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The prosperity of Hong Kong's film industry is a complete deformed prosperity. Pen & Fun & Pavilion www.biquge.info any type of work, in fact, there is no real training institution, basically relying on the wild road. Even those famous film actors in Hong Kong are actually born in Yeluzi, either trained by wireless training classes or trained by ATV, and even many popular actors, they are completely Yeluzi.

It doesn't matter if there is no plan, and what is even more sad is that those famous actors are not necessarily having a good time. Maybe when you mess with someone you shouldn't mess with, the star journey will suddenly dim. In this way, there are still so many spiritual actors in Hong Kong, in fact, Li Mingbao can't understand why. is such a big place, but there are quite a lot of actors who have made achievements.

But these industries do not rely on spirituality to solve all difficulties. Otherwise, in the second half of the 90s, Hong Kong's industry declined, and those spiritual actors were completely helpless?

This is still the most successful actor industry in Hong Kong, as for other industries, not to mention, there are some small teams of martial artists in training, but this kind of training is not large-scale at all. Other photography, lighting, etc., is completely based on experience, and these experiences cannot be taught casually. To be honest, it is really strange that Hong Kong movies can have such a peak. Ye Luzi defeated the regular army, and perhaps only Hong Kong can have such a miracle.

But miracles can't happen all the time, and then miracles aren't called miracles. Now take advantage of Hong Kong's good world and get all the formal things out, so that Hong Kong's entertainment industry can have room for sustainable development.

It is based on this idea that Li Mingbao told Zou Wenhuai about the things that are missing in Hong Kong. If you don't get these things right, the future of Hong Kong's film industry will never be clear, and it will be happy to make money for a while, but when the peak period is over, then if you want to make money again, you basically don't have such ability.

In this regard, Hong Kong should actually learn from the mainland, although the mainland's entertainment industry is really not developed compared to other countries, and even very backward. But that's just the status quo of the industry, and it doesn't mean that the entertainment foundation on the mainland is really weak. To tell the truth, the entertainment base on the mainland, not to mention compared with Hong Kong, there are not many places in the world that are compared with the mainland. There are universities in the mainland that specialize in the entertainment industry, and no matter what kind of talent they are, they can be cultivated.

Even if it is not so conspicuous for a while because of the backwardness of teaching materials and personnel, if it is really in line with international standards, the entertainment level on the mainland side can be quickly upgraded, because the mainland has such a foundation. But if you want to put it in Hong Kong, it is impossible, there may be some top industry personnel, but the success of these personnel does not mean the success of the Hong Kong film industry, it can be said to be self-taught. Individual characters may come out, but the vast majority of people will still fall to the bottom. If you want to develop in general, it is impossible at all. This is the real difference, where even the most basic professional screenwriters are not available, how can the films in this industry be able to flourish for a long time?

Li Mingbao's complaint made Zou Wenhuai a little embarrassed, Hong Kong's treatment of screenwriters is really very different. It's not that Hong Kong doesn't have top screenwriters, these screenwriters, the scripts they come up with, are definitely quite good, but it's a pity that these people's scripts can't be taken out casually. Instead, they will digest it internally, so it is difficult for the outside world to get a suitable script from their hands.

And the script they can get, the quality, I really don't dare to compliment, maybe this script is very brilliant, so that everyone makes a lot of money. As a result, the next script was directly written as four dislikes, and there was no way to shoot it. It is because of this situation that those of them who are bosses often let the people in their company who can write scripts do the scripts for them, rather than training those professional screenwriters. This directly leads to polarization, the master makes money and dies, and the low hand really wants to do this business, but he can't even eat, and even if he is a master, he may not be able to live a good life, so this industry, no matter which company, does not really pay attention to it. This includes Li Mingbao, although his agent company has also signed a lot of famous Hong Kong screenwriters, but for those screenwriters who are not famous, Li Mingbao is also helpless.

It's not that Li Mingbao doesn't know the importance of these screenwriters, but if he wants to train screenwriters, he will have a great disadvantage in nature. Because he doesn't have a film company in his hands that can digest those scripts, and there are no professionals who can give professional training to those low-level screenwriters. Under such circumstances, Li Mingbao had no choice but to let Zou Wenhuai and them do it, instead of doing it himself.

