Chapter 112: The Painting Room
After coming to the room behind the famous painting, Yin Fei'er looked at the scene in front of her, and five doors appeared in front of her. Coupled with the empty door that he just came out of, there are a total of six doors in the room he is currently in.
Not counting the door I just walked out of, except for the one in the middle of the door, which seemed to have a golden door, the other so-called doors looked like they were black, as if there was a black wall behind this door. More like such a black border that has been hollowed out above the walls.
Yin Fei'er stepped forward, the lights in this room were relatively bright, and the space was relatively large. It looks like it should be half the size of the exhibition hall. However, there was nothing here other than the five doors in front of it.
It is said that there are five doors in front of you, but in fact, you are standing above the angle of the empty door behind the famous painting at the entrance just now. The position where Yin Fei'er was now was in the center of the whole room, and the five doors, or six doors, were distributed around her.
The golden gate appeared in front of him.
Yin Fei'er began to explore from her left-hand side, and there were two and one black doors on either side of the golden gate. Except for the door she had just walked in, she was standing at the leftmost door.
When I came to the door on the far left, it was dark in front of me, and I didn't know what it would look like behind it, not to mention, there was no key to this door, and I didn't know how this door opened.
But look at the black door wall in front of you. There are some gaps in the connection between it and the surrounding recessed perimeter, and the gap is so small that it is almost impossible to see if you don't look closely. And the size of the black door in front of him is like the door he just came out of.
For a while, Yin Fei'er, a lover of reasoning games, suddenly had a new idea in her mind, and she felt that she would soon let her idea be verified. Because the light in this room was bright enough, she didn't need her flashlight at all, she put away her phone, then held the book in one hand, and then used the other hand to touch the black "wall" that had just recessed into the frame in front of her.
When her fingertips touched the black wall, Yin Fei'er really felt some faint touch on it, although this phenomenon was not obvious, but it did move. When she came out just now, when Yin Fei'er put down the famous painting with a metal frame, she saw that the back of the famous painting was also this kind of black. Although it is not easy to see the separation from the wall, when I touched the black "wall" with my fingertips, the "wall" moved slightly. This proves that my conjecture is correct.
Yin Fei'er, who was on the far left, pushed the wall in front of her hard. After that, I saw the black "wall" fall downward, as if it had been completely pushed down. Then, there was the sound of a heavy object falling in front of him.
Then in front of her appeared a black, empty door that was exactly the same as before.
Because there was no light inside the empty door, Yin Fei'er could only look inside with the subtle light shining into this room. But this bit of light is not very useful.
Then, Yin Fei'er took out the flashlight in her hand again, and then walked towards the empty door in front of her. The flashlight on the phone illuminates the scene inside. After just entering, Yin Fei'er couldn't help but feel that this room was a little familiar.
If you look closely, isn't this the same exhibition hall they saw the day after they arrived at the Museum of the Dead!
In this way, in other words, the room of the exhibition hall that has not been found in the first place is here. Yin Fei'er took a lot of effort to lift the heavy object that had just fallen on the ground, pestle it on the wall, and then used the light on the flashlight of her mobile phone to illuminate the content on it.
This is the only famous painting with a metal frame hanging on the wall in the second exhibition hall, and Yin Feier will not be mistaken, because there is also this famous painting on it from 1893.
It is also the only one on the wall that is encased in a metal frame. When I looked at it again, I remembered that before I entered the room outside, it seemed that I had also taken off the only famous painting with a metal frame in the chaotic exhibition hall, and then came in. Now it's the same way, even the location is exactly the same. If you look at it this way, it really verifies the sentence written in Jin Xi's book just now: "The only place, the contemptible live!" "What? However, this can only explain the "only place", but this "contemptible residence", no key clues have been found so far.
After turning on the flashlight and making a lapse in the room, it was exactly the same as what they had observed, and the things in the room had not changed, which was the room they had seen the day after they arrived at the museum.
And in the center of this exhibition hall, Yin Feier also saw the four famous paintings that she and Zhang Xiaoqian found that day, and the clue is "behind the bookshelf".
