Accompanied by the mournful adagio melody that gradually slowed down with a hint of farewell, Weng Huaijing glanced at Yan Qing's similar classical guitar holding and finger playing techniques, and there was a little surprise and a little clarity in her eyes, but she quickly adjusted her state, accurately cut into this ingenious tone of the Great Wall that is somewhat close to the guzheng, and began to sing an excerpt from "Shanbo Sending Off" in extremely standard southwestern official dialect:

…

"There is a locust in front of the library~, and a pair of scholars come down the mountain~"

…

"Is this singing from scratch? I don't know how long the humming excerpt is, and which meme she will incorporate in response to Iri... If it exceeds the duration of "The Great Wall Tune", even if I can go back and forth in a loop, what should I insert to cross the door and bridge, it's a bit nerve-wracking!"

Facing Miao Miao's admiring and envious warm gaze, Yan Qing continued to play the right in his hand, Yan Qing performed with ease, simulating the trembling timbre close to the guzheng through the rising tone of the capo clip and the advanced classical finger playing techniques, and his body gently rhythmized with Weng Huai's singing and sighing clean tune, while he even had the strength to think about the arrangement of the melody of the tune behind.

…

"The front side is Liang Shanbo~, and the back is followed by the drop~ followed by the drop Zhu Yingtai~"

…

It may be the reason why "The Great Wall Tune" was born from the minor key of Ganshan folk songs, or it may be because it is inherited from the unique style of Weng Yu's faction.

Without waiting for Weng Huaijing to make other prompts, Yan Qing, who has an absolute sense of pitch, immediately made corresponding adjustments to the arrangement, skillfully tapping the outside of the speaker board regularly with his palm, adding some drum beats that set off the humorous atmosphere, and quietly accelerating the rhythm from the beat of the adagio to the moderate rhythm.

"Hey, I thought I could hear the humming of the Yucheng dialect, but I didn't expect it to be the southwestern official dialect, but it's almost the same, they all retain the back sound of the tip of the tongue, and the overall style is that the voiced initials are flat to go in and out, go up and don't send, yang to yin, fade in and out, it is a dialect system with strong rhythm, so... In the previous world, the masters of doing that kind of psychedelic and casual trap-style rap in China were concentrated in Tianfu and Yucheng."

Originally, according to Yan Qing's inherent cognition, the area around Tianfu Yucheng has never been a gentle place, and there is a way that "since ancient times, Yan Zhao has been a generous and sad person, and Bashu has many robes." ”

At the beginning, Weng Huaijing was able to deal with Yan Qing in the Queqiao passage, and there was no lack of pungency and determination in his bones, but at this moment, Professor Weng, who was speaking a southwestern official dialect like Feiquan Mingyu, looked soft and playful, and extremely cute.

Yan Qingming Qingyin, a form of opera, is essentially a fusion of folk songs and folk tunes from the Ming and Qing dynasties, and also carries the unique soothing and comfortable rhythm of the Bashu region, the singing section is unhurried, and is used to interspersed with filling music to enrich the content of the tune.

In this way, singing and resonating also complement each other, and the two even secretly glanced at each other during the gap with a tacit understanding, and Yan Qing, who continued to play, handed out his approval, and also read the moving brightness and faint joy from Weng Huaijing's bottomless autumn water.

"Wow!"

"Wonderful!"

"Authentic!"

A group of people who eat melons are also particularly damaged, not to cheer when Weng Huaijing's singing has just fallen, but to see the timing of the two of them at this moment, and they have turned into insiders watching dramas, experts in listening to music, and authorities in singing.

A pair of eyebrows that had been cultivated by makeup artists as sharp as Qingfeng slowly stretched out, and Weng Huaijing, who maintained the expression of an undefeated man in the East but was timid, continued to sing:

…

"Brother Liang sent me to Qingsong, and a pair of white cranes made a fuss. Both of them are the same color, but I don't know if one is male or female."

…

"'Brother Sends Virtuous Brother' to 'Brother Liang Sends Me'? It's not too different from the old lyrics of the Sichuan opera "Liu Mengji", so I can sing it too, but I just replaced the original dialogue between Liang and Zhu with a one-man show on Zhu Yingtai."

Worried about the coaxing of others, and holding back the urge to look at Weng Huaijing without taking his eyes off it, Yan Qing, who was active, maintained the "Great Wall Tune" of the soft board, and secretly observed his sweetheart's every move with his spare eyes.

Obviously, Weng Huaijing's outstanding acting skills also have a lot of bonuses to Qingyin skills, and a few actions with singing and singing will make Zhu Yingtai's unique shyness just right.

