As the black "door" was pushed down, Yin Fei'er turned on the flashlight in her hand and walked into the dark room as before. It was an exhibition hall, something she knew before she entered it. I just don't know which one is inside. Whether I've seen it before is still unknown.

Bending her body slightly, Yin Fei'er picked up the famous painting with a metal frame on the ground behind the forbidden area, put it on the wall, let the painted side face her, and then pointed the mobile phone flashlight at the painting.

She looked at the famous painting in front of her, this painting did not have a deep impression on Yin Fei'er, or she had never seen this painting at all. But this painting does have Jin Xi's name written on it, and look at the time on it, 1879! This is a famous painting from before the 19th century. It seems that the people above are Ling Yu and Qin Jian, and they haven't seen this exhibition hall yet.

After leaving the painting, Yin Fei'er pointed the flashlight at the room in front of her, and let the light in her hand illuminate the entire exhibition hall and take a look. There are most sculptures in the room, as if a person is carving himself, all in this style, not quite the same as the room where Jin Xi painted just now, the sculptures in it are not in this style. And in this room, there are some models and specimens related to babies. I don't know what this exhibition hall is trying to say.

The decoration on the walls is also very monotonous, without excessive color, which is some of the style of this whole room. Then Yin Fei'er wrote down a general description of the room and left. Go out and want to go somewhere else.

Then, when Yin Fei'er walked out, she looked at the situation outside, which was different from the left side of the golden gate, there were two such black "doors" on that side, but there was only one such one on the right, and on the right side of the door that she had just walked out of was an empty wall, and there was nothing on it. After passing the long, empty wall, it was the room I had just walked out of.

Yin Fei'er recalled the process of coming down from the chaotic exhibition hall just now, first the exhibition hall began to descend, and then the exhibition hall began to move left and right, Yin Fei'er looked at the black door on the right side of the empty wall, which she had just walked out of.

Could it be that inside this long wall is the passage that I just came down from?

That's all she can guess now. Yin Fei'er continued to walk with the book and mobile phone in her hand, and after passing the door she had just walked out of, she directly ignored the past. At this time, she looked at the watch in her hand, and it was almost eleven o'clock on the night of the 9th. I didn't expect that I had been in this for nearly 24 hours.

I've been here since the early hours of this morning, first spending some time in the chaotic exhibition hall finding the entrance to here, and then some time looking around each room.

If you want to say that it took the longest time, it should be the room where Jin Xi painted before in the golden door. There is also one thing that Yin Fei'er has never been sure about, what is that blood-colored paintbrush used for, and those fine particles. And that jar that smelled of blood. It's all for.

In this room with six doors, Yin Fei'er has not started any action, at present, there are many rooms in it, only one room has not been entered by herself, and there is only one left.

In the room where Jin Xi was painting before, Yin Fei'er saw a sentence in the book "One Man's World": "The pain of the previous life, the immersion of red, the salvation of the soul, the art of the dead!" ”

This is the only clue that Yin Feier can find in that book that is valuable. In addition to these, most of them are some of his thoughts when Jin Xi was still alive before. There is also a self-report of inner loneliness. Even if he was a strange person, he liked to be alone, and he was accompanied by only one servant in this museum, but he may have longed for someone to talk to him.

However, Yin Fei'er saw the sentence, as a lover of reasoning games, she felt that it was related to the secrets of the entire museum, especially those things in the room where Jin Xi was painting.

Thinking of this, more than half of the time has passed, and time has passed very quickly inadvertently. I looked at my phone, and the time displayed on it was half an hour, which was the early morning of the 10th. 0:00 a.m. Maybe something will change here.

No, wait a minute, Yin Fei'er suddenly thought of something. It was at this time that she saw an object like an iron hook in this room, placed on the side of the golden door, because it was a little bit ahead of the black "door" next to it.

I didn't notice the hook just now.

Yin Fei'er stepped forward and came to the iron hook, the structure of this iron hook was a little special, and it was a little different from what she had seen before. It's designed to be easy to pick up and easier to use.

