The charm of the type moon lies in the setting, and the character design is the most obvious part of it...... For quite some time, the best plastic villain sold in the whole island country was Saber.

Under the premise of a unified world view, Fate and the realm of emptiness have different charms, and at least at this time, there is a big difference in the fan base of the two before and after, but the character design is still the prominent point of the latter.

"The corpse with a twisted neck like a fetus seems to me like a broken lily."

"There is a saying in this country that there are no more than three things, and now you are you, I am willing to kill them."

"As long as it's a living thing, even a god will kill you."

In fact, the character of "Two Rituals" has a lot of such lines of shame and middle school, but these lines can increase the positive value of the character instead of giving a negative impression...... One, this is a female character with a good image design; second, the adaptation of world view and character setting; Third, this female character will say such lines in a neutral and cold voice.

So even if it's the same script, sometimes it will look two, and sometimes it will look cute, or very handsome, or cute and handsome.

However, even if the choice of sound was important enough, in fact, after obtaining a sufficient sample of the first selection, there was no need for a second "re-examination", but Miyadai did it anyway, and even gave enough voice to the original party other than Mad Poihat.

The reason is very simple, first, "Empty Realm" is a project worthy of attention from all parties, although it is relatively weak in the current type of moon works, but in later terms, it is also a heavyweight IP; Second, based on this importance and the possibility of commercial success, the "production committee" began to dictate the project and the production process.

Whether it is the selection of voice actors, song singing, soundtrack setting, stage promotion, or even the plot system, the "Theater Realm Production Committee" has a tendency to convey opinions to Mad Poihat, and theoretically this "opinion" has to be implemented.

If Mad Poihat is just a producer and doesn't have a funding, then these opinions can be completely ignored by the attitude of the producer. And even if it is now a funder, it is very weak in the face of the collective voice of the production committee.

This is the power of the production committee, and in general planning, the production committee is the brain, and the production company is the hands and feet, but the current situation is not what Miyayo wants to see.

Regardless of whether this kind of "command from above" is right or wrong, he does not really want to be "obedient" for this kind of behavior and has nothing to do with its nature.

Although they have already done several animation productions, the current theatrical animation production committee should be the first time they have faced a "traditional and typical" production committee.

The previous production committees were different, but the result was the same: Mad Poihat was fully "respected" and allowed to animate freely.

The most likely to be "constrained" is a production committee like "IS", and if you really want to break what you say, Mad Poihat also has no counterpower against that production committee, but the problem is that the IS production committee has the right to speak in the hands of Kyoto TV, and the TV station quite "agrees" with Mad Poihat's "self-assertion".

The "Angel Beats" and "Strawberry Marshmallows" that Mad Poihat is currently making are in a similar situation.

But the "Empty Realm" side is obviously different, and it is impossible for this production committee to "let Mad Poihat's actions go", let alone control them in reverse.

For the production committee, he thinks he is exercising normal authority, but for Miyadai, it clearly stepped on his tail...... And more importantly, he's not an honest man.

Therefore, even if the voice actor is important enough, in fact, the voice or voice actor who is suitable for the main character is definitely not singular, it is plural, and no matter what the choice of the production committee is, his choice is negative.

The reverse is also true, once the production committee notices that the production company seems to be disobedient, it will also put pressure in this way.

Miyadai's behavior is not called "rebellion", how can the production company rebel against the production committee? To describe his approach accurately, it would be that as soon as the production company started reaching out, he began to find fault.

It's normal for the production committee to reach over, because it's the copyright owner and funder of the animation, but when you reach out to reach out, Miyadai is when you let it try to touch something, no matter what you touch, it's very uncomfortable.

Even if the hand can't be retracted, it will make it uncomfortable when Mad Poihat feels uncomfortable...... It's not that Miyashio is narrowly hostile and uncooperative to the production committee, but that he doesn't want Mad Poihat to be that kind of puppet animation company.

Obviously, a paper contract stipulates what Party A should do and what Party B should do, but Party B has its own ideas when working, and Party A should not command everywhere.

The powerful Party A thinks that it is "right" to command Party B, but unfortunately Party B does not think so.

The production committee does have an important role to play, especially in terms of cross-media publicity, but Miyadai wanted to maintain the production environment of Mad Poihat and keep the two at a distance as much as possible.

He has an ultimate ideal goal for funders: first, when you are not asked to increase the budget, you will be honest; Second, when I asked you to increase the budget, you gave it quickly.

Of course, this kind of goal can be achieved when dreaming, and it is completely self-talk from his own position, and Gong Daiju is not the kind of unrealistic person, and what he pursues is nothing more than a "relative environment".

In the Void Realm production, his demand for Mad Poihat's freedom and even independence will naturally be under the previous projects, which he thinks is reasonable.

However, this is also a kind of overstep for the funders.

So he began to "find faults"...... The funder is not monolithic.

When producing an anime adaptation that is not the original work, the two most important restraints faced by the animation company are the production committee and the "original".

The "original" is actually a kind of "positional detachment" thing, which can sometimes be completely ignored, but sometimes its opinion is the "golden rule".

And for the realm of emptiness in front of you, the right to speak in the original work is very important, because the "type moon" itself is a self-contained individual with complete copyrights, and its opinion determines whether this animation project can go smoothly.

And the repetitive audition is actually prepared for this purpose...... Under the premise that it may be strongly suppressed, "pulling one faction and fighting another" is the usual strategy.

So even if Mr. Nao decides to have a voice like Satomi Arai or Yu Kobayashi or even Kazuki Yao perform the two ceremonies, Miyayo's answer will be, "Dead gay, very hook up".

Of course, this is just a metaphor, and the mushroom probably won't choose to blow itself up.