2186 is not perfect

Dorothy used to feel that everything was under her control, and Omi was just a trap in her own plan, but a product created by herself and the color center through the "script", and it was an important weapon against "E" - Omi did not oppose all this, just because he and the color center set it up in the "script". She is like a character that has already been written, on a given stage, becoming its inevitable existence. However, Dorothy no longer has so many ideas that she takes for granted, and even she has to imagine that the reason why she has such thoughts is indispensable to Omi's inducement.

The Omi trap is a trap for the "river" – and no one has ever thought about the meaning of this phrase in reverse.

It was only at this time that Dorothy really thought about the meaning of this idea, which had always been rooted in her common sense, and the answer was very simple: since it was a trap that could take effect against "Jiang", it must not be a simple role in itself, and it was definitely not something that could be included in a "trap".

The meaning of human common sense made her misunderstand, and when she used common sense to understand the meaning of "trap", she had actually made a terrible mistake. The world itself, the direction of this world, the truth of this world, and even all the people and things that exist in this world have never followed the "common sense" of human beings - no matter how much weight the superficial and subconscious of human beings occupy in the apocalyptic illusion and how basic their existence is, but, from the very beginning, the "humans" here have never been "humans" in the normal sense, but "doomsday syndrome patients", and these "doomsday syndrome patients" and "human beings" in common sense The biggest difference is that there is a "virus" lurking in the former.

In the end, it is the "virus" that leads to all the unconsciousness. And the doomsday fantasy that seems to be based on "doomsday syndrome patients" has always been the crystallization of extraordinary knowledge, and its real basis is not "doomsday syndrome patients", but "viruses".

Since he and others equate "virus" with "Jiang", then, under this premise, all those related to "Jiang", whether spontaneously generated or artificially created, whether they are written by the "script" or inexplicably exist in the "script", are definitely not good goods, and they must not be regarded as friends, nor can they be regarded as "non-threatening" characters.

The idea that Omi will cooperate with its own actions and control everything should not have arisen at all. Since when did you become defenseless against Omi Qiyou? Dorothy couldn't help but think so. Now, she no longer felt incredulous about her current situation, and the sense of crisis was stronger than ever, like a dam flooding, surging suddenly. She doesn't feel safe, she doesn't feel free, and she doesn't feel that she is in the "big rear".

When he fell in reality in the hospital and hid behind the color center, the situation of the two sides in this apocalyptic fantasy was exactly the opposite. Here, the color center is the rear, and he is the forefront—the terrible enemy is always by his side, and the inside of this repeater, which seems to be like a safe house, is actually a solid cage.

Dorothy only felt that she was completely locked in this cage, watched by a pair of eyes, tested with a crazy thought, and that she had no idea of it.

The enemy is "Omi", eight or nine are not far from ten. Dorothy was no longer left to chance, and she was very suspicious that her control over the repeater was just an illusion.

The most direct way to control the London repeater is to control the person who uses it, or to control the core of the repeater. However, Dorothy can't believe that she does control the people in the repeater, because everything she does is exposed under Omi's nose. I don't feel that I still control the core of the repeater.

One of the "three pillars" of the London repeater: the super system that represents the cardinal function of the color system, and it should not be careful. However, the situation of Marceau, the second of the "Three Pillars", can no longer be determined from past memories, and it is very likely that Omi has been manipulated. Not only Marceau, but Hakkei and Sakiya are definitely under Omi's control. At the end of the "three pillars" there is a ...... What's the last one?

Dorothy couldn't help but be stunned, she couldn't remember the last "three pillars" at all, which was obviously very important...... Person? Or something? Even what it was was was was not recorded at all. She felt that she should know, her past self was very familiar, but the name, that impression, and her perception of the past were so vague, as if she was about to come out, but in fact she couldn't come out.

However, Dorothy still remembers that such a feeling is indeed normal, because it was to achieve such an effect in the first place that "that", one of the three pillars, was maintained in a metaphysical state. Originally, it was his own idea, but the specific process was completed by himself and Omi. The purpose of this is to target the enemy - it seems to be against the Doomsday Shinrikyo religion, it seems to be against the "virus", and it seems to be against the "Jiang", but I don't remember which one exactly - in short, it is for the sake of a vague concept of the enemy, leaving such a hole card, a trap, a kind of backhand that can play a role in a pinch.

Judging from the fact that I can't even remember what it was now, the approach at that time was undoubtedly successful, but the problem is that if I can't even remember it, it is enough to prove that the London repeater is indeed never under my control: among the three pillars, only the "super system" is confirmed, and I can only control one-third of the authority in fact.

Dorothy couldn't help but bite her nails, and she looked around, but she couldn't believe what she was seeing. She could feel the eyes—perhaps Omi himself—watching her, but couldn't find any of the active monitors. The information she could investigate, no matter how complete and true it seemed in the past, is now not so complete and true. All the information that makes the past self feel stable actually has a lot of doubts, and it is precisely because there are so many places that people are suspicious that they don't know where to start.

At this time, she actually hopes that her paranoia is only caused by the onset of her mental state, and that she has entered the terminal stage as a patient with doomsday syndrome, and even Super Dorothy's form cannot resist the terminal symptoms. Because, compared to the point of "I am sick", "Omi is not a companion" is the worse outcome.

