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"You are like that fire, the blazing fire illuminates me, your big eyes, bright and shining, like the brightest ...... in the starry sky"

In Jin Muchen's chest, it was as if he had a fire, the frequency of the hammer dancing was getting faster and faster, and the technique of smashing glass was becoming more and more skilled.

But everything that catches the eye is a gentle wave of the hand, taking away all the fine porcelain, leaving only the broken glass all over the floor......

In this porcelain exhibition hall, Jin Muchen carried forward the spirit of our Chinese to bear hardships and stand hard work, immersed himself in hard work, worked for an hour, smashed more than a dozen glass cabinets in a row, and collected nearly 1,000 pieces of fine porcelain.

However, at this time, he had already felt his spirit, and he began to feel a little tired, especially the tattoo of the purple jade gourd on his chest, which had begun to feel a slight fever.

There had been no such situation before, but Jin Muchen knew that it might be because the purple jade space was about to be full.

You must know that the things that were made out of the Museum of Fine Arts in Boston last time have not been disposed of, those Buddha head statues, the light one is dozens of kilograms, and the heavy ones have to be calculated in tons, and the size is not small, it must occupy a lot of space in the purple jade space.

Jin Muchen knew that he couldn't take it down like this anymore, although he really wanted to take all the Chinese porcelain in this museum away, but he knew that with his current situation, it was absolutely not allowed.

Because the porcelain that was displayed on the bright side alone was no less than 10,000 pieces, and I wanted to take them all away. That's impossible. His purple jade space couldn't fit anymore.

What a blissful annoyance. Since you can't take them all, you can only pick the best ones.

Jin Muchen took out two pieces from the space and compared them with some placed outside, which really made him embarrassed for a long time, after all, porcelain from different eras has different characteristics and styles, and almost all of the products displayed here are the fine products of that era.

But it's hard to choose. In the end, he had to make a choice, and Jin Muchen could only choose those with the highest value and the most exquisite workmanship.

Even so, in this porcelain exhibition hall, nearly 1,000 pieces of fine porcelain were finally taken, and these porcelains are almost the most essential part of the history of the development of ancient Chinese porcelain.

These porcelains alone, if they are taken out and sold, I am afraid they will be worth tens of billions...... It has to be dollars......

With a little unwillingness. Jin Muchen left this porcelain exhibition hall, and when he left, he still turned back in three steps. I don't know if there will be a chance to do such a crazy 'looting' again next time!

This operation must have stabbed a hornet's nest, and tomorrow morning, the theft of the British Museum will certainly cause a national shock in Britain.

At that time, the British police will not be like crazy, searching for suspicious people everywhere, etc.?

Whatever he is, I come gently, just as I walk gently, wave my hand, and take away all the fine pieces, leaving only broken glass all over the floor......

Leaving the porcelain exhibition hall, Jin Muchen turned into another exhibition hall, which was filled with all kinds of bronzes, which began in the Shang and Zhou dynasties and ended in the later Bronze Age.

It can be said that it is the essence of ancient Chinese bronze exhibition, but Jin Muchen is not very interested in these guys, last time he got a batch from Yamamoto Shingo's hands, those guys are big, heavy and heavy, and they still occupy space, and it is not easy to shoot, Jin Muchen has lost interest in this thing.

He brought in so many antiques, many of which he wanted to circulate in China, but the current domestic market does not allow the circulation of bronzes, so even if he gets it back, no one may dare to collect it, so forget it.

Then I entered another exhibition hall, in this exhibition hall, all kinds of ancient jade are displayed, from the Hongshan period to the end of the Qing Dynasty, all kinds of jade are available.

But these jade, to be honest, Jin Muchen is not much interested, although we Chinese like all kinds of jade, but the most popular among the ancient jade, but also belongs to Hetian jade, and the Hetian jade displayed here is mostly small objects.

These things are very exquisitely made, not big, are people often play with the handles in their hands, although they look very good, but in fact, the market price is not high.

The texture and workmanship are average, only a hundred thousand yuan, and a few million yuan for a better one, Jin Muchen doesn't want to waste a few purple jade spaces for these things.

After all, in his opinion, there are more good things worth paying attention to in this museum.

But just before he was about to walk out of this exhibition hall, a jade sculpture suddenly at the door attracted his attention.

Grass mud horse, this is really a grass mud horse!

I saw a white horse carved from pure Hetian white jade, which was placed near the door of the exhibition hall of the Jade Museum, and the lights in the museum were dim at this time, but even in such a dim situation, the faint light was swaying on this white jade horse, and the white jade horse was still able to reflect a warm and white light.

I finally know what it is, white jade is a horse for Tang Jin, this Nima is really luxurious.

