readx;??? The version in Wang Qinian's memory of "The Four Famous Catches", the plot is too fragmented, and in addition, he abandoned the characteristics of martial arts and did not learn what superpowers. Pen ~ fun ~ pavilion www.biquge.info

It's not that superpowers can't be engaged, the question is whether it's innovation for the sake of innovation. Blindly maintaining the tradition of martial arts, the audience may feel bored, but a simple sense of crisis and excessive imitation of superpowers are naturally easy to gain more than they lose.

According to Wang Qinian's plan, the film version of "The Four Famous Catches" should strengthen the action design, which was originally the strength of Chinese films, but the action design in Hollywood blockbusters in recent years has absorbed the essence of Chinese martial arts action movies, and even has a tendency to catch up.

Even Hollywood has to learn from the action design concepts in Chinese martial arts films, and bring forth the new. Chinese filmmakers certainly can't ignore it.

In fact, the action design of martial arts is not only used for martial arts. Any fairy and myth can be used. But this has to be innovative, and it can't make the audience feel that the characters in the myth actually fight like mortals!

Of course, innovation is based on martial arts, rather than putting aside martial arts action design and re-creating a new set of things.

The "Four Famous Catches" designed by Wang Qinian cannot be said to be a completely traditional martial arts movie, but in terms of action design, it must absorb the essence of martial arts movies.

In addition, the development of anime and games in recent years has also added a lot of expressions to gorgeous fighting and strike special effects.

Therefore, not to mention the plot of this movie, in terms of visual impact, it must be done to the extreme. At the very least, to set a new record for the visual effects of a Chinese-language blockbuster and become a new monument!

Of course, the movie is naturally not an oversight, Wen Ruian is not actually saying that he is really completely obsessed, and the writing is all stream of consciousness. At least, Wang Qinian found that after making clear requirements for Wen Rui'an, Wen Rui'an wrote a new script. The plot is indeed well organized, and it is not a fragmented stream-of-consciousness work at all. On the contrary, it is still a bit Jin Yong style, and the atmosphere is stable. The rendering of the atmosphere has achieved twists and turns, mobilizing the audience's emotions.

Of course, Wen Ruian's script written by himself is not enough, he is just laying the foundation. Next, the partner company still has more screenwriting teams that have more in-depth research on commercial elements, and will polish the script.

Although there are scripts for a single screenwriter in small partner companies, blockbusters are generally not adopted! Blockbusters, that is, high-cost commercial blockbusters, must cater to the most mainstream audiences, so some elements that are not suitable for mainstream audiences will be polished away.

After these things are polished away, they will naturally be more in line with the standards of commercialization. It's actually good for the box office.

Of course, the directors of those art films must hate this, and feel that commercial films are too hateful, and have removed those "thoughtful" and "connotative", and the rest are some things that purely cater to the market.

But in the view of Wang Qinian, a big man in commercial films, the things that are polished off will make the audience drowsy, and if they are downloaded to the computer to watch, many people will choose to fast forward. Those dull plots that I don't want to watch.

If it's not dull and doesn't want to fast-forward, the audience is very excited and exciting to watch. Very exciting plot. In Wang Qinian's view, it is a commercial element!

To put it simply, the commercial element is to make the mainstream audience like to watch it the most, want to watch it the most, and after watching it, it will be introduced to more people. Pull more people to see something!

Otherwise, it's not a commercial element!

In Wang Qinian's view, the script must reach the level of a Hollywood blockbuster, so that the audience can easily understand the movie. Even if viewers who have not read the novels, comics, and TV series of "The Four Famous Catches" in the past, they must be able to understand it quickly!

is like a film and television drama adapted from "Journey to the West", and there is almost nothing that the audience can't understand! In addition to the fact that the characters in the story of "Journey to the West" are deeply rooted in the hearts of the people, the original plot of "Journey to the West" is relatively classic.

Being able to write a story so plainly and easily understandable is actually a kind of ability. The vast majority of novelists, ancient and modern, Chinese and foreign, can really write stories that are so easy to understand, but if they do, they can take a random screenshot of a long story, and they can have a beginning and an end, and it will not affect the audience's understanding. Roughly, there are only classics such as "Journey to the West" and "Water Margin".

In essence, being able to write a story thoroughly, even if it is a popular novel, should be a classic. Why, "Journey to the West" and "Water Margin" can be filmed at random, it is a complete story?

Except that these novels are not actually written by one or two writers behind closed doors. In fact, these stories are all different versions of the script. After that, these writers collected a lot of scripts and used them as materials to refine and revise.

After their publication, these novels have been revised countless times over the centuries. The real author is by no means the personal credit of Wu Chengen, Shi Nai'an, etc., but the hard work of countless folk creators. It's just that the vast majority of the creators who contributed those jokes and stories have not left their own fame in history. In the end, only the creators who have made the greatest contribution to these famous works, and whose creations and revisions have been created and revised in the most widely circulated, are designated as "original authors". This is, of course, unfair, and inconsistent with the laws of ancient scripture creation.

The story is often borrowed from each other, and it takes more than several generations of hard work to collect a lot of materials, and the version is revised many times before it gradually matures.

Of course, the story versions of these classic novels in ancient times are often very different. But what doesn't change is often the classic characters. For example, the characters of Monkey King have been passed down through the ages. No matter how you adapt the plot and add Sun Wukong to it, the audience will buy it very much.

That's the charm of classic characters.

Therefore, Wang Qinian first chose the role in his mind that fits the plot of the movie.

In fact, the handsome and ruthless character, Wang Qinian thinks that Lin Feng's image is the best in the 08 version of the "Four Famous Youths" TV series. This "Four Famous Teenagers" was authorized by the partner company to be filmed by TVB. The little partner has obtained the copyright on the Internet, and TVB has paid for the TV copyright.

The major versions of ruthlessness, most of them are sick and weak handsome guys, if you continue to take the old route and choose Lin Feng to play, it is obviously better. However, due to the ruthlessness of the major TV series, all of them are handsome guys, and the movie version has another one, and most of the audience has to compare with the TV series, so in the end, Wang Qinian did not choose the handsome guy route, but simply changed the ruthlessness to the female version.

The female version of ruthlessness, of course Wang Qinian didn't choose Liu Yifei, she just played the simple role of the fairy sister, and the ruthlessness with a relatively high IQ in the four famous catches was not with her.

Choosing and choosing, Wang Qinian feels that Chen Qiaoen is suitable for playing the movie version of ruthless!

Why choose Jon Chen? Because, later she played the East Undefeated! This version of the Oriental Girl, although it is not as classic as Lin Qingxia's version, was definitely a topic of conversation in the future, and it attracted countless fans by relying on this role.

The role of ruthlessness, in addition to being disabled and in a wheelchair, can learn from the undefeated East. For example, the hidden weapon!

Ruthless is known for its hidden weapons, and the undefeated Orient is also a secret embroidery needle.

Let Chen Qiaoen play ruthless, this brain hole, Wang Qinian thinks it is very good! Therefore, Chen Qiaoen is Wang Qinian's first confirmed starring role! (To be continued.) )