80 Review (11)

The sixty-first episode "Throwing the rat bogeyer Baoyu concealed the dirty, sentenced to be wrongfully sentenced to prison and Ping'er exercised power": At the end of the fifty-first chapter and the beginning of the fifty-second chapter, there is a discussion between Jia Mu, Sister Feng and others about the people in the Daguan Garden who set fire in the garden and set up a small kitchen, at this time it should be the end of spring and the beginning of summer, and the rules of the kitchen in the Daguan Garden have not been revoked, leading to the story of this episode. Pen? Interesting? Pavilion wWw. ｂiquge。 info Because of the Liu family's rule of "don't talk about the previous time, since the kitchen was set up in the old year, whenever the girls and sisters in each room accidentally want to add the same and half, who didn't take the money first, and buy another addition", Si Qi himself did not reflect on his own strength, and the matter from her led to a series of rights and wrongs is also caused by numerology. "Throwing a rat bogeyer and hiding dirty" involves complex human relationships, but it shows that the rights and wrongs in the Grand View Garden have actually begun to be upgraded from the bottom maid to the management of the maid; Ping'er's move to smooth out right and wrong is a whole-person skill, the twists and turns of things and the calm of things or between one person and one place, this time it is all in Ping'er's persuasion Sister Feng's few words to protect everyone in her eyes; Judging from the pros and cons of the accident, it did make Daguanyuan enter a relatively calm period again, and as for Qin Xian's family and Jia Huan, they had nothing to gain and had nothing to do.

The sixty-second episode of "Han Xiangyun Drunk Sleeping Peony Medicine, Silly Xiangling Interpretation Pomegranate Skirt": Baoyu's birthday is the same birthday of the four people, and it leads to the fact that the birthdays of everyone are the final paragraph in the book. This is a very lively section of the birthday banquet of the Grand View Garden, like looking back, it is like a life, and it is as interesting as a book. There are three subtle plots in this episode, which are Baochai's discussion of the corner door compared to Baoyu's reflection of the thickness of things; Baoyu and Daiyu on Tanchun, the directors reflect ambivalence about the future of Jiafu that is both worried and worry-free; Baochai and Daiyu drank a tea together, reflecting the judgment statement of "hairpin and dai are one" in Fat Yan Zhai.

The sixty-third episode of "Shou Yi Hong Qunfang held a night banquet, and the dead Jin Dan Duyanli mourned": Before returning to the past, Yan Zhai said that Baoyu's night banquet "What is not based on this" seems to be a reference; After returning to Baoyu and Jia Rong, it is said that it is "between fifty steps", and the housekeeper can also look at it, and if Cao Xueqin is compared, it is a review of the first half of his life. Yihong Courtyard Night Banquet is a warning that indicates the future, the approval of the people has not changed much, but the direction is different, Dudu Xiangling said "husband and wife", this time "I took a pedicle flower, the title is 'Lianchun around Rui', there is a poem written on that side, the road is: Lianli branch flowers are blooming" seems to be very different from the fifth chapter of the character's fate criticism.

The sixty-fourth episode of "The Sorrow of the Lady, the Five Beautiful Yin, the Prodigal Son's Love Legacy Nine Dragons": Human etiquette is also human management, which is all the creation of Fu'an. Daiyu at this time to get a moment of peace depends on the size of Baoyu, with five poems to see Baoyu to see five people on poetry, Baochai to see five things on poetry, Zhaojun and relatives have contributed to the country, the three different arguments in the book are the arrangement of the ancients and things to make up for the routine, but also the new and old things in many places in the same way. Jia Lian was bent on hoping that Fu Ruobi would be right about the second sister, but the pros and cons of the consideration were because the two of them couldn't listen to You Shi in the bureau.

The sixty-fifth episode "Jia Ershe secretly married Second Aunt You, and Third Sister You thought of marrying Liu Erlang": This review and the future of Third Sister You, but later I used Xing'er's mouth to talk about the character of Jiafu Jinchai, Sister Feng and Third Sister are strong, who is higher in things, people push things, things push people, and the text in the back of colleagues is pushed over.

The sixty-sixth episode of "Love Little Sister Returns to the Underworld in Shame, Leng Erlang Enters the Empty Door in a Cold Manner": After the return of Fat Yan Zhai, there are comments on Liu Xianglian, You Sanjie, Jia Baoyu, Mandarin Duck Sword and other people, things, and things, Liu Xianglian has affection to eliminate, You Sanjie has affection to kill, Jia Baoyu has affection to break, Mandarin Duck Sword has affection to share, Fat Yanzhai looks back at the Tang Dynasty Li Jing, the legend of Red Whisk is incomparable to the life story contains sweet and bitter.

The sixty-seventh episode of "Seeing Tuyi Fengqing Thinking of His Hometown, Hearing the Secrets of Sister Feng's Family Child": People who hold the view that life must always go on are generally strong, but there are not a few people who do this in life, and the reflection of Liu Xianglian's story Xue Pan and Xue Baochai brothers and sisters have different attitudes towards life. The positive outlook on life is caused by Daiyu's lack of diverting observation, and Baoyu and Baochai have a limited role in driving Daiyu. Sister Feng knew that Jia Lian was angry for secretly marrying Aunt You, and said before the sixty-fifth time that she "didn't read the blood food of the ancestral hall, and was the first sinner in Jia's house", but in fact, Sister Feng and Jia Lian were the supervisors of Jia's mansion, and they were also the focus of contradictions.

The sixty-eighth episode of "Ku You Niang earned into the Grand View Garden, and Sister Suanfeng made trouble in Ningguofu": At the beginning of the retrospective, Jia Lian made things for Jia Yu and the Peace Festival to do things, which is not necessarily beneficial to the future. This time is all to see Sister Feng's class of constantly reversing her life, back to the front and back of the fat Yan Zhai text criticism point into the buckle lock, the eight-sided exquisite, eight-sided majesty leads to the wind and rain in all directions, making the anger lose vitality, Sister Feng's fifth life criticism falls to complain about the sky and people.

The sixty-ninth episode of "making a small person to kill with a borrowed sword, and feeling the great limit of swallowing life and gold and dying by himself": This time it can be contrasted with "Sister Wang Feng's Iron Threshold Temple", although Sister Feng can do everything she can, but the evil consequences are unspeakable, like Mrs. Wang, Baoyu's mother and son reminiscing about Jin Chuan's thoughts are different, and in the future, Jia Lian and Sister Feng will not necessarily think about the second sister.

The seventieth episode "Lin Daiyu rebuilt the Peach Blossom Society, Shi Xiangyun occasionally filled in the willow wadding": The first two paragraphs of this episode are short, but they contain the two sister's funeral, the maid goes out, and Baoyu's dementia three pieces of infinite text. "Peach Blossom Xing" and "Funeral Flower Yin" are both poems of micro-step tweets, and readers can know the source of Baoyu by looking at it word by word; "Willow Words" begins with Xiangyun's chic text, Tanchun and Baoyu synthesize the words "one term, east, west, north and south are separated" and "even if it is next spring goodbye to the next year" is the text of the fate of the future characters, Baoqin's "Xijiang Month" "Sanchun Career Fu Dongfeng" said that there is nothing to say that there is "Sanchun" is Tanchun, "Dongfeng" is Jia's mother I don't know what it contains, and the last poetry of Daguanyuan Daiyu and Baochai's "Tang Duoling" and "Linjiang Immortal" are also the pinnacle of works, and the catkins and kites with the wind in the text are also with people's wishes.

2016.1.11