Eighty Red Treatises: Exploring Spring (2)

For example, at the end of the twenty-seventh chapter, there is "The Stone Record" uses the truncation method, the bifurcation method, the abrupt method, the volcanic line method, the method from near to far, the method of changing the complex to the simplified method, the redoing the light erasing method, and the false knocking on the real method, all kinds of methods, which are always unexpected, and there is no trace of far-fetchedness. Pen? Interesting? Pavilion wWw. ｂiquge。 info Cao Xueqin is good at calligraphy and painting, and Yan Zhai tells everyone that Cao Xueqin writes and paints with books, which is indeed a kind of reading fun. What is common is to hide the truth and falsehood.

In the book, there should be two looms about the reform of Jiafu. What is hidden is Sister Feng's planning around the fifty-third Chinese New Year's Eve banquet, and what appears is the fifty-sixth "Min Tan Chun Xing Li Eliminates Evils". Whether it is the Maison or the commercial organization, the response to the looming economic crisis is often to increase the source and reduce the expenditure. The same is true for the method of exploring spring, and Sister Feng's idea may be more extensive and involve the overall changes in Jiafu, because it was vetoed by Jia's mother under the exchange of interests. The familial economic crisis is implicated in the material, which can be compared. In the thirty-ninth time, Grandma Liu said: "Such crabs are worth five cents and a pound this year." Ten catties and five coins, five five two two, three five five fifteen, and then put on the wine and food, a total of more than 20 taels of silver. Amitabha! This meal is enough money for our Zhuang family to live for a year. "It's a comparison in terms of diet. In the seventy-eighth round, after Qingwen's death, "the remaining hairpin rings of clothes and shoes were about three or four hundred gold, and his brother and sister-in-law collected them for the day after tomorrow", and in the seventy-second round, Sister Feng took out two gold collars that were "inseparable from the things in the palace" and temporarily bet four hundred taels of silver. This is a comparison of objects. From the perspective of social things, some people think that "things" are rare and scarce, and some people do not think so. In the fifty-seventh round, Xing Xiuyan ordered Xue Zhen, and Tanchun sent Jasper Pei to congratulate, this kind of thing with a hundred gold plans for Baochai is "these useless things, I'm afraid there is still a box", Baochai himself has it, and Xing Xiuyan will have it in the future. Therefore, it may be difficult for Baoyu to ask Mrs. Wang for medicine for Daiyu in the twenty-eighth round, but there is nothing for Xue Pan. And Mrs. Wang and Sister Feng seek "golden and jade good fate" for a reason, and as an equal, Xue Pan seeks Daiyu. But in ancient times, there was a famous article "Touching the Dragon and Saying Empress Dowager Zhao", in the thirty-third episode of "Dream of Red Mansions", it was because Baoyu was beaten and the plot reversed Jia Mu's reversal of Jia Zheng, who had no tongue, if Daiyu was really matched with Xue Pan, who had a huge contrast, with Xue Pan's literary knowledge, and had not yet shown the "true temperament" after the sixty-sixth episode of "Leng Erlang entered the empty door coldly", I am afraid that Jia Mu would really be as Empress Dowager Zhao said, "The old woman will spit on her face". The book does provide this possibility, just like the twenty-eighth chapter of "Xue Baochai's Shame Cage Red Musk Deer String" Baoyu sees "Baochai's skin is abundant...... Snow-white with a crisp arm, unconsciously moved by the heart of envy", the twenty-fifth episode of "Nightmare Magic Sister Meets the Five Ghosts" Xue Pan "suddenly caught a glimpse of Lin Daiyu's graceful and tactful, and has fallen there", the criticism of Fat Yan Zhai is "This seems to be Tang Abrupt, but it is a person who cannot be forbidden to write love words, and you can know that the abundance of Feng'er is like a fairy", this is a foreshadowing brushwork. In the fifty-seventh episode of "Aunt Ci's Love Words to Comfort the Idiot", Baochai clearly proposed, "It's true, Ma Ming'er and the old lady begged him to be his daughter-in-law, isn't it better than looking for him outside?" This shows that Mrs. Wang, Sister Feng and the Xue family have always hoped to complete the benign operation of the internal interests of the old four major families through the exchange of interests, so that power and profit can be organically combined, and there may not be a crisis in Jiafu for the time being, and the Xue family can also obtain further official support. However, the love of things makes the people who love you, the people you love, and the people who really live together constitute complex love word traps, which seem meaningless in front of Jia Mu, Baoyu and Daiyu, and the doubts and regrets and later tragedies have become the knots and thoughts of people wandering in and out of the book. In the book, Daiyu and Zijuan did not take this level into account, Xue Pan may not hold Daiyu like Jia Baoyu in Jiafu, but Aunt Xue and Baochai are here as a guarantee, and the Xue family can afford Daiyu's weak and sick body, but unfortunately the result is that Aunt Xue treats Daiyu as a daughter, and this guarantee is gone after copying and inspecting the Grand View Garden. This is a natural extension of Cao Xueqin's realist brushwork.

According to the main purpose of this article, the management of Jiafu has enlightened and natural, taken for granted, vigorous and resolute, decent, strategic, and so on: the management period of Jiafu is in the heyday of Jiafu, when it is the natural optimization of enlightened management; Mrs. Wang's management period was in the middle of Jiafu, there was no decline, and it was natural to deal with affairs. The affairs of the Xue family managed by Baochai also belong to the natural type of use of power, because the Xue family, as an imperial merchant family, has achieved a considerable scale, and it should not be difficult to make a profit; Sister Feng had to deal with the affairs of Jiafu resolutely, because the sixteenth chapter made it clear: "Of all these housekeepers and grandmothers in our family, which one is easy to entangle?" If they are wrong, they will laugh and joke, and if they are a little wrong, they will refer to Sang and scolding Huai's grievances. 'Sitting on the mountain and watching the tiger fight', 'Borrowing a sword to kill', 'Drawing the wind to blow the fire', 'Standing on the dry shore', 'Pushing down the oil bottle and not helping', are all martial arts of the whole hanger", look at the ability of the rivers and lakes, it is impossible for Sister Feng not to think hard; Li Kun managed the Jia family in the hope of achieving the goal of inaction through a decent way, but the effect was not ideal, she faced a highly civilized intellectuals such as the twelve hairpins of Jinling in the Grand View Garden, and the lower-level servants of the Jia Mansion were a little whimsical if they handled it in this way, so the sixty-fifth Hui Xing'er said, "This widow grandmother of our family, his name is 'Great Bodhisattva', the first virtuous person." The rules of our house are great, and the widows and grandmothers do not care about anything, but should be pure and observant"; Tanchun managed the Jia family and had to strategize, from rejecting Aunt Zhao to reducing the expenses of his brothers Baoyu and Jia Huan, and then to contracting the responsibilities in the house, so that the Jia Mansion had some internal reforms, although it could not reverse the overall trend of the decline of the Jia Mansion, but it did achieve certain results.

From the trajectory of the book, Tanchun is indeed a positive image of a vigorous and enterprising woman, and she has always adhered to the direction of development that makes Jiafu upward, but unfortunately she was born at the wrong time. There are three future warning poems related to Tanchun in the book, which are Yuanchun's judgment "Sanchun Fight and Early Spring Scene", Qin Keqing's warning "After Sanchun goes, all the flowers are exhausted", and the cherishing spring judgment "It is not long to break the Sanchun scene", which shows that the development height of Tanchun is also a key node in the prosperity and decline of Jiafu.

2016.9.11