With Yu Jiecheng's announcement, a group of performers with an average of half a hundred per year took to the stage and sat on the stage according to the standard symphony form.

Seeing the instruments in the hands of these players, the audience seemed to understand a little.

At first glance, the so-called national symphony is the expression of national music in the form of a Western symphony.

But doesn't such a format change the taste of the tune?

Symphony has always been a foreign form of music, right?

It's a very wrong way to think that way.

The concept of symphony, which side of the East and the West was proposed earlier, is itself a mystery for the ages.

Not to mention that the basic concept of symphony is simply to let the group of instruments play music together, which is unique to the West, and it is really a bit of a foreign flattery.

What this national symphony really learns is the expressive power of the combination of instruments and instruments accumulated by Western symphony after hundreds of years of precipitation.

In addition to using the relevant knowledge of Western symphony to pave the way, most of the folk music is in a completely blank situation.

Then, Yu Jiecheng shouted: "I would like to invite Mr. Fang Wenhai, a famous domestic erhu player, and Professor Shen Wuhuan Shen, today's performance conductor!" ”

As Shen Wuhuan and Master Fang took the stage together, there was a round of applause from the audience.

Master Fang was wearing a very traditional coat, and Shen Wuhuan also chose a relatively solemn dress today, and the two walked to the front of the stage to salute the audience.

After the two of them returned, Yu Jiecheng signaled to the audience: "Then please enjoy the erhu concerto "Liang Zhu" next." ”

With Yu Jiecheng's exit, Shen Wuhuan nodded to Master Fang, and everything officially began.

The first thing that came was the continuous beating of the timpani, which sounded like the wind from a very distant wilderness.

Immediately afterwards, with the crisp plucking sound of the dulcimer, the melodious melody of the bamboo flute like a song with a unique ease of jumping out of a scene like birds singing and flowers.

The melodiousness of the bamboo flute seems to bring people into a unique fairyland!

When all the audience members were introduced to the heart of the story, the whole orchestra performed its first full performance.

That is, Liang Zhu's theme department, which is the most familiar opening sentence of Liang Zhu in Shen Wuhuan's original world!

Under the baton of Shen Wuhuan, traditional folk instruments such as pipa, ruan and sheng vied with each other, bringing a string of melodious and highly ethnic melodies to the audience.

When the erhu sound joins the melody of this whole section, the artistic conception of the whole stage changes in an instant.

The peculiar mournful outpouring of the erhu seems to flow from the erhu in Master Fang's hands.

The whole theme part is accompanied by extremely empty and melodious drum beats and accompaniment, spread out, as if an old man is holding a brush in his hand, wantonly swaying on the cotton white picture scrolls.

Classical music is very national, and the melody at this moment is extremely rich in the simple and resolute artistic conception of the ancient working people, which brings a completely different musical experience to the audience.

"This is the real national symphony!"

"How can such a melody not be moving?"

"The melody is so expressive!"

Just as the feelings expressed in the hearts of the audience at this time, the unique desolation of the erhu and the wonderful environment deliberately created in the symphony show the lingering love and friendship between the two under the theme of "Liang Zhu" to the peak.

There is not only a beautiful scenery of bright spring, birds singing and flowers, but also a trace of sorrow always lingering in these beautiful scenery, isn't this the core of the story of "Liang Zhu"?

The story of "Liang Zhu" is widely sung, no matter how gratifying the two of them are to fly together, they are still not as happy as the two of them in the world.

There is also no instrument in folk music that can express this poignant joy better than the erhu!

As the so-called song of liver and intestines is broken, where to find a bosom friend at the end of the world, erhu is a musical instrument that makes people hate, but cannot be hated to the bones.

The foreshadowing has been laid, and at the moment when the tone of the erhu reaches its climax, the whole orchestra performs the second ensemble of the whole piece.

This ensemble completely sets off a tragic and grand chapter.

The combination of the string group became the highlight at this moment.

In fact, many audience members will look to the far right of the orchestra a few more times when they see the group in front of them.

It's strange that the location there belongs to cellos and double basses.

"Why are there any Western musical instruments? Isn't this a national symphony? ”

A question rose in the hearts of the audience, but when the ensemble came, the audience finally knew why.

Actually, it's easy to understand.

The vast majority of today's audience are people involved in the music industry, even if there are some politicians who don't understand music at all, not to mention the character of these people, but their vision is definitely higher than that of ordinary people.

In their eyes, there is absolutely nothing abrupt about the addition of these Western instruments.

Shen Wuhuan's goal has been achieved here.

After all, in the original world, some orchestras also struggled with the lack of bass-stringed instruments in the national instruments, but in the decades of exploration, some special bass-stringed instruments were also invented.

At the moment, everything is self-made, as long as you can take the stage, the future will slowly get better.

Suddenly, all the grief was swept away by a fresh breeze in a short period of time.

The music of the whole piece is extremely lively and jumpy.

The sudden appearance of festive music like the New Year made the audience have no time to react, but they also felt sincere joy with this melody.

It was as if the greatest joy of life was triggered by the alternating melody of the erhu and the orchestra.

The sub-section that appears here is the most cheerful movement in the presentation section, and the national instruments have a natural advantage in this regard.

As I said before, the national musical instrument belongs to the common people, in the early period, the place where the people can hear the most national musical instruments is not in the opera garden, but when the red and white celebrations are held.

Whether it is crying or mourning, or celebrating, national musical instruments can be said to be handy.

And with this joyful performance, the audience couldn't help but be silent and shook their heads happily in this joy, closely following the joy of Liang Zhu and the two of them for three years.

It was the happiest moment of their lives!

The melody gradually slows down, and even in the good moments, there is a moment when the end is welcomed.

This lingering joy finally came to an end, and a series of sad and amendable melodies heralded the end of a beautiful moment!