.

The prototype of this Tang Heavenly God, whose real name is Sugawara Michizane, is the Heian period of Japan, that is, about the late Tang Dynasty, the right minister in the Japanese court, and his knowledge can certainly be described as a rich five cars.

But if you are a politician, you will inevitably have political enemies, although this guy has only learned, but the level of political struggle is much worse. Later, it is said that he was framed by the Fujiwara clan, the minister of the left at the time, and was exiled to Kyushu, but he died of depression. Hearing this, many people have basically understood the routine, isn't this exactly the story of our China's past suffering loyal ministers?

In fact, it's pretty much the same, but in the end, it's mixed in with a little wild fox Zen.

This Sugawara Michizane has just hung up not long ago, and the people who framed him before, etc., political enemies or something are either violent deaths or violent diseases, even the capital of Japan at that time, Heiankyo was also plagued by disasters one after another, either today's hurricane, or tomorrow's earthquake, or the day after tomorrow's volcanic eruption, in short, it was a vision from the sky, which made people panic, and the people were even more complaining.

It's a pity that at that time, the legendary god stick **** Qingming in later generations of Japan had not yet been born, so the emperor was very panicked and scared, and this pondering was definitely the ghost of Sugawara Michi.

No, you can't let this guy's ghost continue to make trouble, so this Sugawara Michizane was posthumously named the god of fire and thunder.

But this Sugawara Michichi is really an out-and-out official fan, and he feels that this position is far from enough, and your emperor is completely insincere! And give me such a bullshit official, this Nima is not as good as the public security chief of the heavenly court, isn't this the official position of Bi Ma Wen? You're not fooling people...... Forehead...... Don't you fool the ghosts!

Okay, you humiliate me again and again, Lao Tzu will not let you go as a ghost, the emperor Lao Tzu has a hair.

So this guy was unjust and began to take revenge, and this time it was the emperor's relatives, and he was not spared, and there were countless dead and wounded.

This time the emperor is also out of line, so he can only promote this guy by three levels, so after his death, Sugawara Michi really rose step by step, and finally became the god of Japanese learning, and after getting this title, the Japanese country settled down.

This wild fox Zen sounds much more than those gods and monsters in ancient China, who dared to coerce the emperor, and finally made a fortune, which has indeed not appeared in the mythological history of ancient China.

However, this Sugawara Michizane Prime Minister has never been abroad throughout his life, so how did Sugawara Michizane get involved with our Middle Earth Datang, and how did he become a "god of the Tang Dynasty"?

It turns out that after the myth and story of Sugawara Michizane spread, there are all kinds of portraits about him circulating all over Japan, but the characters in the specific portraits are all kinds of and strange, in short, there is no conclusion, which person in the portrait is the real body of Sugawara Michizane.

And the various schools of painting in Japan are also arguing about this issue, saying that they are painting the authentic Sugawara Michizane, and you are all bullshit and fakes.

Until the Muromachi period, the shogun at that time, Ashikaga Yoshimochi, also received such a portrait, but there is a "like" on this painting, of course, this praise is not the like we click on Weibo now, but the poem used in Buddhism at that time, and according to legend, it was a "like" written by the teacher without a quasi-teacher.

This legend is terrible, there is no quasi-teacher, this is a god in Japanese Buddhism!

The specific source of this "like" is said to come from this: One morning, the teacher just got up and went out, yes? How does this grow a moussie? As soon as the words fell, there was a Confucian who fell from the sky with a "plum branch" in his hand.

"Who?" The unqualified teacher asked the man, but the Confucian man pointed to the grass and did not say a word.

The unquasi-normal suddenly realized that "Mao" is "Suga", and the person who comes must be the Prime Minister of Japan!

So the two of them saw each other late, with tears in their eyes, and so on and so forth.

In short, it is roughly said that the Prime Minister Kan claimed that he flew from Japan with "a plum", and he may also say, okay, well, now you are my disciple!

So the Japanese god of learning, Sugawara Michizane, worshiped the Wuzhun teacher who was 300 years younger than him as a teacher, converted to Buddhism, and became the "god of the Tang Dynasty", and at that time, "Tang" was the Japanese name for China.

As early as more than 1,000 years ago, the Japanese already had such a wonderful story of time travel, and it happened to two men......

However, this story has been circulated for a long time, and no one has verified its prototype so far.

But even so, it is precisely because of the legend in this painting that the standard painting method and character image of this statue of the Tang Dynasty God have become popular in Japan. (To be continued.) )