1. Type:

2. Tone:

3. The number of words: (approximate number of words) 20

Fourth, the content of the summary:

1: Cause:

2: Development:

3: Twist:

4: Climax:

5: End:

Main plot setting:

1. Main line:

2. Auxiliary lines: such as all the unknown feelings of the supporting characters

3. Event Line :

4. Emotional line (highs, ups and downs, troughs):

5. Pay attention to the logic before and after:

5. Characters:

Protagonist:

Role one

(1). Name:

(2). Appearance:

(3). Personality introduction:

(4). Character background:

Role 2:

(1). Name:

(2). Appearance:

(3). Personality introduction:

(4). Character background:

Supporting:

Supporting role one

(1). Name:

(2). Appearance:

(3). Personality introduction:

(4). Character background:

Supporting role two

(1). Name:

(2). Appearance:

(3). Personality introduction:

(5). Character background:

Supporting role three

(1). Name:

(2). Appearance:

(3). Personality introduction:

(4). Character background:

Other Supporting Roles:

Character Relationships:

6. The setting of the ending:

A few taboos in fantasy

The portrayal of the protagonist should be obvious, and the supporting role should not occupy the main role;

The cultivation system should be clear, and it is better to use the common one than to be eccentric;

Saint-level masters don't come out, and the war between gods and demons can't appear;

The opportunity to practice diligently, it is really convenient to pick up girls and step on people.

The above are all original, reprinted by the famous author 17K Chinese Net Wandering Fan.

1. The protagonist must be portrayed, don't spend too much text to write about the environment and background, the protagonist is the largest, the world has to revolve around the protagonist, you have to imagine the protagonist as the center of the universe, the protagonist can't rise normally when the sun is hung, no one can steal the show!

2. Don't write double protagonists, TV series are different, which one have you ever seen is a double protagonist and popular......? Before you say that, think about the identity of the author...... At least until you don't have the fame he has, follow the usual path.

3. The point, don't write about the war of gods and demons. Fight your sister, war, do you want to write the protagonist or write the big devil, why do you write so bull B? This kind of book doesn't say anything, if you dare to appear in the first 30,000 words, then you don't have to continue to fight, because you have been shot by the editor. A million-word book, under the conventional setting, don't publish this thing before 700,000. Just imagine, a XX crosses the other world, and just forms a mercenary group and goes to the demon world to fight the devil, will you be very interested in seeing how everyone puts their skills?

4. Don't show up the cow B person. For example, the protagonist is a level 1 magician, and as a result, there are a bunch of level 10 saint wizards around him...... You let the protagonist mess up. Do you want to be the emperor? If you don't want to answer that you don't want to, close the page, if you answer that you want to, I'll get hundreds of emperors to put next to you, and let you, the protagonist, chat with the emperor every day, and then ...... Are you interested yet?

5. Don't try to play with your mind, it's best not to try things like Huang and Zheng, after being discovered, order to revise it, and if it's serious, the book will be directly given to you to harmonize it...... If you happen to be discovered by your dear internet supervisor, you will be invited to a local place for tea...... Don't explain that it doesn't matter if someone else writes like this...... You are you, others are others, and if you are ready to be harmonized then you can try.

6. Fantasy pays attention to the sense of upgrading, this is the essence of the gods! More essence than the essence! Even if it is the most old-fashioned first-order or second-order, as long as you write it carefully, you can also write it well, highlighting the changes between each level, so that everyone knows that you are indeed upgraded, instead of saying empty words: I, I upgraded!

7. Don't use the weird system, the martial artist martial emperor martial god you know what it means as soon as you hear it, clutch, left heart, right cloud...... Do you know what this means? The system is not based on weirdness, but on reality!

8. Don't be too abusive, to borrow a sentence from an editor: There was a book that I applied for a contract with, and the beginning was roughly like this, the family was wiped out, my mother was by a strong woman, my sister was also by a strong woman, the women of the whole family were thoroughly greeted, their clothes were pulled out, and then the protagonist was forbearant and ready to take revenge...... But he didn't have a chance, because I killed him...... My dear, the protagonists are already very tired from work and study, and they are easy and cool to read, can we make readers feel a little less stressed? Do you want to arouse the anger of readers or do you want the editor to kill you? If you can cause the former, it will be good for someone to read it, but it is estimated that the only two readers also think that you have a problem in writing this book...... Therefore, let's take a small amount of abuse, such as the decline of the family, being suppressed, and someone wants to swallow their own family, or their own family looks down on themselves and wants to drive themselves out...... No, there are conflicts, and what do you have to do with that?