After observing this, Yin Fei'er left the room and walked out, and came to the black empty door to the right of the door just now. With the same action as Fang Cai, Yin Fei'er pushed down the famous paintings on the wall again. In an instant, the familiar sound of a heavy object falling came again.
Yin Fei'er walked into the back of this empty door again, and helped up the famous painting that collapsed on the ground, as in the same situation just now, this famous painting was not hit hard because it was wrapped in a metal frame, but because the famous painting was only wrapped and there was no other protection, the famous painting was stained with some dust. But fortunately, the floor in this exhibition hall is some smooth floor, and there are not too many dust particles.
In Yin Fei'er's opinion, this may be the reason why this painting must be wrapped in a metal frame, on the one hand, to serve as a reminder, and on the other hand, to be able to protect this famous painting, after all, these famous paintings are already valuable antiques now.
Then Phil looked at the contents of the famous painting, which was dated 1882. If Yin Fei'er remembers correctly, this is the famous painting they saw on the first day they arrived at the museum. After thinking of this, Yin Fei'er pointed the flashlight at the room.
Whether it is the decorations on the walls or on the exhibition stands, they are all in some complex and chaotic color styles. This is also the style of this whole room.
After also wandering around, Yin Fei'er was on the ground, in the center, as if she had found something, which could still emit golden light in the dark. Then Yin Fei'er stepped forward and pointed the flashlight there. Stooping down to take a closer look, it turned out to be a watch.
Thinking about it carefully, Shu Xiaoran seemed to have said that he had lost a watch in the exhibition hall when he first came. It seems that this watch should be Shu Xiaoran's.
Yin Fei'er picked it up, prepared to put it in her pocket, and then took it to Shu Xiaoran. But just as she was about to leave, Yin Fei'er thought about it and put the watch back in its original position.
Judging from the current situation, there are only six doors in total, which means that there will be no other ones in these exhibition halls. Within seven days, these halls are always reincarnated. In addition, I don't know if I can leave here, and even if I know that these exhibition halls will still appear, it will be a few days later. At the earliest, I will follow the exhibition hall at 0:00 tomorrow night. This is on the premise that I haven't found another way.
And the most important thing is that it is better to let Xiao Ran find it in person than to give it to Xiao Ran, she knows what this watch means to Shu Xiaoran, because she has this feeling herself, and that was a long time ago
After putting down her watch, Yin Fei'er left the room. I was in the brightly lit room again.
Continuing to move to the right, this time Yin Fei'er came to a golden gate that was a little larger than the black door just now.
And there is a slight difference, the golden door in front of you is a little more forward than the black door just now. It was about two-thirds the size of the current room, and it looked big, and Yin Fei'er would have to step back from the position she had just now if she came to the door.
In front of him was a golden door, and it was the only door in the room with a doorknob.
But there's no such thing as a key cylinder on this door. Either the door opens in a special way, or the door is not locked at all. It's just an empty door that pushes down the handle.
With this suspicion, Yin Fei'er put her hand on the handle of the golden door, and pressed her hand down in the same way as when she was at the door of the exhibition hall before. In the second case, which I had just guessed, the door was not locked.
Immediately after, Yin Fei'er pushed open the golden door in front of her, and the room was dark, but it didn't look like there was no light. Yin Fei'er hadn't turned on the flashlight at this time. Because she saw green fluorescence on the walls of this room.
This should be the switch for the lighting in this room. Because the light inside is not noticeable now, there is no way to judge the size of this room. However, Yin Fei'er was able to grope for the wall, and she felt the wall and walked in the direction of the green fluorescence. Then in front of the fluorescent, I pressed the switch in front of me.
Soon, all the lights in the room came on. Illuminate this room brightly, because the lights are too obvious, and there is no light in this room, so the moment the lights are turned on, Yin Fei'er was stabbed and couldn't open her eyes.
After slowly buffering herself for a while, she opened her eyes and looked at the whole room, and suddenly, she seemed to feel that she had found the room she had been looking for for a long time.
This is the room where Jin Xi painted before!