Luo Zhewen, a master of Chinese cultural relics and ancient architecture, said: "The foundation of Chinese culture is in the village, Xi'an, Luoyang and BJ are all developed from the village, and an ancient village is mostly composed of a huge family, where there are records and legends of the ancestors of entrepreneurship, and there are ancient family rules." ”

The buildings of Liantang Village in the Xinzhou period of the Tang Dynasty are mainly based on the Longfeng blue brick and stone slab Bogu House, and the basic structure is divided into a single-entry main gate, a one-day well, two matching rooms, a main hall, and two partial rooms; Two entrances and one main entrance, one day well, two matching rooms, front hall and two side rooms, one screen, and two matching rooms in the back garden. Its main ridge decoration is divided into single or double layer of cool ridge, gray carving is mainly based on plum orchid chrysanthemum bamboo, flowers, birds, fish and insects, which is very rich in ethnic customs and local characteristics; The wood carving of the eaves board is mainly based on figures, flowers and birds, and the materials are exquisite, the workmanship is fine, and it is lifelike; The mural is rich in themes, and some of the patterns are fan-shaped, such as "Meilan Chrysanthemum Bamboo", "Stork Phoenix Dragon Robe", "Landscape, Rock Cloud", "Flowers, Birds, Fish and Insects", "Fu Lu Shou Tu", "Eight Immortals Crossing the Sea" and so on. In addition, some of the exterior wall reliefs not only have flowers and birds and other animals, but also are equipped with ancient poems, and the calligraphy skills are amazing. The whole ancient building complex sits in the southwest to the northeast, the laneway is horizontal and vertical, and the layout is integrated. Among them, four houses and twelve seats also have anti-theft functions, and alley doors are built on the front and back sides of the houses.

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Besides, after Yuxi returned to the shore of the upper reaches of the new river, she remembered her old friends and waited for Qianzhong to return and reunite......

Besides, since Yuxi was stolen out of the palace by the palace maid, Qianzhong was alone in the palace, although he lived a life like brocade clothes and jade food, he never forgot the original covenant, and he was always thinking about returning to his homeland.

On this day, Qian Zhong overheard several ministers whispering in the court, saying that Shangshu Yan Wumu was in the middle of the Du, because he was an upright official and was not afraid of power and offended the traitorous ministers in the court, Tang Zhongzong listened to the greedy rumors and demoted him to Lingnan Xinzhou to join the army.

When Qian Zhong heard this, he came to his senses in vain, and thought: If this matter is serious, waiting for the opportunity to return to his homeland with Master Du, this is a once-in-a-lifetime opportunity!

Just as Qian Zhong was meditating in the wine cabinet, how to leave the palace and secretly return to his homeland with Lord Du, he was distracted and touched the wall of the cabinet, making a crisp sound of "clanging".

A palace maid who was serving at this counter heard the sound and even brought her coming.

Qian Zhong saw that this palace girl was kind and kind-hearted, so he told her what was going on with her, and asked the palace maid for help.

The palace maid is also a temperamental person, and after listening to it, she was deeply moved by this strange fate of Qianzhong. It just so happened that Du Wei was the second uncle of this palace maid, so he hurriedly begged her second uncle to help Qianzhong return to his homeland.

Du Wei was originally a chivalrous person and had the heart to help. But when I thought that this matter was not trivial, and besides, he was being framed by traitors, and the mud bodhisattva crossed the sea - it was difficult to protect himself, so he did not dare to agree immediately.

Perhaps the time for Qianzhong to return to his homeland has not yet come, so he failed to make a trip with Du Wei.

Besides, after Du Wei was demoted to Xinzhou, he was in a very sad mood and lived a sad and sad life. However, with a contemplative attitude, he placed his affection between the mountains and rivers, and wrote the famous poems - "Eight Views of Xinchang" with the passion of a poet: "The Rising Sun of Yuncheng", "Sunset in Fengdong", "Longshan Shengxuan", "Tianlu Xianyuan", "Cliff Towering Cui", "Jinshui Drags Blue", "Xian Ting Farming and Husbandry", "Fishing Qiao at the Mouth of the Cave", and melted the brilliant talent, deep thoughts, and strong "longing" into the poems. Here's an explanation:

1. The Rising Sun of Yuncheng

Xinzhou ten thousand bamboos are surrounded by the city, and the rising sun wears the forest and the household.

There are no barking dogs in the lonely courtyard, and there are warblers in the bamboo dock.

The spring thunder moves where the dragon and grandson grow, and the phoenix tail is light when the morning dew sighs.

It is ridiculous that the prince is in danger, and the world is naturally clear.

The poem "The Rising Sun of Yuncheng" was written by the author when he was relegated to Xinzhou. Yuncheng, the Tang Dynasty era was the state of Xinzhou. At that time, the Yuncheng was only half a mile longitudinal and horizontal, the city wall was the soil foundation, the bamboo was planted on it, the bamboo dock was crying warbler, and the situation was natural. After the Song, Yuan, Ming and Qing dynasties, the city base gradually expanded and was changed to a brick city. The original state was built as a county office in the thirteenth year of Hongwu in the Ming Dynasty. In 1931, the city wall was demolished for the ring road, and the county office was demolished to build Zhongshan Park.

