The room where Jin Xi painted! This Yin Fei'er has a place that others have been looking for. We all know that this Museum of the Dead was originally the residence of Jin Xi, a master painter at the end of the last century. There must be a room for Jin Xi to paint, but I didn't expect it to be here.

Stung by the bright light, she couldn't open her eyes, and after her eyesight gradually recovered a little, Yin Fei'er looked at the room in front of her. There are many drawing boards on it, and there are metal patterns on them. It looks light, but it gives it a noble feeling. In addition to the drawing boards, the walls of this room are covered with Jin Xi's works.

As Yin Fei'er walked around the wall, she saw a famous painting on the wall with Jin Xi's name written on it. However, the works in this studio are not as regular as the famous paintings in the previous exhibition hall. For this, each of its paintings is marked with the time, as well as the introduction, and the name of Jin Xi. Then there are some of the tools used in the studio for carving. It seems that this Jin Xi is not just a painter, but just a sculptor.

But there are also strange things in this room. It seems to have a kind of smell, but it's still very familiar. But it smells very weird.

Yin Fei'er followed the smell, and finally found a can of spray in the corner of the room. Yin Fei'er stepped forward and squatted down in front of the can of spray. The jar doesn't look very big. Yin Fei'er picked it up, then put her nose forward and sniffed it again.

Soon, she was sure what the spray tasted like. That's what the famous painting on top of each exhibition hall tasted like before. It smells of a little blood, but it's not exactly blood.

After Yin Fei'er fumbled on the jar for a while, she found that the jar could actually be opened. Immediately afterwards, Yin Fei'er put down the jar in her hand on the floor again. After twisting the lid off the can, she aimed her flashlight inside.

The color of the reagent inside was colorless, not red, and after the lid was opened, the smell of blood became more pronounced. But that should show that this must not be blood. It can only be said that it is a reagent with a bloody smell. But after all, it's not real blood, so there is still some difference between its taste and blood. This may be the reason why Yin Fei'er felt a little strange when she smelled this blood smell reagent.

After thinking of this, Yin Fei'er suddenly thought of the famous paintings with metal frames on the walls of the previous exhibition hall. It smells exactly the same as this one, but it smells of blood and smells a little weird. In this way, it should be because of these sprays on those famous paintings with metal borders that they have that strange smell. But here again there is a doubt. First of all, there is no doubt that these sprays must have been sprayed by Ling Qi. It's just that Yin Fei'er couldn't understand the reason why Ling Qi did this.

What is the purpose of deliberately letting these people smell this smell on famous paintings?

With this in mind, Yin Fei'er continued to rotate around elsewhere in the studio. In another corner, there was a lot of paper for painting, and some paper that had already been painted. In the process of casually flipping through it, she found that the famous paintings on it were of different dates, some before the 19th century and some after the 19th century. But there is no strange smell on it. And under each famous painting is Jin Xi's name.

However, there is also a very strange place, when Yin Fei'er was looking at some famous paintings before the 19th century, she found that some of the brilliant paintings on them had some traces of slag, like some fine particles attached to the paper. Because the color of the watercolor is the same, the color of the grain on it is also different.

This phenomenon arose in some famous paintings before the 19th century, and there were also some famous paintings before the 19th century that did not have this situation. But in all the famous paintings from the 19th century onwards, there is not a single such case. It is to give Yin Fei'er a feeling. Some of the pigments of watercolors before the 19th century are impure, so there will be a phenomenon that the watercolor stems into particles and adheres to the famous paintings. However, the watercolor on famous paintings from the 19th century onwards looks very pure. There is not a little bit of hair shaft that looks like a particle.

Regardless of these things for now, Yin Fei'er just wrote down these phenomena, and then continued to walk around in this studio, and now the most important thing is to find clues to leave here as soon as possible. Otherwise, in a few days, even if someone finds out from somewhere, I am afraid that I will not be able to support myself because of hunger.

When Yin Fei'er was about to leave, she happened to see a pen holder next to the pile of famous paintings. At first glance, the pen holder was high and covered with a lid, which attracted Yin Fei'er's attention.

She was about to get up and leave, but she came to the pen holder again.

