readx;? And back in time, when Yongya led the remnants of Liu Bang's command to assassinate, Zhang Jiashi jumped off the red cloud very excitedly, and then pulled out the cadre sword on his back and rushed towards the village. Pen & Fun & Pavilion www.biquge.info

But what he didn't expect was that Yongya actually retreated like this, so he was very puzzled.

It's just that for him, he won't let go of a bastard who dares to do something to his family.

Zhang Jiashi said to Yu Yong behind him: "You lead people to catch up with them and capture each other alive as much as possible, if it is impossible...... Killed all. ”

Zhang Jiashi's words made Yu Yong's mood couldn't help but become awe-inspiring, because Zhang Jiashi really hadn't given such a cruel order. At least in Yu Yong's impression, there really isn't such an impression.

For Yu Yong, completing Zhang Jiashi's order is the most critical part of being a Lang Zhongling.

Even if Zhang Jiashi is not the emperor of the Great Qin Empire at the moment, but only the regent, Zhang Jiashi's orders are far more obedient than Ying Xun.

......

It's not that Yongya doesn't want to fight Zhang Jiashi at this time. But when he saw Fan Xu in the back, he knew that he had failed this time.

Although he can also be said to be a master, but in the face of Fan Xu, who is the strongest under Liu Bang, if he fights with the other party, although Fan Hao may not be able to solve him in forty or fifty combinations, but don't forget, there are countless good players under Zhang Jiashi, if he and Fan Xu are in a stalemate, these crowds rise up to attack him, and he will definitely die a miserable death.

Although Yongya wanted to avenge Liu Bang, he definitely didn't want his life to be on the line.

So he chose to flee instead of fighting Zhang Jiashi to the death.

It's just that although he and some people who saw the opportunity early escaped quickly, but in the absence of horses, Yongya was quickly caught up by Yong Yong.

Although the people led by Yu Yong are not traditional knights, they are also skilled swordsmen.

The identity of these swordsmen can also be regarded as a good swordsman in the Zhonglang Legion.

In the pre-Qin period, the development system of martial arts was already very mature.

However, in later generations, it was believed that the pre-Qin period, especially the Spring and Autumn Period and the Warring States Period, could be said to be the starting point of the development of Chinese martial arts or even a period of time with a certain development.

......

Chinese martial arts, based on Chinese culture (Han nationality), are the techniques of stopping (stopping) fighting, the techniques of stopping wars and maintaining peace, and the guarantee and guidance of material civilization, leading practitioners into the traditional way of indoctrination to understand the objective laws of man, nature and society.

Chinese martial arts, martial arts, the way of martial arts, the world, the martial arts, the body and mind, the martial arts, the prevention of infringement.

Chinese martial arts, with a long history, can be traced back to the Shang and Zhou dynasties, has an extremely broad mass base, and is a valuable cultural heritage that has been accumulated and enriched by the Chinese working people in long-term social practice. It is one of the outstanding cultural heritages of the Chinese people.

Chinese martial arts is the practice of a high degree of self-protection technology to stop the invasion, it is on the basis of effectively solving the safety problem, so that our minds can be trained in adaptability, simple and easy, can easily improve people's mental and physical fitness, defense and fitness, excellence, happiness and accommodation.

Martial arts, techniques to stop invasion and stop fighting. Possessing the strength to stop war and maintain peace, and spreading through militarization, is the guarantee and guidance of material civilization.

Some people understand martial arts as "moving with a fight, wanting to fight with people and beasts" is a misunderstanding, and the fallacy is in the understanding of "stopping": taking the toe as the movement. The understanding of martial arts is misunderstood as the original meaning of "moving one by one" rather than "stopping fighting for martial arts". The word "stop" means "one foot (toe)", which means that the front foot of the word "step" and the back foot no longer step up and stop moving forward.

