In terms of box office results, Little Forest is probably not as good as the theatrical versions of some late-night animations later, but this data is not very satisfactory for the funders and even the producers...... The more things the better...... But at the very least, it's time to label it as "qualified".

In addition to some legendary animations in the late 90s, in fact, the "ordinary" popular late-night animation will gradually be put on the big screen, which can be regarded as an iconic work, which should be Kyoto Animation's "The Disappearance of Suzumiya Haruhi", both TV animation and reset TV animation, after the hit of TV animation and reset TV animation, they made the most exciting chapters of the original "Suzumiya Haruhi series" into a theatrical animation, and then achieved a box office result of 1 billion.

This should be a rather exciting example of animators' perception that "the TV animation theatrical version may have a head" to "the TV animation theatrical version is really a head".

Although it is not destined to become No.1, some animation companies are indeed quite "mavericks...... The same goes for Mad Poihat.

Now it's working on three animation projects at the same time, in fact, in terms of their financial and production capabilities, this is no longer a "saturation" problem, and at the same time, the three openings are somewhat beyond the ability of this small company, and if there is any problem or accident in the middle, it is easy to step on the air and then fall to death.

And yet it's still running efficiently...... In an overclocking mode that can burn out your brain at any time. "Vitality" or "vigor" should be regarded as the temperament of a new company that has touched the door, but to the extent of Mad Poihat, it seems to reflect the radical consciousness of the controller.

Of course, this kind of radicality and danger is judged from the perspective of a third party, and Miyadai himself does not feel so, because he is using his own methods and standards to draw a special safety line.

In fact, they are still investing money in new animations with money earned by IS, and although this percentage seems a little more considering the long-term financial security, the projects that are currently underway are quite clear.

Because of this, Miyashiro still tries to maintain Mad Poihat's independent style and autonomy in the production process of the new animation.

The reason for this is that sometimes the production committee is a real nuisance.

…………

“…… No, no, you have an overreputation, whether it is to maintain the reputation of 'Little Forest', or to try to bring returns to investors, it is what we should try our best to do as a producer, which can neither be called rigorous and responsible, nor can it be called achievements, but only our business. ”

"Yes, the release time of the second half is still based on your opinion...... Yes, we are also looking forward to the continued cooperation in the future......" After a few more polite words on the phone, Gong Daiyu hung up the call.

"The client of the Little Forest?" The person who was with him asked casually.

"Well, judging from the current performance of the work, although it is not very impressive, the tone of Aomori's understanding should be satisfactory...... At least they didn't show remorse, did they? Miyadai said as he continued to lead the way in front of him.

Although judging from the phone call just now, it seems that he has shown a very responsible attitude towards the funders, but in fact, for the production side, there is no "obsession" with the works that have already been completed...... Keeping an eye on it is one thing, but at this point, all the energy of the team has shifted to the new project "Empty Realm".

"Mr. Nao has seen our movie?" He asked casually again.

Led by Miyadai Song, it was Nao from the "Type Moon", and the direction in which the two of them were advancing was the audition studio of the empty realm. The latter came to Kyoto to get a closer look at the production of Mad Poihat and the Realm of Sora, and to participate in the audition and ultimately decide on the voice actors for the main roles.

This aspect is a process that is theoretically inevitable, and the role played by the original party in it can only be determined by the attitude of the other party, which is sometimes dispensable, and sometimes has a decisive effect.

The arrival of the other party actually came from the invitation of the palace substitute, and this kind of thing was not in the plan of the palace president, but there were some small changes that made him have to do it.

"Yes," Nao said in an affirmative tone that he had contributed to the box office of Little Forest, but his viewing was not so much interested in the story itself as in Mad Poihat's production ability and visual performance on the big screen...... In the final analysis, his focus is still on the next "Empty Realm".

"Will the visual expression of the 'Little Forest' be used in the 'Empty Realm'?"

This question is a bit vague, but Gong Daiju understands it very "thoroughly" - whether it is a small forest or the current empty realm, the use of photography technology is the most important.

"Of course, technology is always at the service of the picture, and ...... If I were to say that the small forest was the stage of technological accumulation in the realm of emptiness, would Mr. Nao believe it? ”

"Hehe, Mr. Gong is really joking."

No one would believe this statement, no one knew that Mad Poihat would make the Empty Realm after making the Little Forest, right?

In fact, Miyadai is indeed joking, he does make certain works for the purpose of accumulating, groping, and applying photographic techniques, but this is for the sake of Mad Poihat, not for any one work—in this way, the realm of emptiness itself is also a process of technical accumulation rather than a result.

While chatting, the two walked into the audition studio, and Gong Daisheng helped introduce the identities of both parties, and after politely greeting him, Nao sat on a chair prepared for him and auditioned...... To be precise, it should be the beginning of the "second audition".

If you want to judge the palace generation, the realm of emptiness is indeed a very good work, especially if you compare it in the light category, then it should be a pretty good "top" work.

But in fact, it is not so much "profound" as "pretending to be profound", including the narrative mode, which is arranged to create a certain "mystery...... From the perspective of Nao's creation, it also serves as a core part of the entire Shigetsu worldview.

However, the first part of these things that is highlighted and embodied, and the first thing that catches people's attention, is still the character of the work, more precisely, the character of the protagonist "Two Rituals".

So like general works, the character design is also the top priority of the empty realm, and the animation wants to show the charming character design on the text, there are two very important parts:

The first is the image of the picture.

The second is sound.

This is not difficult to understand at all, so from the perspective of the original author, he attaches great importance to the choice of sound.