Fei'er saw that there was a layer of ash on the top of this tube, and the first one on the top of the pile of famous paintings just now was also a little dusty, but just now because he was in a hurry to look at the famous paintings below, he didn't look at this carefully.

But now there is also a layer of dust on the lid of this pen holder. This means that the thing here has been sitting for some years. But there are also clean things. For example, when I first came in, the floor in this studio was very clean, and I couldn't see a little dust. There is also the jar where the reagent was placed just now, Yin Fei'er remembers it very clearly, there is no dust on it, it seems that Ling Qi often uses it, and Ling Qi also cleans it often in this room.

It's just that he hasn't touched the pile of famous paintings in front of him and this pen holder. If you think about it, it should be because these are all Jin Xi's things, and Ling Qi won't take the initiative to touch it.

And yet now in front of myself, the pen holder. Yin Fei'er thought that it should be all the brushes that Jin Xi used to paint before. Subsequently, Yin Fei'er took out the paper towel on her body, because she was not wearing gloves, so she could only use paper towels instead. Hold the paper towel in your hand, then open the lid of the pen holder and put the paper towel down. I also forgot that just now, I forgot to use paper towels when I was looking at famous paintings.

After the lid of the pen holder was opened, Phil looked at the paintbrush inside the pen holder. There are only three simple brushes, and the length of the brushes varies. The most important thing is that Yin Fei'er also saw some watercolor particles attached to the tip of the brush, which had dried, but did not fall off.

Then, Yin Fei'er took out the paintbrush inside and put it in front of her eyes to watch. Wait a minute, she seems to have found something again. If you talk about the shortest brushes, there are medium-length brushes with some watercolor grain on them, and the color is not just one. But on the longest brush, not only the position of the nib, but also the position close to the nib, the color of the pen is dark red, and some of it is dry, and it becomes a few small particles attached to it, which is the same as the nib and the barrel.

Although Yin Feier is not a professional criminal policeman, she is also an ordinary person, not to mention a famous lover of reasoning games. It was impossible for her not to recognize it. This is what happens when the blood has dried up, on the tip and barrel of the pen.

Only this one pen looks like this, and the remaining two brushes only have some traces of watercolor drying on the tip of the pen. The brushes should have not been cleaned before they were put in, or did they do so on purpose. At present, Yin Fei'er has no way to find a reasonable answer. But Yin Fei'er can now be sure of one thing, this longest paintbrush must have been stained with blood, what did Jin Xi do at the end of the last century?

The blood-colored brush in front of him, and what is the secret of the entire museum, will there be a connection between the two? Thinking of this, Yin Fei'er suddenly thought of the book Jin Xi that she had been holding in her hand, "One Man's World", and I don't know if she will find the answer in it.

The light in this room was relatively bright, and it seemed to be brighter than the light in the dining room before, and the contents of the books could be seen a little more clearly. Yin Fei'er found a random place in this studio, and under the light, she flipped through the book

Time passed, I don't know how long Yin Fei'er has been reading, and I don't know what she saw in the book, I saw Yin Fei'er's eyes on it, her brows locked for a moment, and then her eyes kept staring at the page in front of her, and after a while, Yin Fei'er closed the book, without the slightest stagnation, picked up the phone and the book and left the room.

As if to determine what was going on, after coming out of the studio, she came to the right side of the studio, where there was only a black empty door, but there was another empty door next to the door she had just come out of, and that door was a little far away from the two doors she had just entered, the door to the right of the studio, and the door that had just entered. What is in this, Yin Fei'er will know for a while.

She is now in front of the black door to the right of the studio. To the right of this door is a large wall with no content on it.

Regardless of other places, the black door in front of her, Yin Fei'er pushed this door open according to the previous way of opening the door. To be precise, it should be the famous painting on this door. There must be another exhibition hall behind this, but Yin Fei'er didn't know which one it was.

As before, after the famous painting was pushed down, Yin Fei'er turned on the flashlight, illuminated this room, and helped up the famous painting that had fallen on the ground, and this room was both familiar and unfamiliar to Yin Fei'er, because for her, this room was an exhibition hall that she had not seen before.