9. The enemy can't be killed! If you can understand this sentence thoroughly, then you can become half a god. For example, the protagonist goes to the academy, and then there is a XXX girl who likes him, and then he is very beautiful and talented, and as a result, he gets a pair of love rivals for the protagonist, and then duels ...... After defeating, the rival in love was not convinced, and let his family's XX shoot, the protagonist escaped, and the XX time later took revenge, and then the rival in love became extremely powerful because of taking XX, and ran away after being abused by the protagonist again, worshipping XX as a teacher, and then the rival master went to kill the protagonist, and the result was hung up, and the rival in love fought with the protagonist again...... The plot is just thought out, and the villain is Xiaoqiang! For example, the soul hall in Dou Po was destroyed until the end, and this is the reason......

10: Don't offend the protagonist!Don't treat the protagonist as 2B, pick up the XX cheats yourself, or have XX Warcraft, hurry up and tell the people around you, I can't wait to tell the world immediately that I have XX cheats...... This kind of 2B protagonist will make the reader think that you are cheating on their IQ. It's okay to be arrogant, but the protagonist can't SB! The whole thing is to give up who I am, the first-level magician fights with the tenth-level holy magician, you don't know how to die...... Well, remember, the protagonist is also a human being, don't let him do SB things, pretend to be a pig and eat a tiger, hot-blooded passion, YY obscene can be ......

Wrapped in pale pink clothes, draped in white gauze, revealing a graceful neck and clearly visible collarbones, the pleats of the skirt are like snow and moonlight, flowing lightly on the ground, more than three feet long, making the gait more graceful and soft, three thousand green silk is tied up with a hair band, the head is inserted with a butterfly hairpin, a wisp of green silk hangs on the chest, thin powder, only the color is increased, and the faint red feeling on the cheeks creates a delicate and lovely pure skin like petals, the whole person is like a butterfly flying with the wind, and it is like a clear and transparent ice and snow ......]

[Large peony emerald green smoke yarn Bixia Luo, sweeping the floor pink narcissus scattered flowers and green leaf skirt, wearing a thin gold silk smoke emerald green yarn. The low-hanging sideburns are obliquely inserted and inlaid with pearls and jasper, and the flowers and moon look out of the water hibiscus. 】

[Wearing a pale white palace dress, the light and elegant place has a little more dusty temperament. The wide skirt is elegant and luxurious. The black jade-like green silk is simply rolled into a flying fairy bun, and a few full and round pearls are embellished in the hair at will, making the cloud-like hair more soft and moisturized. The beautiful eyes are full of brilliance, and there is a light smile between the red lips. 】

[Dressed in a light blue gauze coat with a white light gauze draped over her shoulders, the breeze blows, giving people a feeling of fluttering fairy. A green silk scattered on the shoulders, slightly soft, without a trace of powder, slowly walking in the imperial garden, looking at the peony that has passed the flowering period, I can't help but think of myself, I now have the emperor's favor, just like the peony in full bloom, enchanting, gorgeous. If one day he is old and the emperor's favor is gone, is he just like this peony that has passed the flowering period, sleeping in the soil, no one cares? Thinking about it, there is actually a feeling of wanting to cry, and sighs leisurely]

[Dressed in a light blue long skirt, the skirt is embroidered with white red plums, and a white brocade belt is used to tie the slender waist that is unbearable.

[A light blue palace dress with fine cherry blossom petals embroidered on the corners of the skirt. A jasper hairpin on the head is decorated with thin silver silk beaded tassels.Thin powder on the face, slowly walking in the imperial garden, seeing the shadow in front of him, he stepped forward, leaned over, and threw the handkerchief] Concubine Xia Nianyao saw the emperor, and the emperor was auspicious [The words fell, and Wan Er smiled]

[Wearing a lilac dress with small pale pink gardenias embroidered on her body.] The hair is casually pulled into a loose bun, and a lilac hairpin is inserted obliquely, which looks a little casual but elegant. Slightly apply powder, and the red lips are not red. 】