There was also a bit of disgust towards Liang Shanbo's incomprehensible amorous feelings, as if complaining that he didn't know his daughter's body, just like that, Professor Weng, who was singing and pacing, looked at Yi Li and landed on Luo Bing and Shao Qing in the distance.

…

"Brother Liang sent me to the temple, the temple is sacred and sits on both sides, the sacred is difficult to distinguish, and there is no matchmaker in the middle."

"Wonderful, it's a wonderful finishing touch."

Weng Huaijing's punchline made Yan Qing couldn't help but be amazed, and she used what Luo Bing and Shao Qing did in the Zhai Yining bridge blocking incident to ridicule Yi Li - the two who were supposed to serve as door gods did not do their job as matchmakers for this pair of hard-working mandarin ducks due to different camps.

"It's beautiful!"

The easy-to-understand explosion point was once again applauded, which also made Yili, who was originally standing frankly, look scared again, and Yan Qing, who was secretly happy, also heard Shao Qing smiling and mending the knife: "Did you hear it, Huai Xiang means that we should be good door gods at that time!" ”

Ignoring Shao Qing's jokes, Weng Huaijing raised her hands slightly, and after making a gesture of wrapping her left hand around her right hand, she continued to sing:

…

"Brother Liang sent me to the willow forest, the trees in the willow forest are wrapped with vines, and there are only vines wrapped around trees in the world, and I don't know if I am an idiot when I turn it upside down."

…

As soon as this song came out, with the movements of Weng Huaijing's hands, everyone also saw Zhai Gongzi's ability to entangle Yili at that time, so they naturally laughed, only the thoughtful Yan Qing's heart moved, and he heard more metaphors:

"Not only is she laughing at Zhai Yining's entanglement with Yili, Xiaoge's words also have deeper metaphors, as if pointing out that the relationship between her and me is more like kapok and oak, the love that is not entangled with each other but relies on each other, and this paragraph is actually still fighting back flexibly."

…

"Brother Liang sent me to the wall, there is a good pomegranate tree in the wall, I have the heart to pick it for Brother Liang to eat, I am afraid that I will come to ask for it again."

…

"Eating the marrow and knowing the taste, obviously it was said in the gossip scandal circulating in the ridicule crew, after Zhai Gongzi was persuaded by Yili to return to Huhai, he has been looking for a job to come to the imperial capital again, it is obvious that he came to ask for it again after eating the pomegranate Zhiwei, my Weng Xiaoge is really ruthless, and now Yili is not too embarrassed."

Thinking like this in her heart, Yan Qing raised her head again to observe Yi Li's reaction, only to find that she seemed to have given up resistance and hid behind Zhao Mu, Weng Huaijing was not as soft-hearted as Yan and turned a blind eye to the act of surrendering and raising the white flag, Professor Weng continued his Qingyin singing by himself.

…

"Brother Liang sent me to the garden, the flowers are blooming and fresh, I have the heart to pick the flowers Brother Liang brings, Brother Liang is not a flower picker~"

…

"This paragraph is quite mild, but if you think about it carefully, the content of the lyrics also has the meaning of Yili, which is clearly a metaphor for her and Zhai Yining, who have long been interested in Lang's concubines, and have a deep affection for each other, and then again, they can express their emotions frankly and honestly, and they are also full of happiness..."

Because Weng Huaijing's singing section was too suitable for the occasion, and it was difficult to simulate the timbre accompaniment of the guzheng with a folk guitar, Yan Qing, who continued to be distracted and multi-purposed, had already forgotten all his previous considerations about this cross-door bridge, and unconsciously the tune had come to an end.

Stuck in the melody near the end, she raised her white and delicate swan neck, and Weng Huaijing sang in a low voice and looked at the starry sky cast in the night sky.

…

"Brother Liang sent me to the riverside, there is no bridge and no boat below, I don't know the depth of the water in the river, and I will be reunited again from the fifteenth day of the month~"

…

"It's broken, what should I use to make a passage between two reciprocating melodies, what should I do... Xiaoge's singing segment is told in Liang Zhu's story line that Liang Zhu and his two went from Hongluoshan Academy to Yingtai's home in "Eighteen Phases"..."

The accompaniment will not be dispersed, leaving only the long tail like the orchid of the hollow valley to break through the shackles of the melody and linger in the night sky for several circles, until then Yan Qing suddenly realized that the "Great Wall Tune" has been played, and Weng Huaijing's clear note does not seem to be finished.

"It's better to use the theme phrase of "Liang Zhu" Violin Concerto (Opening) and "Eighteen Phases" to casually overdo it, after all, I am the most proficient in this piece and it is the most appropriate to use here..."