The pronunciation of Wu comes from dance. Dance is an act used to show others that it is strong, strong and flexible before the advent of martial arts. Later, because there was a fight, then Liwu: the act of stopping fighting. Six feet is a step, and half a step (stop) is a martial art. Wu defines the scope of human security.

According to historical records, the earliest embodiment of the meaning of martial arts is: King Chuzhuang said: Fuwen stops fighting for martial arts. He also said: Fuwu, prohibit the violent soldiers to protect the great merit, and the people and the wealthy are also. ——"Zuo's Spring and Autumn Period: The Twelfth Year of Xuangong".

Later generations believed that in the martial arts system, the earliest origin of red boxing can be traced back to Zhou and Qin. Feng Ho of the Western Zhou Dynasty prevailed in "martial arts" and "wrestling". During the Qin period, Sanfu (present-day Guanzhong, Shaanxi) was popular, especially in the vicinity of Chang'an for "hand-to-hand fighting" and "fencing", and used sparring routines to improve skills (see History of Chinese Martial Arts). According to the "Historical Records, Zhang Yi Biography" records: "Qin people Qin Sheng, dance Qin dance to play the kite, hit the arm and hip (bi)", it is said that at the celebration banquet after the victory of King Yingzheng of Qin, the samurai "hit the arm and hip" (dance and dance) to celebrate, which has the same form of expression as the "gun" and "ten rings" in the current red boxing drill routine, and the folk red boxing proverb "beating the skin for the drum" is also the same. "Hitting the arm and slashing the hip" reflects the rough and bold of the Qin people, who not only practiced the "slapping skill", but also practiced the "method of supporting and slashing", and the red fist is the essence of the red fist method with "supporting and slashing as the mother".

Red boxing has gone through thousands of years of vicissitudes of life, it is rich in content, a variety of routines, comprehensive techniques, the coexistence of virtue and art, with the support and support of the slash as its mother, hook and entanglement for its energy, the incarnation of the flash for its wonderful, drill body closely, the leg method is sharp, and the tricky attack is the method, which is well-known in the martial arts. The red fist spreads widely, there are Yu Hong, Long Hong, Sichuan Hong, Yunnan Hong, Jin Hong, Lu Hong, etc., especially in Guanzhong. In Xianyang, Shaanxi Province built the capital, made the Qin and Han dynasties popular in Shaanxi Guanzhong Red Boxing, developed to the Song Dynasty changed to Taizu Red Boxing.

"Shaolin Boxing Method" contains "At the end of the Song Dynasty, Jueyuan visited Li Suo and Bai Yufeng in Baoji and Lanzhou, Shaanxi, to practice big and small red boxing. Later, Bai Yufeng went to Shaolin Temple to teach big and small red boxing, stick skills, grappling, etc. Shaolin Red Boxing was introduced from Guanzhong, and Li Shimin of the Tang Dynasty had a record of monks and warriors of Shaolin Temple. Wu Zetian of the Tang Dynasty established the martial arts system in 702 AD, elected military generals, and awarded certain titles by examination, which greatly promoted the development of martial arts. The Song, Ming and Qing dynasties also followed it, and at the end of the Qing Dynasty, there was a hereditary system of soldiers and generals, and at this time martial arts had become a cultural form, and produced a school of inheritance, which has since affected Southeast Asian countries. In the Tang Dynasty, there was a record of Li Bai visiting Xu Xuanping, a native of Jiangnan Province. At the beginning of the Republic of China, Xu Yusheng called the third seven (Taiji three seven potentials) was passed on by Xu Xuanping.

At the beginning of the founding of the Song Dynasty, the prohibition of private associations and private possession of weapons was prohibited. In 1127 (the first year of Jianyan in the Southern Song Dynasty), the Song dynasty moved south, and at the suggestion of the patriotic generals led by Yue Fei and Han Shizhong, most of the soldiers and civilians rose up to practice martial arts. Take Hangzhou as the center. The southern fist that circulates in Hangzhou is mainly the upper limbs, supplemented by elbows and knees, and rarely flies off the ground, which is called "boxing and lying on the bull ground" [2]. The ancestor of the heart ** boxing, it is said that there is a "Yue Wu Mu Wang Boxing Sutra". And he is respected as the patriarch of the sect, but unfortunately there is no historical evidence. In 1156 (the twenty-sixth year of Shaoxing), the imperial court established a martial arts school in Lin'an.