[Emerald green smoke shirt, scattered flowers, water mist and green grass pleated skirt, wearing a thin smoke veil of green water, if the shoulders are cut into a waist, if the skin is condensed, if the orchid is blue. Coquettish and boneless. 】

[Wearing a white gauze skirt, the waist is tied into an elegant bow with blue silk soft smoke, and a Wei Ling hairpin is gently pulled up and inserted obliquely in her inky hair. The skin is as clear as jade, without powder, and I am walking alone in the purple bamboo forest]

[Wearing a thin cicada wing rose bodice, a green sprinkled soft smoke skirt at the waist, and a white plum blossom cicada wing yarn that mops the floor. The waist is like a thin willow, if the shoulders are cut, the smile is smiling, and the eyes are beautiful. 】

[Pale pink palace dress, the corners of the skirt are embroidered with light blue butterflies that are about to fly, and a layer of white light yarn is draped. The breeze was light, and there was a feeling of going with the wind. The silky ink-colored hair is casually scattered around the waist, the figure is slender, and the waist is weak, which is even more moving.

[The pale green flowery palace dress is draped in a layer of golden tulle on the outside, the wide hem of the coat is rusted with purple patterns, the three thousand green silk is a little simple to pull, and the rest hangs down on the neck, and a small red gem hangs down on the forehead, which is just right. There was a hollow flying phoenix golden step on his head, and with the lotus step moving lightly, there was a dingdong sound. It is lined with a unique style, beautiful and lovely]

[The golden cloud smoke shirt is embroidered with elegant orchids, the yellow antique pattern double butterfly cloud-shaped thousand water skirt mopping the floor, and the mist veil of Bixia Luo peony is held in hand. The clouds are ethereal, wearing a hollow orchid bead hairpin, the face is as charming as the moon, and the eyes are full of anticipation and seductiveness. 】

[If the shoulders are shaved, the waist is like a prime, the eyebrows are like green feathers, and the muscles are like snow. Wearing a plain brocade palace robe, covered with a water blue light veil, the breeze blows, the light yarn flies, and the whole person exudes a faint aura. The three thousand green silk was pulled into a simple blue bun, put on an elegant plum blossom hairpin, and walked towards the imperial garden alone, looking at the concubine Chen who came slowly in front. Smiled slightly, waiting for her to say hello to herself first]

[The wind is hairy and the sideburns are exposed, the eyebrows and eyes are lightly swept with spring, the skin is delicate and moist like warm jade, the cherry mouth is not dotted and red, delicate and beautiful, and the two strands of hair on the cheeks are gently brushed with the wind, adding a bit of seductive style. A purple long skirt, embroidered with rich peonies, and a series of water-green silk around the waist, the perfect figure is immediately obvious, and the two maids slowly walked in the imperial garden, and when they saw the oncoming queen mother, they smiled.

[A pale yellow cloud smoke shirt, a white palace satin snow silk cloud-shaped thousand water skirt, hair combed and smoke hibiscus bun, light sweeping moth eyebrows and thin powder on the face, bright and glamorous]

[Dressed in a pale pink palace dress, with a little powder, three thousand green silk is pulled into a simple hibiscus bun, with a jasper hairpin, elegant outfit, not so outstanding, but it is not rude, and the corners of the mouth are as light as always]

[Dressed in a black wide-sleeved robe with a high placket, decorated with yin red embroidery, the dark lines on the clothes are made of dark ink and bright silk threads, moving and turning, the flow lines on the body are lively, the hair is pulled up with a string of fine pearls, with a faint halo, and the scattered hair is like black silk, and the ultimate style of beautiful fusion, but it looks charming and evil, and the charm is often strange] Wearing a crescent-colored gauze skirt, thousands of strands of hair were pulled up by the maid and combed into a loose bun, a few strands of hair couldn't help but fall off, and then inserted a step shake, the beads on the forehead trembled and drooped, knowing that between the eyebrows, no powder was applied. > [Wearing a lilac gauze skirt with light blue lace sewn on the end of the skirt, the maid pulled up thousands of strands of hair with her hands, gently combed them into a loose bun, left a section of hair, and tied one

The first taboo: no matter how beautiful the writing is, don't let the description bring your narrative to a halt.

