The London Repeater was suspended in a material form in an area of the ruins of the Ruling Authority, and it was headed in a certain direction by a definite will, and wherever it went, all that was being twisted was changing in a different form than its distorted image. In the spiraling and animated landscape, there is a long, very different form of things around the route of the London repeater, which is deeply imprinted in this area. If it is said that it is a vicious change that is distorted by an inexplicable force and turned into something that violates human aesthetics - as long as someone sees the appearance of these things, they will never leave any good impression, and the rejection in the bottom of their hearts is still slight, and the serious will even make people's physiological activities disordered - then the change caused by the power emitted by the London repeater itself is to eliminate its viciousness to a certain extent, and the change in the form of things is inevitable, but at least it will not make people feel disgusting anymore.

However, the spontaneous unleashing of the power of the London Repeater is a drop in the bucket compared to the sheer size of the area in which it is located. More than a thousand kilometers away, spreading outwards until the end of the field of vision, those uncomfortable distortions are like in a stick figure, with tiny lines to draw more detailed outlines, and those distortions become more and more fine, full of all kinds of details, making people dizzy. Smell, composition, structure, shape, texture...... All the factors used to describe the nature of a thing are undergoing a change that can be clearly felt, as if they are expanding, the number is expanding, the volume is expanding, and it is condensing into a mass, like a huge tumor.

Language cannot fully describe such landscapes, and all descriptions can only draw analogies from things that are as similar as possible, yet even such analogies are no longer sufficient to fully express the extent to which these distorted things have deteriorated. The only thing that can be assured is that normal people are absolutely unable to survive in this abnormal environment, neither psychologically nor physiologically, as if even a breath of air will cause their own abnormalities.

Although at this time, no one continues to be exposed to such an anomalous environment.

Where the London repeater passed, there was only dead silence.

However, in this dead space, a gust of wind suddenly rolled up.

The wind was getting stronger and stronger, and the air pressure that could be detected became fluctuating, as if the entire space had fallen into an invisible stormy wave. The formless but surging tide struck the twisted things, tearing them to pieces and turning into a visible gray mist with some grinding sound. It's as if the formless thing is biting, swallowing, digesting, and in the process, it is becoming more and more massive.

The sudden change is like a monsoon wind blowing through the grassland, forming waves of grass, and we can only judge what is really flowing by the change of waves, but it is completely impossible to determine where the subject and source of this flow are.

Sirens sounded in the London repeater, and with the arrival of a strong wind, a strong sense of consciousness was becoming clearer.

"Look, he's coming." Dorothy laughed heartily, "Don't forget, Omi, the London Repeater is the property of the NOG, and the Repeater itself will never refuse an ally with permission. As long as you haven't made adjustments to the London repeater, you can't exclude these people, otherwise, you won't be able to close the door to the London repeater. Now you have extinguished not enough. ”

"—Father Sissen?" Omi seems to have confirmed the true identity of the attacker.

When the winds converging on the exterior of the London Repeater formed a humanoid silhouette, and its face became clear, most occult experts could recognize where the figure came from: the direct manager of the mysterious organization "Black Live", and Father Sissen himself, who had disappeared on the battlefield earlier.

"Is the final disguise of ninety-nine-nine disguised?" Omi's gaze seemed to penetrate the shell of the London repeater, confirming the formless flowing thing. The silhouette of what appeared to be Father Sissen was nothing more than a false shell, and no one knew what had become of it inside. The wind that blew was not Father Sissen's body, and the sense of fluidity that seemed to be formed by the change in air pressure was only one of the superficial characteristics. If you want to talk about what the formless thing is: it can only be described as "flowing".

This "flow" is a dynamic that goes deep into the foundation of things, and it is a characteristic movement - Omi's cognition, which directly gives such an answer. However, none of her existing detection techniques could capture the full characteristics of this "flow".

"What a surprise that Father Sissen was hidden by you?" Omi used the description "you", and when she looked at Dorothy, her eyes were not focused on the body of Dorothy in front of her.

Dorothy met her gaze, only to feel as if her consciousness was being forced back by a powerful sense of oppression, and she was about to rise from this apocalyptic illusion to the reality of the hospital, from the form of Dorothy, the current final weapon, to the form of Super Dorothy. So, she determined that Omi was talking about "Super Dorothy" and "Color Center". Although she claimed to have claimed that she didn't care about the difference between the reality of the hospital and the apocalyptic illusion, and didn't care about the difference in identity and form that resulted from it, it seems that she didn't completely ignore these things.

Dorothy has now confirmed that the existence of the "Color Center" and "Super Dorothy" has a certain weight in Omi's heart, and in her cognition, the existence of both has been determined.

- As long as she consciously observes us and establishes her existence in her cognition, it means that she still cannot escape the influence of our "script".

Dorothy finally felt the existence of a turning point in this battle. If Omi's consciousness really does not exist in the "color center" and "Super Dorothy", but completely recognizes the two of herself from other perspectives, then maybe she can really get rid of the influence of the two of herself. But now it seems that the things she told Omi about the reality of the hospital, and the perspective of things that she observed in these descriptions, had actually had a profound enough impact on her.

After all, the subjectivity of a person's behavior is the most central part of the interaction between his own internal and external things.

Dorothy knew that Omi's cognition of Super Dorothy and the Color Center contained the part they had given, and when she began to accept it, and at a certain moment, began to try to think from a similar perspective, her cognitive behavior itself was her most powerful weapon of counterattack.

