The body is like a refueled car, the engine drives every part to run in, the transmission mechanism transmits bursts of heat, and every movement detail becomes full. Dorothy began to feel it.

This feeling of gradually becoming lubricated rises with every second.

The self-consistency of one's own mind, one's own hands and feet, and every tiny unit needed to complete the action, seems to have changed from a huge divergent and floppy state to a compact and fine. Without breathing, no nerves to send signals, no need for blood circulation to bring energy, no need to rely on the movement of internal organs to support physiological needs, the limitations of muscles and bones are being unraveled in a natural state - since the birth of this body, Dorothy has never felt it with all her heart, and has never pushed to the limit of its own ability, is reviving and growing in a mysterious way, sprouting in the blink of an eye, and growing thick branches in the blink of an eye. Subsequently, the foliage also flourished.

Dorothy doesn't know how far she can go now, but she can undoubtedly do more now. Superdepartment was making a sound, which Dorothy hadn't heard before, but now, she heard it, and it seemed to be transmitting some kind of signal, as if it was whispering in her ear. Dorothy also saw that from the flat shape of the super system, a vivid line was stretching out, like the living tentacles of animals, and also like the trajectory of some kind of cold energy penetrating into the air. Dorothy didn't know if she was the only one who could see the almost transparent thread, and she couldn't tell if it was her own delusion, but she didn't care, and she didn't have the slightest fear of this strange and wonderful sight.

Omi didn't move, Marceau was nowhere to be seen, the dust was clearly grained, stagnant in mid-air, ripples like ripples everywhere, in the air, on the walls, on the ground, on the outline of anything. And these ripples are also stagnant. There is no sound, no breathing, as if everything in front of me is just a lifeless background, which looks three-dimensional, but is actually flat, and I am surrounded by this flat painting. Dorothy was the only one in the frozen scene, and it was not difficult for her to raise her hand, nor was it difficult to turn her body.

Is such a scene an infinite extension of a moment? Or is it a physical cessation of motion? You can't tell, and you don't need to tell. Dorothy knew very well that she was beyond human cognition, and could not understand what this situation was, so she could only guess what it was based on what she knew. However, there must be a huge false gap between what is guessed and its substance.

At such times, if you think about it, you will fall into a trap. Takakawa's situation has given too many warnings.

So, don't think about it, don't feel it, just take it for granted. This is the scene that I can naturally see in my current state. It's like one doesn't need to study how one's body works, just let it work at its fullest.

Dorothy grabbed the illusory tentacles released by the super system and stuffed them into the back of her neck, where there was a similar interface to the prosthetic Takakawa. Huge amounts of information that could not be carefully discerned poured into her like a torrent, and she did not have a processing core like a brain, so this confidence spread out in her body, burrowing into every tiny structure she could feel, and the seemingly flood of information flowed like water into the desert, and was swallowed up in the blink of an eye.

At this moment, Dorothy knew about the contact between the teenager Takakawa and the prosthetic Takakawa, as well as the changes that had occurred in the both. The impact of the Torchlight Deviation Ritual on the world is not limited to the range that can be felt, and the error caused by it is definitely not limited to oneself. Bei Ning said that although the impact on himself was also severe, the impact was relatively slight compared to "Gao Chuan".

It is more urgent to recapture "Takakawa" than to fight for dominance within the repeater, to take back "Takakawa" than Omi's ulterior plan, to the enemy's repeater's whereabouts, and to recapture "Takakawa". "Gao Chuan" has always been the core link in the plan, with an irreplaceable role, and its secret is undoubtedly the only entrance to unravel the mystery of the "virus". After all, whether it's Super Dorothy or the color center, from a certain point of view, it's just those secrets in his body. Compared with the two of them, "Gao Chuan" is undoubtedly closer to the source.

Losing "Takakawa" means losing your hole cards, losing your siblings, and the Omi trap is meaningless. In this comparison, what exactly is planned by Omi in front of him is not the most urgent thing. Judging by logic, Omi should know the changes that have taken place in "Takakawa", and the color center is also clear, but as a super Dorothy, and as Dorothy in this apocalyptic fantasy, he has been completely blocked from the source of information, and this situation is absolutely impossible to have nothing to do with Omi. Because, the one who is closest to himself and the most able to do things to himself is Omi himself.

Omi suddenly changed his previous low profile and used the hole card "Marceau" to try to catch himself, and his original intention must have been "not to let himself leave the London repeater". It can be inferred that Omi is already blatantly hindering his influence on Takakawa in the apocalyptic illusion - an obstacle that is even more unbearable than the deviation that the plan has produced so far.

"Ah, yes, color, it's me." Dorothy took a deep breath and said as if to herself, "I'm back." ”

- Command confirmation, full swing.

Dorothy's thoughts turned, and the scene that had been frozen in front of her began to loosen, and everything from the observable particles to Omi's body began to shift. This displacement is accelerating, as if the world is flowing again. The moment she saw Omi's fingers bent, Dorothy had already pounced on her like a cheetah. Although it is absolutely impossible to be faster than the young Takakawa in terms of relative speed, however, she still sees what "Takakawa" has seen in the past - the target has not even had time to react.

Her fist blasted out with the momentum of piercing Omi's skull, and the air around her, which had just begun to flow, scattered in all directions as if it had been exploded, and the sharp air currents directly distorted everything that could be seen in her field of vision.

Dorothy saw herself in Omi's gaze in a position, the pupils that had not yet retracted, and also saw the figure of "Marceau" suddenly emerging from behind. As she expected, this level of power release would not allow "Marceau" to react - inside the London repeater, "Marceau" was almost invincible.