The author must keep this in mind: don't overdescribe anything, whether it's the Teton Mountains, the sunset, or the zebras on Waikiki Beach. Otherwise, the strength of your narrative will suffer, and you will leave a dangerous gap in the reader's attention. Remember Ellemo. Renard's golden words: "I always try to get rid of what the reader will skip over. "Readers do want to skip what doesn't work.

The second taboo: Don't waste too much time describing unimportant environments.

Home David. Rogie once declared, "A good description is more than just a description." The danger of most background depictions is that a flurry of beautiful declarative sentences and interruptions in the narrative push the reader into a lethargic situation. Keeping Roggie's aphorism in mind, type it on a slip of paper and stick it in front of your computer or typewriter: "A good description is more than just a description." ”

The third taboo is: don't waste the reader's attention on an inconsequential matter. This is the most common mistake beginners make.

The fourth taboo is: don't generalize, be specific.

No one has said better about the taboo generalization of writing than the great Russian writer Chehev. In one of his letters, he admonished a writer friend to avoid generalizations and generalizations: "I think that the true description of nature should be rather brief and relevant to the subject. Cliché depictions such as 'the sunset bathed in the waves of the black sea, the purple golden light pouring down' and so on. When depicting nature, it is important to grasp the details and to the point where you can still see the scene you are describing even with your eyes closed.

So when you sit down to write, remember that it's not "a drink" but "a martini", not "a dog" but "a poodle", not "a bouquet of flowers" but "a bouquet of roses", not "a skier" but "a budding young girl", not "a hat" but "a high-crowned hat", not "a cat" but "an Abyssinian cat", not "a gun" but "a 0." The new automatic pistol of 44 caliber", not "a painting" but "Manet's 'Olympia'".

Combining the description of the four taboos with the golden and jade words of Chehefu, we get a rule that all good authors should follow when describing: be specific!

You need to be able to accurately depict scenes and make the characters believable, who go about their daily work in their own country of sight, sound, smell, touch and taste. ---- Ravel Pancyey.

"How do you make things seem real and believable?" is actually a compliment to a writer when asked about it. If someone further says to him, "I feel like I'm there, I can hear, smell, feel these places, like I'm walking into the pages of a book," then what he is giving the reader is truly extraordinary. When I was asked the same question, my answer was, "With the help of the five senses." Some writers don't realize that the reader's five senses should be used to achieve a sense of authenticity. It's common to use the reader's visual senses, but how many times have you used the reader's senses of smell, hearing (except in conversation), touch, or taste? I started writing in 1976 and still have five words on the walls of my office: see, hear, feel, taste, and smell. Whenever I write, I refer to this chart and consciously write something with a smell. In fact, some disgusting things have a miraculous effect when it comes to creating a sense of realism.

Think of the smell of rotten fruit when one opens the refrigerator, the rancid fat when one peels a bear's skin, or the smell of gasoline on the hands of a woman filling up a tank at an unserviced gas station. It's not enough to mention the flavor at the beginning of the story, you have to refer to that table repeatedly when narrating the plot. Let's imagine a man and a woman arguing about something, and the man rushes from the door to the kitchen, yelling at the woman, "I can't stand your mother living with us any longer, the old lady must move out before I come back, or I'll leave this house!" At some point, I'll have the reader imagine the smell, "I warn you, Laura, with her without me, with me without her!" he said, as sour as the smell in the kitchen. Don't forget that during the argument, Laura was still filling the jar with kimchi. When she is arguing loudly, she may burn her hands and then reach into the cold water to rinse them. Of course, she could also be pouring salt water into the kimchi, spilling it on the floor, and then wiping it clean. She also dried her hands on a cheesecloth apron. She can wipe the sweat that runs down her forehead (hot, itchy), she can shout while waving the spoon in her hand (hard, wooden-handled) and throwing it at the man. These enhance the visuals. What might you hear when the argument intensifies? Is it a dog sneaking in and drinking water from a tin pan?

Is there a car on the road that is rattling? Is there the sound of children playing in the yard next door? When the water on the stove is boiling, is it tinking? How hot is the water? Do you tell the reader the temperature? Does the heroine put a cup of iced tea or iced coffee next to the pickle jar? The quarrel ends with a man going out in a rage, but the problem is not resolved, at this point, does the heroine pick up the cup, drink iced coffee, find the coffee bitter, and then grimace? As you can see, it is possible to evoke five senses at the same time in a plot like the one described above, but in order to be able to do so, the plot must be carefully arranged. The vast majority of plots can't use all five senses (especially the most gusto).

