This movie, in the eyes of modern people, is very shoddy. This is not to say that the content of this movie is not good enough, and the director's technical level is not high enough, modern people will have such a view, simply because of the gap in film shooting technology.

Wang Shuhui has always adhered to such a view on literary and artistic works, and all literary and artistic works are expressing a certain ideology. The creators of literary and artistic works are all thoughtful and conscious people, so in the literary and artistic works created by these thoughtful and conscious people, they must clearly or vaguely reflect the thoughts and consciousness of these people.

Wang Shuhui has never regarded literary and artistic works as something great, noble and noble. In his opinion, since literary and artistic works are the concrete expression of ideology, then he will not be foolish to think that there will be any purely objective and fair literary and artistic works that transcend class and have no standpoint.

Then, since all literary and artistic works are ideological reactions, and every ideology has its own class standpoint, it cannot be said that he has to express all the positions and attitudes of himself and the Baath Party in all literary and artistic works.

This is why all storytellers, performing arts groups (public theater troupes and folk artists), authors (who sell literature for a living), and all those who engage in literary and artistic creation under the Ba'ath Party must be trained and educated by the Ba'ath Party. This is also the reason why all the literary and artistic works under the command of the Ba'ath Party reflect and promote the ideology of the Ba'ath Party.

Wang Shuhui organized a small photography agency in modern society. He doesn't have too high requirements for remaking the movie he needs. Anyway, they were all made into black and white films and screened in the Ming Dynasty to educate party members and cadres and ordinary people in ideology.

The main task of Wang Shuhui's photography agency is to adapt and shoot various films that reflect the exploitation and plundering of the masses by the landlord class, as well as films that reflect the brutal massacres of the Chinese people by various foreign invaders.

The good thing about modern society is that as long as you have sufficient funds, talents from all walks of life are really endless. Twelve production teams, holding scripts written by online writers who enjoy the preferential treatment of "1,000 words and 10 yuan", and using various students who are studying as directors and actors hired from major colleges and universities at low salaries, have created a large number of colorful films with rich content but reflecting the same ideology for Wang Shuhui at a rate of more than 20 films a year.

Don't watch the creators of these movies are either school students or street writers, Wang Shuhui is really amazed after watching the movies they adapted and created according to their own requirements. is a person who is rarely emotional, and can basically ensure that he looks at things with an objective, rational and scientific attitude, and he is so angry after watching the movies they made.

Unlike the original version of Liu Sanjie, although a large amount of music content in the original work has been preserved, the relatively obscure class contradictions in the original work have been more intensely expressed in the new work. In the new work, Wang Shuhui specially portrayed the landlord Mo Huairen more profoundly. In addition to his brutality and brutality in the original film, the new Ba'ath film reveals in more detail how Mo Huairen brutally exploited the peasants through his control of commerce and land.

The lyrics in the dialogue between Mo Huairen and the housekeeper to make the clay legs "be poor for thousands of years, and never turn over for generations" is the finishing touch of the whole movie.

Movies, as a kind of mass media, are not the kind of things that make people think deeply. As a mass media product, the simpler the form of expression, the more direct the language and content, the greater the impact on the public. The Ming Dynasty was not a modern society, and the people of the Ming Dynasty were not confused by bowls of chicken soup for the soul and the fantasies of petty bourgeoisie. Their understanding of the content of the film is very direct and fast.

The landlord class, the bureaucracy from which the landlord class originated, and their dog-legged vassals, how cruel and evil these feudal ruling classes are, these things will be incomprehensible to modern people. Therefore, when they look at literary and artistic works that reflect class contradictions, they will think that the ideological reflection is too rigid and out of touch.

However, for the masses of the people in the real feudal society of the Ming Dynasty, these literary and artistic works of the Baxing Party, including storytelling, dramas, scripts, movies, etc., reflect things that are incomparably vivid and incomparably felt by the people themselves.

The landlords, the old wealth, the local tyrants and the inferior gentry, and how bad their dogs are, in fact, do not need to tell them these literary and artistic works of the Baath Party, they themselves know it completely. It's just that they can't express these things so clearly and unambiguously.

Unlike the Baath Party's internal film screenings, the cinema in the dock business district is a business unit for foreign merchants. If you want to watch a movie here, you have to pay for a ticket.

The movie is such a new thing, so naturally there will be many businessmen from other places to watch it. But in any case, basically those merchants from all over the country who were born in the landlord class and engaged in commercial trade would only taste the novelty once. Hardly anyone goes to the cinema to see a second movie.

In the first few minutes of this movie, Zhu Zhiyu was quite happy to watch it. The movie, which was very magical for the people of the Ming Dynasty, brought Zhu Zhiyu a great shock. The beautiful girl, the beautiful singing, and the beautiful scenery all made Zhu Zhiyu fascinated. But when Mo Huairen, the housekeeper, Xiucai and other villains began to appear, Zhu Zhiyu began to sit on pins and needles.

A movie of less than an hour, Zhu Zhiyu can be said to have experienced a spiritual baptism that has never been seen before. As a feudal scholar, as a member of the feudal landlord class, no matter how he originally viewed the contradiction between landlords and peasants, this movie clearly told Zhu Zhiyu what kind of image his father and brothers are in the eyes of the people.

Zhu Zhiyu has always regarded Mencius's "those who work hard govern people, and those who work hard govern people" as himself and his family as masters, and as the theoretical basis for rulers to govern the people and educate the people. But what kind of image he and his family have in the eyes of the people, Zhu Zhiyu has really never considered it.

After watching this scene, Zhu Zhiyu almost fled from the cinema with the help of his subordinates.

On the way home from the cinema, Zhu Zhiyu almost hid his face and left. Whenever he sees those people in shabby clothes, anyone who sees those with thick joints, and anyone who has the characteristics of laborers, Zhu Zhiyu will subconsciously avoid them.

It was completely a psychological factor, and Zhu Zhiyu hallucinated that the eyes of these people looking at him were full of hatred.

After returning to the Zhu family's shop in the commercial district, Zhu Zhiyu immediately ordered his subordinates to bring into the room a silver mirror sold by the Fuxing Society (the Fuxing Society's mirror, which is said to be refined from silver in commercial propaganda, costs 30 times the same weight of silver). This scholar, who was about to be thirty years old, carefully made various expressions in front of the mirror, which made Wei Liuxin, who had been guarding beside him, straighten his hair.

Until Wei Liu heard Zhu Zhiyu mutter, "Is my face in the eyes of the people really so obscene?" After that, he realized what the third young master was crazy about. Space-Time Gate 1619

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Chapter 302 Zhu Shunshui visits Wuchang 7