The first four lines of the poem describe the morning scene in Yuncheng, the fifth and sixth lines describe the beautiful ecology of bamboo, and the seventh and eighth lines are the poet's feelings. Using the city of Yizhu in Xinzhou as a fortification is indeed a useless "virtual risk".

The poem is characterized by its imposing description. From the very beginning, the poet writes from an extremely grand spatial background: the rising sun in the east, the glow of the sun, and the morning scene of Yuncheng under the light of the morning sun. The plan for the day was in the morning, when the doors were supposed to be wide open and people went out to start their day's work. However, "there is no barking dog in the lonely courtyard", every household closes the door, there is silence, "there is a warbler in the bamboo dock", and only the cry of the morning bird in the bamboo dock is heard. Here, the poet uses contrasting techniques to write that the social order at that time was very chaotic. In the end, the poet spread the wings of his imagination and created a good social security environment of the "world of morality" in a peaceful and prosperous world, where people live and work in peace and contentment, and "the door is not closed at night and the road is not forgotten".

Second, the sunset in Fengdong

The suburbs of Fengdong are vulgar and vulgar, and the well-dressed cultivation can be home.

The high branches and leaves are dark in the village, and the path leads to the door and slopes around the trees.

When I see the color day in front of the forest at night, I see the sky scattering the sunset.

Since now I know that it is the heavenly grandson, weaving clouds all over the sea.

"Fengdong Sunset" is after Du Wei was demoted to Xinzhou, on a sunny evening, he came to the vicinity of Fengdong Village in the western suburbs of Yuncheng, only to see the gorgeous sunset, shining on the large maple forest in front of the village, very dazzling and spectacular. This situation made the poet poetry flourish, and he wrote this poem with a pen.

The maple cave in the western suburbs of the county seat is connected with many small hills, a maple forest in those years, the scenery is pleasant, the poet believes that "the clothes can be home", and later, it became the settlement place of immigrants from the south to the north.

The poem "Sunset in Fengdong" can be said to be the sister chapter of "The Rising Sun of Yuncheng". The first four lines of the poem describe the scene of the Maple Cave in the evening, the fifth and sixth lines describe the beautiful scenery of the sunset in the Maple Cave, and the last two lines are the poet's feelings. As the sun sets, in the fields around Fengdong Village in the western suburbs of Yuncheng, farmers who have been cultivating for a day walk on the road home surrounded by maple trees in front of the village in the afterglow of the setting sun. The gorgeous sunset, like overturned paint, sprinkled into the sky, set off the bright red sunset. And the sunset is like a drunken poet, throwing into the maple forest, swaying and dyeing the maple forest more bright red, flickering and rolling, "from time to time to see the sky scattered with glow", from time to time to the sky to emit a red glow, the whole field of the maple cave rendered gorgeous and colorful. In the face of such a beautiful scenery, how can the poet not be immersed in reverie, and send out the beautiful verses of "From now on, I know that it is the heavens and grandsons, and the clouds are woven all over the sea".

3. Longshan wins

Nanzhen Longshan is unconventional, and Zen Pass is far away in Baiyunkuma.

Bodhi Zi falls into the floating monk tower, and the incense is born on the stone platform.

There are many mountains on all sides, and several ancient cypresses are also Cui Wei.

The famous mountains are picturesque, and the cyclamen is also fast.

This poem was written by the author who was demoted to Xinzhou and came to Longshan, Nanzhen. Longshan, located in the south of Yuncheng (now XX county) in Xinzhou, the mountains are undulating, the peaks are towering, and the winding are connected, such as the dragon's pan, so it is called "Longshan". The ancient trees on the mountain are towering to the sky, the shade of the trees covers the sun, the flowers are like brocade, lush, throughout the ages, there is the reputation of "a hundred cities and smoke and water are incomparable, and the wind flags of six generations are from one day". Longshan, in the Tang Dynasty, has become one of the "Eight Views of Xinchang".

This poem mainly depicts the picturesque and beautiful natural scenery of Longshan, expressing the poet's love for nature.

Du Wei's seven-character poem is characterized by the use of romantic techniques and is written in an otherworldly manner.

The poet skillfully captures several landscapes seen in Longshan: looking at Longshan with its towering peaks in the distance, it seems like a swimming dragon soaring in the white clouds, and the "Changuan" (Guoen Temple) also seems to float between the clouds, mountains and mist in the depths of the white clouds; Closely, the Bodhi Seed (Buddha Beads) seems to fall from the sky on the "Monk Pagoda" (Bao'en Pagoda), and the Qiang (also known as the Banner Dustpan) tree is blooming with white flowers, and the rich fragrance dawns on the stone platform in front of the tower; The abrupt strange mountains and several ancient cypresses around each other contrast with each other, and the mountains are even more tall and uneven. Here, there are towering Longshan, Guoen Temple, monk pagoda, blue sky, white clouds, Bodhi seed, stone platform, flower fragrance, as well as the surrounding abrupt strange mountains and evergreen pines and cypresses...... The picturesque scenery constitutes a beautiful and magnificent picture of "Longshan Shengxuan"! It is Du Wei's famous poem "Famous mountains and scenic spots are pictures, and cyclamen are also happy" that makes this poem spread through the ages, which shows its popularity and charm.