Eighty Red Treatises: Grace and Precepts to Welcome Spring (1)

Eighty Red Treatises: Grace and Precepts to Welcome Spring (1)

Yingchun Yitong was originally Jia Yu's "concubine", and she was Jia Lian's half-sister. Pen, fun, and www.biquge.info

The fates of Yingchun and Tanchun are very different, due to their personalities and mental strength. After entering the palace in Jiafu Yuanchun, the first Miss in the boudoir was Yingchun, and Lin Daiyu entered the computer room to see "the first skin is slightly plump, the body is in the middle, the cheeks are condensed and new, the nose is greasy and goose fat, gentle and silent, and the view is amiable", and the fat Yan Zhai commented: "Don't commit Baochai". There are two meanings of the word "offense": one is similar, Yingchun is nutritious but not to the point of modern obese children, at this time, Yingchun is a period of extremely comfortable mentality, and being a "big sister" at home is not responsible, it is simply an infinitely beautiful era; The second is the scope, Baochai has been "moistening" others since she came to Jiafu, and slowly became the "eldest sister" invisibly. In Jia Min's era, Jia Min and Mrs. Wang did not offend each other: one enjoyed the other and the other was in charge of the family, on both sides of Jia's mother, one was a "pistachio" and the other was a right-hand man, so they could see it but did not commit it; In the "seeing" period of Yuan Chun, Yuan Chun and Li Kun did not offend each other, because of Li Kun's character, the two should be very harmonious if they get along. The overlap in the scope of Yingchun's gentleness and amiability in life will not be revealed, and all the focus of that period has been overshadowed by Daiyu's infinitely escalating war against Baoyu in the first thirty-six episodes. The eighteenth Yuanchun Province pro-Shi Zhong "Jin Hai" poems are very prolonged, if it is not Cao Xueqin for the plot to match, it is the sisters who have discussed, and draw up an idea of everyone to write the order of poetry, with the talent of everyone, that is a matter of a change of mind. Therefore, looking at the poems presented to welcome the spring is a precursor, and the poetry of the "relaxed and happy" scene may also fit the knowledge of the spring.

After all, the Grand View Garden concentrates all kinds of talents, and the style is the best in different scenes, so it seems that there is no place to see the spring everywhere. Is that really the case? The thirty-seventh Daguanyuan Poetry Society, the spring propose, Li Kun recommended himself to take charge of the altar, Daiyu started the number, and the "train departure" originated from the spring. The book says: "Tanchun said: 'Tomorrow is not as good as today, but this moment is very good.'" You will come up with the question, Lingzhou limit rhyme, lotus pavilion supervision. Yingchun said: "According to me, there is no need to limit the rhyme with one person, it is fair to draw lots." Li Kun said: "When I came just now, I saw them bring in two pots of white begonias, which are good flowers. Why don't you sing about him? Yingchun said: "I haven't appreciated it yet, so I'll compose a poem first." Baochai said: "It's just a white begonia, so why do you have to see it." The poetry of the ancients is just a love ear. If they had waited to see the work, there would be no more of these poems now. Yingchun said: "In this case, wait for me to limit the rhyme." I have to say that Yingchun's Taoist naturalism has become a flaw in this, it is very important to create arbitrariness, and to manage arbitrariness should be avoided as much as possible, otherwise it will be very fatal, so Yingchun's proposal turned around and returned to the starting point. Pay attention to Baochai's sentence here, although the fat Yanzhai criticized: "true poet's language", but in fact, it is not, this can only be understood and unspeakable, readers will know the reason when they look at Daiyu's famous articles, so Daiyu has always pressed Baochai in the literary style, even if Baochai is very powerful in "Crab Song" and "Liu Fu Ci". For Confucian sentences, we must remember that learning theory is more important than learning literature, otherwise it will be difficult to change later, and it will be impossible to avoid problems if you know. Back to Yingchun to see that the randomness of her limited rhyme is very strong, she "walked to the bookshelf and pulled out a poem" - "casually revealed, this one is actually a seven-word rhythm" - "said to a little girl: 'You say a word casually'" - "I ordered the little girl to take four pieces at will", randomly created but life is not random, this is the root of the tragedy of Yingchun.

2016.9.13