"Omi, Omi, Omi, Omi......" Dorothy's eyes widened, trying to find out the other party's location through the ubiquitous sense of surveillance, and at the same time, she felt that her behavior was as unreasonable as that of a mentally ill person. She felt like she knew, but she couldn't control her thoughts, all their thoughts seemed to be rotten, and they were always going in the worst direction she could imagine.

This involuntary thought made her feel extremely painful, and she had to declare to herself every moment that "everything is not so bad" and "it was just to scare herself", but the more she did this, the more she could not stop thinking in this direction. Thinking is more complete than ever, and it gives her a headache more than ever, and it scares her more than ever, and she wants to stop thinking.

"Come out! Omi. You come out for me! Dorothy screamed, the more hysterical she became, she didn't want to, but she just couldn't control herself.

She felt that from all directions, in the air where there was nothing, some formless monster was reaching out its tentacles and rolling itself up—her body was still standing, but her soul and mind had been swept into the air, and little by little she was getting closer to the invisible and indescribable "mouth", as if it was about to be swallowed by the other party soon. No of her conscious struggles can save herself, and any fire that is ignited from her mind is facing extinguishment, darkness is about to come, and she is just alone.

All this made Dorothy feel a non-physiological feeling of suffocation, and her body seemed to have never been so weak. She was like a drowning person, flapping the button, and the door slowly sliding open was so impatient. She made a voice that even she couldn't understand. When she stepped out of the door, her feet loosened and she fell to the ground, although there was no pain in her body, but her whole consciousness felt as if she had been bumped and wanted to vomit out of her mouth.

- How could it be, all of a sudden, like this.

Dorothy felt more unnatural in her state, and she realized that she never seemed to have expected this unnatural attack—as if she had already decided that even if she would have various situations, it would not come so suddenly, and she could not even detect the signs in time, and even the specific cause could only be guessed, unable to grasp anything substantial.

"Omi! Omi! She continued to shout, her voice echoing through the empty hallway, echoing in the distance, only to feel empty and dead.

Feelings of loneliness, helplessness, hopelessness, fear...... Countless sensations that made her feel sad gnawed at her consciousness every second. However, when she felt that she was about to pass out, she could not cross the last critical point, she was still thinking and feeling, and she could only let the conclusions drawn from thinking and the various emotions born from the feelings of things torment herself.

Dorothy began to vomit, her body obviously had no human internal organs, but she saw that something was really vomiting out of her throat, falling to the ground like mud, but squirming as if it had life. In her eyes, it wasn't a scrap of food at all, because, in the first place, it would not have been possible with her bodily functions. The thing that came out of his mouth, slumped on the ground, and wriggled alive, was like a mosaic, a piece of mush.

- Anomalies, are anomalies starting to feed back into my body as well?

Dorothy wanted to look at all this rationally, but she couldn't think rationally anyway, and her mind was like a wild horse that was loose and spread out in every possible direction. She wants to judge logically, but any logical thinking will be interrupted in the middle of it, as if she can't concentrate at all.

At this time, she heard a familiar voice. The other party didn't know when he was standing in front of him, as if he couldn't see it because he kept hanging his head.

"Looks like you need help." That's what the other side said.

Dorothy knew who was talking, but it was hard for her to find the name she had been muttering from her violent thoughts and feelings—

"Omi ......"

"It's me."

Dorothy struggled to raise her head, her vision blurred and her pupils had difficulty focusing. In that shaky field of vision, suddenly clear, suddenly blurred figure, as always, wearing a white coat, with his hands in his pockets - "Omi", the best researcher of cyberball, the whole person is twisted, like a reflection in the water interrupted by ripples, and as if he is standing on the ground with a crooked body. Dorothy felt that it was just her own delusion.

"Is it my problem, or have you been okay all along?" Dorothy asked, but even she didn't know what she was trying to convey by this sentence - it was like she had too many ideas and was trying to express them in just one sentence.

"Unfortunately, it's you who have gone wrong." Omi's regretful voice came, "From the beginning, you weren't a successful creation. Although I promised the Netball to make technical improvements to you, and finally complete the launch, there is not much to be done with your compositional base. The Cyber Ball wants to imitate the final weapon, but it is probably not clear how the final weapon was created even in the Doomsday Shinrikyo cult. Flaws have always existed, and it's still too hard to make you the ultimate weapon. ”

"Is this, a problem with this body?" Dorothy struggled and asked, "Are you still an Omi trap?" ”

"Omi Trap...... You keep calling me that, I don't really care. Omi's voice came to Dorothy's ears: "You always tell me about the reality of the hospital and the illusion of the apocalypse, you tell me about Takakawa that you know, you tell me about the 'virus' and 'E', you tell me about the source of the apocalypse, and you tell me what I am." You think I'm interested in that, but, to be honest, your ideas and angles are interesting, but that's about it. I've never wanted to look at all of this from your point of view, and I'm not interested in the world as you see it, because what I'm seeing is something different from yours. That's all. "Mobile phone users, please browse and read, a better reading experience.

/sougou/

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