As soon as the chorus of "Southern Girl" came out, there was a burst of laughter, and the atmosphere suddenly became warm again, everyone smiled and watched Yi Li, who was already a little blushing, become timid, Liu Mei raised Luo Bing and teased Shao Qing beside him: "Poor Ah Li, after listening to this sentence, my little face turned red, aha~ Look at how protective our Director Yan is to your family!" ”

"Do you remember what that Zhai Gongzi said at that time? It seems that our Director Yan can fully recite the full text..."

Taking advantage of Yan Qing's finger play, the young people of Tan Sen and Bao Hang directly screamed and began to coax: "No wonder he deliberately cue Sister Lizi before, you said that it is not good to provoke anyone, you have to provoke Professor Weng." ”

Tamson Sen's joke is actually rough and reasonable, the content of Yan Qing's chorus is completely the finishing touch, and he ingeniously embeds Zhai Yining's previous words to Yi Li in front of the right bridge gate on Huxin Island into the lyrics, even if most of the people on the set have not heard it with their own ears, most of them have heard it these days, after all, it is also the biggest disturbance during the closed filming period of "Laughing-East".

Even Weng Huaijing, who was concentrating on picking up the score, couldn't help but raise her head to look at Yan Qing, obviously she had never talked about people in front of people, and she had also heard the gossip between Yili and Zhai Yining, and Professor Weng Yingying's pulse was turned around with joy in the autumn water: "The chord is 1563~ It's very simple, but, eh, this punchline in your words is good~"

"There's no way, the two little girls are really a little unrelenting~"

The palm continued to tap on the speaker board to simulate the sound of the drum, Yan Qing pursed his lips and smiled back at Weng Huaijing, and even had the spare energy to glance at Zhao Mu and Yi Li's reactions, and the multitasking did not affect the stability of the melody output at his fingertips, and soon the interlude was so trickling.

…

"The days go by like those sleepless nights / She chews gum."

Talking about ideals on the wall~Oops~

Southern Girl~We're all enduring a long time/Southern Girl~

Is it a tall building that obscures your hope~ Hey, hey..."

…

"But one thing to say, at the end of the day... They're also anxious about me and Buzz, but they don't know what's going on, and they're just doing bad things with good intentions, so let's stop here."

Seeing that Yi Li was in a predicament, together with Zhao Mu, who was accompanying him, also looked concerned, and the soft-hearted Miao Miao also secretly pulled the corners of his clothes, Yan Qing, who was well versed in forgiving and forgiving reasons, chose to stop immediately, and did not make any targeted changes to the lyrics of the second main song, he continued his song lightly, and returned to the state of singing ballads.

…

"Yesterday's rain had drenched her thin shoulders

Beidou in the night sky didn't let her find her lost direction either

In the sun, she was drying her clothes in the middle of the yard

In the wind of the four seasons, she soothes the time with her hair scattered..."

…

What is a ballad, just like a thousand readers have a thousand Hamlets in their hearts, maybe everyone who likes to listen to ballads has their own answer in their hearts, this is actually a question of the opinions of the benevolent and the wise, from Yan Qing's own understanding, folk songs are not more important than form, but where a song can be flesh and blood, can be carved into the bone marrow to express life, and every word is as touching as a story, it can be called a ballad.

…

"Southern girl~ Are you in love with the north?

Southern girl~ You said you were going back to your hometown this year

Thoughts make your heart hurt / It calls to your tears

The fruit of the south is ripe / That is the simplest ideal

Na na na na～

South~South~South~South~Southern"

…

The joys and sorrows of human beings are not the same, how to move people's hearts through a song that is only a few minutes old has always been a world problem, and the reason why folk songs have a wide audience, in addition to the simple melody and comfortable sounding peaceful, a good folk song is often very easy to arouse the empathy of the audience.

A powerful song is like a graphic story, which will automatically transform the melody into a just right scene in the listener's mind, returning to a pure singer's mentality.

Yan Qing seems to have this kind of magic, and he easily uses words that are not too flashy or even descriptive, with the accompaniment 1563 chords to carry out the catchy melody, which is close to life and has a simple temperament.

He easily sang such a sentimental and love-yearning southern girl into everyone's hearts, moisturizing things silently so that everyone ignored the original ridicule of Yili in the song.

