No matter how much love is loved, there will be a moment of separation. （）

Eighteen send-offs, the long pavilion is sorry to say goodbye, it is the moment at this time.

The unequal status and the "fine tradition" of marriage in the feudal period and the parents' decision made it impossible for the two to wait for that moment.

Not to mention, Liang Shanbo concealed his identity, and the feeling of wanting to speak and stopping was buried in his heart, how uncomfortable!

Master Fang's erhu voice at this time was tactful and sad, showing this imminent but unforgettable separation drama extremely appropriately.

Every friction between the bow and the strings is like a huge tear gas thrown at the audience, and this sadness is no instrument can compare to the erhu.

The sound of the band also played in unison with the joy before, and the scattered embellishments of each voice were constantly changing with the conductor's gestures in Shen Wuhuan's hand, spreading this sorrow to the hearts of everyone present.

The band's melodious little unison is just like Na Yingtai's demeanor of turning back in three steps and turning back on the line of the sky and sea, showing the complex feelings of sadness at the moment of separation.

At this point, the presentation department is completely over, and the development department is moved on.

In just ten minutes, the audience was captivated by this novel and story-telling music.

This is a completely different form of artistic expression from Western music!

In the original world, the article "Introduction to Chinese Music Aesthetics" once mentioned: "In terms of aesthetic pursuit, Chinese music and art take 'harmony' as the ideal, which is still empty, seeking ethereal, charm, profundity, artistic conception, vividness, emphasizing intuition and comprehension, and paying attention to the ontology of life." This is in stark contrast to the aesthetic characteristics of Western music, which seeks profundity, emphasizes reason and thought, and takes reality, meaning and emotion as the spiritual pillars. ”

This sentence is extremely vividly reflected in this song!

Therefore, in folk music, it is more about describing stories or life, while Western music is more about expressing emotions and personal spirit!

The melancholy melody passed away quietly in the mournful final note, but a series of drumbeats were played.

The brass plays the theme of the fierceness and cruelty of feudal forces with a grim rhythm and eerie tones!

This paragraph is the beginning of the tragic story of the whole "Liang Zhu", "anti-marriage"!

Cymbals, gongs, cymbals, and drums, which are extremely representative percussion instruments among the national musical instruments, are all on display!

At the same time, the high school soprano suona played an extremely weird tune at this moment, showing Zhu Yingtai's feeling of death at the moment when he heard that he was promised by his father to Ma Wencai!

The erhu solo also did not have a single note at this moment, and the end was hoarse and helpless.

For Zhu Yingtai, this is her fate, she can't disobey her father, that means disloyalty, filial piety and injustice, and feudal etiquette is impossible to tolerate her!

The music that suddenly started in full seemed to be like a memory of snuggling up to a candlestick, and in those dreamlike three years, the friendship and joy between Liang Shanbo and Zhu Yingtai were unforgettable.

At the same time, the helplessness that was faintly full of joy was stimulated by the performance of the whole band to the greatest extent.

However, all this cannot exist only in memories.

The memories interrupted by the sound of the erhu show a hint of determination in the short and sonorous sound of the string group!

Zhu Yingtai, who was born in a feudal family of etiquette, finally made up his mind to rebel against this family business!

That's how "anti-marriage" comes in!

Then the music turns from sad to tragic, and the roaring suona and deafening drums create a complete state of mind.

And with the last big concert, the two are brought together, creating an extremely sharp story breaking point!

In this section, customs clearance represents the great oppression of feudal forces, and erhu represents the grief and panic in Zhu Yingtai's heart.

In the fierce allegro of the band, the determination of the erhu was brought out, and the huge and fierce sound of the wind music was like the top of Mount Tai, which made Zhu Yingtai breathless!

In this tragedy, ushered in the "Loutai Meeting".

A whole slow melody, endless lingering and miserable, at this time Liang Zhu will meet again is mixed feelings, emotions are like lingering flowing water, gushing out from the eyes of the audience.

The scene between the erhu and the cello not only shows the different complexities of the two, but also shows the same misery between the two!

Bitterness is that Liang Shanbo is well aware of the suffering of feudal etiquette.

The misery is the suffering of Zhu Yingtai's inability to stay with Liang Shanbo as promised.

The two knew that their fate had been decided at this moment and could not be changed.

This desolation and sorrow cannot be evacuated.

In the end, even if Zhu Yingtai swore to die, Liang Shanbo could not do anything, and finally went to another country to take office, and finally became ill and died soon after.

And when Zhu Yingtai learned all this, Shanbo had already gone to the immortal and went to Shanbo's grave alone.

This leads to the last section of the entire development section, which is also the biggest climax of the whole piece.

Crying Soul Accusation!

The erhu's scattered solo and the band's allegro alternate in unison, which vividly expresses Zhu Yingtai's bloody and tearful accusation against feudal etiquette!

The mournful erhu is like a bird falling into the surging river, and the orchestra's fierce percussion and wind instruments reciprocate with a monstrous momentum.

Erhu's soft and glutinous pleading, while the orchestra fiercely responds and oppresses!

The more it is shaped like this, the more people hate this feudal etiquette!

But hatred doesn't help.

Even the audience was struck down by this overwhelming sense of powerlessness.

They can only be resentful together in their hearts.

This sense of oppression hit the audience like an overwhelming blow, but it also brought everyone's emotions and anger to the peak!

Finally, the gongs and cymbals sounded in unison, and the whole orchestra spread out with an extremely grand momentum, as if Zhu Yingtai had the last trace of resolution in his heart.

She's going to kill herself!

At this moment, the grand unison of the entire orchestra was full of heroism, and the desperate emotion infected everyone present.

This is by no means the kind of empty and empty personal heroism, but the heroism of daring to rebel against feudal etiquette and religion with extremely real significance!

Liang Shanbo and Zhu Yingtai can't stay together for a long time in the Yang world, so they can only reunite after death, which is the most shocking part of this tragedy!

When various ethnic instruments are played, the shock is simply indescribable, but the audience really knows that this kind of music that hits the heart cannot be separated from their consciousness for a lifetime.

At this moment before the time of turning into a butterfly, the audience in the audience has been invaded by this song.

They already have the answer in their minds.

"This is our country's own music! This is the voice of life of our nation! ”