6.5.1

In today's article, I wrote, "Between the mountains, there is a round of sunset, and the light shines, dyeing the valley red." Typing the words "light irradiation", I feel that it is dispensable, it is better to delete it, and I think it is also a verb, some like it, it is better to keep it.

It's a little funny to think about it, I tossed and turned for seven or eight years, complaining about the difficulty of writing essays at every turn, as if there was really some knowledge to study. In the end, it seems that the expository essay is the highest goal, and it is almost ruthless.

6.5.2

Flipping through the old text, I saw that I wrote a sword, "snow and snow have light", I was very surprised, I don't know where I learned this word.

6.5.3

I feel like I'm writing about scenery as a prop, and if it doesn't have meaning, I won't write about it. There is a reason for this as a principle, but it doesn't seem to be very cramped to read, as if it has no color.

6.5.4

Reading the old article a few years ago, I feel that some characters are very stingy, although they talk about the righteousness of the world, but their words and deeds are twisted. If you don't have an in-depth understanding of what you're discussing, you will naturally have such a feeling of dragging your feet.

But there are some things that I still like or are unexpected. There is a character who laments that he has great ambitions that his talent cannot reach, how unfortunate. I don't know I've thought about it from this point of view, it's very interesting.

6.5.5

Recently, I read some historical materials and tried to put myself in it and think about how this person did such a thing, how he thought at the time, and why it was like this.

The biggest worries right now are, firstly, consistently, still worried that the experience of the character is not real enough, and secondly, new, is the fear of lack of understanding of the environment I want to describe. The more people grow up, the more they feel that there are many things that they have never understood, especially the factors of the social environment. I focus on experiencing the pain of the characters, and some of the things that I still think are good after a few years are related to the feelings that I can experience, and beyond that, after a while, I will feel naïve and narrow-minded. This is true locally, and even more so globally.

6.5.6

Recently designed a character, starting with his negative story. What made him feel pain permanently, what he couldn't do in his life. What is his most obvious flaw, and how has he been evaluated for it. If he has strengths and strengths, how will these negatively affect his behavior?

Man is complex, but it is necessary to grasp the main stem when describing him. Alas, I feel that the people around me who are alive come and go, and I don't pay much attention to them. Isn't it ironic that virtual characters need to be seen?

6.5.7

I always say that real life is always unexpected. Thinking about the actions of the characters and the development of events, it may be appropriate to do the opposite occasionally.

6.5.8

I am not conscious of my own limitations, and what I write is often naïve, but I have too low self-esteem, and I look backward and weak. People are not born with knowledge, and they have to have courage when they create – and that courage is hard to come by. After all these years, I still feel daunted by the pen.

6.5.9

I often want a friend to talk to me when I'm stuck. But I'm afraid that the more I talk, the more I can't write things.