Chapter 214. Lens language
In late August, the hottest game in China was "Hatsune Miku: Idol Master".
Due to the popularity of Hatsune Miku on the Hatsune Video Network, many passers-by and players who are not very familiar with mobile games have also poured into this game, after all, even if the technology is not good and cannot hit the rankings, you can simply listen to songs, play dress-up games, and have fun playing salted fish.
For Lin Shuyi, a newcomer to Phantom Electric Animation, although "Hatsune Miku: Idol Master" is fun, what he is looking forward to more is the internal preview of "Classical Literature Club Series".
From her student days to the animation design major, Lin Shuyi has always had a dream to participate in the production of famous animations, and then see the finished animation before all the audience.
Now, I don't know if the "Classical Literature Club Series" will become a great anime that will make a name for itself in the animation industry, but at least the wish to see the finished anime before all viewers can do it.
At three o'clock in the afternoon, on the first floor of the phantom animation, in the screening room.
This screening hall was built when it was renovated before, after all, the effect of playing with a projection screen in the conference room will be affected by the light, which is not very good, so Xu Rui arranged a screening hall on the first floor, this small screening hall can accommodate fifty people, but the playback equipment is not inferior to a serious movie theater.
Lin Shuyi sat on the side of the third row, next to her were several colleagues in the original painting group, the preview screening was divided into three sessions, sign up for it, there were several fixed places in the original painting group, and Yi Qianqian gave Lin Shuyi a place.
There was still some noise at the scene, not only the people who sat here were Phantom Electric Animation, but also the people of Hatsune Games and Hatsune Video Network, not all of them were professional animators, but Xu Rui was still willing to let more people watch the test screening.
Lin Shuyi saw the school admissions who had been together for three days before, but it was not convenient to say hello after a certain distance.
The preview will begin shortly, and the content of the first episode will be shown.
Here, Lin Shuyi has seen the storyboard performance, and after Yi Qianqian's guidance, she also understands which are the key points of the performance, and which are the places where the painter needs to focus on acting skills.
The animation has a soothing pace and no strong conflicts, even so, everyone is looking at the picture seriously.
Lin Shuyi watched very attentively, when she entered the company, the painting part of the first episode had been completed, so Lin Shuyi didn't come into contact with it, and she couldn't help but be a little excited when she saw these exquisite pictures at the moment.
The thought that her paintings would become like this suddenly gave her a sense of being in history.
The preview will run for a total of three episodes, and the hour-long period will end quickly.
When it was time to finish, Xu Rui also specially reminded everyone not to forget to fill in the questionnaire distributed before the opening.
Lin Shuyi walked out of the screening room, returned to her position, and looked at the questionnaire in her hand.
There are some more subjective questions, including favorite characters, impressive places, and some relatively objective questions, such as the pace of the story, the synopsis of the plot, and the change of tone.
Even if the other party is not a professional in animation production, the answers obtained are relatively subjective, and you can see from these answers that most people think about the animation itself, after all, most of the people who watch animation are general audiences.
Lin Shuyi carefully skimmed through the questions before she began to pick up the pen to answer, and after about half an hour, she finished answering all the questions and handed them to the person in charge of collecting the questionnaire.
Returning to her seat, she picked up her cup and went to the pantry to prepare for a cup of coffee, only to see Isahara sitting in the pantry, with the questionnaire in front of her.
"Huh? Does Sister Asa also need to fill it out? ”
Lin Shuyi was a little curious, so she leaned over and asked.
Because Yi Qianqian is the chief painting director of this animation, it stands to reason that all the original paintings must go through her supervision, so the quality of the script and finished product should have been known for a long time, and the reason why she is still writing questionnaires is not clear to Lin Shuyi.
"Of course, even if I'm a producer, there will be emotional fluctuations when I see the work, and this situation can be compared to what someone who has already seen it once will look at a second or third time."
Halfway through the questionnaire, she looked up and said.
"Although after understanding the plot and connotation of the work, the impact of the work will be much smaller, but there are also details that are laid out for multiple views, and the plot of this animation is not a strong reversal like "Madoka Magical Girl" or "Soul Eater: Zero", which is exactly the case, whether it can withstand multiple views has become an important indicator."
Lin Shuyi nodded as if she didn't understand, she rarely had the experience of watching a work repeatedly, after all, most of the animations are brilliant with plots, "Soul Eater: Zero" If there was no publicity fraud at the time, the impact of the first two episodes would be much less, and if "Madoka Magical Girl" had known the ending in advance, then she would have a different mentality when watching the previous plot, and when she saw the reincarnation of Xiao Yan in the tenth episode, the emotional impact would naturally be much less.
"Is it ...... to watch repeatedly?"
Lin Shuyi muttered to herself.
She recalled her previous experience of watching the movie, although this is a work with reasoning elements, Lin Shuyi suddenly found that her focus did not seem to be on the serious reasoning plot at all.
The interaction between the male and female protagonists and various performance techniques are the driving forces that attract her to watch.
Normally, reasoning works will be a little boring when you read them after learning the truth, but this is not the case with "Classical Literature Club Series", reasoning is really just like Xu Rui said in the interview, just an element of the plot, maybe the first time I watched it, Lin Shuyi was still thinking about the puzzles in the animation, but the second time, when she learned the answer, the focus of attention was on the character depiction.
And the movie-watching experience brought by this has not decreased at all.
Lin Shuyi can see Tian Qianai's body curves in the animation, and she can also see the subtle changes in Feng Zhedui's expression when facing girls, and even the specific movements of passers-by in the background when the protagonist and others are talking.
There are so many details in the whole work that they explode, the first time she watched it, Lin Shuyi could only notice the dialogue, noticed the performance of the puzzle, and the second time she watched it, she saw these details clearly, savored it, and could see different stories.
These are things that cannot be reflected in the script of words, the language that belongs to the picture and the camera, and the artistic expression of animation.
Before, Lin Shuyi thought that Xu Rui was only good at creating themes with a reversal nature, but he didn't expect his research on pictures to be so in-depth.
Lin Shuyi was convinced.