Despite the existence of the so-called "magic element",And the identity of the heroine is a "witch",But in essence, the flying witch is still the kind of daily animation with a flat plot.、The main warm daily animation.,That is, it's not a radio wave or a second.,It's hard to even say that there are elements that sell cuteness.。

Because of this, there may be a small group of fans for such works, but in reality it is difficult to achieve commercial success with this kind of plot with few ups and downs and conflicts...... In fact, it's the same.,If it's put in the future.,The animation sales of this work will be maintained at the break-even line.。

But that was the case later, after all, the audience at that time was accustomed to selling points such as selling legs and detailed picture processing, although the work of The Flying Witch also did this kind of processing, but in order to be commensurate with the plot, it was not deliberate, and the picture was not exaggerated...... At least when it comes to showing the physical beauty of the female characters, this work uses the whole picture, rather than staring at the lower body of the female character all the time like some anime - yes, Rin Tosaka.

And if such a work is produced and broadcast now, there may be a possibility that it will be "promising".

"If, as So-kun said, this animation project is really feasible, then there is another obstacle that you haven't mentioned yet...... You really have to do this animation yourself, knowing that you didn't have anything to do with the profession of animation supervisor before that. Rinka-senpai said that through the previous explanation, she has fully understood the idea of this animation project...... It can also be said that I was persuaded by the idea of Miyadai.

However, she still doesn't think that Gong Daiju has the ability to become a supervisor, after all, the position of supervising this kind of position that needs to coordinate the overall situation of an animation requires the accumulation of experience.

Generally speaking, young people who enter the animation industry tend to start as animators, and then they will go further and start making concept paintings, which are the starting point and the fork in the road.

Starting from the original artist, there are basically three ways to go, one is to gradually develop from the original painting to the aspect of character design and painting supervision.

The second is the development from original painting to performance and supervision.

The third is to insist on doing original paintings, pursuing the ultimate action, and eventually becoming the kind of super-level original artist.

Therefore, it is only natural for Iwami to be suspicious...... Gong Daijuan was only doing work on story composition before, which was partial to text and script, and he had never done anything like this specific production link, but now he has to jump directly to the supervision link, and no one can have much trust in him.

After all, animation itself is an industry that is quite experience-oriented and senior.

Iwami glanced at Miyadai's right-hand side of the table, which looked like a bird that I didn't know had bought from the roadside stall, let alone which bird author had written it, and on the cover of the book was written in rough bold letters: the application of the animated shots, the layout, and the layout of the picture.

So this kind of behavior of grinding guns in battle...... If anyone is willing to invest money in such an "overseer", then it is called nothing to find excitement.

"Senior sister thinks things are a little too complicated, the so-called supervision is nothing more than telling stories with the camera, and everything is understood." Miyadai said.

There is nothing wrong with his statement, the director does this kind of work.

But Iwami Mai still felt that what Miyadai said was too simple...... This statement seems to indicate that he has experience with other overseers.

Of course, she didn't know that a person like Gong Daijuan, who could be called a "god man", really had such an experience.

"Each supervisor has his or her own characteristics and what kind of animation can be made...... Senpai, let's wait and see. ”

For example, Jun Miyazaki, when it comes to Jun Miyazaki, the first thing that comes to mind is the "storytelling" of his works as a whole; Compared with today's sensitive, what impresses people the most is often the "sense of lens" that is partial and detailed.

Another example is the new generation of animation supervisor Shinkai Cheng, when it comes to Shinkai Cheng, people often think of the art and CG of his works, after all, he is a "wallpaper maniac"...... Well, there's nothing wrong with that, but in fact, Shinkaisei's biggest feature is the monologue-style story progression, he is used to and is good at constantly using the inner monologues of the characters to advance the plot, as for his story structure or narrative ability...... In fact, it's okay to be weak enough.

So when Shin Haicheng tried to tell the story seriously from beginning to end, there was a commercial blockbuster "Your Name...... It's a commercial work through and through, and it's commercially unprecedented, but the story is ...... Well, in short, Xin Haicheng was finally able to tell a complete story in an hour and a half, which is gratifying, congratulating, congratulating.

So far, the director's best work is still five centimeters per second, this work does a good job of "promoting strengths and avoiding weaknesses", not good at storytelling, Shinkai Sung cut this 60-minute work into three unit dramas, and gave full play to his strengths...... Few works with more monologues than dialogues can garner as many positive reviews.

To summarize it simply, it can be said that Shinkaisei and Miyazaki Jun are still 2 billion Yamamoto wide ......before

So here's the question.,The names of the three animation supervisors appear in this sentence.,Which three of them were hacked?

As far as Miyayo is concerned, he prefers the traditional, classical, and classic storytelling style of Miyazaki Jun, or he is more inclined to pursue the word "simple" than propositions and pursuits such as "Hongda" and "fancy".

There is no stronger overseer than one who can tell a story in a down-to-earth manner.

…………

While Miyashiro was analyzing the possibility of his new anime project being accepted, Tokyo's Aniplex was also receiving it.

However, unlike Miyadai Kana's previous thought, his plan would be directly placed and dealt with because Mad Poihat's identity was unknown, in essence, Aniplex really has a certain understanding of Mad Poihat's side.

Again, the reason lies in ListenNepster, a site from Sony...... To be more specific, it should be said that Sony Music does have a stake, and Aniplex is also a subsidiary of Sony Music.

Sony is a behemoth, if you want to ask how many subsidiaries it has, it can only be described as N, many subsidiaries that have no business connection may be in a state of old age and death, but the person who received the Miyadai plan just happened to be concerned about the situation on the Aniplex side.

So when I got this thing and saw that it was labeled as from Mad Poihat, an animation company, the people at Aniplex didn't just skip it, but took it apart with great interest.