Eighty Review (10)

Eighty Review (10)

The fifty-first episode of "Xue Xiaomei's new compilation of nostalgic poems, Hu Yong's indiscriminate use of tiger and wolf medicine": There are three parts in this episode. Pen @ fun @ pavilion wWw. biqUgE。 info "Xue Xiaomei's new nostalgic poems" commemorate the monuments with characters, hang the characters with the monuments and then hide hidden things, and there is no need to discuss what characters should be known to everyone, Daiyu and Baochai and others have weighed between Taoism and enlightenment. Here we can take a look at the oriental view of nature and the concept of ghosts and gods, the human-oriented color is stronger than that of the west, and unlike the western dedication to gods, the superstition of the east also has a reason. The death of the attacker's mother shows the weight of the attacker by Baoyu's side, not the aunt, but it is much heavier than the existing aunt in Jiafu, because if Baoyu and Daiyu are combined, then Baoyu's side must be the attacker's master's family, this is the role of the attacker, Ping'er, Mandarin duck, and Caixia's housekeeper as mentioned earlier, and when Qingwen was sick, everyone didn't know the silver two, reflecting the situation of Yihongyuan usually taking care of people. Life is health, whether it is old or young or weak, everything is complete, people are fine, Musk Yue Debaoyu "a mink chin full of warm jackets put on", Qingwen "rely on Su Ri to be stronger than others, not afraid of the cold, not clothed, only wearing a small jacket" made the two in the moonlit night under the cold wind The results are different, Qingwen began to serve Baoyu in Yihong Courtyard as Mrs. Wang looked like Daiyu in the later text, and there was a dislocation at the beginning.

The fifty-second episode of "Qiao Ping's love covers the shrimp bracelet, Yong Qingwen's illness makes up for the finch and the golden fur": Jia Mu and Sister Feng's way of doing things about the winter in Daguanyuan laid the groundwork for the later story of Siqi. "Qiao Ping's love to cover up the shrimp bracelet" is the result of "overjoyed Ping'er makeup", although Qingwen's doubts are relieved, but her impatience hides the troubles for herself. Aunt Zhao's exploration of Daiyu's cold light in the text is even more chilling than the twenty-seventh Baochai disaster. Snuff is a strange rule, the girls of the real country are strange women, and the finch gold qiu is a strange thing; Going to Lai's banquet with a finch gold fur, not only the pearl is secretly cast, but no one cares about it as carefully as the maid of Yihong Courtyard, "Who knows that a piece of the placket is burned" is naturally reasonable, and it can show that Qingwen's needlework can also consume future numerology for a while than ten years.

The fifty-third "Ningguo Mansion Chinese New Year's Eve Sacrifice Ancestral Hall, Rongguo Mansion Lantern Festival Night Banquet": This time is a manifestation of the treasure of the heavens. The book inspection point listed the large view garden and other characters, and then the turning point of fate began. Jia Zhen discussed the finances of Jiafu with Wu Duanxiao as the head of the "patriarch" family, and this "silver from selling grain and livestock is converted into two thousand five hundred taels of silver" with three or four hundred people in a mansion is only enough for a year's silver and food, of course, the population of Ningguo Mansion is smaller, but the embarrassment began to appear, so Jia Rong said, "I heard Miss Feng and Mandarin Duck quietly discuss to steal the old lady's things to use as silver"; It should be noted here that Jia Zhen is not close to the King of Beijing, in addition to political and economic reasons, there may also be the factor of "people are divided into groups". Since then, it is the ancestral hall of the Jia family and the night banquet to highlight the rich side, and all kinds of details are not only compared with "Hui embroidery".

The fifty-fourth episode of "Shi Taijun breaks the old clichés, Wang Xifeng plays colorful clothes": Fat Yanzhai divides readers into poor readers, less interpreters, and readers at the end of the review. Family banquets are entertainment, but there are also people who work hard like Sister Feng, who are so desperate that no one can compare and say, "We don't have anyone to hurt anymore." First Baoyu served Lao Jia's mother and asked Sister Feng to explain, attacking people and mandarin ducks were relieved together, musk moon and autumn patterns worked in Baoyu, and Baoyu was especially interested in patrolling wine. The second time to the drama Jia's mother approved the book, Sister Feng and Yu Yong "Spotted Clothes Playing Color", to Jia's mother "only the piano to the pipe, the flute is not used" to do the spring and white snow, everyone began to play high and low. In the end, Jia's mother and Sister Feng's joke and fight finally "only felt cold and tasteless", and the sound of firecrackers was "the deaf man set off the cannon - scattered", which is the reason why Sister Feng's article talked about the possibility that Sister Feng's intention to reform housekeeping touched the interests of Jia's mother, this ember meaning and the art of war in the "one blow, then decline, three and exhaustion" in the same reason, Yan Zhai said "draw a picture of music, cast a diamond mirror" I don't know what to reflect and what looms.

The thirty-sixth to fifty-fourth chapters are the third part of the book, although this paragraph is Fenghua writing, but the flowers are blooming and the flowers are also grateful, Jia's mother dismissed Sister Feng's idea, and Jiafu turned to decline, although spring went to spring and came again, but Cao Xueqin only described the rise and fall of the Jiafu family, so the reader should not indulge in the next line of writing, so as not to be confused.