During the day, I patronized and looked at those exquisite porcelain, but I ignored that there was such a dazzling white jade horse in the jade hall!

Walked in front of this white jade horse, glanced at the following introduction, the English introduction above, quite sloppy, can even be described as shabby, obviously the British don't want to waste more words on this white jade horse, in fact, they don't want to expose their shortcomings.

Jin Muchen knew the origin of this white jade horse, because he had seen the introduction of this white jade horse in the court chronicles of the Qing Palace.

It is rumored that this white jade horse is a royal tribute carved from a piece of rough stone carved out of Emperor Qianlong after the Qianlong Emperor quelled the Junggar rebellion, and opened up the new @ Xinjiang from the new Hetian jade.

This white jade horse is three feet long, two feet high, the whole body is carved from Hetian white jade, the carving is delicate, the lines are soft, the strength is insufficient, and the softness is more than enough, these are the obvious characteristics of the Qing Dynasty jade.

However, Emperor Qianlong has a very bold favored minister, that is, He Shen, this guy is really bold to say, once after a supper with Qianlong, he actually took the opportunity to steal this white jade horse from the palace and hide it in his own home, and later after Qianlong hiccuped, He Shen was raided by Jiaqing, and this white jade horse was re-found and sent to the palace.

Later, it was put into the Old Summer Palace, but unfortunately later the British and French troops entered the capital, and then looted in the Old Summer Palace, this white jade horse, and was robbed by the British, and then transported to the United Kingdom, and then fell into the hands of the British Museum.

This time he met Jin Muchen, it was considered that he wanted the things to be returned to the original owner, Jin Muchen was not polite at all, and with a wave of his hand, he directly entered the purple jade space.

Walking in the back, there is an exhibition hall of Buddhist products, in this exhibition hall, there are Buddhist exhibits from the Han Dynasty to the later dynasties.

Most of them are mainly Buddha statues and porcelain carvings, among which the Ming Dynasty is the most exquisite, and many of the Buddha statues of other dynasties have been dilapidated because of poor maintenance.

The people at the British Museum have also maintained these statues, but unfortunately their maintenance methods may not be very good, in short, those things look very average.

With those Buddha carvings from the Museum of Fine Arts, Boston, Jin Muchen can't look at the ordinary Buddha carvings here.

And because the purple jade space was almost full, Jin Muchen didn't have the idea of moving these Buddha carvings, after all, in his opinion, there were more important things waiting for him.

It seems that we can only wait for the next time, after emptying the purple jade space, to see if there is a chance.

With a heart full of regret, Jin Muchen left the Chinese Pavilion step by step, because he still had more important places to go.

That place is the famous Stein Vault in the British Museum.

There is a treasure of the British Museum, a Tang Dynasty facsimile of Gu Kaizhi's "Female History Atlas" of the Eastern Jin Dynasty!!

The British Museum has a collection of so many Chinese antiques and cultural toys, such as those exquisite porcelain, there are more than a dozen pieces of rare Ru kiln in history, and there are hundreds of treasures of the same level as Ru kiln.

Such a treasure, take out a random one, if it is really domestic, it can be called a top national treasure, but here, it is regarded as a big road goods by the British, and it is not ranked at all.

What is really regarded as a treasure by the British, and even regarded as a treasure of the town hall, is indeed a copy of the Tang Dynasty of Gu Kaizhi's "Female History Atlas" of the Eastern Jin Dynasty, which shows the treasure of this treasure.

And the reason why the British have such an evaluation is not because they don't know the goods, but because they really know the goods too well, so they have such an evaluation.

Needless to say, Gu Kaizhi's reputation in the Eastern Jin Dynasty is that history has given him the name of a painting idiot! However, he is one of the most famous great painters in Chinese history and created a precedent for ancient Chinese silk painting.

But it is a pity that almost no authentic works of his works have been handed down, and his "Female History Atlas", since its birth, has been the imperial collection of the court of successive dynasties, and was later destroyed in the war.

However, over the ages, many people have copied this painting, and now there are only two sets of copied works.

One set is in the Palace Museum in Beijing, which is a picture scroll copied by the people of the Song Dynasty, and the other is the picture scroll copied by the Tang Dynasty people now in the British Museum.

The set of paintings copied by the Song Dynasty people in the Palace Museum in Beijing, whether in terms of artistry or painting skills, is not comparable to the painting scrolls copied by the Tang Dynasty people in the collection of the British Museum.

Therefore, this silk painting, from the collection of the British Museum, was assessed by them as the treasure of the town, you must know that when the real copy of this painting was born, but around 400 A.D., and at that time, their ancestors of Europeans were still playing with mud! (To be continued......)