It's one thing for Gong Daiju to be the supervisor candidate, but it's another thing whether the other party will accept the job.

"Ms. Sugita, maybe your work at Mad Poihat during this period of time should be considered a 'personal loss', after all, there seems to have been a period of turmoil on the 'Kyoto Animation' side before......" Miyayo Kana said to Naoko Sugida in an apologetic tone.

This year, during the production of "Lucky Star" at Kyoto Animation, a serious "internal split" occurred very suddenly, and the direct result was the departure of some of the main production staff...... To a certain extent, this is a crisis for Kyoto Animation itself, but it may be a more important opportunity for their newcomers.

To put it simply, after the people above leave, the people below have a chance to go up.

It's just that in the process of this kind of thing, Sugita was "loaned" out, which can be regarded as a situation far from the Kyoto Animation Center, which objectively caused her to miss some internal opportunities...... That's what Miyayo means by "loss."

"President Miya has also paid attention to the matter of Kyoto Animation?" Sugida asked, but after thinking about it, she thought that the question was too pointless, this kind of thing has probably been heard of by everyone in the industry, not to mention that Mad Poihat and Kyoto Animation are so close in physical space.

"From the perspective of competition in the industry, Kyoto Animation next door should be regarded as a 'behemoth' for us, so this kind of thing that should be paid attention to naturally needs to be paid attention to at all times." Miyashiro replied with a smile.

As he spoke, he glanced around the office of Yukiko Ryugen...... It would be more accurate to say that all the supervisory and supervisory positions of Mad Poihat are crammed here, so a lack of space is inevitable.

"Sure enough, we need to expand the workspace." He thought silently in his mind.

"Personal loss...... I shouldn't be able to talk about it, after all, this kind of thing happened too suddenly, and I had already accepted the work commission of Mad Poihat before, but it was ...... It's just a pity that this kind of exodus is a bit of a thing. Sugita responded.

At most, she could only lament that she was a little unlucky, and she could not take Mad Poihat, who had already submitted the work commission, who had accepted the work commission, as the party responsible for her missed opportunity.

Because the work commission here did happen before the events of Ben, no one can know the prophet, right? If it's just bad luck, even if there is a personal loss...... Then she simply didn't mention it, because there was no point in mentioning it.

Miyashiro Kanata shook his head, as if to mean that the gossip about Kyoto Animation was over, "Speaking of more practical things, will Ms. Sugita accept a new work commission, which is to supervise the anime called 'Strawberry Marshmallow'." ”

“…… Is that a kind of compensation? Sugita asked rhetorically.

Gong Daijuan mentioned "loss" before, so now his approach is a targeted compensation, she doesn't know.

"No, how could it be? Just like the previous invitation to Ms. Sugita to perform at Little Forest, we are optimistic about your abilities, and that's all. Miyadai said in quite decisive terms.

The loss mentioned earlier was just a casual statement, and if Mad Poihat now makes up for it in the position of overseer, then in an objective sense, does it mean that he has become the party responsible for Sugida's current small disadvantage in Kyoto?

How could Gong Daiyu admit such a thing...... Objectively speaking, he is indeed one of the culprits of this kind of problem, after all, he is the kind of person who "predicts the unknown", but how can he admit this kind of thing?

It is a fact that everyone is unaware and therefore everyone is not responsible...... Metaphysically, this is even true.

But generally speaking, there are two sides to things, and when artificial intelligence appears, artificial intelligence will appear, which is inevitable...... Miyashiro insisted that she trusted Sugita in his abilities, so she had the opportunity to be a TV animation supervisor under the premise of a serious lack of experience.

"It is gratifying that the ability of a young person like me is affirmed and that he can have the opportunity to act as a supervisor...... Sugida feels that what she said is a little awkward, because she also understands that it is another younger person who affirms her as a "young man", "If I abandon the influence of various external factors, I naturally need to accept it gladly, but the problem is that one cannot look at the problem too one-sidedly......"

"To put it simply, if I finish my work as an overseer, will I be able to return to Uji City?"

I have to say that she raised a more critical question...... After doing this supervision, will she be able to return to Kyoto Animation?

First of all, it's a matter of time, after she finishes supervising TV animation, even if she leaves Kyoto Animation for a year and a half to two years, will it be so easy to return then?

Secondly, even after she returns, will Kyoto Animation have any plans for her? Did you work as a supervisor at Mad Poihat and then work on the concept after returning to Kyoto Animation? In this case, everyone will have a psychological gap.

Finally, putting that aside, what if Mad Poihat had a new overseer after this overseer?

For this question, Miyashiro smiled and didn't say anything...... There are some things that need not be said, as long as Sugita has no hole in her head, she can understand that the person on the other side wants her to stay here.

The decision to make her a direct supervisor can also be used as evidence that what he called "recognition of competence" is a fact...... Although Mad Poihat is not as big as Kyoto Animation, such a "leapfrog promotion" is always unusual.

"Speaking of which, from the perspective of talent demand alone, has President Miyaya considered contacting Mr. Yamamoto?" Sugida still couldn't make a decision right away, so she turned to this question.

Mad Poihat is indeed short of talent, and the "sales unit" was dismissed from the process of making Lucky Star, and 12 performers and concept artists were taken away from Kyoto Animation, and the standard of these people was ...... Let's put it this way, including names such as Watanabe Masa, Shinobu Yoshioka, Satoshi Kadowaki, Yusuke Matsuo, Emi Kasumaru, and so on.

"This ...... It can only be said that talents and people who need them are different. "This time, Gong Daiyu really shook his head.

The truth is not that he "doesn't need" as he said, but that he won't come, and the group of people who have left Kyoto Animation are "huddled together to keep warm", and after that, they are all "promising".

But the stage on which he showed his talents probably had nothing to do with Mad Poihat.