The writer will be entangled in describing this problem.

But in fact, the detailed description of the characters, demeanor, action description, etc. sometimes do not need to be written too carefully, and there is no need to deliberately embellish the words of the article to make the rhetoric gorgeous. Remember, don't write for the sake of depicting.

Before writing, you should first consider whether these descriptions need to be written, the necessity and benefits of writing, and what the purpose of writing is. Being too careful is often cumbersome, and it can easily throw the balance of detail out of the article.

As far as most readers are concerned, in fact, the plot is greater than the writing, and good writing is just the best adjunct, and good description does not mean that this is a good film.

Personally, I think that the plot, concept, and layout are more important for the first time, so I think that when I first write, instead of spending my mind on writing and description, it is better to exercise my thinking and overall conception ability first. With the increase of age, reading and writing, the writing will continue to improve, which requires long-term accumulation and precipitation, and there is no such thing as skill.

When describing a character, you can put yourself in their shoes and describe it. It is very difficult to create a sense of imagery and to make the text appealing, and to achieve it through a single simple description. In the same way, the expression of words is also related to personal style, such as ornate, such as plain.

It needs to be adjusted appropriately according to the individual situation, and this can be improved by writing in constant contact. A good one must first make a good impression, and your punctuation usage is also a little problematic, which can be adjusted slowly. Personally, accumulation is the most important thing, no matter what you write. When it comes to love, pay attention to feelings, so the plot is more important.

First of all, the main thing is the characters.

When portraying characters, we should pay attention to the details of the description, highlight the character as much as possible, and sometimes it can also be reflected through language dialogue, and you can add more modal words. The most effective way to reflect the handsome guys and beautiful women is through the side description, the reactions, actions, and influences of others, etc., will avoid the disadvantages of blindly seeing the appearance description and skipping it.

The second is the plot, most readers on the Internet don't like the male protagonist half-heartedly, the female pig is incompetent and only, and the protagonist can only cry at a critical moment. Be careful not to follow the old routines, don't have a very vulgar personality, and try to avoid the plots you have seen, which will make people feel familiar, and the favorability will naturally decline. So you can come without following the routine (hehe. Try to find a new path, but without losing your personality. The plot should be detailed and appropriate, don't talk nonsense, readers love to see the main point must be described in detail, that is, the "cool" part, the climax of the plot.

I still don't really like tragic endings, I think it will make it less popular. It's best not to have any big villains in the plot, that will make people feel unrealistic. It is better to cause conflicts based on people's interests and feelings, and the plot will be more natural.

And then there's the background.,Since it's a campus, it's best to happen on campus and social activities.,You can find a new way.,Don't let the protagonists study on the aristocratic campus.,But down-and-out or mysterious (personal advice) school to unfold the plot.,Don't just be confined to the campus.,It should also involve the society.,Outdoors, etc.,It's also a personal suggestion.。

Finally, there is the ending, as mentioned earlier, what kind of ending you want to write does not have to be clear, the front can be slightly foreshadowed, and it doesn't look so rusty. What I like more is the kind of aftermath ending, it feels like I haven't finished reading it, it's really over, and it's still good to have a good aftertaste.

If the ending is well written, then the fan is like a flower on the cake, the finishing touch. In my opinion, the extras are very important, and you can look at this book from another angle, so that the reader has a new feeling is very important, and it can be the protagonist's supporting role, which depends on your mood and preferences.

In addition, when writing, don't go by temperament, think carefully, whether it is logical, whether there are loopholes, whether the plot is coherent, whether the characters are prominent, and whether the foreshadowing is unfinished. These are all important.

Finally, the plot of the male protagonist and the female protagonist must have a certain amount of twists and turns, so that the "love" of romance can be better reflected!

1. Meaning writing skills are the skills and methods of expression, and they are effective artistic means adopted by the author to express their expressions.

Writing skills are limited by the author's world view and artistic outlook, and at the same time act on his writing practice, serving the writing activities 2. There are four characteristics: 1. Stability.

It refers to the maturity and solidity of the technique. 2. Interpenetration. Although the skills and methods in article writing vary according to the different categories and varieties of articles, in the process of article writing development, various techniques are often mutually referential and mutually influential, so the characteristics of mutual penetration of writing skills are formed.

