Cheng Rao is not likable now, judging from my collocation, it is normal, if I want to write an empathetic heroine, I will not match her with a righteous male protagonist. Such a perfect CP match is not my style at all. You can go to my early articles.,Basically, either the male protagonist is sick or the female protagonist is sick.,Or the male and female protagonists are sick.,Anyway, it's impossible to be perfect.。

The deeper love should be "I can change you through myself", which is my original intention and the reason why I prefer imperfect matches.

Because of this setting, this article is destined to be a growth-oriented article, with the development of the plot, Cheng Rao's character will gradually change, but there must be a process in the middle, step by step, cumulative change, in order to achieve qualitative change. Qualitative changes include, but are not limited to, her attitude towards family affection and love.

This process of cumulative change is also the process of warming up the relationship between the male and female protagonists (to put it bluntly, it is the process of Yu Chi pulling Cheng Rao to the right path).

I also mentioned some of the relationships between Wei Chi and his mother above, and there is a reason why I arranged it this way: the formation of a person's personality is closely related to his childhood experience and his relationship with his parents.

The role of Cheng Rao is a contradiction in itself. The important reason for the contradiction is that she has always trapped herself in the past and refused to come out.

Some of the questions involve spoilers, and I don't feel comfortable talking about them.

Let's take two examples, which can be regarded as a simple analysis of Cheng Rao's psychology and how much the parents' way of doing things affects a person (there is no meaning to let Huang Ping take the blame.) ）

Here are some examples:

Xiao Ye has been dead for a year and a half, Cheng Rao can't let go of Xiao Ye, and has been paying for the Xiao family, and has repeatedly promised to take care of them.

When all readers see this, they will think of one thing - she loves Xiao Ye very much, and she loves her to death.

Basically, at this point, the thinking stops.

But as an author, it is impossible to support this matter with illogical love. In everything, I like to find a human motivation.

Why did Cheng Rao do this?

She loves Xiao Ye, of course, for one reason. Another reason, I don't know how many people have thought about it?

Originally, I said that there were no spoilers, so let's just talk about a few words here, and it's not an important plot:

After Cheng Xun's death, Huang Ping has been taking care of Cheng Rao's grandparents, and will regularly send money to Cheng Rao's aunt.

- Compare the two plots, do you see the clues?

When I was reading a book before, I saw a sentence that I was quite impressed, which probably means that the way our parents do things will affect us, and this influence is sometimes unconscious. When I write articles, I always feel that some things are boring if they are thorough, but this plot has not been written yet, maybe when it comes to Huang Ping's interaction with Cheng Rao's grandparents, readers with a little heart can see it.

And then there's the second example:

Cheng Rao reacted aggressively when she learned that Huang Ping had found a boyfriend.

When all readers saw this, they all felt that she was very selfish, that she was not good to her mother, and that she did not let her mother find a companion, which was really unfilial.

And then it's gone.

So let's try to think about the following two questions successively: 1. Why doesn't Cheng Rao want Huang Ping to start a relationship between men and women again? ? 2, since Cheng Rao has this disease and longs for a man so much, why does she have to defend Xiao Ye after being tortured? (Refers to before meeting Yu Chi)

When people do something, especially when they are painfully insisting on something, they need to give themselves a reason. The ethereal reason for love is basically not valid, so most people will find a reference at this time. Cheng Rao's reference is Huang Ping. As I wrote earlier, Cheng Lu died when Cheng Rao was in junior high school, and Huang Ping never had a man by her side.

Therefore, the deeper reason for Cheng Rao's overreaction is that she thought that a reference she had for so long was suddenly gone, and then at this time she slept with Wei Chi again, and all aspects of the effect would make her feel that she couldn't hold on, such as starting to think: Do I want to start again? But don't forget, she's a dead-eyed person, and it's weird not to lose her temper when she thinks of this kind of question.

- Well, the above are two examples, and there are many more such examples, and the author of a passage must not ask all readers to read it at her original pace, and it is normal for everyone to have different ideas, which is also the beauty of words. The rest of the examples will not be repeated here, and the purpose of writing this chapter alone is not to whitewash Cheng Rao, but to talk to everyone about the setting of this article.