It's not that Li Mingbao is reluctant to give up the money, it's really that if he accepts screenwriters on a large scale, it will make the sixth uncle and them too sensitive, it is originally a good thing, and it is the sixth uncle who will enjoy it when the time comes, if it is because of these things, it makes the sixth uncle scruples, that is, he really does good deeds and tears down.

Li Mingbao's question is very poignant. But Zou Wenhuai also understood that Li Mingbao said this for their good. But these things don't mean that they can get them right if they want to, the importance of screenwriting, don't they understand Zou Wenhuai? Of course, he understands, Zou Wenhuai is a person who has been in Hollywood for a while, how can he not know Hollywood's attitude towards screenwriters?

But the screenwriting industry pays more attention to talent than actors. A good screenwriter, just like Li Mingbao, can sell any script for a lot of money. And a bad screenwriter, even if he only gives him porridge every month, then he can't make anything good. So this thing is completely unhurried, the key is to rely on inspiration. In Hong Kong, there is really no one who makes a fortune by relying on the screenwriting industry. Even if you make a fortune by writing books, it's actually not much, Ni Frame counts one, and Jin Yong counts half. Except for these people, the others really can't be on the stage.

"Mr. Li, we also know the importance of having a complete industry. But the problem is that Hong Kong is a place where the congenital conditions are insufficient, and it is actually quite difficult to get the scale that it is now. If, according to Li Sheng, you say, we want to do a good job in all industries, then our expenses will be large, if such expenses can see the actual benefits, we have no objection, the key is that many industries can not be cultivated by training.

You haven't trained screenwriters before us? In the sixties and seventies, Uncle Six did it, but if you look at the current situation of the Hong Kong industry, you can understand that Uncle Six's original efforts did not show any results, even if there were some results, he also got into the wireless, just like that, the people in Uncle Six's hands are not enough.

The sixth uncle spent so much energy, but he didn't get any results, let alone those of us who are weak. If we want to train these people, we will drag ourselves down, and the Hong Kong film industry will be really difficult to do at that time. Zou Wenhuai replied with a wry smile.

"Actually, I think Hong Kong can learn from the mainland in this regard. Boss Zou, don't look at the underdeveloped entertainment industry on the mainland, there seems to be nothing to learn. However, the mainland's ability to provide basic education is quite outstanding. People on their side, especially those who have come out of professional colleges, can become a good talent with a little training.

I think in this regard, Boss Zou, you should be able to cooperate with the mainland, Hong Kong can't train professional talents, can't the mainland still train people? We don't need the mainland to cultivate any top talents, as long as it is just right, it can bring earth-shaking effects to our Hong Kong film industry. No matter what kind of talent they are, there will be no shortage of professional training content on the mainland's side, although the content on their side is a little outdated.

But this is not to say that the mainland cannot absorb better experiences, just because the environment on the mainland side is relatively closed. However, such a closed environment has little impact on us, and what is not available on the mainland side, don't we have it on the Hong Kong side? We can make use of the mainland's faculty to train our own talents in Hong Kong. Not only can it save a lot of money to build a school, but it can also save a considerable amount of cost on the mainland.

This kind of cooperation, whether for us or for the mainland, is a good thing, the mainland needs top external information, and what we need is basic training, and even after the cooperation deepens, we can also invite the top actors from the mainland to film in Hong Kong, as long as there is support from the mainland, are you still afraid that we can't make a perfect industrial chain, Boss Zou?

Even we can use equipment and advanced technology to do industry exchanges with the mainland. And if there are more exchanges, the entertainment level on the mainland side can also be improved a lot, and the mainland may open more markets to us for such reasons? I think Hong Kong should really think about it.

You can also take the opportunity to go to the mainland now to negotiate directly with the leaders above, as long as they are not allowed to pay, they will definitely be happy to cooperate in this way. Let the mainland industry become our talent pool in Hong Kong, do you think the strength of the Hong Kong film industry can not be improved? ”

"Let the mainland help us cultivate talents, can such a thing work? The industry power on the mainland side is not very strong. Can they teach our people well? Regarding Li Mingbao's words, Zou Wenhuai was quite skeptical.

In his heart, the mainland's current entertainment industry is still stuck in the era of model dramas and black-and-white movies, and such a place can train their Hong Kong people well? It's a complete joke, isn't it? If the mainland really has such ability, then they Hong Kong people are still a fart.

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