What it looks like, Yin Fei'er has no way to describe it, and there is no way to explain it, the pinching place is very long, and it is very easy to exert force, which can make herself use a small force to cause a great effect at one end of the hook. This should seem like it's easy to use right out of the box. Looking at the black "doors" on both sides of the golden door, Yin Fei'er thought of the use of this iron hook for a while.

Then she picked up the hook and went to every empty door that she had just walked through, first entering, and then turning her back to the famous painting in the exhibition hall, on which she thought she should be able to find something.

After searching for a while, Yin Fei'er really found something behind the painting, it was a recess that was not easy to find, and it seemed that this small groove should be the one that fixed the painting to the wall. There is also a recessed groove underneath this small groove, which is not easy to spot because it is black at the same time.

However, the groove below is a little larger than the one above. Yin Fei'er looked at the iron hook in her hand again, which happened to match the size of the hook on it. Looks like that's how this hook should be used. After thinking it out, Yin Fei'er moved the painting to the empty door in the process of exiting the room, but it had not yet been hung. Next, connect the hook of the iron hook to the groove below the back of the famous painting.

But Yin Fei'er also found one thing, when she was in the exhibition hall just now, she didn't find anything like nails on it, but found a long black bar on the top of this door.

Suddenly, Yin Fei'er suddenly realized, no wonder this famous painting uses a metal frame, it seems that the long black stripe should be a strong magnetic strip or something, which just sucks the painting firmly on it. If you don't push hard, the painting won't fall. It's no wonder that there was no feeling of hook rubbing when the painting was pushed away just now. It turned out to rely on this powerful magnetic stripe.

It is precisely because this magnetic stripe is located on top of the entire Black Gate that it will not be too difficult to hang this painting, plus this special iron hook. Even if Yin Fei'er's strength is small, it is more difficult to move this painting, but with these prerequisites, everything has become a lot easier.

Afraid that Ling Qi would find out that she had come here, Yin Fei'er used the tools in her hand to put back all the famous paintings she had taken down before with hooks. This operation took me nearly twenty minutes.

Then, then, she looked at the time on her phone again, and there was still a minute left until the early morning of the 10th. But she also noticed a serious problem, the battery on her mobile phone is insufficient, if the phone is out of power and can't make a call, it's okay, anyway, the signal here is not very strong, I have tried to make a call before, but it is useless, the phone can't be dialed at all. This is true for the entire museum, to be exact.

However, if your mobile phone is not charged, you can't turn on the flashlight on it, and you won't be able to face the darkness, and you may miss some valuable clues. Thinking of this, Yin Fei'er turned off the flashlight on her mobile phone. Then she waited for the zero o'clock to come, and she knew that by the time it was zero o'clock, it would definitely change!

Time passed quickly, and when the time was getting closer to zero, in the process of waiting, gradually, the familiar "squeak" sound came into Yin Fei'er's ears. At the same time, because he was standing in front of a black door. So she could hear it clearly. However, what Yin Fei'er found was not only these, although the black "door" on it was not easy to be seen, but in this inconspicuous situation, Fei'er could still faintly see that among the slightly recessed squares, the famous painting that had just been hung by herself was moving. But the walls didn't change in any way.

This may mean that it is only the exhibition hall inside that has changed. In order to further confirm, Yin Fei'er also put her hand on the interview and tried it, and sure enough, she felt the feeling of the "black door" moving.

It's not just the black door in front of you, it should be said that all the doors have moved except for the golden gate, and of course, the black door facing the golden door has not changed, and only four doors have changed, including the one I just walked into.

In other words, the four rooms are moving, or five rooms, as well as the exhibition hall that was already on top of the museum. Gradually, the sound became quieter and quieter, just like when I came here the day before, so it seemed that the original four doors of the whole room should have changed. Just as Yin Fei'er was preparing to confirm further. Behind a black door came the sound of footsteps moving