In 1180 (the seventh year of Chunxi), the "martial arts are excellent in military law" was set up, and those who studied martial arts could gain fame. A total of 27 martial champions appeared in the Southern Song Dynasty. At that time, the martial arts groups in Hangzhou included the Jiao Arrival Society, the Championship Society, the Water Crossbow Shooting Society, the Sichuan Crossbow Shooting Society, the Yingluo Society, the Horse Society, etc. There are also groups such as patrol societies, archers, and good families composed of non-governmental organizations. On weekdays, they "hold bows and hoes, and patrol with swords". After the north was invaded by Jin, a large number of refugees came to Hangzhou, bringing with them the northern boxing and merging with the original southern boxing. There are "road divergent people" who wander the rivers and lakes and practice martial arts for a living.

And the law of the sword was formed earlier in history:

The sword was produced in the Shang Dynasty, which was shorter, in the shape of willow leaves or acute triangles, and was originally made of copper. After the Han Dynasty, copper swords were gradually replaced by steel swords and tended to be stereotyped. The sword, is the ancestor of the short soldier, the weapon of close combat, with the profound Taoist art, because of its lightness, the charm of wearing, and the swiftness of use, so the princes and emperors of the past dynasties, the scribes and knights, the merchants and the common people, are not proud of perseverance. Since ancient times, swordsmanship has often been on the battlefield, dominating the martial arts, establishing a country, and practicing benevolence and righteousness, so it is loved by the world.

Swordsmanship began to appear in the late Spring and Autumn Period, and records of swordsmen began to appear in historical books. Gou Jian, the famous king of Yue in Chinese history, who took revenge and returned to the country, once invited a swordsman who lived incognito in the mountains and forests to teach his soldiers swordsmanship. This Yue Nu is not only proficient in swordsmanship, but also has a set of theories. The ninth volume of the Wuyue Spring and Autumn Period and the Zhuangzi Essay on the Sword both describe the techniques and tactics of ancient fencing. The Hanshu Yiwenzhi contains 38 articles on the way of the sword, which is a treatise on fencing techniques before the Han Dynasty.

The Han Dynasty developed an army with cavalry as the main force. The cavalry engaged mainly slashing, and there were few stabbing movements. As a result, the ring-handled knife replaced the sword, which greatly reduced the use value of the sword on the battlefield. By the end of the Eastern Han Dynasty, the ring-handled knife almost completely replaced the sword and became the main short weapon in the army. The decline of the status of the sword on the battlefield has made the atmosphere of fencing popular in society, and everyone likes fencing and wears a sword, and swordsmanship has been greatly improved. Many literati formed an indissoluble bond with swordsmanship. Historian Sima Qian's ancestors were famous for teaching swordsmanship in Zhaodi, Dongfang Shuo learned fencing at the age of 15, and Sima Xiangru was not only fond of reading but also fencing when he was young. During the reign of Emperor Wu of the Han Dynasty, the learned Confucian scholar of Bohai County was invited to meet a senior official, and the gatekeeper asked him to untie his sword, and Jun Budo replied very resolutely that the sword was a weapon used by a gentleman for self-defense, and could not be solved. Chen Shou wrote that he was "in a peaceful world, and the sword was inseparable from his body". During this period, there were also many articles devoted to fencing methods, and according to the Book of Han, there were 38 such articles, all of which were later lost. At the end of the Eastern Han Dynasty, swordsmanship had further development. There were many skilled fencers, who traveled far and wide to teach swordsmanship. For example, during the reign of Emperor Heng of the Han Dynasty and Emperor Ling of the Han Dynasty (147-189 AD), in the capital Luoyang City, a swordsman named Wang Yue was very famous and taught many apprentices.

