Chapter 127: Profit and Fame and Female Drivers
Miyadai explained the motivation of becoming an animator in a way that was real with a lie and a lie with truth, and if you mix these things together, you can basically win a considerable degree of trust.
Although some of his words do not involve a life understanding that a person of his age can say, it is understandable that he is considered a "precocious" person in light of his experience.
And to explain it more simply in the direction of the "true meaning" of his heart, it seems that the person Miyadai is a bit superficial: he thinks that it must be interesting if he can use the works he creates to make more people remember his name.
In fact, in his life choice, at least one point is more clear: if a person's purpose is simply and rudely divided into two aspects: profit-seeking and fame-seeking, then there is no doubt that Gong Daiju is inclined to the latter.
After all, if it is "profit first", then choosing an industry like animation is a bit of a hard job.
As a common figure of "two lives as a human being", Gong Daiju has a more representative feeling: people always need to leave some 'legends' in life after all.
Of course, he doesn't feel that he is the kind of person who can change people's lifestyles at the level of the general public, and if he competes in creativity in terms of "productivity", some people will not be able to live for 50 years even if they live for ten lifetimes, and in some respects some people are destined to be unable to enter the temple level.
Roughly speaking, if you talk about business, his biggest legend is just the kind that leaves a sentence "Jiangnan Leather Factory has closed down" and then drifts away.
What's more, he is still a person with a literary heart.
So the truth is not exactly the same as his self-description in the interview, on the contrary, even from a utilitarian point of view, he quite likes to animate.
When it comes to artistic value and profundity, pictures are actually far inferior to words, but we can't expect someone like Gong Daizuo to write any great works, that would be too exaggerated.
Correspondingly, the more profound the text, the less popular it is like a video image. In this respect, no matter how profound a film is, it is just popular art, but in modern society, this kind of art has occupied a mainstream position in the public eye because of its diffusion, appreciability, and acceptability.
Animation is also a type of picture form, so Mr. Gong is constantly forging ahead along the road of art...... Oh, and traveling to a small island nation on a slow, broken boat is also part of this endeavor.
…………
After another inefficient move, Miyashiro landed in the Seto Inland Sea, but the difference was that it was not the same port as when he had set out before.
The ship finally came to a safe stop at its berth, and then Miyadai walked down the gangway in the midst of a crowd of tourists, while moving his own body...... After staying on the ship for a long time, there will always be a feeling of fatigue.
As long as the time is long enough, no matter what means of transportation, it will give people a feeling of cramped space, and the sense of limitation of the range of motion will become stronger, and this psychological feeling will also be reflected in the body, and the fatigue of long-distance travel will also increase.
So, in general, it feels better to have your feet on land, even if it's a land where earthquakes can happen at any time.
After getting off the boat, he first picked up his phone to check the time, and then walked away from the crowd towards the parking lot.
"D36", in front of a sign, he found where he was supposed to go, and then determined his direction and walking route.
As he approached the area, he saw a car open its door, and he smiled and waved his arm...... Here, he saw the female driver who had come to greet him.
"Senior sister, long time no see." Miyadai walked to the opposite side of Iwami Mai and said hello like this.
"I haven't seen you for a long time, I always feel that what I said is quite unrealistic." Iwami Mai glanced up and down at Gong Daiyu, and then she didn't know if it was her own delusion, she felt that he had grown a little taller again?
"The ship seems to have arrived a little earlier? I thought this kind of cruise would be delayed a lot. ”
She really doesn't have the feeling of not seeing her for a long time, because although they are separated, the contact between the two has never been interrupted, and there are phone calls or emails almost every day, so the sense of distance is not deep. "Long time no see" is true, but it sounds a little awkward.
"Is everything done over there? Are the people you recruit still receiving language training? She asked again.
Gong Daisang said, "It's basically done, as for those original paintings, they will probably come over after solving the visa problem, and the language training link seems to be indispensable, but if it is to be carried out, it will also be carried out here, and the language environment has a great impact on language learning, right?" So you should be able to learn faster here. ”
The original artists in China didn't come with Gong Daijiao, not to mention anything else, and the others must not have psychological barriers to the point where they have to take a boat, and they will definitely fly over after everything is done.
"In that case, with the addition of the new staff on Mad Poihat's side, and the addition of the tight manpower of the previous two production teams, the two aspects will be pieced together, and the third production team will soon be formed." Iwami said.
In terms of recruiting manpower, it is definitely more convenient for the senior sister to be on the side than on the palace side, and when the latter gets things done, the former will naturally not be mentioned.
Normally, she motioned for Miyadai to get on the bus, which is more than 80 kilometers away from Kyoto, so this kind of greeting seems to be very meaningful.
"I'm going to drive?" Miyadai asked triedly.
"No, didn't you just get off the boat, and...... Do you have a driver's license? Iwami asked rhetorically, and at the same time opened the door on one side and sat in the driver's seat...... Compared with the question of whether he is mentally poor because of "long journey", whether he can drive or not seems to have more to do with whether he has a driver's license.
"No, but I'm sure I'm going to drive it and it's driving well." Gong Daizu said with certainty.
"But before you talk about driving skills, you have to take the traffic law seriously."
As it turned out, Senpai's words were very reasonable, and so far the laws of various countries would have prevented him from sitting on a four-wheeled chassis and holding a ring called a steering wheel.
“…… Also. ”
Miyayo quickly expressed his approval, and then sat in the co-pilot's seat.
After all, this kind of thing is still relatively serious, and it will either raise legal or moral problems, and avoid the former when it triggers the latter. Needless to say, the legal issues are as far as the latter, the amount is ...... For example, in order to avoid traffic penalties, the transposition play and the like?
In the final analysis, Gong Daisa is still a good citizen who abides by the law, and has the good will to never do anything abroad that will damage the image of the Chinese people.