Eighty Red Treatises: Xia Jingui

Xia Jingui is Xue Pan's wife, although "who knew that this girl was like a flower", but she was named "Hedong Lion". The analysis of this character www.biquge.info also can be complex and split from multiple angles.

The family of husband and wife is the basic unit of society. Since people have long recognized the biological basis of "the same surname", the husband and wife often come from different other social family units and recombine to form a new social family unit to ensure the continuation and development of society, which is a model from ancient times to the present. According to the traditional society, the current preference is to use male-led combination of families to ensure the stability of life, and it is also possible to form social development with female-led families, such as Sister Feng in front of Jia Lian, or men entering women's families. After all, both men and women are part of the productive forces of society, if the two sides do not find a point of convergence of strength, then there will be a bad family state and even family disintegration. It should be noted that in the East and the West, the degree of emphasis on the ceremonies produced by marriage is equal, and the oath of Western couples before the clergy is no different from the essence of the three prostrations of Eastern couples. Although this is the same as the Western "Taming of the Shrew", the Chinese "Liao Zhai Jiangcheng" and "The Legend of Marriage in the Awakening World" are also well-known in the world, and allusions such as jealousy and Hedong lions are not just typical.

In the contradictory Jia Mansion, the Xue family's life in the past ten years is like a paradise. Although the Xue family has millions of furniture, the population is indeed only Aunt Xue, Xue Pan, and Xue Baochai, and the population is really quiet, so they choose to live in Jiafu; They first lived in Lixiangyuan "that is, the place where Rong Gong recuperated in the twilight of his life", and in the eighteenth round, he "moved to a quiet house in the northeast", both of which are based on the word "quiet"; The three of them also know the way of the merchants, and they take what they need from each other and get along happily with Jiafu. Aunt Xue knows the way of governing the family, and in the forty-seventh book, it is said that Jia's mother "ordered someone to come: 'Invite your aunt and your girls to talk.'" I was happy, why are they all scattered again! The girls hurriedly agreed. The crowd hurried again. Only Aunt Xue said to the maid: 'I just came, what are you going to do?' You just say I slept. The girl said, "Good dear aunt wife, aunt ancestor! Our old lady is angry, your old man doesn't go, there is no one to deal with, just hurt us. Your old man is tired, so I carried your old man to the house. Aunt Xue said, "Little ghost, what are you afraid of?" But a few words of scolding are over. Governing the family is just scolding and punishing, and Jia's mother governing the family is "just a few words of scolding", Aunt Xue has reached the level of inaction and governance when she sees that the verbal exchange has already reached the level of inaction.

The wonderful life of the Xue family became very hot in an instant after Xia Jingui got married. According to Xiangling's words, "Osmanthus Xia Family" "The original surname is Xia, and it is very rich." Needless to say, there are dozens of acres of land to grow osmanthus alone, where the osmanthus bureau outside the city of Chang'an is his family, and even the bonsai in the palace is also his family's tribute, so there is this nickname", so it is estimated that the two families have not approved the eight characters before they got married. Fat Yan Zhai said: "How can there be laurel in summer? And the osmanthus season is snowy again? The three things were originally wind horses and cows, and if they were all strong, they did not match. Most of the things that fail are like this, and the parties don't understand themselves", summer is-for-tat with Dongxue. Just like Jia Baoyu just wrote the poem "The lotus water chestnut leaf is not sorrowful", Xiangling came, reminding "That being said, but I don't know how to worry about you after listening to this", but it ended up "What is this!" We are all respectful, what does it mean to suddenly mention these things today! No wonder everyone says that you are a person who cannot be approached", this is really "the person concerned does not understand". The Xia family "now that the grandfather is gone, only the grandmother lives with a biological girl, and there are no brothers and sisters", but it is also a super-rich family that should recruit a son-in-law to get started, this is the centrifugal force of social productivity on Xia Jingui marrying into the Xue family, but unfortunately the two families did not find a "diviner" to calculate it well. If according to Xia Jingui's words and deeds after marriage, it is simple to talk about "seven outs" in ancient times, but the family room of the Xia family is like Baoyu in the twenty-fifth chapter, "If it is not good, it will not be good to return it at that time." Xia Jingui "If you talk about Qiu Yan Jingwei in your heart, you will follow in the footsteps of Xifeng", if you recruit your son-in-law to enter the door in your own house, "self-erected flags", "logical past and future", often make sex with the maids at home, and scold and beat hard" The reputation of a "landlord's wife" is fine, but if you marry into the Xue family, you can't integrate into it and become a "stirring star". Xiangling said in the seventy-ninth chapter, "Our girl's knowledge is often praised by our aunt", the word "we" is very important; In the thirty-first round, Qingwen moved with Baoyu and attacked people because of the word "we", but Xia Jingui never got up with the Xue family "we".

Xia Jingui "only suffered a loss, from the early death of his father, and there were no siblings, the widow kept this daughter alone, pampered and doted, no less than a treasure, every move of the daughter, his mother is all with him, so it is inevitable that he is too pampered, and he has become a thief. Love yourself like a bodhisattva, and peep at others like dung; It has the posture of flowers and willows on the outside, and the nature of wind and thunder on the inside", this sentence is, to put it bluntly, extreme individualism, and no social orientation in good and evil. In feudal society, in the extremely selfish words of the exploiting classes, "those who are good to me are good, and those who are bad to me are bad". This caused Xia Jingui to become a simple villain like Jia Yu in the book "Dream of Red Mansions". It is important to know that good and evil are absolute to society and relative to individuals, which stems from the fact that absolute and relative things have a social scope, just as people have social perspectives, personal perspectives and external perspectives. Some people say that the evil woman in "Dream of Red Mansions" doesn't take Aunt Zhao as the most? You must see that most of the characters in the book are intertwined with good and evil, just like Jia Yucun's theory of good and evil. Aunt Zhao is a "bitter gourd" according to You's words, and her heart is also considered hardworking, so literary evil is different from natural evil. Cao Xueqin's portrayal of Aunt Zhao may be derived from life experience to summarize the universal aspect of the social labor class, and the portrayal of Xia Jingui is indeed due to the fact that social life contains universal people and universal elements, which boils down to a typical image.

2016.11.7