"In fact, this song is not referring to a specific southern girl, we can completely regard the hometown in the far south in the song as a beautiful ideal hometown..."

After a song, approaching the director's microphone that Weng Huaijing was trying to withdraw, Yan Qing continued to excuse Yi Li with his soft and warm voice: "Think of it as a reflection of real life, and use it to describe people who are full of ideals but have to survive in the quagmire of reality." ”

"Why do you want to do so much..."

Miao Miao used her soft and glutinous voice to play the role of the king of the show: "It's over if it's good!" ”

"Everyone has a southern girl in their heart, and they may never be willing to be assimilated by the environment around them..."

Among a group of young people, Mo Ran, who was a little abrupt, was touched by Yan Qing's words, perhaps thinking of his pile of wide-angle and telephoto lenses that had been shelved, and he sighed with emotion: "I am even more unwilling to abandon my ideals because of the various difficult situations in front of me." “

"Lao Mo's words speak to my heart, such a person is both an idealist and a realist..."

The original two distinct lineups in the crowd gradually tended to merge, and Zhao Zhongyi, a northern man who settled in Huhai, also seemed to be a person with a story, and he said angrily: "They will not be hysterical because they are caught by the cruel real world, but will yearn for their ideals, while calmly facing everything around them, and endure silently." ”

"The reason for this is that these people feel that it is unwise to be manic and vehemently opposed to the environment, because it is tantamount to acknowledging that the real world has broken them, and on the contrary, with peace and hope, let themselves integrate into the environment, and let their dreams fly in their souls..."

Obviously, there is only a thin line between understanding and over-interpreting, and the thoughtful Zhang Yameng opened his mouth with blazing eyes and continued: "Well, Brother Qing must want to express that insisting on oneself in this era, harmony and difference is the greatest incompromise on real life." ”

"It's easy to be over-interpreted, which is also one of the charms of folk songs, so if you're happy, you can finally get along."

Rao is response was enthusiastic, Yan Qing did not respond more, after saying that, Director Yan raised his head and turned his gaze to Weng Huaijing, who was standing upright and standing tall for him, and the two looked at each other and smiled faintly, and then looked at the perpetrator Yili with a tacit understanding.

Unexpectedly, after surviving the shame at this moment, her lips were red and her teeth were white, and the extraordinarily delicate Yili actually retorted timidly and whispered: "Brother Qing, in fact, I am not a southern girl~"

"Ali's mother is from Lianyungang, north of the Yangtze River, and her father was born in northern Xinjiang..."

Maybe it was this that inspired Zhao Mu to be in a harmonious state between Yan Qing and Weng Huaijing, and she attacked the shield with her spear and whispered to make up for it: "It's Sister Jing, from Yucheng, she must be the southern girl in your heart, otherwise how can you write such a touching love song." ”

“……”

To tell the truth, Yan Qingyou was shocked by the unyielding spirit of these two little girls, and he got up helplessly and looked sideways to look at Weng Huaijing again, and gave a blank sigh: "Look, they all think I'm too cowardly, and they want to encourage me to confess to you in public..."

"I want a piece of the Great Wall tune, Little Meow, to help us pick up the sound..."

The swan's neck was raised, and he suddenly spoke, Weng Huaijing's tone was a little faint and pretended to be cold, and only after saying to Miao Miao did she raise the director's microphone, she looked at Yan Qing's beautiful eyes full of arrogance and daughter's naivety: "Listen to my punchline!"

"The Great Wall tune, it's not difficult to use the guitar to play the Great Wall tune in the clear sound of Yucheng, she wants to sing Shanbo to see him off? Hum this is forced to be angry and embarrassed to enlarge the move, poor Eli, who are you messing with."

After knocking on the side and learning where Weng Huaijing's folk music skills such as Dong Xiao and Sanxian came from, Yan Qing, who was delicate, also did his homework and made a special trip to make up for the Qingyin genre to which Weng Yu belonged.

Ms. Weng's most popular scene in the Yucheng Folk Opera Troupe at that time was the send-off singing segment of Shanbo, which was adapted from the old Sichuan opera "The Legend of the Willow Shade", coupled with the Great Wall tune, which itself is a highly popular folk music Xiaoling, it is difficult for Yan Qing, who is a senior music producer.

"Here, Great Wall tune..."