Therefore, it is definitely not wise to confront each other head-on. No matter how fast you are, it doesn't mean anything to "Marceau". Even if his fist will blow Omi's head in the next moment, it will definitely not become a reality - no, even if he blows Omi's head here, it does not mean victory, and it also does not mean that Omi will die.

Omi is not a fool, she knows herself and her opponent, and being able to stand in front of her with such a fearless attitude means that she has been fully prepared for a long time. But who knows exactly what she was prepared for? Omi can become an Omi trap precisely because she can theoretically have a certain impact on "E", however, even Dorothy herself is not sure how it will be accomplished.

Omi may seem like a person, but even when viewed as a person, she is mysterious enough.

Dorothy has realized that the battle will not be won or lost, but by who kills whom, but whether she can escape from the London repeater, which has become a cage. As a final weapon, even if it is an imitation, if it stays in a limited space, it will not be able to truly play its due advantages, and it will not be able to exert its external influence to the maximum.

I've been just staying in the London repeater, and I can't do what I'm supposed to be able to do.

Dorothy's body flew like an arrow from a string, and Marceau's shadow hung over her head. A huge binding force wrapped around her body, however, the next moment, she adjusted to the intensity of this bondage. As if the invisible rope tied to her body was dissolved, Dorothy shook her shot, and instead of retracting her fist, she maintained a striking posture and crashed into the wall on the side. When she reached the other side of the wall, the supersystem was up and running again.

Everything Dorothy saw was broken down into extremely complex structures, but this structure was more sparse than what could be seen with the naked eye. The floor doesn't exist, the ceiling doesn't exist, and entities like hallways are hallucinations. All the common sense scenes in the London repeater have been peeled off, the bones have been torn down, and they have become a different image. In the midst of such a sight where ordinary people are afraid to go crazy when they see it, all common sense has become inapplicable. Dorothy didn't think about it, nor did she figure out how she was going to move in the environment she saw.

She didn't have to think about it, she instinctively knew how to do it. Follow your instincts while your body reacts faster and naturally than you "think".

Like jumping off the edge of a cliff, Dorothy experienced the sensation of floating in weightlessness. With this jump, she perfectly avoided all the obstructions of strange structures, and passed through the gaps until she reached the target that had already been targeted. In this scene, Omi has disappeared, but "Marceau" remains. When Dorothy finds her footing, "Marceau" reappears next to her, and at the same time, the scene changes, which is clearly out of step with common sense.

In the blink of an eye, Dorothy saw herself back in the hallway, still standing upside down on the ceiling like Omi, but this time, she didn't fall. Rather, the entire corridor is reversed before it falls. The corridor that could have been seen at the end of the front and back stretched infinitely into the distance, the map of the past has completely failed, with Dorothy as the center, the pathway structure inside the repeater is changing, and the routes outside the corridor are being split - the super system transmits these changes to Dorothy, and Dorothy seems to have seen such changes happening with her own eyes.

The corridor is detached from the internal space of the repeater, and the structure of the corridor itself is no longer a straight line, but a loop that connects head to end, and there is no more outline of things outside the corridor. Dorothy was not surprised by the change, and although it was amazing to observe the scene and it was impossible to understand how low-level the changes had been made, it was indeed something that Marceau was able to do.

"It's tough." Dorothy looks at Marceau, who has returned to Omi's side, and the humanoid figure has no expression on its face, even making one wonder if it is acting according to its own will.

"No matter how many times you try, it's useless." Omi said this, snapping her fingers again, and Dorothy immediately clearly felt that the self-enclosed corridor was moving in the void, "Even if it is a super system, it will take at least three seconds to fundamentally break through the firewall I set up, and three seconds is enough time for me to build a second firewall." Don't look at the super department that is helping you now, in fact, at least 60% of its resources are held back by me. ”

"Sixty percent? What criteria did you base your calculations on? Dorothy asked rhetorically, "The Super Series has never been at full play, so how do you determine what its limits are?" ”

"Its structure is destined for its ceiling. All things that are fixed in form also have a fixed upper limit. On the other hand, it is precisely because there is a fixed limit that its form is fixed. Omi replied, "As long as the super system is still tangible, something that can be touched and observed, there must be a specific scope and upper limit to its capabilities." In fact, the same is true of 'Marceau'. ”

In Dorothy's impression, Omi is not the kind of person who likes to speak in battle, but judging from her statement, she also needs to spend a lot of energy in order to deal with the invasion of the super system from another angle. Although "Marceau" is free to move, it's clear that she still can't take herself outright and can only maintain some influence in the grappling. "Marceau" is indeed almost invincible in the London repeater, however, this invincibility cannot be fully demonstrated in battle, because "Marceau" was not born for battle, as the cornerstone of the repeater, its ability is mainly used to maintain the construction and operation of the repeater.

Dorothy guessed that all of Omi's conversations and actions were stalling for time, she did not fully gain control of the repeater, and the weapon she used to defeat herself was not "Marceau" at all, and the so-called "resisting the attack of the super system" was also a lie, because, on another battlefield, when facing the super system, she was not the defender, but the attacker - it was she who invaded the underlying structure of the London repeater, trying to gain decisive control from the most basic level.

The super system that appears in your hands is incomplete, so the information you can get from the super system is still hugely missing. About the situation on the other battlefield, it is completely impossible to receive it yourself. But that's fine, at least you can focus on the battlefield in front of you.

"That's right, I just happened to have an almost invisible surprise." Dorothy smiled for the first time in this battle, because the reinforcements prepared for her by the Super Department had arrived.