3. Innovation. If the writing skills are only passed down from generation to generation, and there is no creative development, then the article will be ossified, atrophied, and even die.

4. Aesthetics. Colorful and flexible writing techniques, combining materials from different time and space and different angles into a colorful edifice of essays, thus have eternal artistic value.

Body - 15 Tips to Improve Your Writing Skills 1.Read excellent work: This is an obvious but immediate approach.

If you don't read more good work, you don't know how to write better work. Good writers start by reading other people's good works, then start to imitate, and finally surpass them to form their own style.

Read as many famous books as possible, and pay more attention to the problems of the article and writing skills when reading the content.

2. Write as much as you can: Write every day, several times a day if possible. The more you write, the better you write.

Learning how to write is the same as any other discipline, practice makes perfect. Write about yourself, write a blog, and submit to a publishing house.

Just write, write with all your heart, and the more you practice, the faster your writing level will improve. 3. Jot down your ideas anytime, anywhere: Carry a small notebook (Nabokov has little cards on him) and jot down any ideas you have for your ideas, articles, or characters.

When you listen to someone talk and have an epiphany, or when you see a prose poem or a lyric that moves you, you can immediately write it down for them.

Inspiration is always fleeting, and if you record it in time, it can become the material for your writing. It's my habit to make a list of articles to write for my blog and keep adding to it.

4. Dedicated writing time: Make it a habit to find a dedicated time slot every day without any interruptions.

For me, early morning is the best time, as well as lunch, late evening, or late at night.

No matter what job you do, make writing a task that must be done every day. Write at least half an hour a day, of course an hour is better.

If you're a full-time writer like me, then you need to write more hours, don't worry, it will only make you write better.

5. Casual graffiti: In the face of the whole white paper, the whole page of the white screen, there is no way to start, it must be terrifying.

You think, "I'd better read my email or take a break!" Start writing right away, type right away, it doesn't matter what you write, just let me hear you hit the keyboard.

As soon as you start writing, everything will be easy to do. Like me, I like to type my name and the title of the article first, which shouldn't be difficult, and then slowly unfold the plot and get into it wholeheartedly... The point is: you can start with casual writing and scribbling, but start writing the text as soon as possible.

6. Concentration: Writing is a single-minded thing, and it is impossible to write well in a bad environment or doing other things at the same time.

Writing requires a quiet environment with a little soft background music. Even if it's a minimum, you'll need to write in full screen (without interference from other software) and use writing software like riteRoom, DarkRoom, and riter to write without interruptions.

Turn off your mailbox, turn off MSN and Gtalk, turn off your phone and phone, turn off your TV, and clean out the useless stuff on your desk.

Clearing out the timidity that has nothing to do with writing, now is the time to write, as if putting yourself in a box and entering the state of writing without any interruption.

7. Plan first, then write: This seems to be and

"Casual graffiti" is somewhat contradictory, but it is not. It's a great way to make a plan or rehearse it in your head before you sit down and write it.

Think about what you want to write when you run every day, or brainstorm during a walk, then write down what comes to mind, make a concise outline, and when you are really ready to start writing, you can quickly expand because you have the ideas and ideas.

Here, there is a trilogy of ideas, you can refer to this: SnoflakeMethod.8.Innovation: You need to imitate famous artists, this does not mean that you have to write exactly like them.

You can try a new way of writing and learn a little from here and a little from there. Gradually, you will have your own style, your own style, and your own way of thinking.

Try something different, or create something different, you can try each method to see how it goes, and don't use it if it's not good.

9. Revision: You start to conceive your text, then try to write it, let the storyline unfold, and finally you need to go back and see what you wrote.

This is very important, many writers don't want to revise once they have written, they have already written it with time and effort, and it is really a thankless job to spend more time revising.

But if you want to write better, you have to learn how to revise it. Good work is the result of repeated scrutiny and revision, which will make your work stand out from mediocrity.

Look at what you've written, not just spelling and grammatical errors, but also meaningless words, confusing structures, and confusing sentences.

The goal of the revision: clearer, more direct, and more vivid. 10. Be concise: This is the most important thing you can do in the process of revision.

Sentence by sentence, paragraph by paragraph