Some things about character settings (Part I)
Haha, I never used to analyze a character specifically when it was serialized. The previous role may have problems in the relationship, if it is a female character, it will be complained about, and the male protagonist will be complained about scum, these are all unavoidable situations;
Like Wei Jian and Qin Tang I wrote about before, they are all villains, but everyone complains about them is nothing more than scum in their feelings.
The role of Cheng Rao seems to have touched everyone's principles.
It seems that since I started to write about the interaction between Cheng Rao and Huang Ping, some people have expressed their dissatisfaction with Cheng Rao. Seeing people talk about her, I was actually relieved and a little happy.
Because what I want to create is a heroine who is selfish, unfilial, indifferent, full of thorns, drilled into the horns, and hides in memories and is unwilling to come out.
Now everyone is so dissatisfied with her, which is actually a success of my character creation. I often say that I don't know how to write perfect characters, so my characters all have shortcomings, and it just so happens that Cheng Rao's shortcomings are the kind that everyone can't tolerate.
Of course, I won't whitewash her either. Today, I will simply tell you the reason for arranging the characters in this way.
Readers who have been reading my article should know that I rarely write about a great and upright male protagonist like Wei Chi, whether it is family background or past experience.
I always feel that this kind of person is too far away from me, or I don't want to believe that there are such people in my life, and I am afraid that I am not down-to-earth enough to write it, for various reasons.
The original inspiration for this article came from a poem by Shu Ting, which I also posted before, and the name of the poem was "I Hope"-
[I hope he is like me, with blood in his chest and a wound in his heart.
Don't want anything to spend a good full moon, don't want a short flute and a long flute.
To be poor, poor as tea, a wisp of fragrance in bitterness.
Be proud, proud like an orchid, and hang up with autumn frost on your face.
We dare to wander in the white cemetery in the dark.
Listen to the pelican's laughter and chase the ethereal fluorescence.
We dare to lay a stake on the road to the future in the forest.
The ape on the dead branch stretches out its arms, and is not afraid of the snake spitting green mangs in the stone bushes.
We dare to follow the big whale and row a babbling boat,
Explore the distant harbor, let the wind be like a death knell and the fog be like a net.
Like us, we dare to plant pine nuts in the mud and ask them to become beams.
Like us, we dare to hold up the morning light, step on the flowers, and go to death.
Although, I am just a sesame seed, blown away from the path by the wind.
Far away from the gentle singing voice of the lark, far away from the charming fragrance of roses.
I firmly believe that there is another sesame seed, lying on the stormy earth.
Although we don't know each other, we are ultimately optimistic because we are on the same sun.
In this way, among the stars that cover the sky, look for the glimmer of light.
In this way, in the dense forest that covers the sun, the blurred leaf palm is recognized. 】
The character of Yu Chi was inspired when he re-read the poem, mainly from the sentence "There is blood in the chest, but there is a wound in the heart". Although this article is not long, if you carefully read the previous plot, you will know that these eight words can be used to describe the female protagonist and the male protagonist.
At that time, I YY came out of a man wearing a military uniform, with dark skin, very tall, a good figure, and a righteous body, and later I named him, Wei Chi. The red of sincerity, the red of the heart of a child.
When I name a character, it will be based on the personality, and when I give him such a name, he is destined to be a sunny and upright person, and I have a problem with this person, generally there is only one character in an article at most who is particularly sunny, otherwise I can't write. This has something to do with my mentality, I'm a relatively negative person, so I usually arrange very sunny roles, all of which are supporting roles. The silly white sweet female protagonist can't be written, so this time I wrote the silly white sweet male protagonist. (I hope Yu Chi doesn't hit me)
(Continued from next chapter)