The fifty-fifth episode of "insulting relatives and foolish concubines to compete for idleness, bullying young masters and slaves and harboring dangers": the "troika" of Jiafu's later management Li Kun Shangde is in identity, Baochai is still talented in relatives, Tanchun is still expensive in strength, Tanchun is an unmarried girl can be squeamish and angry, and Aunt Zhao's battle in this battle regardless of blood and blood depends on the dignity and inferiority of the upper and lower levels, which is the ancient system and the sorrow of humanity. After returning to the house, he sighed and the sixteenth Sister Feng's preface to the means of the subordinates.

The fifty-sixth episode of "Min Tan Chun Xingli Eliminate the Evils, Know the Treasure Hai Xiaohui Quan": In ancient times, there was a saying that "the officials forced the people to rebel", because the knife handle was in the hands of the ruler, but where there was a line of road, the people were also honest and obedient to the people, and the people of the dynasty were bitter, and the emperor and the hundred officials could also follow Huang Lao to lead by example and share the joys and sorrows with the people, and then the accumulation and people's livelihood benefits will enter a prosperous period. Therefore, Tanchun, Baochai, and Li Kun's routine of "prospering and eliminating the evils" is right, but the big holes in the last days of Jiafu are useless with those trickles. The fifty-third chapter of Fat Yan Zhai has "This is also the text of the north and the south, the preface is not wrong", this time there is a comparison of Zhen Baoyu from the south, Zhen Baoyu's sentence "There is an empty skin, I don't know where the truth went" is very bluffing, the big mirror of Yihong Courtyard looks at Jia Zheng and the people, according to Grandma Liu, and the third time here reflects "When the fake is true, it is true and false, and there is nowhere and there is nothing", whether it is true or false, whether it is a dream or an illusion, whether it is a god or a person, it is a book and a book, and it is outside the book to see the reader, "the benevolent see the benevolent, the wise see the wise".

The fifty-seventh episode of "Hui Zijuan's love words try to be busy with jade, and Aunt Ci's love words comfort the idiot": Bird's nest has the life of swallows, so it can be beneficial to people, Baoyu's words link the forty-fifth episode "Golden Ranch Mutual Dissection of Jinlan Language", the forty-ninth episode "When did Meng Guang take over the Liang Hong case" and the fifty-second episode of the story about bird's nest; This time, Mama Li is back to being a positive character; For "Hui Zijuan's love words to try busy jade", Baoyu also replied with the nineteenth "love and good night flower explanation" theory, and Baoyu should know that the Xue family doesn't care about bird's nest micro things, but insists on "showing a little wind in front of the old lady" to Daiyu "Send one or two bird's nests every day" Cornstarch means that it may be related to Baochai's temptation to say Daiyu to Xue Pan and Baoyu for a while. The difference between Baochai's righteous deeds for Xing Xiuyan and Sister Daiyu lies in the original intention, which is sincere, and it is two sides, and it also depends on the readers, "the benevolent see the benevolent, the wise see the wise".

The fifty-eighth episode of "Apricot Yin Fake Phoenix Crying False Phoenix, Qian Screen Window True Love and Foolish Reason": The twelve officials of the Red Mansion entered the Grand View Garden and caused a wave of waves; The nostalgia of the lotus root official attracted Baoyu and a heart incense, which is in line with the way of Buddhist practice; The story of Fangguan depends on the skills of everyone in Yihong Courtyard, attacking the people's luck, musk moon turning, and Qingwen Li are all in their own suitability, and it is really not good to be the master of Baoyu Ji's lack of difficulties.

The fifty-ninth episode of "Liu Ye Zhu Bian Anger Ying Zha Yan, Qianyun Xuan Li Summons the General Flying Talisman": There is a fractal geometry in mathematics to discuss self-similarity, and waves are also similar, this time it is also the daughter's mother quarrel but it began to affect outsiders, and the party maid Golden Ying is indeed the person who inadvertently broke the original plot of the master Baochai to mobilize the enthusiasm of the subordinates, Baoyu, this good gentleman is indeed not Sister Feng's fifty-fifth episode "not the goods here"; Ru Ping'er said that because Jia's mother and Mrs. Wang were not there, "they only listened to people everywhere and everywhere did the opposite, and there was no place for another", and the internal rights and wrongs in Jiafu turned from accidental to common.

The sixtieth episode of "Jasmine Powder Replaces Rose Nitrate, Nine Roses Dew Attracts Poria Cocos Cream": The same governance of the country, Confucianism, education, and Legalism are spurred, stemming from the fact that Confucius and Han Fei looked at Emperor Shun from different angles, one praise, one calm analysis, and the ancient laboring class was often familiar with both soft and hard hands; The governed labor class also sees things from different angles, and is disturbed in the face of insufficient gains, joys and losses, and worries; This domination and being ruled form the melody of the story of this episode. For Aunt Zhao's behavior, it may be due to the inertia of consciousness, but Xia Pozi and others are deliberately fueling the fire, last Hui Chunyan said that Baoyu's girl has three changes, how can it not be the three states of life and the three circles of the crowd, Tanchun, Li Kun, and You Shi know and even be able to say these things, but when things turn and change direction, they can't control nature like Sister Feng; Jasmine powder, rose nitrate, nine roses, and poria cream are four things that pry the trajectory of life among all kinds of characters, and along the vein, the wise man can see that this truth has been the case since ancient times, and the reader's mood and emotion are different from each other.

2017.1.6