The Han Dynasty sword fighting shows the depth of martial arts. Cao Pi's "Classics and Self-Description": "Yu also learned fencing, read many teachers, and the methods of the Quartet are different, but only the Beijing master is good. Between Huan and Ling, there is the Tiger King Yue Shanshu, known as the Beijing Division. Henan Shi A Yan and Yue You, with its own method, Yu Cong A learned proficiently. Taste and drink with Pingyu General Liu Xun, Fenwei General Deng Zhan, etc., Su Wen Zhanshan has arms, Xiao Wubing, also known as he can enter the white blade empty-handed. Yu and the sword for a long time, said that the general is illegal, Yu Gu tastes good, and has good skills, because he asks for Yu to be right. When the wine is hot, Fang eats cane, and thinks that he is a cane, and he goes down to the hall to hand over several times, three in his arms, and laughs left and right. The exhibition is uneven, and it is even more so. Yu Yan Wu is in a hurry, and it is difficult to be in the middle, so he is arm and ear. Zhan Yan is willing to make a new hand, Yu knows that he wants to suddenly take the middle of the hand, because of the pseudo deep advance, Zhan Guo looks for the front, Yu but the foot?, is cutting off his chin, sitting in shock. Yu still sat down and said with a smile: "Xiyangqing made Chun Yuyi go to his hometown, and even gave him secret skills. "Have fun sitting down. ("Three Kingdoms, Wei Shu, Emperor Wen" Pei Song Note) This record reflects the superb swordsmanship and the prosperity of sword fighting style at that time.

But since the beginning of the Tang Dynasty, the psychology of scholars has been full of Taoist gods and demons, and the sword has become a weapon to suppress evil spirits. So the family hung a sword, that is, thought it was auspicious, did not learn swordsmanship, but thought that the sword could defeat the enemy. Therefore, since the Tang Dynasty, one of the sword short-range soldiers has been used by Shi Dao and led astray. Since the enlistment soldiers used more swords than swords, there were more sabbers than swordsmen, which had a considerable hindrance effect on the development of swordsmanship.

In the Tang Dynasty, sword-wielding dancing became a social custom, and friends also danced swords during banquets and drinks. Du Fu's "Sword Dancing Weapon Xing" describes the sword dancing skills of Gongsun Auntie: "In the past, there was a beautiful woman Gongsun clan, and a sword dance moved in all directions. The spectators are depressed like mountains, and the heavens and the earth are low for a long time. Huo Ruyi shoots nine sunsets, like a group of emperors and dragons, like thunder to collect anger, like a river and sea condensing clear light. "The sound and light of the sword seem to be heard and seen, and the exquisite skills are like being presented in front of you. Gongsun Auntie's sword dance because it is a dance, requires a high degree of artistic processing, and martial arts are completely different, that is, swordsmanship also has a large gap with the actual combat technology, which is obviously different from the swordsmanship routines developed with the theme of attacking and defensive fighting, but the high development of sword dance also provides an important prerequisite for the development of swordsmanship later.

In the Ming Dynasty, Qi Jiguang's "Wubei Zhi" recorded the usage of the sword: cross left strike, cross right strike, wing left strike, reverse scale thorn, open belly thorn, double Ming thorn, spin style, royal car grid, limelight wash, etc.

The Ming and Tang Dynasty Shunzhi's "Martial Arts Edition" said: Song Taizong "selected hundreds of warriors from all armies to teach them to dance swords, all of them can throw swords in the air, jump their bodies left and right to bear it, and it is incomparably wonderful." Will be Beirong bereaved to repair the tribute, give the banquet to the palace, because of the swordsman to show it, the drum bath, wave the blade in, jump and throw, frost and snow blade, flying in the air. These superb skills had a great influence on the later development of swordsmanship routines and performance skills, and they were also seen in the martial arts routines practiced.