Omi seemed to realize this at the same time, and her gaze suddenly shrank back to Dorothy. However, Omi knew that he was still one step too late. When you start to care, you can't get rid of this consciousness completely, and it's not something that can be done instantly. The idea of "putting aside the don't want to" is nothing more than self-deception. When cognition begins, the result of this cognition has already left a seed in one's mind.

In the next moment, she felt that in her consciousness, this seed about the "color center" and "Super Dorothy" was germinating. Some information that I never knew was like my own fantasy, inexplicably born from my heart, although the degree was not deep, but it also meant that I could no longer fully control my thinking. She also knows that as long as she can't completely let go of the perception of the "reality of the hospital", she can't get rid of this erosion either.

Omi really didn't care about what Dorothy had said to her, but the appearance of Father Sissen shook this indifference, even if it was just for a moment, it was enough for the opponent to take advantage of it. The battle between thought and thought, between consciousness and consciousness, between cognition and cognition, has always been so swift and thorough. For any sane, thinking being, this kind of battle is also more brutal than any kind of battle that materially disintegrates the opponent.

From this point of view, Father Sissen is just an introduction, and Dorothy's real counterattack is not Father Sissen himself.

No, I can't continue to think like that. Omi pressed his head for the first time, frowning slightly. She knew that the more she came up with ideas in this direction, the more she proved how much she was affected, and the extent of this influence deepened, and it would directly cut a gap in her perception - when she couldn't deny what she knew, she was finished.

People will always deny something, but they will always be unable to tell whether they "want to deny" or "have denied". Sometimes, the more you deny it, the more it means that what you want to deny is so ingrained in your own mind. Even if you pretend not to care and think you have forgotten, in fact, you have not forgotten and cannot not care.

Human subjectivity will deceive oneself.

"Look, you're starting to think about it again." A sharp smile appeared on Dorothy's lips, "Do you want Marceau to come over and help you and see if she has what it takes to solve your own problems?" ”

However, of course, Omi will not do this, because she knows very well that "Marceau" will certainly not be able to solve this problem, because once "Marceau" solves this problem, it also means that she dies on the existing self-knowledge, and the final product can only be another self-perception - is it still not herself? This question does not need to be answered at first. Because, one thing is for sure, that new self-perception will be a self-awareness that is completely trapped in the "script" of Super Dorothy and the color center.

This new self-awareness will think, recognize, and act according to the plan of the "script".

Of course, this is actually the "Omi" that Super Dorothy and the color center need. Dorothy's previous mistake was that she mistakenly thought that Omi was like that now, but it wasn't.

A great sense of flow had begun to approach the London Repeater, and the human form of wind and material fragments was constantly being torn apart, twisted, and destroyed around the London Repeater, but soon a new silhouette was created at some point in the large area. Its quantity is getting bigger and bigger, its quality is getting heavier and heavier, its image is getting more and more delicate, and the gaps and texture differences that inevitably arise when different material fragments are mixed together are also shrinking and integrating, and in the blink of an eye, hundreds of Father Sissen who look like ordinary human beings are born.

Father Sissen stood on the twisted earth, on floating matter, upside down on the inexplicable object that danced like tentacles, and they continued to resemble fleas on some gigantic creature, and when the wind blew, like scattered dandelions. In the surging flow like a tidal storm, they were like spores floating in the water, seeping into the defensive circle of the London repeater little by little with everything that was flowing.

Isolated in the corridor inside the London repeater, Dorothy began to move as soon as "Marceau" moved again. The function of the super system allows her to retrieve the location of "Marceau" in the first place, and change the terrain structure in a targeted manner to create conditions for her dodge. It is impossible to defeat "Marceau" inside the London repeater, but conversely, there is no need to think about defeating "Marceau".

There was only one goal, not Marceau, not Omi, but to open an exit to the outside of the repeater in this corridor.

The situation will only get worse and worse even if the other party can't really destroy the super system, but the possible impact of the super system inside the repeater is indeed decreasing. Dorothy traveled hundreds of thousands of kilometers on this independent corridor in a matter of seconds, however, the structure and nature of the corridor are constantly changing, so that the seemingly limited space will never be repeated, but even if Omi has to adjust his consciousness and cognitive foundation, he cannot fully interfere with the influence of the super system, but the frequency of the super system's interference in the corridor is still decreasing.

Neither Dorothy nor Father Sissen can get involved in the battle with the London repeater as the main body, and no matter which one of them enters the repeater, it will also fall into a passive situation. Father Sissen's phenomena outside the London repeater are very conspicuous, but once he enters the London repeater, he will also become a prisoner. Therefore, Father Sissen's appearance, from the beginning, was not to attack the inside of the repeater, but to create a trap for Omi, and after the exit of the London repeater was opened, he received Dorothy from the outside.

In the worst-case scenario, once Dorothy escapes from the London repeater, Omi may use the power of the repeater to directly attack her. If this happens, even if Dorothy is the ultimate weapon, it is likely that she will not be spared. It would be irrational to withstand a repeater's attack head-on, however, Father Sissen's abilities can increase the chances of escape.

Because, until now, no one knows. What exactly is the "ultimate disguise" that Father Sissen inherited and developed from Father Edward. It is only part of the huge "flow" that now spreads outside the London repeater that is invisible.